I have done it, and I believe it was Aaron Paul playing second when I
was conducting the Berkeley Chamber Orchestra who was also was
successful. Actually, it's not that hard. It's not like you have to
change notes, or something. I use self-hypnosis in that situation, and
the real problems is remembering to stop.
Carl Bangs
[EMAIL PROTECTED] wrote:
Last night we played the Siegfried Idyll.
My second horn didn't manage to play the extrememely long low note at the
end in one take.
Does anybody? One of my colleagues told me that he had seen a BBC orchestra
play this piece and the note was shared between the two horns. Is this the
usual way of coping with this, does one develop a set of gills, or take
breaths as my second did.
Cheers,
Lawrence
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