[lace] Lace issue of Piecework

2011-05-04 Thread pene piip

Yesterday I received my copy of "Piecework" - this being a special "Lace"
issue I had been looking forward to it. I just browsed through it quickly as
I'm busy proofreading a dissertation that has to be finished today.

There are several interesting articles - one about Marian Anderson's 
Bobbin Lace Bed Coverlet.

The Lace Museum looks after this special piece of history.

Well back to work now,
Pene in Tartu, Estonia where th e weather has turned cool again.

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[lace] Re: State Fair Exhibit (was Handmade)

2011-05-04 Thread Susan Reishus
Our state fair has had glasses display cases for as long as I can remember, at
least 30 years.  They provide cash prizes and shops who supply for that
particular medium, also up the ante with cash or store gift certificates
(usually around $50, give or take).  I only go rarely, just to see the
needlework (and paintings in another building), and feel that the work is
judged astutely - even more so, over the last decade or two.  


There is a
separate section where they demonstrate how to do the various "crafts" but I
don't remember anyone demonstrating bobbin or needle lace.  It is a nice way
to get people interested and especially children, (who tend to be very
interested when I am doing any form of needlework in public).  More should be
done to expose people to the medium as so many people go through there, often
having no idea how it is done.  Here, the demo section is essentially cordoned
off in a way that there is full view, yet encourages people to show respect in
not touching.    


Best,
Susan Reishus 

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[lace] State fair categories - Oregon

2011-05-04 Thread lacelady
The Oregon state fair had a change of officials a few years back, and a 
representative came to our lace meeting.  She asked us what categories and 
judging rules we wanted.  We wrote them out right then... and the fair actually 
used them.  They were very similar to my county fair.

The state fair has separate Divisions for tatting, for bobbin lace, and 
Romanian lace.  I don't remember where Needlelace fits in.

This year's state fair listing is not yet on line, but here's my local county 
fair listing.

Bobbin and Needle Lace Division
Doily or mat, under 6"
Doily or mat, 6-14"
Large item, over 14"
Bookmark
Ornament
Motif
Garment accessory
Edging under 1 1/2"   (Note...may be attached to an item, or alone)
Edging over 1 1/2"
Handkerchief
Fan or 3-D item
Picture
Scarf
Jewelry
Original design
Any other

Tatting Division
Shuttle Tatting
Small item, under 6"
Large item, over 6"
Edging, under 2" wide
Edging, over 2"
Bookmark
Garment accessory
Any other

Needle Tatting
Small item, under 6"
Large item, over 6"
Any other

By the way, Oregon state fair is limited to Oregon residents, so I can't invite 
you all to enter.  Sorry.

Alice in Oregon

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Re: [lace] Fair & Exhibit Lace Categories

2011-05-04 Thread bev walker
Hello Vicki and everyone

One fair I attended had 4 categories for bobbin lace: the lacemaker's
original design; adapted from an existing pattern; made from an
existing pattern (purchased, from a book, etc.); a category relevant
to the theme of the fair.

It wasn't a large fair but they did permit entries from anywhere.

Whether this will help you or not...I offer it in answer to your
question, what do others do ;)

On 5/4/11, Vicki Bradford  wrote:

> We are not particularly happy with the categories established for our
> fair's lace entries, but have had a difficult time coming up with
> better ones. ...  What do
> others do?

-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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[lace] Fair & Exhibit Lace Categories

2011-05-04 Thread Vicki Bradford

From: Trudy Scholten 
To: lace@arachne.com
Sent: Wed, May 4, 2011 5:35 pm
Subject: [lace] Re: state fair exhibit



...this helps us to convince the fair organizers that we really do need 
at least 10 categories of lace!





This is an area about which our fair organizers and lacemakers have had 
considerable discussion.
We are not particularly happy with the categories established for our 
fair's lace entries, but have had a difficult time coming up with 
better ones.  I would be very interested in hearing what other states 
(or counties) use for centry categories.  Our primary groupings are 
"large" and "small" pieces and within each we have subgroups such as 
"framed pieces", "edgings", "seasonal theme", etc.  The "large" and 
"small" groupings seem particularly in appropriate since a small piece 
may be considerably more difficult or time consuming than a larger one. 
 It would be nice to group by type of lace, but the problem becomes 
that we may not receive entries in more than 3 or 4 types.  What do 
others do?


Vicki in Maryland

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Re: [lace] Re state fair exhibit (was Handmade)

2011-05-04 Thread lbuyred
In the North Carolina state fair the lace is not exhibited in glass cases.  It 
is simply placed on a table.  The table is placed out of reach of fair visitors 
and is watched by a fair volunteer.  However that does not prevent damage.  I 
picked up a lace edged hankie for a friend who had won a ribbon.  Someone had 
looped the string from the ribbon through one of the picots and badly distorted 
the lace.  Since then I always turn in my entries in a frame so that no one can 
actually touch the lace.

