[lace] Carrickmacross lace - Books, Collar hints and Wet Cleaning

2014-06-27 Thread Jeriames
Dear Karen,

You are wise to express concerns about the fragile nature of this  lace.
Have you looked at the correspondence about Carrickmacross in our  digest?

http://www.mail-archive.com/lace@arachne.com/index.html

Put Carrickmacross in the search box, and read a lot we have said through
the years.  For those interested in books, put Carrickmacross 8/23/2010 in
the search box to read a list from me.

Proper supplies and technique are important to ensuring a long life for
your laces.  Then comes care.  To a one-piece Carrickmacross collar,  open in
front, I added pops (small circles of buttonhole stitches) where I  wanted
to use a cameo pin.  Then, I cut a piece of bias-woven white  lawn tape to a
size that would be hidden by the cameo and marked where I  wanted my pin to
go in and out of the tape.  Insert pin in one pop, then  into tape and up
again through tape into other pop, and close pin.   The hidden tape holds the
weight of a small cameo.  Collar will  rest in place, without being pinned
into your garment.  I made a Summer  dress for just this collar to rest on,
so no neck oil would stain it.   Another collar solution is to make fabric
tabs or thread loops and attach  them with stitches at the front of a lace
collar.  Pin into the tabs  or loops.  Never pin directly into lace!!!  A
third
possibility (for  tape lace collars) is to thread a grosgrain ribbon (it
has no wrong  side) through openings in the two sides and tie in a bow.  Use
more ribbon than you think you need.  A large looped bow looks  wonderful
with large Battenburg tape lace collars.  Another  possibility is to baste a
collar directly on a dress.  Stitch in the holes,  not in the lace threads.
Test dark colored dresses, as some will  discolor or transfer fibers to the
underside of lace.  Be especially  careful of denim, because dyes rest on
the tightly-woven surface and rub off on  light colors.

Those of us who have been hand washing laces for 50 years must  remember
that new lace makers are accustomed to easy-care fabrics and whatever  water
comes out the pipes, combined with strong detergents, in machines  that churn
whatever is placed in them.

A conservator will tell you that Carrickmacross is fragile, and must be
handled carefully in the wash.  A clean white enamel basin is best  -  look
for one at yard sales, since everything now available seems to  be plastic.
Mine is oval, with inside measures of 16 x 12  1/2.  Paint nail polish over
any chipped enamel, to avoid rust  stains.  Basin should be very clean;
detergents wiped away with white  vinegar on a cloth.

Wash Carrickmacross alone (no additional pieces) in 1 inch of  room
temperature distilled water with a little Orvus soap which you prepare  before
floating lace in it.  If you do not have a delicate touch, sandwich  lace
between two layers of soft net (not the scratchy kind) and baste around  lace
item
to keep it from shifting in this envelope.  This will resist most  of the
effects of gravity and water weight.  Do not agitate.  Do  not scrub.  Let
lace soak a few hours if there are stains,  so the fibers can expand and
stains can detach.  Hold piece flat  to bottom of basin and pour off dirty
water.
 To rinse, pour fresh  distilled water in from the side of basin, not
directly on lace.   Repeat.  Pour final rinse water away.  Sometimes wet  lace
looks dingy, but it has a way of drying clean.  Roll out of  basin on a soft
towel with no texture to catch in lace picots.  Blot.  Lay on a clean surface
(pre-wiped with white vinegar) to dry.  Shape  piece for drying, but do not
pull in any direction.  You can finger press,  and warmth of your fingers
will hasten drying.  Press carefully with an  iron, preferably no warmer than
your hand can tolerate.  Don't let  iron point get caught in the picots.  A
damp light weight pressing cloth  may be helpful.

Sounds like a lot of work, but you must remember how much  more time was
spent making your Carrickmacross lace, and how long it  would take to replace
it.

