Re: [Hornlist] Re: for no one
This is usually atrributed to Ravel. See http://en.wikipedia.org/wiki/George_Gershwin On 6/3/08, Computer Intelligence LLC <[EMAIL PROTECTED]> wrote: >Well there was a story about Gershwin I heard many years ago that > went something like this. Somebody may be able to fill in the details. The > way I heard it was that at some point after he was established as a composer > he decided that it was time for him to learn proper orchestration > techniques. So he applied to a well-known composition instructor (in the > Paris Conservatory, I believe). The instructor asked Gershwin how much money > he made the previous year to which he replied $20,000 (a huge amount back > then). The instructor then replied that Gershwin should teach him how to > orchestrate. [snip] -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: [horn] I Found My Horn
I received my copy on Saturday, so I would imagine that anyone who pre-ordered a copy will receive it soon. I have not had time to read it cover-to-cover, but I really have enjoyed the bits that I did read. I read "Hold It Like A Man!" first. Jasper was at KBHC the same week that I was, so I was especially interested in what he had to say about that. I was not disappointed! >= Original Message From [EMAIL PROTECTED] = >Dear Horn Listers, > >Please allow me this opportunity to inform you of the publication of a new >book, I Found My Horn, by British journalist and amateur horn player, Jasper >Rees. This is an autobiographical account of Jasper's return to horn playing >after a 22 year hiatus. The title comes from the humorous Flanders and Swann >song that uses the rondo of Mozart No. 4, K.495 as its melody. The book is >being released in the UK on January 24 by Wiedenfeld and is scheduled for >release in the US later this year by HarperCollins with the title A Devil to >Play, taken from the same source. Apparently, HC found the original title a bit >too racy! That aside, I can personally say that Jasper is an excellent >writer and a "jolly good chap" as I was privileged to have him as a participant at >KBHC as he made his "quest for the grail." > >There is an extract published in the Daily Telegraph, the paper that Mr. >Rees mainly writes for, >_http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xm l_ >(http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xm l) which gives a flavor of the bookâs tone. Rest >assured that there is also a lot of serious consideration of the hornâs history >too. For example, he's attempted to gather in one place every known fact >about Leutgeb. There is also a chapter which is called âHold It Like A Man!â >after something Hermann Baumann said to him rather too forcefully one hot >afternoon at KBHC. > >The BBC has named I Found My Horn its "Book of the Week. Five edited >extracts are being read as an audio book on BBC Radio 4 from Monday 14 Jan through >Friday 18 Jan. The official broadcast time for the program is 9.45 AM, local >time, and then thereâs a repeat for European insomniacs at 12.30 AM, which is >early-mid evening, depending on your time zone, in the US. It is possible to >listen online by going to _http://www.bbc.co.uk/radio4/_ >(http://www.bbc.co.uk/radio4/) and clicking on the Listen Live tab on the right. However, there >is also a Listen Again option online which allows you to catch it for up to a >week afterwards. It can be found here: >_http://www.bbc.co.uk/radio4/arts/book_week.shtml_ (http://www.bbc.co.uk/radio4/arts/book_week.shtml) . Thus the >Monday episode is available for seven days from the moment of broadcast, the >Tuesday one for seven days, and so on. > >Copies of the first release may currently be ordered at Amazon.com >_http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ ref=sr_1_4/ >202-3095876-5926215?ie=UTF8&s=gateway_ >(http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ ref=sr_1_4/202-3095876-5926215?ie=UTF8&s >=gateway) . > >A copy is on its way to me and I'll give a review here, ASAP. Please join >me in congratulating Jasper in his monumental accomplishment in adding to the >sparse assortment of horn related writings! > >Sincerely, > >Kendall Betts > > > >**Start the year off right. Easy ways to stay in shape. >http://body.aol.com/fitness/winter-exercise?NCID=aolcmp0030002489 > > >[Non-text portions of this message have been removed] > > > > >Yahoo! Groups Links > ><*> To visit your group on the web, go to: >http://groups.yahoo.com/group/horn/ > ><*> Your email settings: >Individual Email | Traditional > ><*> To change settings online go to: >http://groups.yahoo.com/group/horn/join > (Yahoo! ID required) > ><*> To change settings via email: >mailto:[EMAIL PROTECTED] >mailto:[EMAIL PROTECTED] > ><*> To unsubscribe from this group, send an email to: >[EMAIL PROTECTED] > ><*> Your use of Yahoo! Groups is subject to: >http://docs.yahoo.com/info/terms/ -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Case Questions
