[Hornlist] Re: A favor to ask you all

2006-11-19 Thread Alon reuven

Hi Wendell,
I feal very happy about that  I was given the chance to encourage someone
with my story . It took me quite a long time to get convinced that with my
former I would find myself , within a short period in the end of the road as
a horn player.At that point i was 28 ,  warried ,  married and jobless.
Atthe time i made the dcision my ambsure was far up the uppere
lip.Ihave started my change, and soon enough I had to work in the most
owfull
jobs ever-like being a kitchen worker in a resturant and such.Shortly after
I have accomplished the changeI was accepted to a principal horn position in
a chaqmber orchestra and some six years after words I found myself as a
first horn in the Israel Camerata - playing quite often as a soloist and a
recitalist , and very active almost inevery field of musical life in Israel
- from classical to rock music . i do remember moments of despair but I know
how to cherish them now - it takes a lot of pressure to turn coal into a
diamond.
yours,
Alon Reuven
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[Hornlist] Re: A favor to ask you all

2006-11-18 Thread Wendell Rider


On Nov 18, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:


message: 9
date: Fri, 17 Nov 2006 15:58:08 -0800
from: Scott Hartman [EMAIL PROTECTED]
subject: [Hornlist] A favor to ask you all

Hi everybody,

I have a former student who is attending a well known music school.
She is going through an embouchure change and her life is no fun
right now. She is depressed and I have cheered her up all I can.

What I would like, if you would indulge me, is to collect as many
stories as I can from people who have had to face tough situations
and have come out well and happy. Horn related stories are best, but
I'll take everything.

Thank you in advance. Please send the stories directly to me at:

[EMAIL PROTECTED]



scottito

Hey Scott,
I know i will be seeing you tonight in the pit, but I thought this  
would be a good chance to relate the end of a small story I started a  
few weeks back. I think others can get some encouragement from this  
as well as your former student.
About a year and a half ago I took on the task of fixing the  
embouchure of a young man, only a freshman in high school at the  
time. One of my former students brought him to me when she heard (and  
saw) him playing at a coaching session for chamber music. His  
musicianship and desire were evident to everyone, but she felt his  
embouchure was holding him back.
Well, when I saw him I knew that she had done the right thing. He was  
so far pushed up and into his upper lip that it hurt him to play up  
high. I mean it really it hurt. Also his tone was airy and he  
couldn't move around well on the horn at all because the upper lip  
was pinned. Amazingly enough, though, his lower lip was set up  
correctly. Still, it was the worst embouchure I had seen in some time.
To give a little more background, you should all realize that this  
young man comes from a family of farm workers- a broken home- where  
his normal life would have included living in a small house with 2  
other families. He has no money and is constantly approached by gang  
members. There's more but the important thing is that he has been  
taken under the wing of a teacher of his who has become his virtual  
mother. She and her husband also saw Lolo's potential and decided to  
do something about it. He is a great kid- smart, polite and extremely  
gifted as a musician. We can all be happy that here is one who was  
saved from a potentially terrible fate.
So we worked for about a year on the problem. It might have been a  
shorter process, but his former teacher wanted him not to change. We  
basically had to start from scratch and Lolo had a lot of bad habits  
associated with his pressure oriented playing techniques. This was a  
hard decision for Lolo, but he finally chose to put all his efforts  
into the change. (This is a hard decision for many students who have  
achieved a certain level of success at a young age. It is hard for  
them to understand what they could really do if they honed their  
technique to its highest level, and all the old wives' tales about  
embouchure changes not being possible don't help, either.)
Last spring he made a CD for use with potential scholarships and  
auditions. It was simple enough, just the first 2 parts of the Saint- 
Saens Concertpiece and the Mozart 1. This was to accommodate his  
range, which was, at that time, just up to Fs and Gs. My belief is  
that you should always pick pieces that show you off well and that  
the audience will like, regardless of your level of playing (but that  
is another subject). I was encouraged that the man who did the  
engineering for the CD, came up to me at a concert that evening and  
said, That kid Lolo can sure play. I mean he doesn't just play  
notes, he plays phrases and has beautiful releases- everything. I  
told him the story.
So recently, after having started this story in a post about me  
perhaps being too dogmatic about pedagogy, which I won't repeat now,  
I got word of one of the results of the CD. (I think in that thread I  
mentioned that Lolo had learned how to lip trill in one week and how  
well he gets around on the horn now.) Lolo has won a scholarship from  
the NPR show From the Top. He will be playing on the show sometime  
in 2007 and will receive a $10,000 award for lessons and a new horn.  
Awesome! So sometimes there are happy endings, or beginnings. For  
Lolo this is just the beginning, but now at least he does have a  
beginning. He has the stuff to be a great player, and that is what he  
wants to do- his way out of his circumstances- but he also has the  
stuff to succeed in anything he might want to do. This wasn't easy  
for him- or me for that matter, but it is paying off, big time. Look  
for Lolo Vallecillo on NPR.
So Scott, tell your former student that part of life is change and  
that change is not easy sometimes. Life isn't easy sometimes but hard  
work will be rewarded. The good news is that there is more out there  
with the right tools to make it 

Re: [Hornlist] Re: A favor to ask you all

2006-11-18 Thread Richard Smith
Not knowing what kind of change your student is making, I will relate 
this story for what it's worth. During my first lesson with my major 
teacher in college, he said the embouchure seems to be working OK. 
Let's not fool with it. His (a classic einisetz) was clearly working 
better than mine so I undertook a change on my own.


Every day during my warm up and whenever I thought of it during practice 
and rehearsal, I would just move the mouthpiece up enough to have a 
sense of more upper lip than usual in the mouthpiece. After a couple of 
months, I had the lower rim set nicely inside the lip, had a sound that 
I much preferred to the old one, and had experienced few problems during 
the adjustment.


Now, 30 some years later, that change is a distant memory but I have 
always been glad I made the change.


Young folks often can only see a few months into the future. Tell your 
student she has many years left to play. A little short term frustration 
should be followed by years of satisfaction. In addition, she'll 
probably understand the embouchure much better when the process is complete.


Richard Smith
www.rgsmithmusic.com




Hi everybody,

I have a former student who is attending a well known music school.
She is going through an embouchure change and her life is no fun
right now. She is depressed and I have cheered her up all I can.

What I would like, if you would indulge me, is to collect as many
stories as I can from people who have had to face tough situations
and have come out well and happy. Horn related stories are best, but
I'll take everything.

Thank you in advance. Please send the stories directly to me at:

[EMAIL PROTECTED]



scottito


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Re: [Hornlist] Re: A favor to ask you all

2006-11-18 Thread Robert Ward
I too went through an embouchure change, in between my junior and  
senior year of college.  I played in the red of my upper lip before  
that and did really well that way, but Clevenger, at a master class,  
convinced me to move the mouthpiece up some. Basically I figured it  
all out myself from that point onwards - I worked on it everyday  
during that summer for 3 hours/day and things seemed to have turned  
out pretty well since then...


B

Bob Ward
Acting Principal Horn
San Francisco Symphony
http://www.rnward.com


On Nov 18, 2006, at 11:20 AM, Richard Smith wrote:


Hi everybody,

I have a former student who is attending a well known music school.
She is going through an embouchure change and her life is no fun
right now. She is depressed and I have cheered her up all I can.

What I would like, if you would indulge me, is to collect as many
stories as I can from people who have had to face tough situations
and have come out well and happy. Horn related stories are best, but
I'll take everything.

Thank you in advance. Please send the stories directly to me at:

[EMAIL PROTECTED]



scottito


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post: horn@music.memphis.edu
unsubscribe or set options at 
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