[lace] machine made

2012-08-13 Thread Lorelei Halley
Kathleen
Perhaps I should have been more specific.  I was thinking of lacemakers in the
18th century.  Your remarks do fit somewhat better for the 19th century, but
not the 18th.  There was a reason that the French revolution happened.

We have all heard about how lacemakers supposedly worked the same pattern
throughout their lives.  But the evidence I've seen in actual historic laces
from the 18th and 19 century tells me that that simply was not the case.
During the entire 18th century fashion changed frequently, so lace can be
dated by style alone to within 10 to 15 or 20 years.  With fashion changing
that often, a lacemaker who kept to the same pattern would not be able to get
the best possible price for her labor, since the aristocrats wouldn't buy what
was old style and unfashionable.  During the 19th century style changed
frequently, but perhaps every 25 - 30 years.
Lorelei

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[lace] Un-Conference -- final report

2012-08-13 Thread lacelady
During IOLI Conference week, a group of ladies held our own Un-Conference 
Workshop.  We met for five hours each day, Monday through Friday.

There were eight ladies who attended, though not everyone every day.  We 
brought our lunches and ate together each day even though we did not have a 
formal dinner together.  We met in a different town/home each day so the same 
person did not have to drive the furthest every day.  Depending on skill and 
time lacemaking, we had a whole range of progress on the oval doily.  The 
fastest lady made half of her project in the five days, the slowest about 8 
percent.  The others were somewhere in between.  I consider myself about 
halfway through the project.

Two people are using two colors, the rest are working in white only.  Some have 
Fresia thread and some Bockens.  It does seem to make a difference, though not 
a lot.  Some may choose to insert linen fabric in the center of the doily 
instead of working it in lace.  When we finish them, we want to get them 
together for a display.  It should be interesting.

The border section includes a fan, a ringed spider, and a three-pair crossing 
in each repeat.  We had reference books out on various methods of doing a three 
pair crossing, and each person chose her own way to do it.  I'm curious to see 
how the different methods appear.

At the conclusion of the Workshop, all participants were in favor of doing this 
again.  It was fun having a week concentrating on lace without the expense of a 
hotel.  Each one could work at her own speed without pressure to complete 
something, or trying to keep up with a teacher's presentation.  It wasn't as 
much fun as Conference would have been, of course, since there's so much more 
than just classes going on, but it was the next best thing for people who had 
to stay closer to home.

Alice in Oregon -- where summer has finally come with hot and dry days.

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[lace] machine/handmade lace

2012-08-13 Thread Jane Partridge
I think you will find that this applies after the passing of the 
Education Act in the late 19th century (can't recall the exact year but 
somewhere around 1874 I think) when the Dame Schools by law had to 
provide some teaching other than just the practicalities of lacemaking - 
ie the children would be able to read and write their name, and perhaps 
a few passages from the Bible, but certainly didn't have anything like 
the sort of education in English and Maths that we do now. The dames 
themselves would not necessarily have been well educated, either! Many 
of the parents, who had to pay extra for this privilege, objected on the 
grounds that it wouldn't teach them anything useful - so they also faced 
discouragement at home.  Before the Education Act there was no 
requirement for the children to learn anything other than lacemaking at 
these schools. If they learnt anything else at all, the likelihood 
would be that it would have been at Sunday School where they picked up 
the basics of the three Rs, together with needlework, etc (I have my 
great great grandmother's sampler which would have been worked at Sunday 
School - she would have been helping her parents, her father was a 
nailer in Bromsgrove - in the home and forge during the week before she 
left home and went into service).


Running the home would have taken second fiddle to making enough lace to 
survive, with chores undertaken early in the morning or late at night, I 
suspect it was in many cases a hand to mouth existence - make the lace, 
sell it, use the money to buy provisions.