>= Original Message From "William Gross" <[EMAIL PROTECTED]> = >I'm in the market for a new case for an 8D with detachable bell. I'm >looking at the >Conn Screw Bell Case and the Bonna case. There is a couple of hundred >dollars difference, in the two is the Bonna case that much better a case? I used the Conn case for about a year, but the stitching started falling apart and I got tired of trying to repair it. Other than the lack of a music pocket, it was fine. Then I got the ProTec case,(PB-316SB, pictures at http://www.finecases.com/browse/protec/protec-2178.html) which is very similar to the Conn case, but a bit larger and heavier, but better constructed overall. It has a music pocket that can accomodate a large music folder easily. The bad points: The inside is actually too big for my Lawson. The backpack straps are fastened on with velcro that kept coming loose; Right now, I am using this case with a shoulder strap to avoid the velcro issue. It would be a pretty good case if the backpack straps were usuable. It is about the same price or less than the Conn. I am thinking about trying the Thompson case, $260 (http://thompsonedition.com/browse_accessories.php?id=2) I previously had the Bonna MB1. I like the design of this case, but the zippers did not hold up well, especially considering the price of the case. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] FWD: (none)
We got dad back to the village. Dr. Wagner's associate came in to discharge him. He didn't want to get discharged. He appeared at death's door but they released him anyway. He wanted to wear the hospital gown and hospital robe out but the aides dressed him---he also wanted an ambulance to take him back to the village but that didn't fly either. He could barely stand while in the hospital. When we got him back to the Village the girls all made a big fuss over him and by the time we left he was walking out of the bathroom on his own with the walker. Roy's daughter Barb called and the "death's door" voice came out again for that conversation. The old guy that was in the next bed to him at the hospital, who also sat at his table at the Village died this morning and dad heard the whole process so I know that was upsetting for him too, but he was enjoying telling his other tablemate John all about it when John came down to visit him right before we left his room. Wagner wrote on his discharge papers "allergic bronchitis" as the diagnosis--the ER dr. had said he had pneumonia. The discharge dr. set him up for visiting home health care for a while to help get his strength back. I'm sure he'll enjoy that. He wanted a tray of food as soon as we got him back to the village and he ate EVERY BIT. That is all. i hope. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Tuning slide markers (??)
>= Original Message From The Horn List = >I don't know what these are called & I can't find them anywhere I've looked. > I'm trying to find a source to buy the cool little gadgets I saw on Gail >William's horn Saturday. I didn't get a chance to ask her about them. >They're little metal bands, about 7 to 9 mm wide (less than 1/4 inch). They >attach to the tuning slide to mark it where you've tuned it. They are >tightened in place with a small screw that is turned by hand like the fine >tuning screws on string instruments. > >Anyone know where I can find such a thing? They are listed on the Osmun web site. See http://store.osmun.com/browse.cfm/4,103.html -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Mozart full orchestra parts concert 1 d maj
This message from David Thompson (http://launch.groups.yahoo.com/group/horn/message/34240) states that "... we recently acquired the internet distribution of the Kalmus publications via kalmus.com" >= Original Message From "Michiel van der Linden" <[EMAIL PROTECTED]> = >I thought Kalmus was bought by Thompson because of this: http://www.kalmus.com/ >I now see there's also a site www.kalmus-music.com though... >Sorry, I jumped to conclusions > >2007/10/22, BVD Press <[EMAIL PROTECTED]>: >> > >> > >> >Kalmus /is/ Thompson Edition ;) >> > >> >> >> ?? >> >> Kalmus bought Thompson??? Thompson bought Kalmus??? >> -- >> Bryan Doughty >> BVD Press and Cimarron Music Press >> 79 Meetinghouse Lane >> Ledyard, CT 06339 >> [EMAIL PROTECTED] >> 860 536-2185 >> http://www.bvdpress.com/ >> http://www.cimarronmusic.com/ -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Haendel solos
. Original Message ... On Mon, 28 May 2007 15:22:56 -0500 Carlberg Jones <[EMAIL PROTECTED]> wrote: > >Just out of curiosity, is there a movement afoot >to spell the name of one of our favorite >composers "Haendel" instead of "Handel?" Was it >Händel? . It is just another way to spell Händel without the umlaut. ___ Jonell Lindholm Reisterstown MD 21136 [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] work(s) for organ/piano and chorus with horn obligato?
