[lace] new book

2015-02-06 Thread Rick Sharon Whiteley
I just received my new book by Elizabeth Kurella “The Many Lives of Old
Lace”.  In spite of postage adding 30% to the cost, I have to say this book
is worth every penny for those interested in antique lace.  It wasn’t until
last year that I actually came across old re-worked lace.  We’ve all been
told how valuable lace was in the past ..worth more than it’s weight in
gold.. but actually seeing a some that was already a hundred years old before
being re-worked leaves even more of an impression.  Elizabeth Kurella”s book
helps identify, assess, and judge approximately when a piece was re-worked.
She also advises when and how it would be appropriate to re-work lace yourself
in order to save sections from an otherwise badly damaged piece.  Thank you
Elizabeth for another well worthwhile book. Sharon, on Vancouver Island
where we’re expecting yet another 2 inches of rain today

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Re: [lace] Lace book authors

2015-02-06 Thread Karen Bovard
I can fill in some details about POD companies in the US.  I have compiled
several articles on a blog page should you want more information.  I feel
almost as proud of the fact that I found my way through the self-publishing
maze and was able to publish/print  my book without the possibility of
loosing money as I am of the book itself!   The site
is: http://nichebookpublishing4cheap.blogspot.com/  If you figure out my
system I have alot of information about publishing niche market books there. 
I used a Google Blogger site and each article is a separate page/post.  There
are a couple of posts with no information in themthose are on my 'to do'
list. In a nutshell there are only two or three 'true' self-publishing print
on demand companies:  CreateSpace (affiliated with Amazon), Lightening
Source and now IngramSpark. All the other POD companies are fee-based or
author services based which means that they want alot of money from you to
create your book for you.  As a published author, you already have done this
or know how to do it yourself, thus the 'true' POD companies are what you
want. You upload your print ready cover and interior (2 separate files), they
analyze it for print-readiness, then inform you to order a proof copy.   I
have researched Lightening Source (LS) and CreateSpace (CS) extensively and
have published my findings (go to the #10. post at this
address: http://nichebookpublishing4cheap.blogspot.com/  ).   IngramSpark
is a relatively new company that I need to research and include in my
website.  CreateSpace, in my experience, is THE way to go. LS does about the
same thing but charges an upfront cost (not too bad!) to get going.  CS does
not.  All it costs to get a book published with CS is a proof copy--the
actual, end cost of the book plus postage---in my case less than $10.  When I
had to send a book to Canada, shipping direct from CS was the most
cost-effective way to go.   I have been very happy with the quality.   So
what I would suggest is to have your book digitally stored with CS and then
when you get a US order, you can order (through the internet) with them and
have the books sent to your client. The only other option I can think of is
to have someone in the US be your order person. Karen BovardThe ShuttleSmith
Publishing CompanyOmaha, Nebraskawebsite/blog:  www.TheShuttleSmith.com

 On Tuesday, February 3, 2015 5:26 PM, Alex Stillwell
alexstillw...@talktalk.net wrote:


 Lace Book Authors:  One thing I learned in the past few days (didn't 
write
down the source) is that it is less expensive to have a British book
published in the U.S. than it is to ship from overseas.

Hi Brenda

I have looked into this idea. The only print-on-demand printing company I
could find that prints in UK, USA and Australia is too poor a quality (pulp
fiction) for my diagrams and photos. They also require you to have separate
accounts for each country, pay the set-up cost for each country and pay you
in
the local currency, with all the conversion and tax implications that brings.
I was not going there. However, they will send out individual books at a cost
of �.20 per book on top of the postage (that was 3 years ago).

I quote cost of book plus postage and require to be paid in sterling (PGB) by
cheque or PayPal. I do not use a commercial PayPal account. Apart from the
first flurry, about 6 months when a book comes out, my PayPal receipts drop
down and it costs about 7% to use a domestic account. Ignore any threats they
make, they are only trying to make you use the more expensive account, just
keep less than �,900 in the account.

I will be happy to answer any questions you have on the subject to the best
of
my ability.

Happy lacemaking

Alex

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Re: [lace] I'm still here and thanks

2015-02-06 Thread Carolyn Salafia
Dear all

The groups emails are part of sometimes what seems like a very thin rope 
pulling open a teensy door that let's me see the light at the end of the tunnel.

Last tuitions bill dec 2015. 

Then I want my life back and I will be very happy this group will be there 

Carrie

Sent from my iphone

 On Feb 6, 2015, at 4:45, Gray, Alison J ag...@essex.ac.uk wrote:
 
 Hi
 
 It's more than a year since I sent an email to lace, but I have read all your
 posts.  It's been a difficult year trying to work full time and support my mum
 who became increasingly frail and eventually died at the end of November.  But
 now I'm back in the flow and have a bit more time for making lace again.  So I
 want to take this opportunity to thank you all for just being there and
 reminding me that there are things beyond the everyday grind.
 
