[Hornlist] FF vs FFF

2006-07-16 Thread J. Kosta
My (amateur) experience makes me believe that most composers and arrangers
rarely write dynamic markings that are explicite for each instrument group
or part. Very often the dynamic mark indicates the volume level desired for
the entire ensemble, and it is expected that the conductor and individual
players adjust to achieve a good overall sound.

Regarding FF vs FFF - blend to fit, but if the 'blend' is already too loud
don't make it worse by blasting away - save your chops for later. I don't
think there is a notation for 'ugly' or 'painful'.

A personal 'peeve' of mine is when an instrument has a solo line marked p,
and it is played without enough volume to be heard (or is not played well
at such a low volume). Main theme and counter-melody lines always need to
be heard by the audience, and with enough volume so the harmony can be
played under them.

Jay Kosta
Endwell NY

harveycor harveycor at comcast.net 
asked 
>...
>Honestly, how DO you play an FF and an FFF-and distinguish between the two?
>...

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Re: [Hornlist] FF vs FFF

2006-07-16 Thread Carl Bangs

harveycor wrote:


Hornfolks:
In the 1st movement of Tchaik 4 (the beginning and the horn soli beginning with
the written C#, an FF and FFF are presented, respectively.

I personally believe that after a certain dynamic, it does not make much of a 
difference what dynamic the horns are playing-just that it happens to be

too loud for the comfort of the remainder of the group.

Honestly, how DO you play an FF and an FFF-and distinguish between the two?


thanks

 --
Rachel
___
...It only goes to show that if you keep your
head firmly tucked into your Kopprasch,
nothing can hurt you-as long as the
metronome doesn't run down...
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Play the ff softer than fff and louder than f. These dynamic markings 
are asking for finer control of dynamics, not louder sounds.

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[Hornlist] FF vs FFF

2006-07-15 Thread harveycor
Hornfolks:
In the 1st movement of Tchaik 4 (the beginning and the horn soli beginning with
the written C#, an FF and FFF are presented, respectively.

I personally believe that after a certain dynamic, it does not make much of a 
difference what dynamic the horns are playing-just that it happens to be
too loud for the comfort of the remainder of the group.

Honestly, how DO you play an FF and an FFF-and distinguish between the two?


thanks

 --
Rachel
___
...It only goes to show that if you keep your
head firmly tucked into your Kopprasch,
nothing can hurt you-as long as the
metronome doesn't run down...
___
post: horn@music.memphis.edu
unsubscribe or set options at 
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org