Sound file, lyrics, etc for "Set Me as a Seal" appear here: http://www.plu.edu/~nancelr/set-me-1.html -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] On > Behalf Of Melvin Baldwin > Sent: Tuesday, May 08, 2007 8:45 AM > To: horn@music.memphis.edu > Subject: RE: [Hornlist] work(s) for organ/piano and chorus > with horn obligato? > > "Set Me as a Seal" by Richard Nance for SATB, Horn, Piano or Organ > I was supposed to perform this exquisitely beautiful work > this month-but > alas, I have not heard anything from the choir director. It > was originally > composed for a wedding. The words may come from the "Song of > Solomon" but I > do not remember for sure and I only have the horn part. It's > published by > Walton Music Corporation. I highly recommend this work > followed closely by > Paul Basler's compositions-which is my personal taste of course. > Melvin Baldwin ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] work(s) for organ/piano and chorus with horn obligato?
> I've been asked to find a piece for the above listed > combination, organ preferred but piano also acceptable. > Is there such a piece? There are several. Two of my favorites are: Courtney, Craig - "O Christ the Same" http://www.beckenhorstpress.com/title.asp?id=1577 (Sound clip at http://tinyurl.com/2xpvdl) Courtney, Craig - "Coronation" [Beckenhorst Press]http://www.beckenhorstpress.com/title.asp?id=1273 Another that I have heard is: Galbreath, Ken - "Give Thanks, Sing Praise" (Psalm 92), [Mark Foster (MF2169)] Others that I have heard of, but am not personally familiar with: Basler, Paul - Alleluia" Basler, Paul - "Missa Kenya", or just the closing "Agnus Dei" Basler, Paul - "Songs of Faith". Individual titles include: "Be Thou My Vision" "Ubi Caritas" "Alleluia" "Psalm 150" "Psalm 23" Courtney, Craig - "One Faith, One Hope, One Lord" [Sacred Music Press] I believe that there was a pretty extensive list on choralnet.org 2-3 years ago. You might also check the choralnet.org archives. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] NE IHS Workshop at Mansfield, PA (?)
Kendall Betts wrote "I'm planning to be at NE IHS Workshop at Mansfield, PA in March " Has this workshop been announced anywhere? Yes. See the following: http://hornsociety.org/NEWS_INFO/events/index.html http://faculty.mansfield.edu/rdodsonw/nehw/> http://www.hornnewengland.org/Events.asp -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Telemann Concerto
This has been re-issued by Archiv Music. I recieved this last week, but have uet not had time to listen to it. The details are at http://tinyurl.com/y9eobl (http://www.arkivmusic.com/classical/album.jsp?album_id=57853) >= Original Message From Bill Tyler <[EMAIL PROTECTED]> = >A good representation of Telemann horn works is Hermann Baumann's recording with Academy of SMITF on the Philips label, recorded in the mid 1980's. > > > >Linda Sherman <[EMAIL PROTECTED]> wrote: I have been listening to the CD "The Magic of the French Horn" and >really like the Telemann Concerto. > >Did Telemann write any other works featuring the horn? I have been >unable to find out just googling around. > >Thanks in advance. > >Linda -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: recording level
>= Original Message From The Horn List = [snip] >In fact I did remember, from older posts, about that Sharp/Sony >difference, and asked the shop: but they told me that the Sharp was >out of production (maybe they just didn't have it). They are out of production, AFAIK. Minidisc now appears in the Sharpusa.com product archive, with the statement "Sharp USA is not featuring new MiniDisc models at this time". -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Seeking Sheet Music
>= Original Message From [EMAIL PROTECTED], The Horn List = >I am trying to locate the sheet music for Mélodies (6) for Horn and Piano by >Charles Gounod. > >I tried Hans website as well as Southern Music, Thompson Edition, Robert >King w/o success. Any know who might sell this piece? McCoy's Horn Library sells this for $20. See http://mccoyshornlibrary.com/catalog.htm#keyboard -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Pressure NHR sort of not NHR: one can choose:
There was such an article in the National Enquirer. It is reproduced at http://www.shout.net/~jmh/articles/explode.html >= Original Message From The Horn List = >Hornfolks: >I do have another 'suggestion' post on the 'pressure question' but I do wish to relate something I saw on a bulletin board during a music theatre gig. > >It related (quite horribly and graphically) the story of a 'screech' trumpet player who enjoyed a long career until one day, during performance of a jazz work; he hit a particularly high note and one side of his head actually exploded outward from the pressure, killing him instantly. (No, I don't think anyone caught his horn for him) > >Now, this was NOT in the National Enquirer, nor in the Star, but in the Mercury News; so I sort of took it seriously and thought of this for a time, but then forgot about it. I still do not know if it truly happened to the poor guy but I am nothing if not cautious with my own high playing. [snip] -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Alphorn; Richard Strauss.
