RE: [Hornlist] NHR - A musical metaphor
Well there is this from one our talking heads on local TV news (I think the Brits are much more honest, they call these folks "news readers.") Talking of an exhibit of fine jewelry she said "and you can see these Infamous Faberge Eggs at. . ." -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Wednesday, December 21, 2005 6:57 AM To: horn@music.memphis.edu Subject: [Hornlist] NHR - A musical metaphor > The headline in today's local newspaper sez: "Campaigns reach crescendo > for Iraqis" > What do you think of the notion of 'reach'ing a 'crescendo' in this > context? It's really great when editorial dumk*pfs foul-up the language they are paid to use. Phrases like "comprised of" really get me going. A horn is not "comprised of" a bunch of parts; a horn "comprises" a bunch of parts. Even the big boys like Time, Newsweek, etc., screw it up. Then, a hundred people audtion for a big horn gig, and ten make it to the last round. So, a blurb on one of these ten says he is "one of the only applicants to make it to the finals." What? "one of the only"? I don't think you can be one of the "only." I think you're "one of the few." But what do I know? And on the aural end of things, "nuclear" has become "new-kyuh-luhr," "jewelry" is often, "joolery," and 'realtor" has morphed into "real-ah-tuhr." And for another music one... Edwin Newman tells me that the word "forte" is pronounced "four-tay" when it's a musical term for "loud" or "strong," but when it's used to describe a person's strong point ("sight-reading is his forte"), it's pronounced "fort," just like the "fort" in "Fort Knox." But beware; if you correct someone who uses "four-tay" in describing a person's strong point, you'll get a lecture on how stoopid you are. Oh well, Merry Christmas! ~GPF~ ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/bgross%40airmail.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] NHR - A musical metaphor
> The headline in today's local newspaper sez: "Campaigns reach crescendo > for Iraqis" > What do you think of the notion of 'reach'ing a 'crescendo' in this > context? It's really great when editorial dumk*pfs foul-up the language they are paid to use. Phrases like "comprised of" really get me going. A horn is not "comprised of" a bunch of parts; a horn "comprises" a bunch of parts. Even the big boys like Time, Newsweek, etc., screw it up. Then, a hundred people audtion for a big horn gig, and ten make it to the last round. So, a blurb on one of these ten says he is "one of the only applicants to make it to the finals." What? "one of the only"? I don't think you can be one of the "only." I think you're "one of the few." But what do I know? And on the aural end of things, "nuclear" has become "new-kyuh-luhr," "jewelry" is often, "joolery," and 'realtor" has morphed into "real-ah-tuhr." And for another music one... Edwin Newman tells me that the word "forte" is pronounced "four-tay" when it's a musical term for "loud" or "strong," but when it's used to describe a person's strong point ("sight-reading is his forte"), it's pronounced "fort," just like the "fort" in "Fort Knox." But beware; if you correct someone who uses "four-tay" in describing a person's strong point, you'll get a lecture on how stoopid you are. Oh well, Merry Christmas! ~GPF~ ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] NHR - A musical metaphor
Lots of folks think crescendo means loud. I don't think we'll ever get the newsies to understand that crescendo means soft but growing loud. What really gripes me is when the professional talkers (& even worse, the professional writers) say & write dumb stuff like, "The crisis centers around disaster preparedness." There is no "center around." Center in, center on, center at, center somwhere around (i.e., center somewhere near) -- all OK. The center is smack in the middle. The center cannot be around. To prove this right before your own eyes, draw a circle & put a dot in the center. The circle centers on that dot. The circle itself is around that dot (i.e., around the center). The center is not around the dot. The center is the dot. Sometimes the newsies say, "The crisis revolves around disaster preparedness." Good for them. But too often they don't think & just let out with "centers around." Regular walking around people need not be faulted for that, nor for saying crescendo when they mean fortissimo. But the professional talkers & professional writers should be gigged good & hard. You can start worrying about me when I start talking back to the TV set. -- Alan Cole, rank amateur McLean (Fairfax County), Virginia, USA. ~~~ At 01:40 AM 12/15/2005, you wrote: The headline in today's local newspaper sez: "Campaigns reach crescendo for Iraqis" What do you think of the notion of 'reach'ing a 'crescendo' in this context? Very impressive - the metaphor is both musical and Italian - but in this context, can you 'reach' a crescendo? In a musical reading the conductor might cry out, "Will the horns please remain pianissimo until we reach the crescendo?", but in real life daily news, history hasn't happened yet - there's no there there, no moment. Your life could reach a sforzando or a caesura, or even a hemiola; but if you are experiencing a crescendo, what have you reached? Don't let this intrude on your practice time. { David Goldberg: [EMAIL PROTECTED] } { Math Dept, Washtenaw Community College } { Ann Arbor Michigan } ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/acole2%40cox.net -- -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.1.371 / Virus Database: 267.13.13/199 - Release Date: 12/13/2005 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] NHR - A musical metaphor
The headline in today's local newspaper sez: "Campaigns reach crescendo for Iraqis" What do you think of the notion of 'reach'ing a 'crescendo' in this context? Very impressive - the metaphor is both musical and Italian - but in this context, can you 'reach' a crescendo? In a musical reading the conductor might cry out, "Will the horns please remain pianissimo until we reach the crescendo?", but in real life daily news, history hasn't happened yet - there's no there there, no moment. Your life could reach a sforzando or a caesura, or even a hemiola; but if you are experiencing a crescendo, what have you reached? Don't let this intrude on your practice time. { David Goldberg: [EMAIL PROTECTED] } { Math Dept, Washtenaw Community College } { Ann Arbor Michigan } ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org