RE: [lace] not a bobbin - but what is it?

2005-06-04 Thread Clay Blackwell
Hi all -

My email sorts itself according to when the sender sent it out, and for
some reason, it marks time according to the sender's current time, not
according to a fixed time zone...  SO, I often read responses before I see
the original question, and sometimes not...  but it does make for some
confusion!!

The point of all of the above babble is that I responded about the item
being an awl... AFTER some people I respect had called it a stiletto/awl. 
Please understand that I was not trying to be heavy-handed in a
pronouncement of my preference for the term awl - it's just what popped
into my head at the time, and had I seen the other responses before I
wrote, I wouldn't have responded at all!!  I believe that Gertrude Whiting
distinguishes between the stiletto and the awl in the same way that Brian
and Brenda do in their postings!  So I'll remember that now!

Clay

Clay Blackwell
[EMAIL PROTECTED]



> [Original Message]
> From: Clay Blackwell <[EMAIL PROTECTED]>
> To: Jenny Brandis <[EMAIL PROTECTED]>; 
> Date: 6/4/2005 5:09:49 PM
> Subject: RE: [lace] not a bobbin - but what is it?
>
> That is an awl, which was used to make round holes in fabric which were
> then embroidered with button-hole stitchs or other fancy stitchs.  The
> resulting "eyelets" could be either decorative or functional, depending on
> where they were and how they were used.
>
> Clay
>
> Clay Blackwell
> [EMAIL PROTECTED]
>
>
>
> > [Original Message]
> > From: Jenny Brandis <[EMAIL PROTECTED]>
> > To: 
> > Date: 6/4/2005 2:44:38 PM
> > Subject: [lace] not a bobbin - but what is it?
> >
> > The seller is actually asking for help in saying what it is!
> >
> > ebay auction number 8195945449
> >
> >
> > Jenny Brandis
> > Kununurra, Western Australia
> >
> >
> > -- 
> > No virus found in this outgoing message.
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> > Version: 7.0.322 / Virus Database: 267.5.2 - Release Date: 6/3/2005
> >
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RE: [lace] not a bobbin - but what is it?

2005-06-04 Thread Clay Blackwell
That is an awl, which was used to make round holes in fabric which were
then embroidered with button-hole stitchs or other fancy stitchs.  The
resulting "eyelets" could be either decorative or functional, depending on
where they were and how they were used.

Clay

Clay Blackwell
[EMAIL PROTECTED]



> [Original Message]
> From: Jenny Brandis <[EMAIL PROTECTED]>
> To: 
> Date: 6/4/2005 2:44:38 PM
> Subject: [lace] not a bobbin - but what is it?
>
> The seller is actually asking for help in saying what it is!
>
> ebay auction number 8195945449
>
>
> Jenny Brandis
> Kununurra, Western Australia
>
>
> -- 
> No virus found in this outgoing message.
> Checked by AVG Anti-Virus.
> Version: 7.0.322 / Virus Database: 267.5.2 - Release Date: 6/3/2005
>
> -
> To unsubscribe send email to [EMAIL PROTECTED] containing the line:
> unsubscribe lace [EMAIL PROTECTED] For help, write to
> [EMAIL PROTECTED]

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[lace] keeping one's place on a pattern

2005-06-04 Thread robinlace
From: "L. E. Weiss" <[EMAIL PROTECTED]>
> when working on Flanders I keep an enlarged copy of the
> pattern mounted on a think cork board so that I can use pins to 
> keep track of where I am in a piece.

This is quite useful, since many of us have a cork board for pre-
pricking.  However, if you don't have a cork board or don't want to use 
pins, go to the stationery store and buy some Post-it arrows.  These 
are related to the sticky notes, but they're narrow and pointed on the 
sticky end.  You can position the arrow to point at the pin you last 
completed (or have several arrows pointing to several endpoints in a 
complicated piece).  One advantage of this over pins is that the arrows 
stay in place when you pack up.

Robin P.
Los Angeles, California, USA
(formerly  Pittsburgh, Pennsylvania)
[EMAIL PROTECTED]

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Re: [lace] 8195945449 Not a bobbin ebay

2005-06-04 Thread Brenda Paternoster
Like Tamara I don't look at things on Ebay unless the full one-click 
URL is supplied.


Personally I use the name stiletto for the needlework tool (or high 
heel on shoe - which took the name from the tool anyway) and awl for a 
woodworking tool which serves a similar purpose but needs to be 
sturdier as wood is tougher than most fabrics.  I have an awl, 
inherited from my Dad, which has a rounded handle like a screwdriver 
and a hard metal spike which is used to start a hole for a screw to go 
in.


Brenda

On 4 Jun 2005, at 10:02, Brian Lemin wrote:

Yes it is a stiletto.  Looks a bit like bone but could possibly  be 
poor quality/aged ivory.


Some reference books call it an awl.

One book seemed to call steel pointed ones stiletto and bone ones 
awls???


It is possible that they go under both names.

I will go for stiletto.


