Re: [Hornlist] Bb horn stopped fingerings

2004-10-07 Thread Gerry Onciul



> Bill Bamberg said:
>
> > "The other thing that's fun to experiment with is to find Bb fingerings
> that work for stopped horn."

> The Bb fingerings I use, going up chromatically, for stopped horn, are
(let's try this again):
a1 - 23, Bb1 - 3, b1 - 13, c2 - 23, c#2 - 12, d2 - 1,
Eb2 - 2, e2 - 0, f2 - 3, f#2 - 23, g2 - 12, Ab - 1, a2 - 2,
Bb2 - 0, b2 - 1, c3 - 2

>
> Gerald Onciul
> Assistant Principal Horn
> Edmonton Symphony
> Professor of Horn
> University of Alberta
> CANADA
>
>
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Re: [Hornlist] Bb horn stopped fingerings

2004-10-07 Thread Gerry Onciul
Bill Bamberg said:

> "The other thing that's fun to experiment with is to find Bb fingerings
that work for stopped horn."

 Bill, the only Bb stopped fingerings that work for me start on a1 and go
chromatically to c3. The notes below that are badly out of tune. I'd like to
caution that these fingerings should be used only in isolated situations.
98% of the time I use the F horn fingerings for stopped horn. I read
everything 1/2 step down (horn in E). It's much less confussing, the
intonation is better, and one can get that pungent raspy edge to the sound.
It's this characteristic F horn sound that most composers are looking for.
If  you aren't used to playing the F horn fingerings, get a fingering chart
out, open Kopprasch Book 1,  and play the whole book stopped. By the time
you finish, I guarantee you will have improved your stopped horn technique.
I admit, some conductors just want more audible sound in the stopped
passages and playing stopped on the Bb side can deliver a brighter sound.
The Bb fingerings I use, going up chromatically, are:
a1 Bb1b1c2c#2d2Eb2e2f2f#2g2Ab2
a2Bb2b2c3
23 31323 12 1  2 0 3 23 12
12  01   2

Gerald Onciul
Assistant Principal Horn
Edmonton Symphony
Professor of Horn
University of Alberta
CANADA
f#2 - 23, g2 - 12,






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