[Hornlist] NHR

2007-12-21 Thread Eric Egle
Happy Holidays everyone!
   
  http://www.youtube.com/watch?v=2Fe11OlMiz8




Come check me out on MySpace at http://www.myspace.com/ericegle

   
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Never miss a thing.   Make Yahoo your homepage.
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RE: [Hornlist] NHR

2007-12-21 Thread Steve Freides
 -Original Message-
 From: Eric Egle [mailto:[EMAIL PROTECTED] 
 Happy Holidays everyone!

   http://www.youtube.com/watch?v=2Fe11OlMiz8

Fantastic, Eric - thanks for that one.

-S-

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[Hornlist] Julius Watkins - was: anyone ever heard this?

2007-12-21 Thread phirsch
As does every few months or so, the topic of Julius Watkins has surfaced on
the list. Someone (actually my junior HS band teacher from back in 1962)
recently brought the dissertation JULIUS WATKINS AND THE EVOLUTION OF THE
JAZZ FRENCH HORN GENRE http://etd.fcla.edu/UF/UFE0012940/smith_p.pdf to
my attention. He sent me the link since the paper contains an extensive
interview with yours truly reminiscing about JW. Unfortunately, this was my
first glimpse of the interview transcript and I was alternately somewhat
bemused and appalled at the amount of misquotation and invention that had
found its way into the text and my biographical information (I am not now
nor have I ever been the journalist it claims I am. If I were, I'm sure I'd
have learned to write better by now). The entire work is riddled with
unwarranted suppositions and speculations, typos, factual inaccuracies,
wrong name spellings and a generally poor style of writing. The author
also, in my opinion, fails to grasp the nature of what made his playing and
the recordings he made so mind boggling and significant., though others may
draw different conclusions.

Having said all of that, I strongly urge all who are interested in the man
to read it; it does significantly add to the knowledge bank (even if you
subtract all the bad information contained) on Julius. I respect all the
time and effort that went into it and am glad to say I read every word; it
just is a bit discouraging to think some readers will take it all as gospel
truth and it is shocking, to me, to think that one can obtain a doctorate
without the written portion of one's studies showing that the basics of
scholarly research and writing have been attended to. I understand why many
hornplayers feel compelled to obtain advanced degrees so that they can have
ghost of a chance of landing a teaching job in a world where supporting
oneself and dependents exclusively by playing is next to impossible (and
only those who can are able to land teaching jobs without the D. Mus. or
Ph. D.), but it is depressing to see results such as these. I don't mean
this as an attack on the author nearly as much as an indictment of any
system that accepts and supports such low standards.

As I said, on balance, you really ought to take the time to check it out.

Peace on earth,

Peter Hirsch

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[Hornlist] RE: American Horn Sound

2007-12-21 Thread HornCabbage
Someone wondered

with this discussion of the different types of the American sound 
What school would you say is the true sound that represents that 
American Horn Sound?

***
I would vote for the school of Kendall Betts, the Roger Clemens
of the horn, though KB achieved his hall-of-fame results without 
getting injected in the butt with steroids. I still remember the sound 
he got throwing his horn across the hall at the IHS Workshop in 
Eugene, OR.   To me, that represents the very apex of the
American horn sound, though not, of course, the apex of
the instrument's trajectory.

***
***

Then Paul M wrote

This is a big country and we have several great sounds.  
(Whatever floats your boat!)
*
Hey Paul, my favorite is the Long Island Sound.

gotta go,
Cabbage



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RE: [Hornlist] RE: American Horn Sound

2007-12-21 Thread Loren Mayhew
And don't forget the Puget Sound to which a Finke horn contributes.

Loren Mayhew, Owner
Computer Intelligence LLC, dba
CI Music 
[EMAIL PROTECTED]
www.mayhews.us/CI/Finke
001 (520) 289-0700

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Friday, December 21, 2007 11:42 AM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: American Horn Sound

Someone wondered

with this discussion of the different types of the American sound 
What school would you say is the true sound that represents that 
American Horn Sound?

***
I would vote for the school of Kendall Betts, the Roger Clemens
of the horn, though KB achieved his hall-of-fame results without 
getting injected in the butt with steroids. I still remember the sound 
he got throwing his horn across the hall at the IHS Workshop in 
Eugene, OR.   To me, that represents the very apex of the
American horn sound, though not, of course, the apex of
the instrument's trajectory.

***
***

Then Paul M wrote

This is a big country and we have several great sounds.  
(Whatever floats your boat!)
*
Hey Paul, my favorite is the Long Island Sound.

gotta go,
Cabbage



**
See AOL's top rated recipes 
(http://food.aol.com/top-rated-recipes?NCID=aoltop000304)
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[Hornlist] Mozart Quintet

2007-12-21 Thread John Schreckengost
Howard,


The bassoonist was a colleague of mine when I was principal horn in the Israel 
Sinfonietta. He was principal bassoon.



My best guess is that the YouTube link is of a performance at the 2005 
Jerusalem International Chamber Music Festival. The personnel listed matches 
those in the performance on the September 10th 11 AM concert listing.


http://www.jcmf.org.il/EN/program-old.asp

Happy Holidays!

John Schreckengost
Chicago, IL 

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