[Hornlist] practice mutes

2005-03-02 Thread Julius Pranevicius
Hello,
 
I'm looking for practice mute, but I couldn't find much reviews on them. Please 
share your experiences on various practice mutes: which you find good, less 
good, or terrible? Which mute has best quality for reasonable price?
 
I found that Humes and Berg and Dennis Wick mutes are cheapest and at the 
moment they are at the top of my list. All recommendations are welcome.
 
Thanks in advance
Julius


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[Hornlist] repertoire questions

2005-01-08 Thread Julius Pranevicius
Hello, 
 
I need some recommendations on repertoire. 
 
I need some quite fast, fun to play and nice sounding intermediate piece for my 
14 years-old sister to perform in competition in addition to Nocturno (for horn 
and piano). Range from f below the staff to g or a above the staff.
 
And also, some advanced pieces for trio horn+trumpet+piano.
 
All recommendations are welcome.
 
Thanks in advance
Julius


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[Hornlist] Karl Matys

2004-11-03 Thread Julius Pranevicius
Hello,
 
Could anybody tell something about Karl Matys? Birth-death dates, nationality etc. And 
something about his Conzertstucke?
 
Any information would be very useful.
 
Best wishes 
Julius


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[Hornlist] baroque horn and parforce horn

2004-09-18 Thread Julius Pranevicius

Hello,

What is the difference between baroque horn and parforce horn? In the pictures they 
look like very sililar.

Julius

 


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[Hornlist] Parforce horn

2004-05-26 Thread Julius Pranevicius
hello

I would like to know more about parforce horns. when
they were mostly used? who played with them?

also, what repertoire can be played with these
instruments? Cabbage once wrote that Stich-Punto
played with these horns; so should Mozart horn
concertos be played with this type of horns?

where can i read more about them online?

best wishes
Julius 




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Re: [Hornlist] Career on Horn performance, HS grades, degrees, etc....

2004-05-25 Thread Julius Pranevicius
"kakaschka" means a little piece of excrement  :) 


--- Benno Heinemann <[EMAIL PROTECTED]> wrote:
> I'm not sure that translation is quite literal. I
> seem to remember 
> "kakaschka" means something else, not nothing. But
> something that has 
> to do with paper certainly!
> 
> Benno
> 
> 
> >
> > but how russians says: "bez bumazki ty kakaska" or
> if
> > in english "without paper you are nothing"...
> >
> 
> ___
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RE: [Hornlist] Career on Horn performance, HS grades, degrees, ect....

2004-05-25 Thread Julius Pranevicius

--- Hans Pizka <[EMAIL PROTECTED]> wrote:
> Paper is paper, ink is ink, but playing is playing.
> 

but how russians says: "bez bumazki ty kakaska" or if
in english "without paper you are nothing"...




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Re: [Hornlist] tuning the horn

2004-05-03 Thread Julius Pranevicius

--- [EMAIL PROTECTED] wrote:
> What typw horn do you have?


i have Yamaha 667VS




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[Hornlist] tuning the horn

2004-05-03 Thread Julius Pranevicius
My new teacher said that it is not neccesary to pull
out valve slides for new horn at all(only the main
tuning slide should be adjusted). He said that i
should adapt myself to horn, not the horn for myself..

I tuned my horn following the article in february's
Horn Call and for Bb horn there was about 1cm, and for
F - 1,5-2cm. Is it normal? And what do you think about
tuning the horn, adjusting valve slides? What methods
of tuning you know and preffer??

Thanks




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[Hornlist] new instrument

2004-04-29 Thread Julius Pranevicius
Hello again,

I got a brand new instrument (yamaha 667) and I don't
know how to start with it.

I have heard that if I want to make my new instrument
sound good I should carefully do some actions as
playing lots of long tones etc.

What else and why should I do with my new yamaha?

what happens with metal of the instrument?

thank you
Julius



sorry if i coudn't express myself, and you didn't understand




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[Hornlist] low register

2004-04-29 Thread Julius Pranevicius
I have quite bad bottom of the middle register and low
register... the sound is not nice, has lots of dashes
(i don't know if this expression is correct) and
dynamic range is very small.

what excersizes are useful and most efficient for
improving this range... and, what is important in
general while working to this direction.

thank you
julius



sorry for my poor English




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Re: [Hornlist] Re: Buzzing

2004-04-14 Thread Julius Pranevicius
hello

i don't know if i am right, but i can't agree to idea
that "Once you can buzz, don't do it."

i could say then "Once you can play your horn, don't
do it"... 

i don't know exactly, but i think that throat is not
muscular structure and we don’t need work on it as
much as we work on our embouchoure… 

I think that buzzing helps to improve embouchure
muscles, with guarantee that they will not be fatigued
with mouthpiece pressure…


--- [EMAIL PROTECTED] wrote:
> [EMAIL PROTECTED]
> Writes: 
> 
> " Does anyone know the pro's/con's of buzzing?" 
> 
> Once you can buzz, don't do it.
> One does not sing by tightening their throat
> (larynx).
> Don't play horn by tighten your lips. Good playing
> is just like good 
> singing. 
> 
> 
> Richard Burdick
> principal horn of Regina Symphony Orchestra
> Regina, Saskatchewan, Canada 
> 
> 
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[Hornlist] e''' in schumann's konzertstuck

2004-04-11 Thread Julius Pranevicius
does anybody have ideas how to practice and to play
e''' in schumann's konzertstuck?

and about endurance: how to play from begining to end?



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