RE: [Hornlist] Re: What happens when you slack off?

2007-12-10 Thread hans
Dear Ross, if you got this problem, it seems to me, that you
used a lot of pressure. And, why did you probably play
everything at the maximum of the dynamics ?? This is not
necessary. It is not cowardly to leave an afterbeat out here
 there or two three unison measures. And the conductor ? If
he loves the horns  likes to hear them all time in front,
give him shit by playing just a moderate forte but with a
red face. They are so easy to be convinced (ans betrayed !).



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Sent: Monday, December 10, 2007 8:47 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: What happens when you slack off?

I found out the rather hard way two years ago.

I had not practiced much at all for a period of three to
four months. Then I got a call telling me I was HIRED to
play in a local church Xmas extravaganza called The Singing
Christmas Tree. It paid $880, which *doubled* my lifetime
professional earnings. Since I wasn't playing until
mid-December, and was called in late September, I had plenty
of time to build up my lip.

But then I got lazy, thinking hey, there's plenty of time
left. 

By mid-November, I figured I'd best get to it. So the first
day of practice, I went at it. My lip was feeling great. I
ended up going over two hours. Even at the end, I felt
pretty good.

But the next day, and the next 2-3 weeks, my lips were too
sore to play. I was only able to get back to it four days
before the job began.

But even so, I was hired to play fourth part; how tough can
that be, even with 2  2 hour shows a day?

I found out. The conductor of this group loves horns, and
especially, it seems, horns in pairs, or even better yet, in
unison. IN the next three weeks I learned a great deal about
what lip balms work best; the importance of taking ibuprofen
before starting a session; and ice cubes on the lips to help
keep down the swelling.

Now when I have been lazy, I spend a week or so working up
to an hour of practice. 

So when I was called just three weeks ahead of time last
year, I resisted the urge to practice too long. I built up
more gradually, and it went much better.

P.S. To give an idea of how taxing the playing was, a week
after the run was over, I attended the alumni gathering of
the Tacoma Youth Symphony. I'm always by far the oldest
there; the rest are usually in their 20's. In any event, we
sight-read the Brahms 2 and the Beethoven 5. I played the
first horn part on each, and my lips were not nearly as
tired as they were from playing the show.

Ross Taylor




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[Hornlist] Re: What happens when you slack off?

2007-12-09 Thread RossTE
I found out the rather hard way two years ago.

I had not practiced much at all for a period of three to four months. Then I 
got a call telling me I was HIRED to play in a local church Xmas extravaganza 
called The Singing Christmas Tree. It paid $880, which *doubled* my lifetime 
professional earnings. Since I wasn't playing until mid-December, and was 
called in late September, I had plenty of time to build up my lip.

But then I got lazy, thinking hey, there's plenty of time left. 

By mid-November, I figured I'd best get to it. So the first day of practice, 
I went at it. My lip was feeling great. I ended up going over two hours. Even 
at the end, I felt pretty good.

But the next day, and the next 2-3 weeks, my lips were too sore to play. I 
was only able to get back to it four days before the job began.

But even so, I was hired to play fourth part; how tough can that be, even 
with 2  2 hour shows a day?

I found out. The conductor of this group loves horns, and especially, it 
seems, horns in pairs, or even better yet, in unison. IN the next three weeks I 
learned a great deal about what lip balms work best; the importance of taking 
ibuprofen before starting a session; and ice cubes on the lips to help keep 
down 
the swelling.

Now when I have been lazy, I spend a week or so working up to an hour of 
practice. 

So when I was called just three weeks ahead of time last year, I resisted the 
urge to practice too long. I built up more gradually, and it went much 
better.

P.S. To give an idea of how taxing the playing was, a week after the run was 
over, I attended the alumni gathering of the Tacoma Youth Symphony. I'm always 
by far the oldest there; the rest are usually in their 20's. In any event, we 
sight-read the Brahms 2 and the Beethoven 5. I played the first horn part on 
each, and my lips were not nearly as tired as they were from playing the show.

Ross Taylor




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products.

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[Hornlist] RE: What happens when you slack off?

2007-12-07 Thread Larry Jellison
Deterioration in endurance, accuracy, dexterity,
(loud) volume.  One of the big surprises to me is the
large difference among horn players in the effect of
time off.  Some players can take time off (several
days, weeks) and seem to hardly miss a step in their
playing when they return to horn.  Others need to play
every day to maintain some minimal proficiency, and I
am one of these-- it is much better to play every day,
even if you can manage only a few minutes, and use the
minutes productively to exercise the lips
(three-octave arpeggios and few lip trills, for
example).

Valerie, the horn practice police (HPP)are now on the
way to your house.  Good luck.


  

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