>= Original Message From The Horn List = >Some friends of mine in college wish to perform this piece, and would really >like to hear it in advance! > >However, they are having difficulty in tracking down a recording (we are all >in the UK) > >Can anyone help or offer any advice as to where one can be obtained? There is a Barry Tuckwell recording that I just got through Amazon.com. It "Richard Strauss: Horn Music" on the Eloquence/Decca label, Catalog #4762699 (ASIN B0007UXX8E). It is from Australia. I do not see it listed on amazon.co.uk, but it is listed on amazon.de. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Conductors, and Ensemble Personalities
>= Original Message From "Fred Baucom" <[EMAIL PROTECTED]> = [snip] >It has been of continuing interest to me, however, that good >amateur orchestras seem to attract good amateur hornists, while a good band >often goes begging. A lot depends on the repertoire, IMHO. Bands play lots of marches, which have endless offbeats. There are also lots pieces with horn parts that are just filler. Victory at Sea comes to mind. It goes on for page after page with nothing interesting for the horns to play. There also are lots of arrangements where the saxes double the horns, and armies of saxes play so loud that there is no way that the horns will ever be heard. That is not very satisfying, especially when the saxes do not play in tune. However, if the band is playing grade 5 - grade 6 literature, there are lots of interesting horn parts. Contrast that to the orchestra, where the horns are more prominent than in a band. Horns in orchestras have lots of good parts to play, and the trumpets and trombones do not have as much to do. Plus, there are very few works that use sax. ;-) Take Beethoven 3, for instance. The horns are having a blast, but the trumpets complain about playing the "high timpani" parts and the low brass don't even have a part. Personally, I would like to play in a band *and* an orchestra, but the most desirable bands and orchestras around here all rehearse on Monday, so that is pretty much impossible. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Appropriate Solo Selections
But this time I want to ask the folks on this list who have competition judging experience how it would go over - if a hornist might be docked for selecting music outside the standard horn literature, something that the judges might be unfamiliar with, at least as a horn solo. Or would it appear creative and laudable? Irrelevant? Would such non-conformity leave any kind of judicial impression that might affect the player's score? Carol Jantsch, the 20 year old winner of the Philadelphia Orchestra tuba audtion, apparently impressed a lot of people with her playing of the Khachaturian violin concerto. Read the story and hear the sound clip at http://tinyurl.com/mhfvj . -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Horn retailer roundup
Baltimore Brass, Catonsville, MD -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] - Original Message - From: <[EMAIL PROTECTED]> To: Sent: Sunday, March 05, 2006 12:40 PM Subject: Re: [Hornlist] Horn retailer roundup In a message dated 3/5/2006 9:05:33 AM Central Standard Time, [EMAIL PROTECTED] writes: Osmun Music, Arlington MA Woodwind/Brasswind, South Bend IN Wichita Band Instruments, Wichita KS Patterson Hornworks, Las Cruces, NM Pope Instrument Repair, JP, MA BrassArts Unlimited, Baltimore, MD ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/jlindhol%40bcpl.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Real Horn Playing!
There is a typo in the link before. It should be http://media.shtoink.com/media/movies.kewl/horn_guy.wmv I hope this gives you as much of a laugh as it did me. A, if only I could play like that! Karon Ismari http://media.shtoink.com/media/movies.kewl/horn_guy.umv -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Literature
Maybe there is confusion between Norman Cazden and Andrew Kazdin. Kazdin is best known as a record producer, but has done some composing and arranging. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] - Original Message - From: "Paul Mansur" <[EMAIL PROTECTED]> To: "The Horn List" Sent: Saturday, August 27, 2005 2:03 PM Subject: Re: [Hornlist] Literature Dear Jennie, I just heard from Walter Lawson. He studied with Norman Cazden who was a pretty well-known teacher and composer when he was in school. So this Cazden is not Kazdin, or else he changed the spelling of his name after writing his Sonata. That might well be a possibility to give the name a foreign look and encourage sales. Publishers are known to do things of that nature. The Cazden sonata is published by AMC and was marked as Op. 33. so it appears we are both right, in all liklihood. CORdially, Paul Mansur On Friday, August 26, 2005, at 04:21 