I also don't think they were that well off - remember the lace was sold 
to a dealer, on cut off day - if the lace wasn't up to scratch they 
weren't paid, and if they were, it was usually by the truck system 
where they were paid in tokens (as were their ag lab husbands) which 
could be exchanged for high price goods (ie food etc) in the dealer's 
shop - if they wanted to be paid in cash (which is still a legal right) 
then they were paid less - about 10d to the shilling. It was because of 
the poverty that many lacemakers moved to jobs in the factories when 
they could - maybe away from home and not quite so clean, but certainly 
better paid - and also why so many burnt their lace equipment to 
celebrate their escape from the slavery. As fashion changed throughout 
the 19th century demand dropped, putting both hand and machine lace 
workers out of employment. One of the reasons why it was so difficult to 
find sufficient lacemakers to work the lace for Queen Victoria's wedding 
dress was that efforts to earn enough from lacemaking had led to a drop 
in quality of workmanship. The end product may be high priced, but only 
after the dealers had made their profit, they were the ones who were 
well paid! To compare, consider how little lacemakers in third world 
countries get today, by the time you have deducted the various taxes, 
transport costs, wholesaler and retailer's profit, etc from the lace you 
see on sale in various tourist areas - no way do they get a decent wage!


Their work would have been repetitive, maybe not making exactly the same 
pattern but certainly the same type of lace - according to the dealer's 
pattern book and their skill level. The best lacemakers would have had 
the most varied life.


In message 0AD9359F26314D88A5A2E02A1B4B758D@dellsx280, Peter and 
Kathleen Harris ec...@cix.co.uk writes

I would like to address Lorelei's comment that the lacemakers working by
hand were often illiterate. My understanding is quite different. In the
English villages where lace was made, many of the children, both boys and
girls, were sent to lace schools. Lacemaking was taught, but also basic
reading, writing and arithmetic, this being necessary to justify them being
called schools.

--
Jane Partridge

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Re: [lace] machine/handmade lace

2012-08-13 Thread Diana Smith



In the 19th century 'Lace Schools' were mostly just that - schools for
learning to make lace. Usually kept by an elderly lace maker who would have
little or no skills in teaching the three R's. Some basics in lettering could
probably be achieved but little more. The following is an account by a lace
maker from Sudborough in Northamptonshire. There is no mention of the children
learning anything other than lace making.

 ‘Mrs Bugby was born in the
atmosphere of pillows and bobbins for her mother kept a lace school in the
village so the combined memories of mother and daughter take us back to the
time when lace making flourished and supplemented the meagre wages of the
menfolk. We learn that there were two or three lace schools in Sudborough and
Mrs Bugby’s mother had about a dozen scholars. She had a room with 2 windows
and some girls sat by one and the rest by the other. The scholars sat back to
back to prevent unnecessary conversation. The ages of the scholars varied.
Some began at the age of 5 and stayed until they were married. Girls preferred
lace making to going into service. Her mother’s charge to teach them the art
was 3 shillings and this including ‘setting up’ tying bobbins etc. This
price included everything until the learner was a thoroughly competent lace
maker. After they became skilled, her mother charged them 3d a week to do work
in her house
 and that included firing in the winter. Mrs Bugby herself started lace making
when only 5 years old. Work began as soon as it was light and continued until
the allotted task was done.'
 
There were Dame's Schools and Charity Schools
which provided 'reading, sewing and lacemaking'. These were sometimes run
together with children spending time in each. In some areas evening classes
were also available for the very keen. At nearby Wellingborough - 'A charity
school in which 25 boys are taught to read, and the like number of girls to
read, sew and make lace, is supported by means of a bequest made by John
Freeman in 1711.'
The above is taken from my research into lacemaking in
Northamptonshire. 
 
I have a interesting book published in 2000 by Alan
Brown called 'Take the Children...? How Victorian lace girls lived and worked
in the Honiton and East Midlands districts - this is their story, as told to
the 1862 Royal Commission. I believe Sheila Brown is on the list.
 
