Re: [Hornlist] Schoenberg/Coleman/Philadelphia
Oh God, I've done it again. I know it was 1955, not 95. I should have copy/pasted the info from WorldCat (or done some proofreading). I also need to send out props to Steve O. for reminding me of his John Barrows CD, which I have in my collection and totally blanked out on (yet another senior moment on my part). As I said to Bob Dickow, some of my best memories are of things that never happened and this may prove the inverse (some of my fondest memories are things I have forgotten!?). Peter -Howard Sanner wrote: - >To: horn@music.memphis.edu >From: Howard Sanner >Date: 02/25/2009 02:01PM >cc: phir...@nypl.org >Subject: Re: [Hornlist] Schoenberg/Coleman/Philadelphia > >Quoting Peter Hirsch: > >> >> the Library of >> Congress has a mono tape of the March 11, 1995 concert, recorded in >the >> Coolidge Auditorium, where the PWQ performed Reicha, op. 88. no. >2, The >> Francaix Divertissement for oboe, clarinet and bassoon and the >Schoenberg >> Quintet, op. 26. > >I did a major double take when I saw this, mainly because I wondered > >who the players might have been. So I searched it in our catalog. >It's >actually the performance of March 11, 1955. No personnel is listed in > >the catalog record, which you can view by pointing your browsers to: > >http://lccn.loc.gov/96706771. > >Howard Sanner >hornl...@terrier.ampexguy.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Schoenberg/Coleman/Philadelphia
Quoting Peter Hirsch: the Library of Congress has a mono tape of the March 11, 1995 concert, recorded in the Coolidge Auditorium, where the PWQ performed Reicha, op. 88. no. 2, The Francaix Divertissement for oboe, clarinet and bassoon and the Schoenberg Quintet, op. 26. I did a major double take when I saw this, mainly because I wondered who the players might have been. So I searched it in our catalog. It's actually the performance of March 11, 1955. No personnel is listed in the catalog record, which you can view by pointing your browsers to: http://lccn.loc.gov/96706771. Howard Sanner hornl...@terrier.ampexguy.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Schoenberg/Coleman/Philadelphia
Peter wrote: ... I did once send them a request that they acquire the rights to the Dover LP of Rossini quartets with some of Barrows' most beautiful sounding and inspiring playing on it, but they didn't take the hint. Sotone CD109 features John Barrows playing Rossini Quartets Nos. 1 and 6 from that recording. Dover LP 5214 was actually a reissue of Period LP 737 from 1957. Also on the CD are the great Barrows recordings of Mozart's Horn Quintet and the Horn Trio by Brahms. Steve Steven Ovitsky Sotone Historic Recordings www.sotone.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Schoenberg/Coleman/Philadelphia
I checked OCLC WorldCat and the Ornette Coleman "Forms and sounds" album was on RCA Victor LSC/LM 2982 and later reissued on CD as Bluebird 6561. The Schoenberg is available through Naxos Classical Library by subscription (or through an institution that subscribes) and was on Columbia ML 5217 (Bill Gross has transposed the digits in his posting) and the Library of Congress has a mono tape of the March 11, 1995 concert, recorded in the Coolidge Auditorium, where the PWQ performed Reicha, op. 88. no. 2, The Francaix Divertissement for oboe, clarinet and bassoon and the Schoenberg Quintet, op. 26. It is not likely that RCA and Columbia ever shared their material to create the album the Bob Dickow fondly recalls (I have way too many of those sort of pseudo-memories to point any fingers myself). They could be licensed and combined by an archival re-issue label, such as Boston, but I can't say what the odds are of that happening. Since they do seek suggestions, I did once send them a request that they acquire the rights to the Dover LP of Rossini quartets with some of Barrows' most beautiful sounding and inspiring playing on it, but they didn't take the hint. That's about it, Peter Hirsch ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