PM, Jennie Ficks wrote: I have some information on one piece that may be useful. I believe the Sonata Op. 33 you are referring to is actually by Kazdin (not Casden). If you think that might be the same piece, it is published by Robert King, a decent contemporary work, and very reasonably priced. I'm afraid that's the only work on the list I can speak with any definite knowledge about. I will be interested to see what my more learned colleagues come up with. Jennie Original Message Follows From: Paul Mansur <[EMAIL PROTECTED]> Reply-To: The Horn List To: Memphis Hornlist ,[EMAIL PROTECTED], "Hornlist Subject: [Hornlist] Literature Date: Fri, 26 Aug 2005 15:10:50 -0400 Speaking of literature, my orchestra director suggested some solo works for me to consider some 57 years ago, in 1948. How many of these are you acquainted with? Barrows, John, Variations for Horn and Strings / Sonata for Horn and piano Becker, John J., Concert for Horn and Orch Casden, Norman, Sonata, Op. 33, Horn & pno Cheslock, Louis, Horn Concerto Grant, William Parks, Horn Concerto/Poem Josten, Werner, Sonata for Horn and Piano Porter, Quincy, Sonata for Horn and Piano Wessel, Mark, Two Pieces for Horn and Piano Some of these were still in manuscript then but a number had already been published. How many of these have you ever seen, heard, or ever tried them? I strongly suspect that many of the works being performed from contemporary composers now will become strangers in 50 years to the horn students who are learning repertoire in 2055. CORdially, Paul Mansur ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/ jennie_ficks%40hotmail.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/jlindhol%40bcpl.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Orchestral Parts
It is still sold by many sheet music vendors. A Google search on "Pottag horn passages" will turn up plenty of hits. On Sun, 19 Jun 2005, Paul Mansur wrote: > > On Sunday, June 19, 2005, at 05:51 PM, <[EMAIL PROTECTED]> wrote: > >> The Schoenberg "First Chamber Symphony" excerpt is in Pottag's "French >> Horn Passages, Vol. II" published by Belwin (if it's still in print.) >> > It's no longer in print. I did a Google search for it and also Belwin. > Not there. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Tone color
Bill, I'm coming up empty on google searches for 'Scott Lasky'any assistance you can provide appreciated. The correct spelling is Laskey. His web site is at http://www.laskey.com/ [snip] -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Happy Birthday!
Walter, Happy Birthday! I think of you often, especially because I have managed to aquire one of your horns. What a marvelous instrument! -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Jazz Hornists
Ron Boerger used to have a list of Jazz hornists but I can't find it on his website. Maybe there's an opportunity there. Harlan Feinstein has a listing of jazz hornists and a discography at http://feinsteins.net/music/jazzhorn.html [snip] -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Robert Rauch
I'll be performing in the NYC area this weekend, Brooklyn actually. Would like to contact a friend and hornist I haven't seen in many years, Robert Rauch. Can anyone tell me how I might get in touch? By chance, do you mean Robert Routch? I don't know how to get in touch with him, but I had a lesson with him this summer at KBHC. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Solo Website
The correct address is http://www.mutopiaproject.org/ >= Original Message From "W. Paul Manly" <[EMAIL PROTECTED]> = >All I got was the following: >Domain for sale >e-mail : [EMAIL PROTECTED] >(include domain name) >and a request to install Korean language support. > > > >¨Ï 1999 worldnewplan > > >- Original Message - >From: "Anna Henry" <[EMAIL PROTECTED]> >To: <[EMAIL PROTECTED]> >Sent: Wednesday, September 22, 2004 12:58 PM >Subject: [Hornlist] Re: Solo Website > > >: If you have ever come across the website www.mutopia.com, you will find >many public domain works online. The horn part from Mozart's 3rd Concerto >is on there, as well as Saint-Saens "Morceau de Concert." I would assume >that if someone made a website, anything that is public domain could be used >without permission, as long as it was an urtext edition. [snip] -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Earplugs
The Etymotic high fidelity earplugs are better than any of the other reasonably priced earplugs I have tried. They are $12/pair. See http://www.etymotic.com/ >= Original Message From Fred Baucom <[EMAIL PROTECTED]> = [snip] >What is a good brand in earplugs for musicians? I'm now playing with a symphonic band in a rather small rehearsal room, and my ears are crying "Uncle!". [snip] -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] hornplayer.net?
