RE: [Hornlist] King Eroika horn

2008-03-15 Thread Melvin Baldwin

I owned a King Eroica from 1973-1986. I used it all through highschool and 
college. This nickel-silver horn played very well and at that time was 
considered by a few to be an alternative(perhaps even a substitute) for the 
Conn 8D. It had a unique two-piece lever design for the thumb valve. It was a 
large bore horn like the Conn and the only bad thing about it was the G at 
the top of the staff tended to be on the flat side. I only got rid of it when 
my teacher hooked me up with a used Conn 8D.
Melvin From: [EMAIL PROTECTED] Date: Sat, 15 Mar 2008 01:53:49 + To: 
horn@music.memphis.edu Subject: [Hornlist] King Eroika horn  Anyone have any 
experience w/ the King Eroika horn? Please tell me about it. Valerie  
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Re: RE: [Hornlist] chicken or egg - I try it the 3rd time

2008-03-15 Thread Hans Pizka
Mark, Paul Rincon answered correctly regarding R. Strauss, but regarding Mozart 
I might ask you, if you ever have had a look who arranged the piano reduction 
of the Mozart Concertos you studied or you will study. Do you own the piano 
parts or do you just study your horn part from a copy of a copy where the 
arranger is not visible any more ?

Would any arranger in the world dare it to write a new piano reduction, if 
genius Mozart had written the piano version first ? You are quite funny.

Mozart wrote the concertos in a very special way as we can see on the 
incomplete scores for the two movements in D, we erroneously put together  
name it concerto no.1 and in the also autograph score for the no.3 concerto, 
which we number as no.4 today and in the so called Concert Rondo K.371  the 
other fragments. He started with the introduction as full score. As soon as the 
solo instrument joins, he continued with the sololine, the first violin  the 
bass line first until the next tutti. After completing a movement he filled in 
the 2nd violin, viola  thze usual four wind instruments, which sometimes were 
not written in the score but as a separate sheet of music. On repeated 
passages, Mozart left the work for the copyist, who wrote out the performance 
material. There was no score published earlier than the first Breitkopf 
publication edited by Henri Kling, who also arranged the piano reductions. The 
Mozart Concertos were not popular in the 19th century. There was just the 
 old Andre edition of the three concertos in E-flat, but also another 
publication of the (modern numbering) no.4 concerto K.495 by Contore d´arte et 
d´industrie in Vienna, perhaps under Leitgeb´s participation. All the Mozart 
Concertos became popular by the effort of Karl Stiegler from Vienna  Aubrey 
Brain in London. You have to remember, printing was extremely costly then, so 
very few sets were published. Printed music was too expensive for most players 
 students. Well, some got the chance to opy parts by hand. So things became 
preserved also.

This is the message I tried to send. Believe me, I never had any control or 
censorship of my letters from China. You seem to believe old myths. You should 
come to China to think different. I have been here about 40-times since 1984 
and seen  experienced the unbelieveable changes. I have Internet high speed 
access from nearly every hotel room (I do not travel like these rucksack 
tourists staying in 5 - 10.- dollar lodges but also avoid the 80.- USD up 
hotels.), - and the internet access is complimentary. What bothers, is the 
language situation. Even taxi drivers seem not to understand the term hotel, 
jewelry shops dont know gram or ounce as weight, even sign language fails often 
as they are not trained to think further. But you find a lot people, trying to 
help you even not being asked for. That is nice. If they speak any foreign 
language they try to use it when  where possible. And you get everything in 
the shops. The shopping malls are up to date. You see all famous bran
 ds, the real things not copies. The architectural modern design mixed with 
some traditional (Tang Dynasty) is very impressing  so is the size. Traffic is 
enormous. Food is excellent  perfect cheap. We had ten satays mutton, thick 
noodles with tofu  vegs, a plate peanuts in 5 colors plus sliced lotus roots  
cucumbers, another plate of vegs, 1 middle sized coke, turkish bread for a 
total of 5.-USD. And they had an English menu. The other day we ate Peking Duck 
 5 other delicacies  one bottle beer for 19.-USD (famous restaurant).

Greetings from Xi´an in the heart of China to all. Hope the message gets out

Hans
 Original-Nachricht 
 Datum: Fri, 14 Mar 2008 19:52:01 -0500
 Von: John Baumgart [EMAIL PROTECTED]
 An: \'The Horn List\' horn@music.memphis.edu
 Betreff: RE: [Hornlist] chicken or egg

 Give it time.
 
 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On
 Behalf
 Of Ellen Manthe
 Sent: Friday, March 14, 2008 7:15 PM
 To: The Horn List
 Subject: Re: [Hornlist] chicken or egg
 
 And no one has been the least offended by any of his comments...
 Ellen
 
 
 On 3/14/08 7:06 PM, Dan Phillips [EMAIL PROTECTED] wrote:
 
  On Mar 14, 2008, at 6:38 PM, [EMAIL PROTECTED] wrote:
  
  
  ___
  post: horn@music.memphis.edu
  
  These empty messages are being caused by filtering by the list server.
  Hans is sending messages that include only HTML, without the plain
  text alternative that is normally part of HTML emails.  When the
  server strips out the HTML, the result is usually an empty message
  body, which the server discards. After looking at the raw message
  source and the headers, my best guess is that for some reason, the
  messages he is sending are missing some HTML tags, and the filtered
  result includes only the two carriage returns that we are seeing.
  
  The horn list sends plain text messages with no 

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2008-03-15 Thread updates
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[Hornlist] RE:King Eroika horn

2008-03-15 Thread Kathy Lowe
This is purely an amateurs opinion.  I currently play
on a King Eroika that had the bell cut and the lacquer
stripped.  I originally got it as a travel horn, but
started playing it more than my Abilene 8D because the
valves work so much better. Now, for one group I'm in,
it's my horn of choice.

The Eroika is not a small horn; you have to put a lot
of air though it.  It is also a very dark horn that
can get quite loud without turning.  If you prefer a
bright sound, then you will not like the Eroika.  If
the phase of the moon is just so,  with the proper
section of music in the proper range, that horn will
just open up and sing.  I've never been able to do
that on my 8D.

Kathy
Anaheim, CA

---Original Message---

Anyone have any experience w/ the King Eroika horn? 
Please tell me about it.   Valerie



  

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