Diana
Smith in Northamptonshire



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[lace] Lace and education

2012-08-13 Thread scotlace
Please note that the comments made about education apply to England and Wales
only.  John Knox stated that every church should have a school master to teach
the rudiments.  Much later, in 1696, there was passed an Act for Setting
Schools which provided that every parish which didn't have a school had to
establish one and there should be High Schools to teach Latin etc.  Actual
provision must have been patchy for some considerable time and take up of the
opportunity was most likely uneven but from the eighteenth century an
education system was well established with at least some sons of poor farmers
etc making it to university.


It is many years since my father died and my memory may be at fault but I
believe his little village school could teach to university level for those
who would and/or could take advantage of this.  He was born in 1903 and so I
am talking around 100 years ago when public transport as we know it now was
mostly not available and most people walked if they needed to leave their
village.


Otherwise comments about poverty apply to all parts of the UK.


Patricia in Wales

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Re: [lace] machine/handmade lace

2012-08-13 Thread Karen M. Zammit Manduca
Excuse the ignorance, but what are the three Rs?
Karen in Malta




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[lace] RE:machine lace

2012-08-13 Thread Helen Bell
Education Act of 1872, I believe.

Prior to that, I think lace schools in the UK were lace schools and you were
there to learn to make lace, not learn the 3R's.  That changed after 1872.
Anne Buck has a very good section about it in her book on Lester and the
East Midlands laces, if anyone is interested in reading some more on it.

I know there are stories of lacemakers and their experiences on cutting off
day.  There's one dealer in Bedford, I think (don't think it was Lester),
who was known to jam the fingers of his workers in the drawer as they
reached in for a 'reward' if they'd made bad lace.  You could tell those
women, as they'd be walking along the street wringing their fingers.

Cheers for now,
Helen, Duvall, WA, where it's a lovely summery day.

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Re: [lace] machine/handmade lace

2012-08-13 Thread Dmt11home
The three Rs are Reading, Riting and Rithmetic (Reading, Writing and 
Arithmetic) at least in the US. It is a bit of a  joke because only an 
uneducated person would think that each of the words  started with an R. 
 
Devon
 
 
_kazaman44@gmail.com_ (mailto:kazama...@gmail.com)  writes:

Excuse  the ignorance, but what are the three Rs?
Karen in  Malta

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RE: [lace] Two views of lives of lacemakers

2012-08-13 Thread Ruth Budge
My own view coincides with that of Jane and Lorelei ..parents even
opposed the introduction of the Education Act in England because it required
children to go to school and stopped them being productive to contribute to
the family income.

There has been research done on the subject.two books by the late Alan
Brown were published some years ago, Yallop wrote a book about the Honiton
lace industry, there are snippets of information in a variety of books about
the history of bobbins, I also have a couple of books written by present-day
lacemakers about the history of their family, a book about Isaac Newton and
William Cowper's time in Olney talks about them writing hymns as a form of
lace tell in order to teach the Bible to illiterate lacemakers in the
village - I think the evidence is there, but  I'd have to dig through the
bookshelves to find the exact titles.

Ruth(Sydney, Australia)
thelacema...@optusnet.com.au


-Original Message-
From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] On Behalf Of
dmt11h...@aol.com
Sent: Tuesday, 14 August 2012 3:27 AM
To: jpartri...@pebble.demon.co.uk; ec...@cix.co.uk
Cc: lace@arachne.com
Subject: [lace] Two views of lives of lacemakers

This is very interesting, two different views of the same  thing, and
something that I have often wondered about myself. 
Does anyone know of research that has been done on this  subject?
Devon
 

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RE: [lace] machine/handmade lace

2012-08-13 Thread Margery Allcock
Hi, Karen -

It's a bit tongue in cheek (a bit of a joke) really:  Reading,
wRiting, and aRithmetic G.