This is most likely a temporary DNS problem. It was there yesterday! > hornplayer.net seems to be gone. Does anyone know if it has been replaced? > > Thanks, > Phil Jacobs -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Horn Digest, Vol 15, Issue 5
It is also important to make sure that you have the latest software updates for Intenet Explorer / Outlook Express and MS Office (if using Outlook). New security holes are found every day, so check frequently for updates. The vulnerability listed below is not a problem in Outlook. However, if it is a problem with Outlook Express v. 5.5 SP 1 and earlier. If you have OE 5.5, you need to get the security patches or upgrade to OE6. [snip] > 2. If you use Outlook or Outlook Express, turn off the preview pane feature. > If someone sends you an HTML format e-mail containing a malicious script, the > script is run as soon as Outlook calls the Internet Explorer rendering engine > to render the HTML for display in the preview pane (or a separate window for > that matter). Turning off the preview pane prevents a preview of the HTML > being displayed inadvertently, thus reducing the likelihood of a malicious > script being run. [snip] -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Straight-Ahead E-Flat Alto Horn
>= Original Message From The Horn List <[EMAIL PROTECTED]> = >Dear Friends, > >This reinforces my suspicion that those Eb alto horns are actually >extra-large flugel horns, not little-bitty baritones. (However, the >straight-ahead models may well be more tiring to hold in playing position >than the upright models.) > >http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3705173344&category=620 I always found the upright models more tiring (and more of a pain) to hold. The ones I have played pretty much required both hands to hold and play the thing. The bell front models I have played had a thumb ring. This way, you could hold the horn and play with one hand when needed (like when flipping pages). It was a lot easier to keep stable when playing and marching, too. YMMV... [snip] -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] software
Minidisc.org has a list of devices that record digitally and can easily be transferred to a computer at http://minidisc.org/uploader_table.html. However, these are *not* minidisc devices. Most function as a USB data drive for digital transfers. Depending on the device, Multi Media Card, Compact Flash, IBM microdrive, internal memory, or hard drives is used for data storage. Unfortunately, as noted on the page above, the recording features on these devices can be pretty primitive. Sony has just announced a Hi-MD format where normal minidiscs can be reformatted to record up to 300 MB and new Hi-MD media will record up to 1 GB on new media. Supposedly, these (with special Sony software) will allow high speed uploading of recordings to a PC. It will function as a USB data drive. See the Hi-MD FAQ at http://minidisc.org/hi-md_faq.html. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] - Original Message - From: "Herbert Foster" <[EMAIL PROTECTED]> To: "The Horn List" <[EMAIL PROTECTED]> Sent: Monday, February 02, 2004 12:40 PM Subject: Re: [Hornlist] software > The low-end minidisk recorders (not inexpensive, but the lowest cost) have the > option disabled for digitally transferring recorded music to the computer. > It's a marketing ploy. The best you can do is to transfer the music in analog > mode. That is, connect the headphone output of the minidisk to the line in of > the computer. It works, but it takes a long time, and the quality is reduced. > > Does anyone know of any currently sold MD recorders that can transfer > digitally? > > Herb Foster > --- victor perpetua <[EMAIL PROTECTED]> wrote: > > ... > > I have been looking (unsuccessfully) for a ways to > > transfer (Sharp) minidisc tracks to the computer to > > burn CDs. Does your Sony minidisc recorder, unlike my > > Sharp, have an optical/digital output? Does the > > Creative PlayCenter application work with Mac OSX? > > Anyone else out there have any suggestions? The only > > possibilities I saw involved paying someone else to > > transfer the files, since a MD player with an > > optical/digital output would seem to be necessary, and > > I was not aware that any of the portable MD records > > had an optical/digital output. > > > > Vic Perpetua ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] How to buy a horn from the Hornplayer.net classifieds.
Paying with cashier's check is OK -- if the buyer will accept one. Many sellers do not accept checks of any kind because there are so many internet scams that involve fake cashier's checks, money orders, etc. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] - Original Message - From: "Chris Tedesco" <[EMAIL PROTECTED]> To: "The Horn List" <[EMAIL PROTECTED]> Sent: Sunday, January 25, 2004 2:53 PM Subject: Re: [Hornlist] How to buy a horn from the Hornplayer.net classifieds. > The easiest thign you can do to make sure you're not ripped off, which is very > unlikely on hp.net IMHO, is to pay with a cashier's check or something on which > the payment can be stopped. What's a $13 stop payment fee for a $4000 > cashier's check? [snip] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Horn Quartets (Schumann)
[snip] > Exploring in this direction - Leroy Anderson's piece, Buglers' Holiday > seems to be completely compatible for three horns and band or orchestra. > When the Konzerstueck falls apart the day before performance, you might do > well to stueck Buglers' Holiday in its place. Really, it is a > light-hearted crowd-pleaser, and it probably would sound better on horns > than on trumpets. Has it ever been done publicly with horns? The Tokoyo Ultra Hornists (I may not have the name right) did it at the IHS workshop in 1997 and rightfully called it "Hornists Holiday". ;-) [snip] -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] absent players?
