Re: [Hornlist] Re: Auf dem Strom

2008-12-13 Thread Han-Wen Nienhuys
On Fri, Dec 5, 2008 at 4:14 PM, Daniel B. Hrdy  wrote:
> That's good, Hans, I should have ordered it from you.  Do you think Schubert
> would mind all these different keys?  Why did he pick E?  There are supposed
> to be certain moods associated with certain keys, but I've never really
> believed that when it comes to horn playing.

In Schubert's time, an E was markedly lower than today, so Schubert's
E will have sounded differently anyway.

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Re: [Hornlist] Summer programs

2008-09-28 Thread Han-Wen Nienhuys
Hi!

I've participated a couple of times in the Czech hornclass.  It's
organized by a trio from the Czech Phil each year, x

  http://www.hornclass.cz/welcome.html

I think their original intent was to train the new generation of Czech
horn students, but limited amounts of foreigners and/or amateur
players are welcome too. Besides the trio, they have 3 guest teachers
each year: a Czech professor, a young foreign teacher, and a veteran.
The class lasts a week, and every day you get a lesson from each one
of them.

I've done the class a couple of times and managed to have lessons with
Herman Baumann, Peter Damm and Francis Orval.

It's also an excellent opportunity to visit Prague; the class happens
in a small city close to Prague.

On Tue, Sep 23, 2008 at 12:32 PM, Mathew James <[EMAIL PROTECTED]> wrote:
> Hey list,
> I am hoping some people can enlighten me in summer orchestral programs that
> occur in Europe. With a special interest in Germany and Austria. The next
> summer preparing begins HOORAY!
>
> --
> Mathew James
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Re: [Hornlist] An unusual response

2008-06-14 Thread Han-Wen Nienhuys
After twenty years of struggle (and some pretty nice high-points) with
French horn, I nowadays play trombone.  I used to shrug off comments
of "french horn is difficult", but playing trombone has made me
appreciate the difficulty of Horn.  The range of trombone doesn't
compare, and the posture of French Horn is totally screwed too.


On Sat, Jun 14, 2008 at 2:38 PM, John Roberts-James
<[EMAIL PROTECTED]> wrote:
> In order to clear the room of flies
> and better understand its mysteries,
> I have recently taken up the trombone.
>
> A most surprising response, I find that after
> a short trombone session, my horn playing
> is significantly improved. My tone is better,
> my high notes are clearer.
>
> This puzzles me.
>
> But as I'm only a Beginner,
> no change to the number of flies.
>


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[Hornlist] Horn Digest, Vol 9, Issue 1

2003-09-01 Thread Han-Wen Nienhuys
[EMAIL PROTECTED] writes:
> Auf dem Strom de Schuman y Brittem.
> 
> My response to him was, "Good luck."
> 
> Would anyone care to offer him advice? I would be happy to pass it on to
> him. If you wish to reply to him in Spanish, I will give him your reply as
> is.

Sure. Let him borrow a microphone and an MD player, and let him record
himself, and listen to the result.


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[Hornlist] music KV 487 online - comments welcome.

2003-08-28 Thread Han-Wen Nienhuys

Dear horn-enthousiasts,

I've made a preliminary version of the Mozart duets available online.
Find it at 

 http://www.xs4all.nl/~hanwen/public/music/duets-kv487.zip

(the zip contains source files, MIDI and PDF files)


Comments, bugreports welcome. 

The README follows:




Twelve duets (KV 487)

by

W.A. Mozart


This is a PD edition for the mutopia project (www.mutopiaproject.org)
of KV 487, following the edition prepared by Otto St"osser in 1961.

There are some oddities, which I corrected to my best knowledge.

* No1, horn 2 ends on low e.  This must be an error, the piece is in
F-major, and horn 1 plays f'

* No 3: slurring of the appoggiatura in measure 20 is inconsistent

* No 4: uses appoggiatura in measure 20 and 21. I have substituted
acciaccatura

* No 7, horn 1: uses portato (slur & dot) in measure 8. This is
inconsistent.

* No 8: measure 35 uses a dotted half note in 2/4 time.

* No 9, horn 1: measure 2 has a printing error, where a 8th note is
not beamed.

* Finally: the pieces are inconsistent with dynamics. In some pieces,
the same dynamics are indicated for each staff separately, while in
other pieces dynamics are shared between staffs.


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Re: [Hornlist] PD edition of KV 487 ?

2003-08-27 Thread Han-Wen Nienhuys
[EMAIL PROTECTED] writes:
> The Mozart duets are PD anyway. There is not one single note to be
> changed. Stoesser did just some phrasings.

I think there are odd notes in this edition (I suspect printing
mistakes); I will collect them and request for comments.

> But you have to be careful when writing as to find the right key these
> duets were intended to be played. The are not for horn in F or E-flat.
> The key of the duets varies. And you must respect the Mozartian tempi

Yes, I noticed some were in a stratosferic tessitura originally.

Thanks for the comments. Expect to find them online shortly.

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[Hornlist] PD edition of KV 487 ?

2003-08-26 Thread Han-Wen Nienhuys



Dear horn-players,

I want to submit a version of Mozart's Duos for French Horn (KV 487)
to the mutopia project (see http://www.mutopiaproject.org/).  For
this, I need a version of this piece which has passed into the public
domain.  I currently have an edition that is transcribed by Otto
Stoesser (the introductory text is marked "Stuttgart 1961"), printed
by Masters Music Publications.

My guess is that Masters Music publications is reprinting Public
Domain music, which would mean that this score is in the PD too.
Is that correct?

If not, does anyone have a scan of an older edition for me? Anything
unedited or printed before 1920s will probably do. 

Greetings,

Han-Wen


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