Re: [Hornlist] stage fright

2004-04-28 Thread Robert Dickow
From: Hans Pizka [EMAIL PROTECTED]

So I played the Munich audition, squeezing
all ring muscles - you understand ?

Hans,

With all the Long Calls you have accomplished, I can certainly understand
what you mean by 'squeezing all ring muscles'.

Bob Dickow
University of Idaho


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RE: [Hornlist] Stage fright

2004-04-27 Thread Hans
Somertimes, my friend, the dummkopfs decide the cast of singer or
command the orchestra, but also some players (horn players  oboes
included) play so sauer in the pit, that even the kraut (cabbage)
becomes sauer (sour). Sometimes the commander in chief (conductor) is
also the reason, why the horn players become sauer (sour = in German we
understand it as getting bored !)) in the pit.

We had a Rosenkavalier here during the Opera Festival 1984. Carlos
Kleiber conducted.  At the end of act no.2 a grumbling noise began 
crescendoed until we could not hear the oxen (baron Ochs von Lerchenau)
any more. What had happen ? Even it sounded like a quake, it was
hailstones, large like tennis balls. Damage in town : some 4 billion
USD. All cars were heavily dented. Mine was just 3 weeks old.
Fortunately covered by insurance as hailstones AND storm worked
together.


There is another kind of stage fright which you probably haven't 
experienced in Munich, Hans.  As I was playing Cosi fan tutte
recently, I noticed the hall shaking for about five seconds during
the first act finale.  The second hornist said it was another
earthquake, but I knew that it wasn't tectonic, but a genuine case 
of stage fright.  This was a hall that had never been used for opera 
before, so quite naturally the stage was inexperienced - I don't think 
it was health problems - and so the stage suffered a brief bout of 
nervous shaking.  No doubt it calmed itself down by noticing
the dummkopfs in the cast and the sauer kraut in the pit.

Gotta go,
Cabbage
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