It depends... How important is the missing part? How does the conductor feel about the substitute player's ability? In the community orchestras that I have played in, someone (usually the 3rd horn) covers the 1st part if the principal is absent. If one of the other parts is missing, it may or may not be covered by someone else. That depends on how important the part is and what major holes will appear if the part is not played. If I play a different part at a rehearsal, I look at it as an opportunity to better myself and to better understand how the parts fit together. It is best to be prepared for anything. You never know when disaster will strike, and it could happen at a concert! - Original Message - From: "Leonard & Peggy Brown" <[EMAIL PROTECTED]> To: "hornlist" <[EMAIL PROTECTED]> Sent: Tuesday, December 23, 2003 1:16 PM Subject: [Hornlist] absent players? > Walt and all, > What is the normal way to deal with an absent player? The groups I > have played with always just leave that chair empty. I thought this was > because we all needed to work on our parts rather than spend time on someone > else's, then again having the first part missing might hurt the orchestra > overall. What are your thoughts? Stay put and work on your part or move > up? > Walter Lewis was talking about various mutes when he wrote: > > >>> Since the principal horn was absent due to a death in her family, I > got to play 1st on Dvorak 9, second movement. Since leading the section > fell to me for the evening, I asked the fourth hornist to move up and to > play the second part. <<< > -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Sheetmusicplus.com
I ordered music from Sheetmusicplus.com several years ago. It was very slow in arriving. When I finally did get it, one book of the 4 book set was the wrong part. I had a horrible time trying to get them to understand what the problem was, and getting the problem resolved took over a month. I will never order anything from there again. IMHO, there are many much better places to buy sheet music. >= Original Message From The Horn List <[EMAIL PROTECTED]> = >Greetings - > >I just received the wrong thing from Sheetmusicplus.com and was not happy >when I called them about it. > >I'm wondering if anyone else has purchased music from them and what your >experiences were. > >Thanks. > >Regards, > >Carlberg > >Carlberg Jones >Guanajuato, Gto. >MEXICO >>From the US - 011-52-473-731-0179 >Cell. from the US - 011-52-473-560-8020 >Cel. local - 044-473-560-8020 > > >___ >post: [EMAIL PROTECTED] >set your options at http://music.memphis.edu/mailman/options/horn/jlindhol%40bcpl.net -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Low note practice
The title is "Mastering the Horn's Low Register". More details are at http://www.internationalopus.com/gardner.html. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] - Original Message - From: "Luke Zyla" <[EMAIL PROTECTED]> To: "The Horn List" <[EMAIL PROTECTED]> Sent: Sunday, October 05, 2003 8:08 AM Subject: Re: [Hornlist] Low note practice > Dear Sharon, > There are two sources of information on this subject you should access. The > first is Randy Gardner's book on the subject that was published recently. I > think it is "Mastering the Low Register" or something to that effect. [snip] > - Original Message - > From: "Sharon Curtis" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > Sent: Sunday, October 05, 2003 6:13 AM > Subject: [Hornlist] Low note practice > > > > > > I was wondering what other people had found most useful in > > practising low notes. [snip] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] WHO PLAYED WHAT
The horn Mr. Hatfield played at KBHC is a Lawson, not a Lawsonized Holton. - Original Message - From: "Aleks Ozolins" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Monday, July 21, 2003 3:23 PM Subject: Re: [Hornlist] WHO PLAYED WHAT > Hi Dick, and others, > > To clear up Mr. Hatfield, I'm pretty sure his Holton is severly > lawsonized... bell, valves, leadpipe, etc... don't quote me on this though. > > Aleks Ozolins -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: The IHS Symposium at Indiana Univ
"Wilbert Kimple" <[EMAIL PROTECTED]> wrote: > $50 a night for a shared dorm room??? Actually, the housing info says that there are NO double rooms, only single rooms. The only thing that comes close is a 2 single bed suite, but there are only 20 of those and there is no price break for the 2nd person. It is $300 per person no matter what kind of room you have. -- Jonell Lindholm Reisterstown MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] A question for the list
>= Original Message From The Horn List <[EMAIL PROTECTED]> = >Hornfolks; > > I must be one of the few community hornist who doesn't like the idea >of rotating parts. I especially don't like parts to be rotated during a >concert. If physically moving people is the solution to rotation of >parts, then concerts start to look like some sort insane version of >Cirque du Soleil That may depend on whether you are talking about band or orchestra. Band concerts tend to have a lot of shorter works, and yes, it could look like a circus if everyone changes parts every piece. If you are talking about orchestra concerts, it doesn't matter so much. Most orchestra concerts have only 3-5 longer pieces , so there won't be a lot of shuffling in this instance. Besides, the instrumentation usually changes for every piece, so people will be coming and going between pieces anyway. For instance, some pieces will have no flutes, some no low brass, some will have 2 horns instead of 4, some will have 3 oboes instead of 2, etc so there is already a guaranteed parade on and off stage. ;-) [snip] -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] making tapes clarification
>= Original Message From The Horn List <[EMAIL PROTECTED]> = >I am thinking of using equipment primarily for recording auditions. >Although it would be nice for it to have a multipurpose use. Many of you >have suggested mini disc players. Are they easy to transfer to a tape? They are easy to transfer to a tape, but transferring to a CD makes a lot more sense. Blank CDs are much cheaper than decent quality tapes, and CDs are a lot more convenient for listening. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Anna Russell
Her first husband was a hornist. He joined the British army during WWII,
then divorced her when he came back from the war.