Margery.
 
margerybu...@o2.co.uk in North Herts, UK 
 
 

 -Original Message-
 From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] 
 On Behalf Of Karen M. Zammit Manduca
 Sent: Monday, August 13, 2012 9:13 PM
 To: Diana Smith
 Cc: Arachne
 Subject: Re: [lace] machine/handmade lace
 
 Excuse the ignorance, but what are the three Rs?
 Karen in Malta
 
 
 
 
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RE: [lace] condition of lacemakers

2012-08-13 Thread Ruth Budge
Allan Brown's two books are based on reports of an inquiry into the
conditions of the lace industry conducted by Alan Cole.

Ruth (Sydney, Australia)
thelacema...@optusnet.com.au



-Original Message-
From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] On Behalf Of
Lorelei Halley
Sent: Tuesday, 14 August 2012 6:42 AM
To: lace@arachne.com
Subject: [lace] condition of lacemakers

Alan Cole, who was writing around 1900, wrote some books about lace, but
also wrote reports to the government about the economic condition of
lacemakers.  I think he was curator of the V  A for a while.
Lorelei

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[lace] Thread question

2012-08-13 Thread Clay Blackwell

Greetings, Gentle (but busy!) Spiders!

I have a question...

A few weeks ago, I started a new project!  I wound the bobbins I needed 
to begin the work (106 pairs!) and a few extra, knowing ahead of time 
that I would need another 35 +/- pairs to add in as I progressed.  I 
stopped winding when I finished a spool, knowing I have several more in 
reserve.   I've now gotten all of the original bobbins hung in, as well 
as the dozen or so extras, and need to wind some more extras.


Now, much to my horror, I realize that the thread I used is Egyptian 
Cotton 140/2 in Bright White, and all of the other spools of 140/2 
that I have are optic white...  and there is a difference.  I've gone 
on-line to see if I can find more Bright White, but it seems that 
everyone sells only the optic white now.


When did this change take place?  I don't *think* I've been asleep for 
years, but I don't remember any discussion about bright white being 
discontinued.


Are there any vendors out there who still carry the bright white in 
140/2?  Or does a kind lacemaker have a spool (or even a partial spool!) 
of bright that she would trade for a spool of optic?  I'm far enough 
along that restarting is not an option I want to consider, and I'm very 
much afraid that the addition of a couple of dozen pairs of optic white 
to this bright white will be very, very distracting.


Help!!

Clay

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[lace] thread question

2012-08-13 Thread Lorelei Halley
Clay
I don't know about the threads you specifically mention.  But if you hang them
spread out among the others, they won't show (except to you) in the finished
lace.  What will make the color difference visible is if all the optic white
are hung right near each other.  Then you will have lace with color patches.
Something that weavers sometimes do is to use several shades of a color in the
same piece.  It gives a liveliness and vibrancy to the woven cloth.  I've
tried that in bobbin lace, with the same effect.  If there some way you can
space out the odd colored threads, or will that involve too much un-hanging?
Lorelei

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[lace] machine/handmade lace

2012-08-13 Thread Elizabeth Ligeti
My Great Grandmother was taught to read and write - probably at lace School.
However the family thought it was dreadful that her father paid to have her
taught to read and write - a total waste of hard earned money, and they
almost banned him from the family!!
She was the last of the family to earn her living making lace. I have no
idea who she worked for. She lived in the villages around Bedford. I have a
well worn bone bobbin with her name on and dated 1864, - which must be when
she started school as a 4 year old, as she was born in 1860.

I have a collar which I think she  may have made, as it was given to my
mother for her 21st birthday. My Grandma made the lace for my 21st birthday.
Grandma taught lace I think, for a while, but did not make it for sale.

Regards from Liz in cold, wintery,Melbourne, Oz.
lizl...@bigpond.com

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[lace-chat] Irish Olympic Sailing commentary

2012-08-13 Thread Jean Nathan

Thanks for that David.

The sailing was happening a few miles down the coast from where I live. 
Although it was an Irish comedian making this video, his commentary was, in 
fact, how most people would view sailing. Only those who really understand 
competitive sailing and its rules know what's going on, and I'm not one of 
those neither is DH. He was in fits of laughter watching it and thought it 
was a real commentary.


Jean in Poole, Dorset, UK 


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