[lace] UK Tatters.

2014-02-27 Thread Sue Duckles
Hi Fellow Lacers (and Tatters)

I've just heard that Roseground in the UK have a large shipment of Tatting
supplies, including the
new Lizbeth Twizl thread in size 20!!  I think these are the same price as all
the other Lizbeth threads!  Had to share the information as there aren't many
places here in the UK that you can get supplies for tattilng!!

 Also they have now a selection of items for tatting onto - these having an
eyelet to tat into

Cotton Embroidered 9.5ins sq. cotton Handkerchiefs:£4.75

4ins round centre with eyelets for tatting --£2.75

6 ins as above   --£3.85

oval mats are 9.25ins x  6ins, also the small scallop shape are 9,75ins x
6ins, both are in cotton price £4.00

I'm not anything to do with them just a VERY satisfied customer!! Can't
wait for Harrogate Rally now!!!

Sue in a damp East yorkshire
My Tatty Blog http://pigminitatty.blogspot.co.uk/

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[lace] The Musketeers

2014-02-27 Thread Talktalk
Is anyone watching the BBC1 series The Musketeers. There are lots of lovely 
lace trimmed costumes to see. 
Ann

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[lace] Beautiful lace egg decorations

2014-02-27 Thread Shelly
Just came upon this site, the eggs are drilled by a artist - they are 
amazing and look like lace made eggs.

Had to share.
http://www.flipflipmeheidi.com/article/fragile-beauty-franc-grom
Enjoying a day off and looking forward to a play date to make some lace 
with a friend!


--
Shell in Central PA
“A half finished shawl left on the coffee table isn't a mess; it's an object of 
art.”
― Stephanie Pearl-McPhee

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[lace] Book Review: Interwoven Globe (Metropolitan Museum Exhibition)

2014-02-27 Thread Jeriames
Interwoven Globe - The Worldwide Textile Trade, 1500-1800
Edited by Amelia Peck
Metropolitan Museum of Art, NY
Yale University Press
ISBN 978-0-300-19698-6
2013, 350 pp. Hardback 
 
You will recall that I announced the Interwoven Globe: The Worldwide  
Textile Trade 1500-1800 Exhibition on September 15, 2013.  Since then, we  had 
very nice reports of visits from Devon, Lyn, and Arlene.  It  was requested 
that I write a book review of the catalogue, but I found  little to tie the 
350-page catalogue to lace.  (For Hispanic lace  scholarship that relates to 
this time period and geography, look  up Florence May in the Arachne 
archives.)  
 
Now, I am shelving the book, having made my way to the finish at a  snail's 
pace.  I think it important to voice a critical opinion, bearing in  mind 
that I read and review a lot of books.  This book consists of nine  chapter 
essays by seven museum staff members and scholars, covering  three centuries 
of history.  The subject is vast, and the exhibition was  very large.  When 
this is to be the case, a very organized editor is  required.  
 
The first 135 pages are devoted to History, a subject I love.   However, 
reading was not made easier by the way the text is  organized - with frequent 
references to Notes, and pages and pages of Notes at  the back. One must try 
to balance a very heavy large  art book and keep a finger at the ready to 
locate clarifications in the  form of Notes.  It would have been so much 
nicer if the Notes had  been incorporated into the text.
 
The second section of the book is the very nice Catalogue, with  individual 
pieces in the exhibit featured in color and explained in  substantial 
detail.  The History (first) part of the book also sent  the reader to these, 
creating quite a unique exercise of  fingers fumbling over each other! 
 
This sort of thing discourages the non-genius.  No wonder so many  people 
dislike history.  In this case, it has  the suggestion of intellectual 
exclusivity.  
 
Yes!  I am speaking up.  Museum professionals should be  mindful that 
readers want to absorb the contents of museum exhibitions and  accompanying 
catalogues with ease.  Their aim should be to educate in  user-friendly ways, 
being aware that in 2014 nearly everyone likely to  be interested in an 
exhibition subject is in information  overload.
 
No one has yet mentioned it, so in a separate memo, I will share what this  
book has to say about Frances Morris, who was very important to the  
establishment of the lace collection at The Metropolitan.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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Re: [lace] lace exhibit at SFO

2014-02-27 Thread Elizabeth Stoll
I was in the Bay Area in California a week ago and took the opportunity to
visit the newly opened exhibit in the International Terminal at San
Francisco International Airport.  There are 20 tall cases, roughly a square
meter in footprint, and glassed all around so the laces are visible from
three sides, at the north end of the ticketing and check-in area of the
International Terminal, each holding several pieces of lace (and sometimes
related objects) with the accompanying descriptions.

Even my husband, who has humored me on our twice yearly visits to the Bay
area to sing Renaissance music by accompanying me to Lacis in Berkeley and
taking in Jules Kliot's expositions of their regularly changing exhibits,
was impressed with the superb quality of the pieces, the detailed
explanations, and the breadth of the  scope of history and types of laces
shown in such a coherent fashion.  Though secluded in an area that keeps
the laces from being exposed to the damaging  daylight that fills other
parts of the terminal, the cases are very well lit, so one can see details
as well as possible without a magnifier.

http://www.flysfo.com/museum/exhibitions/lace-sumptuous-history gives you
just a taste of the treasures available for view, by picking out twelve
examples along with their explanatory comments.   Click on the individual
laces for the detailed comments and follow the arrows through all twelve.

If you are driving and using the parking garage beside the terminal, use
garage G instead of A, so you don't have to traverse the terminal from the
south to the north end; it's a bit of a hike!  We knew the exhibit was in
the international terminal on the ticketing level but entered from the
garage on the south side and took a while to find it.  The airport is also
accessible by BART from San Francisco and the East Bay.

Congratulations to curator Nicole Mullen, the Lace Museum in Sunnyvale and
Lacis in Berkeley, and all the others who contributed to a superb,
informative exhibit.  It was definitely a highlight of our time in the Bay
Area.

Beth Stoll,
returning home to balmy Albuquerque, New Mexico tomorrow after a week in
cold and snowy New Hampshire and Connecticut visiting family.

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[lace-chat] UK Tatters

2014-02-27 Thread Sue Duckles
Hi Fellow Lacers (and Tatters)

I've just heard that Roseground in the UK have a large shipment of Tatting
supplies, including the
new Lizbeth Twizl thread in size 20!!  I think these are the same price as
all
the other Lizbeth threads!  Had to share the information as there aren't many
places here in the UK that you can get supplies for tattilng!!

Also they have now a selection of items for tatting onto - these having an
eyelet to tat into

Cotton Embroidered 9.5ins sq. cotton Handkerchiefs:£4.75

4ins round centre with eyelets for tatting --£2.75

6 ins as above   --£3.85

oval mats are 9.25ins x  6ins, also the small scallop shape are 9,75ins x
6ins, both are in cotton price £4.00

I'm not anything to do with them just a VERY satisfied customer!! Can't
wait for Harrogate Rally now!!!

Sue in a damp East yorkshire
My Tatty Blog http://pigminitatty.blogspot.co.uk/

To unsubscribe send email to majord...@arachne.com containing the line:
unsubscribe lace-chat y...@address.here. For help, write to
arachne.modera...@gmail.com. Photo site:
http://www.flickr.com/photos/lacemaker/sets/