Re: [Hornlist] Horn Quartet Music

2009-03-18 Thread Ralph R. Hall

Alex,

I can only endorse Bill Melton's fabulous gigbook. It's got a bit of 
everything.


However! Visit my website, www.brasshausmusic.com and have a look at my two 
quartet books. The six miniatures starts with a Berlioz type funeral march 
and finishes with, literally, a hunting scene that gives the performers 
ample opportunity for entertaining - offstage horn calls etc.


Also, the book of encores for horn quartet (to be reviewed by Bob Ashworth 
in the next issue of  'The Horn Player') gives you two Sousa Marches, a 
Neopolitan song, a specifically American piece, 'Sweet Lavender' by Edward 
MacDowell and a Bavarian whoop up with handstopping and quasi glissandi. 
Invest and enjoy.


Ralph R. Hall (ra...@brasshausmusic.com)
- Original Message - 
From: "A Reece" 

To: 
Sent: Tuesday, March 17, 2009 5:55 AM
Subject: [Hornlist] Horn Quartet Music



Hello all,

I am a high school senior who just formed a horn quartet with my friends. 
We are a fairly good group and we enjoy playing together but now we are 
looking for some quality quartet music to play. Does anyone have 
recommendations for good quality horn quartets/horn quartet books? We're 
hoping to eventually have enough material to play some gigs (I am in the 
quartet for the enjoyment of it, but others became serious with the 
potential to make money).


More specifically, does anyone know of a quartet arrangement for John 
Williams/Star Wars music? (one of our members is a passionate Star Wars 
fan and we've been looking all over for any sort of quartet arrangement 
with the thought that we could transpose a string quartet, etc. if 
necessary).


Thanks for your advice,
Alex Reece
4th Horn

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Re: [Hornlist] Slide Grease

2009-03-03 Thread Ralph R. Hall

Mark,

I returned last year from a stint as Director of the Royal Guard of Oman 
Military School of Music. My annual budget included a search for slide 
grease that didn't melt in temperatures of 50 Celsius. This one has no 
maker's name only the following:


Grease
Ultra-Heavy
for Tuning Slides
(800-PRO-OILS)

All I can tell you is that it worked, was ordered from a Giardinelli 
catalogue and makes you look like an extra in the pizza restaurant scene in 
the movie "Top Secret"! Go get some!


In a career of over 40 years as a professional horn player I have never used 
rotary valve oil in the valves of my Alex, two Conn 8Ds and now a 35 year 
old King Eroica. The only time I did need it was when I owned, briefly, a 
Holton 179. Again, it was a must in Oman because the 179 was the only horn 
that fitted the Sultan's requirement of silver plate for his 3 bands. Nickel 
silver would not do. Valve tolerances on Holtons are (too) tight which is 
why they supply rotary valve oil with every new instrument.


Finally, this grease makes up for wear and tear on ageing slides that are 
loose and move unintentionally.


Hope this is some help to you.

Ralph R. Hall

- Original Message - 
From: 

To: 
Sent: Tuesday, March 03, 2009 4:20 AM
Subject: [Hornlist] Slide Grease


Any suggestions for a long lasting slide grease.? I have tried gun grease; 
Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke Slide 
Grease w lanolin; all Hetman types; STP. Nothing lasts more than a week w 
the Holton Rotary valve oil I use.

Thanks,
Mark
Email message sent from CompuServe - visit us today at http://www.cs.com
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[Hornlist] bass clef

2009-01-15 Thread Ralph R. Hall
Dear (Low) Hornists,

I would like to trawl the hornlist for some opinions about bass clef 
preferences.

As a composer/arranger and publisher (brasshausmusic.com), I would like to 
conduct a poll amongst low brass players to find the vox populi whether they 
prefer New or Old Notation in the bass clef.  This poll is open until the 15th 
February and then the collated results will appear both on the horn list and my 
website - see above.

Apart from the blatant self-advertisement, there is an underlying, serious 
purpose to this. Writing music can be very different from reading music. What 
is easier for composer/arranger/publisher is not necessarily the best way of 
presenting music to the player. As a player myself I am conscious of these 
things and certainly have my own opinion about the bass clef question. 

Once the data is disseminated (thanks to all those 2nd & 4th players who feel 
they have never had an individual voice before!), I shall present findings both 
here and on my website, courtesy of C.V. Faction, the best 2nd horn in the 
world!

Ralph R. Hall (brasshausmusic.com)
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Re: [Hornlist] VPO New Year's: ? einsetzen

2009-01-05 Thread Ralph R. Hall

Otto, may I chip in on this one - my first contribution to the horn list.

I played inset from college (Royal Manchester under Sydney Coulston) through 
two full time jobs - BBC Welsh Symphony and City of Birmingham. I freelanced 
in London for two years with the major British orchestras - still with the 
same embouchure. After a long spell with the Royal Liverpool Philharmonic on 
second, I turned the post down simply because after a hard blow, I noticed a 
dead patch on my lower lip. This insensitivity made total accuracy a matter 
of absolute concentration for 100% of playing time - both rehearsals and 
concerts. This is not a guarantee of a long life, either playing or 
otherwise!


After time out teaching, conducting and rectifying what I considered to be a 
faulty embouchure, I was OK to play two seasons in a German opera house as 
Wechsel Tiefes Horn with a much more conventional set up.


Two observations: most of the horn embouchure breakdowns I have seen as both 
teacher and colleague have been inset and I warn people against it. 
Although, to follow up your observation, as a player in Germany I have seen 
a greater proportion of inset embouchures than elsewhere, particularly 
amongst high players.


Ralph R. Hall


- Original Message - 
From: "Otto Henry" 

To: 
Sent: Monday, January 05, 2009 11:23 PM
Subject: [Hornlist] VPO New Year's: ? einsetzen


Me too, I loved the VPO/ Barenbohm concert, the 2nd horn solo in the coda 
of the
Sy. 45 knocked me out- such perfect concintration with all that monkey 
business going on.


I am writing to see if anyone else noticed a clip of the first and second 
horn players
during the Blue Danube waltz playing on rimmed mouthpieces with 
einsetzen??? haven't seen anyone
doing that in ages and assumed it was out of vogue. I used it when I was 
young, but all

teachers frowned on it!

Regards, Otto Henry
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