I just got a copy of her autobiography titled very appropriately "I'm not
making this up, you know". She says that horn players have no sense of
humor. On time, she tried to do a gag with the Ring, which involved the
first horn player screwing up the last part of the long call. She explained
what she wanted him to do, but he was furious and said it would ruin his
reputation. She says that since he wasn't the most accurate player on earth,
she thought the odds were that he would screw it up anyway. Unfortunately
for Anna, for the first time in his life he played the call flawlessly and
completely ruined the gag.
--
Jonell Lindholm
Reisterstown MD USA
[EMAIL PROTECTED]
- Original Message -
From: "Herbert Foster" <[EMAIL PROTECTED]>
To: "The Horn List" <[EMAIL PROTECTED]>
Sent: Wednesday, January 15, 2003 1:31 PM
Subject: Re: [Hornlist] Anna Russell
> She was an opera singer, and I believe her husband was a hornist, so she
knew
> what she was singing(?) about.
>
> Herb Foster
> --- phirsch <[EMAIL PROTECTED]> wrote:
> > ...
> > I have in my possession a DVD entitled "Anna Russell : the (first)
farewell
> > concert" (VAI DVD 4208). On it is her deconstruction of the Ring Cycle
> > ("I'm not making this up, you know"), but even more horn related is the
> > track "Wind instruments I have known" which features her playing the
horn
> > (though playing might not be the most applicable term). The performance
> > took place on Nov. 7, 1984 at the Baltimore Museum of Art and has the
look
> > of a PBS production.
> >
> > And, yes, it is funny.
> >
> > Later,
> >
> > Peter Hirsch
___
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Re: [Hornlist] Villanelle
See Hans Pizka's Villanelle page at http://www.pizka.de/Villanelle.htm. In a message dated 12/29/2002 9:06:35 PM Pacific Standard Time, [EMAIL PROTECTED] writes: I am going to play Villanelle for a solo and ensemble contest this year. I was wondering if any of you had any playing tips or suggestions on it. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
Re: [Hornlist] Milan Yancich
On Sun, 15 Dec 2002, Prof.Hans Pizka wrote: > Question: anybody on the list who could provide me with Milan Yancich´s > new address, phone number eventually fax & email. He moved to Florida, I > heard. This is the information given in the last couple of Horn Calls: 974 Berkshire Rd. NE Atlanta GA Phone / Fax 404-874-7662 http://windmusicyancich.com -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
RE: [Hornlist] Kenneth C. Henslee Publishing
A recent flyer from Henslee said he had moved. The contact info given in the flyer was: 2404 S. Orchard View Drive Green Valley AZ 85614 520-648-1804 [EMAIL PROTECTED] >= Original Message From [EMAIL PROTECTED] = >-- >[ Picked text/plain from multipart/alternative ] >I have some advertising from this business from a few years ago. Included in >the listing of music available is a collection, 25 Horn Trios by Anton >Reicha. I tried to order this collection recently but neither the e-mail >address or the phone number work. Does anyone know how/if this business can >be reached or if this music can be ordered elsewhere? Thanks. -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
RE: [Hornlist] Winston horns
On Tue, 5 Nov 2002, Loren wrote: > Winston? Do you mean Wilson? I believe he means Winston, as in E.M. Winston of Boston. See http://www.emwinston.com/ [snip] > -Original Message- > From: [EMAIL PROTECTED] [mailto:horn-admin@;music.memphis.edu] > On Behalf Of rickhorn > Sent: Tuesday, November 05, 2002 8:54 PM > To: [EMAIL PROTECTED] > Subject: [Hornlist] Winston horns > > This is a multi-part message in MIME format. > -- > [ Picked text/plain from multipart/alternative ] > Does anyone ever play, or has anyone ever played, a Winston horn? I'm > currently playing an Elkhart M-series 8D, and looking for a backup horn > to use when mine is in the shop (annual cleanout, etc.). How do Winston > horns compare with the 8D? Any help appreciated - thanks! -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ Horn mailing list [EMAIL PROTECTED] http://music.memphis.edu/mailman/listinfo/horn