It is best to consider what will be easiest to care for before tackling
something like a collar that will be soiled by skin oil combined by whatever
dust or sand is floating around and will attach itself to the  oil.  For a
collar, my recommendation is to design a pattern  to fit a garment, so it can
be basted on the garment.  That way, the  skin oil issue - on lace - is
avoided.  Be patient when removing  basting threads for lace storage or wet
cleaning, so no knots are pulled through  the lace.  One must avoid activities
and jewelry (dangling earrings, charm  bracelets, pronged rings) that might
catch in the picots (which are much  larger and more open than in other
types of laces).  Be careful when adding  and removing a sweater, jacket or
coat, because the texture and your  movements may injure the lace.  Watch
where
your car's seat  belt is dragging over your shoulder.

Sorry.  This is a fragile lace.  It needs more caution than  most.

Please save this memo in your 

[lace] PieceWork Magazine - More Lace Fun - July/August 2014 Issue

2014-06-27 Thread Jeriames
Dear Arachne Members,
 
May/June 2014 was PieceWork magazine's annual Lace issue, so  imagine my 
surprise to receive the July/August 2014 issue and find mostly  lace!  (Wait a 
week for this to be delivered to book stores.)  If you  are far from North 
America and you are not a subscriber,  _www.Pieceworkmagazine.com_ (http://
www.Pieceworkmagazine.com)  will lead  you to free projects and a way to 
order back issues plus this one.
 
1.  On the cover are Irish crochet cuffs to make.  Instructions  accompany 
an article about an early 20th century linen duster (a coat worn over  
clothes to protect from dusty roads that were not paved at that time).  The  
duster belonged to Edith Graham Mayo, wife of one of the founding brothers of  
the Mayo clinic in the state of Minnesota.  It is interesting to see  how the 
crochet collar and cuffs were appliqued to a satin lining, then attached  
to the duster.  The author of this article is Mayo's great  granddaughter, 
Laura Esther Ricketts.
 
2.  Catherine of Aragon's influence on the development of blackwork  
embroidery on evenweave linen is told by Mary Polityka Bush.  From a  distance, 
this embroidery looks like black lace.  Instructions for a  project included.
 
3.  A graceful lacy compass rose shawl to knit - instructions  included, by 
Katrina King.
 
4.  Giant Bobbins, Cords, and the Franciscans (of Malta).  This  is most 
interesting research from Angela Peel.  Especially if you  ever met a chunky 
bobbin you could not identify.  The cords were  made to hold closed the 
brothers' habits.  Each cord has 3 knots,  representing poverty, obedience, and 
chastity.  Several antique cord stands  (with holes in center top) are 
shown.  The work was done standing, so the  stands are tall.  The technique is 
similar to Japanese kumihimo.   No instructions given.
 
5.  Honiton Lace - One of England's Loveliest Laces is a 6-page  article 
co-authored by Jo Ann Eurell (IOLI) and Laurie Waters (Lace News).   You 
will recognize that both correspond with us on Arachne.  Instructions  can be 
had in eBook format for a Honiton motif.  See 
_www.interweavestore.com/a-taste-of-honiton_ 
(http://www.interweavestore.com/a-taste-of-honiton)  
 
6.  A Chain of Netting by Rita Bartholomew (Rita taught this  technique 
to the New England Lace Group in 2013).  A generous 9 1/2 pages  are devoted 
to her Netting history and a bookmark project.  _www.knotsindeed.com_ 
(http://www.knotsindeed.com)  
 
7.  The rarely-made Yap lace is featured in a 5-page article with  
instructions, by Bart Elwell (IOLI).  Yap lace is a combination of crochet  and 
needle lace.
 
8.  Finally, a duo of knitting articles.  A) Icelandic sweater,  with 
instructions.  B) A Shoal of Ganseys - The Knitting Legacy of the  Fishing 
Community exhibition at Sheringham Museum, Norfolk, England, until  September 
10, 
2014.  Ganseys are sweaters worn by men while fishing.   
_www.sheringhammuseum.co.uk_ (http://www.sheringhammuseum.co.uk) One of the 
photos in 
magazine is of Herring Lasses Off Duty, knitting as they  walk along, in 
period 
costume.  This reminds of embroidered Panel 112  - Herring Girls, in The 
Great Tapestry of Scotland.
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center 

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