All that being said I always turn something in.  I want people to know that the 
lace hobby is still alive and well in North Carolina.  I don't want the fair to 
have so few entries that they decide they don't need a lace category anymore.
Liz Redford
Raleigh, NC, USA

 lacel...@frontier.com wrote: 
> I have to put in a good word on our state fair.  All lace exhibits are in 
> locked glass cabinets.  There's no way for a viewer to touch or pilfer.

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[lace] Re: state fair exhibit

2011-05-04 Thread Trudy Scholten
Hi! 

Although I am mostly a lurker on Arachne, I feel compelled to put in a plug for 
our state fair! The Rocky Mountain Lace Guild many years ago became frustrated 
with the lack of knowledgeable judges for the lace competition at the Colorado 
State Fair, and since then has been providing the judges for this event. Only 
the winning entries are displayed for the public, and they are in locked cases. 
To further decrease the risk of loss, a guild member (other than the judges) 
hand delivers and picks up entries each year. There is also a special ribbon 
with a handmade lace center awarded to one lucky (or rather, skilled) entrant 
each year. 

Oh, and I should also mention that the Colorado State Fair is one of the few in 
the country that allow entries from anywhere! We encourage everyone to consider 
entering - entry fees are low, and this helps us to convince the fair 
organizers that we really do need at least 10 categories of lace! 

There is more information about the lace competition on the guild website at 
www.rockymountainlaceguild.org 
The premium book with information about entering will be online after May 30 at 
www.coloradostatefair.com 

happy lacemaking! 

Trudy in Colorado 

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Re: [lace] Hand made crochet - not.

2011-05-04 Thread lbuyred
Liz,
The next time you have this conversation you can mention that if she were to 
enter a quilt that was made with a sewing machine into a show she would be 
expected to enter it in the machine made category.  At least that is how it 
works for most quilt shows in the USA.
Liz Redford
Raleigh, NC, USA
 The Lace Bee  wrote: 
> As one lady said to me 'it's hand made because I made it' to which I replied
> 'but you made it on a machine'.  This was about knitting.  I tried to explain
> that she wouldn't call something made with a sewing machine hand made but she
> said she would.
>  
> Nowt so queer as folk.
> 
> Kind Regards
> 
> Liz Baker

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[lace] Re: Re state fair exhibit (was Handmade)

2011-05-04 Thread Clay Blackwell
Obviously, I don't have any experience with other state fairs, and it's 
very good to hear that some are really quite good with regard to display 
and competent judges!  I shouldn't have painted all fairs with the same 
brush.   But my reasons for not competing are as they are.  Another very 
big reason I've never competed was that I never felt I had anything 
worth showing off until I started making Binche, and now I just don't 
want to risk losing it.


Clay

On 5/4/2011 1:34 PM, lacel...@frontier.com wrote:

- Original Message -
   I am not willing to put
hundreds of hours of work on display on a table where the public can
touch (and in the worst case, pilfer?).  I am not convinced that the
jurors in state fairs know anything about bobbin lace ...
--

I have to put in a good word on our state fair.  All lace exhibits are in 
locked glass cabinets.  There's no way for a viewer to touch or pilfer.

Our fair also works very hard to get qualified judges in every category.  Our 
local lace makers have no qualms about entering their items in our fair.  In 
the case where someone has a most outstanding item, and it doesn't get the top 
award, it's usually because our fair has a rule that the same person can't win 
the top prize two years in a row.  (We have a fabulous male tatter who usually 
wins every other year.  The other years, he has to settle for a first ribbon.)

On a direct lace note I have finished a lappet/scarf that has been in 
process for several years.  The pattern came from the Prague OIDFA pattern 
booklet, and was worked in black thread.  It think it turned out very well, and 
I look forward to showing it off.

Alice in Oregon ... where we're supposed to have the warmest day of the year, 
so far, and I have some plants to get in the ground.



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Re: [lace]Antwerp lace

2011-05-04 Thread lacelady
I am currently working an Antwerp lace pattern, and have taken a couple Binche 
classes.  I can see the Binche style of thread movement in my edging.  The 
motive shape is made by the switching of workers and passives.  The modern 
version has some pins through the middle, but I can see how it might have been 
done with pins only on the edges, and thread tension or twists defining the 
design.  I marvel that people centuries ago made this pattern without the 
detailed diagram I'm using.

I would have been lost without my version of a voodoo board to keep my place.  
And four repeats later, I'm still depending on the voodoo board/diagram to 
guide my work.  Since it's on my travel pillow, I don't work it very often.

I was fortunate enough to see the Antwerp collection a couple years ago.  If 
you are planning a trip through that area, try to be in Antwerp on a Wednesday 
so you can see the laces.

Alice in Oregon



- Original Message -
I also have an eye for what I know as Antwerp lace which was a little
earlier.  It is not quite as complex and I love the patterns.  These
are the laces that are in the collections "Karoluskantjes" and "Onder
de Loep".  
==

 some of the 
Antwerp laces are at least as good (if not better) a grounding in the  
*mindset* necessary to do Binche. The biggest problem might be that 
there are fewer pins in the Antwerp laces, so a voodoo board/ghost 
pillow would be less useful in keeping track of where you are.