Brenda
http://paternoster.orpheusweb.co.uk/

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[lace] Zig Zag lace pattern

2005-06-04 Thread L. E. Weiss
Hello all-

Jane Viking Swanson asked about the "zig zag" pattern I was working on at the
NELG retreat (how could that have already been 2 weeks ago!?).  First of all,
I want to comment on her "impromptu" presentation on Battenburg laces.  Anyone
who has spoken to Jane (or read her messages) knows that her enthusiasm about
any subject is certainly infectious.  But her pleasure in sharing her
knowledge and a part of her collection of Battenburg was particularly
wonderful, and she had a most appreciative audience.  (And one knows how hard
it is to pull a group of lacers away from pillows during a weekend workshop
unless for food -- or maybe shopping.)

She certainly knows her stuff.  I hadn't realized that she'd written about
Battenburg lace for _Threads_ and _Piecework_ magazines.  I went home to look
through my bookshelves and, sure enough, there's a model sporting a blouse
with lace insert on the cover of the July, 1995 issue of _Threads_, and a
great article inside.

Second, the answer to her question is that I was working on a Flanders piece
from the Mary Niven book (1998) in the "Double Pointed Corners" chapter.  It's
a pattern I've had my eye on for a while--a zig zag strip of cloth areas in a
parallelogram (rhomboid?) shape - a "tipsy" rectangle, if you will, bordered
with a strip of ground.  Luckily, I have waited to tackle it until I had
worked on other Flanders pieces AND had Jeannet Van Oord RIGHT beside me with
the book in hand.  Despite the colored diagram, it took both of us to work
through the intricate changing of pairs at the corners.  As mentioned in
recent messages, when working on Flanders I keep an enlarged copy of the
pattern mounted on a think cork board so that I can use pins to keep track of
where I am in a piece.

But it's a nice looking pattern and I think with time I'll begin to speed up
the production.  As a thin strip it is a nice break from the wider, more
complicated Flanders pieces, tricky corners aside.

Off to buy and plant tomato plants now.  The lace pillow has to wait until I
finish getting the yard under control--a worthwhile effort since new things
are blooming every few days.

regards,
Lorraine
Albany, NY

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[lace] 8195945449 Not a bobbin ebay

2005-06-04 Thread Brian Lemin
Yes it is a stiletto.  Looks a bit like bone but could possibly  be poor 
quality/aged ivory.


Some reference books call it an awl.

One book seemed to call steel pointed ones stiletto and bone ones awls???

It is possible that they go under both names.

I will go for stiletto.



Jean and Brian from Cooranbong, Australia 


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[no subject]

2005-06-04 Thread Christine Johnson
Dear Kathy,
The method Pat read taught us in class doesn't involve working multiple
times to a pivot pin.

Once you have worked down the braid as far as the pivot pin, work the pivot
pin as a blind stitch (= do NOT work edge stitch, just pin the workers) and
the work to the outside edge, work the edge stitch and work back through all
of the passives. LEAVE THE WORKER -it's not going to be a worker any more.

*With the third passive pair from the outside edge, work to the outside edge
and back through 2 pairs of passives. Tie this new "worker" and then work
through the rest of the passives (up to but not through the old braid worker
pair).
Repeat from *  - note that after tying the new "worker", the remainder of
the passives you are working through doesn't include the original worker
pair or any of the pairs that have been through the process just described -
ie, there will be one less "passive" pair to be worked through each time.

Repeat this until you have worked all of the pinholes around the outside
curve (about 180 degrees worth) to a
pinhole that is more or less level with pivot pin. (If you run out of
passives to use for this, I'm not sure what you do. I know it doesn't matter
if you have used all of them and, in fact, ideally at least 2 pairs won't
have been needed.) The next passive pair that is worked out to the edge
works back through all of the pairs between the outside edge and also works
at edge stitch at the pivot pin, which is removed and replaced in the
correct positionunder this new stitch. This pair becomes the new worker pair
for the next length of braid.

To stop the 2 passive pairs on the outside edge from being pulled in
(remember, you take the 3rd on each time, so these 2 pairs travel
undisturbed around the outside of the cloth stitch), tie the pair you are
bringing back in after working these 2 passives before continuing to work
through the rest of the passives. (Have just gone back and inserted this bit
in sequence).

Hope this makes sense. When I first saw it in the book, I didn't like it -
preferred the scroll worked by going back to the pivot pin repeatedly, but
this method is really cute once you have tried it.

Christine J
in Sydney, where we've finally had a few cold days

Date: Fri, 03 Jun 2005 11:36:51 -0700
From: Kathy <[EMAIL PROTECTED]>
Subject: [lace] Milanese scroll method

I am trying to work the beginner's piece of Milanese lace from "Milanese
Lace: An Introduction" by Patricia Read and Lucy Kincaid.  I have read
the directions several times for working the curve in the scroll method
and just don't get it. Is there another source that may have that method
described differently that may make sense to me? I have been using a
pivot pin to get around the curve, so I can continue with the piece, but
it is much fuller than the picture, and I would like to understand the
method used in the pattern.  Thanks for any help.

Kathy
from Holly MI

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