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[lace] Safely Displaying Lace and Embroidery

2011-05-04 Thread Jeriames
Dear Clay and Others Concerned about Public Lace Displays,
 
Displaying lace in safe conditions is nearly impossible, if not undertaken  
by a museum with appropriate practices and insurance.  I've been through  
this problem for the past 30 years, and would only associate with two  
museums (in New Jersey and in Maine) where I could be sure everything was  
either 
in glass cases and/or in a room that was locked in off-hours, and had  
docents in place when the space was open to the public.  
 
Sometimes I am asked to show antique Maine embroidery at the Maine  State 
Museum during a weekend event.  I stay with my exhibit all the  time, and 
take it home each night.  Even so, unattended  children completely disregard 
the "Please Do Not Touch" signs.  If  they are that rude, so am I.  I smile, 
then reach across and lift their  hands up and away!  The museum staff has 
never complained.
 
There is lovely lace in Maine.  If you should find yourself traveling  this 
way, contact Tess or me to ask what can be privately arranged.   We both 
participate in Arachne discussions often, so you have our  addresses.
 
Jeri
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center  

 
In a message dated 5/3/2011 6:23:22 P.M. Eastern Daylight Time,  
clayblackw...@comcast.net writes:

I, for  one, have long since stopped putting my work in competitions.  If 
it  pleases me, that is enough.  The eternal "State Fair" which occurs in  
the US in every state (I think?) in the union, has opportunities for  
exhibiting lace and competing for ribbons.  I am not willing to put  
hundreds of hours of work on display on a table where the public can  
touch (and in the worst case, pilfer?).  I am not convinced that the  
jurors in state fairs know anything about bobbin lace (although I know  
that for a number of years, our own Tamara Duvall donated her services  
for this).  I'm always pleased when I hear that a lacemaker has taken  a 
ribbon at a fair, but the risk isn't worth the prize for  me.

Sadly, I don't know of exhibits/competitions that rival the  splendors of 
European exhibits which focus completely on lace and/or fine  
embroidery.  I'd love to know about them if they  exist!!

Clay


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[lace] Re state fair exhibit (was Handmade)

2011-05-04 Thread lacelady
- Original Message -
  I am not willing to put 
hundreds of hours of work on display on a table where the public can 
touch (and in the worst case, pilfer?).  I am not convinced that the 
jurors in state fairs know anything about bobbin lace ...
--

I have to put in a good word on our state fair.  All lace exhibits are in 
locked glass cabinets.  There's no way for a viewer to touch or pilfer.

Our fair also works very hard to get qualified judges in every category.  Our 
local lace makers have no qualms about entering their items in our fair.  In 
the case where someone has a most outstanding item, and it doesn't get the top 
award, it's usually because our fair has a rule that the same person can't win 
the top prize two years in a row.  (We have a fabulous male tatter who usually 
wins every other year.  The other years, he has to settle for a first ribbon.)

On a direct lace note I have finished a lappet/scarf that has been in 
process for several years.  The pattern came from the Prague OIDFA pattern 
booklet, and was worked in black thread.  It think it turned out very well, and 
I look forward to showing it off.

Alice in Oregon ... where we're supposed to have the warmest day of the year, 
so far, and I have some plants to get in the ground.

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[lace] IOLI Bulletin-kudos

2011-05-04 Thread Dmt11home
I guess I am the last person to read the IOLI Bulletin. I was away for a  
week when it came and didn't get back to it for a while. And to be very 
honest,  it takes a long time to read the Bulletin these days because it is 
chock 
full of  stuff.
I was sorry to see that Tamara Duvall is no longer to be Bobbin Lace  
Editor. However, her last column before becoming an "occasional contributor" 
was  
a very interesting one. Personally, I rather like the effect produced by 
diagram  1 a, even though I think it is not Tamara's first choice. 
Many thanks to Gil Dye who is pursuing the bobbin lace interpretations of  
reticella like patterns. I had a few Eureka moments as I read her piece on  
bobbin interpretations of reticella patterns.
Congratulations to Kim Davis, as well. Bulletin Editor Cynthia Tiger has  
prevailed on Kim to write a series of three articles about Larry's lace, a  
collection that Kim has encountered in California. It is amazes me. when I  
read this article, to realize how much work has gone into it. It combines  
historical research into different pieces of lace and how they have 
materialized  in US collections, with analysis of the technique, including the 
sourcing of  hand spun linen! I am quite enthralled with the observation she 
has 
made of a  toothy edge construction and am now examining every old bobbin lace 
I see for  this toothy edge. Then, Kim has taken the basic idea of the old 
lace and created  a piece of wire lace jewelry from it. 
I find it very exciting and encouraging to see new talent  emerging to fill 
the Bulletin pages!
Devon

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