 I particularly want to thank Jean Leader.  Over the last few years I have been
 working through Jean's little Lace Guild book on Bucks Point lace and have at
 last finished the final piece short of taking the pins out.  I started working
 the final pattern, a bookmark, in May last year and managed to get about a
 third of the way down by Christmas.  In my notes I announced that on 31
 December I had got half way and now it is done.  I have enjoyed nearly every
 minute of working all the patterns, except the times when I was going
 backwards, rather a lot at the beginning, less when I got nearer the end.
 Thank you Jean, so much, I'm looking forward to choosing the next Bucks Point
 pattern to tackle.
 
 Alison in Colchester, Essex, UK where it's sunny but bitterly cold
 
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[lace] I'm still here and thanks

2015-02-06 Thread Gray, Alison J
Hi

It's more than a year since I sent an email to lace, but I have read all your
posts.  It's been a difficult year trying to work full time and support my mum
who became increasingly frail and eventually died at the end of November.  But
now I'm back in the flow and have a bit more time for making lace again.  So I
want to take this opportunity to thank you all for just being there and
reminding me that there are things beyond the everyday grind.

I particularly want to thank Jean Leader.  Over the last few years I have been
working through Jean's little Lace Guild book on Bucks Point lace and have at
last finished the final piece short of taking the pins out.  I started working
the final pattern, a bookmark, in May last year and managed to get about a
third of the way down by Christmas.  In my notes I announced that on 31
December I had got half way and now it is done.  I have enjoyed nearly every
minute of working all the patterns, except the times when I was going
backwards, rather a lot at the beginning, less when I got nearer the end.
Thank you Jean, so much, I'm looking forward to choosing the next Bucks Point
pattern to tackle.

Alison in Colchester, Essex, UK where it's sunny but bitterly cold

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Re: [lace] mathematics and lace - compare to Whiting's research

2015-02-06 Thread Veronika Irvine
Thanks for the reference Jeri.  I will definitely try to get my hands on a 
copy of Whiting's book.


I have been trying to collect as many references as possible on lace grounds 
and systematic descriptions of lace.


The main resources I am using right now are:

   Viele Gute Grunde by Ulrike Lohr
   Grunde mit System by Uta Ulrich
   Moderne Grunde by Deutscher Kloppelverband e.V.
   The Book of  Bobbin Lace Stitches by Cook and Stott

Many thanks to Lorelei and the IOLI newsgroup for helping me compile this 
list and to Bev Walker and the Victoria Lace Guild for helping me get access 
to books.


As an aside, I have recently discovered the Google Translate image to text 
option which is helping me read some of the German text.  You can take a 
photograph of the text and Google Translate will scan the image for words so 
I don't have have to type them.  Now all we need is to get Google to 
recognize lace specific terms...


Kind regards,
Veronika Irvine

http://web.uvic.ca/~vmi/

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Re: [lace] I'm still here and thanks

2015-02-06 Thread Sue Harvey
Alison, I don't know you personally but I have been through caring and nursing 
my mother several years ago and know exactly how it takes over your life, 
although I didn't regret a minute of it as she worked hard all her life to 
bring up six of us it is very tiring as none of us were very young either.  
Look forward now to enjoying a well earned rest and make plenty if lace.

Sue M Harvey
Norfolk
U.K.

Sent from my iPad

 

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[lace] Binche Peacock

2015-02-06 Thread Anita Hansen
Hi Sherry!

I think I have made the peacock that was discussed, but I'm not sure.  My
patterns and lace books are still packed away after our move so I can't check
the pattern to see if was from OIDFA.  I have uploaded a photo of my lace to
the arachne2003 flicker account.

My Binche lace skills are primarily self taught.  If you can follow a
color-coded Belgium diagram you are well on your way to doing Binche!  Oh, and
being able manage a zillion bobbins helps! LOL!  If you can't find a Binche
workshop, one in Flanders or Paris is the next best thing.  The most difficult
part of working Binche lace (aside from the zillion bobbins) is that it will
keep you on your toes.  You will need to constantly refer to the diagram.
This isn't Torchon where you look at the lace and automatically know what to
do and easily get into a repeatable rhythm.  So you will either like that or
you won't.  I don't even bother taking my Binche project to a lace
demonstration because I need to concentrate.  I also put my working diagram on
a styrofoam board (covered with fabric) so I can use pins to keep my place.  I
will suggest that it helped me to practice Flanders ground, Paris ground and
snowflake ground before I just jumped into one of Kumiko Nakazaki's design
which was similar in size to this peacock.

Kumiko Nakazaki will be teaching a class on Binche lace at the upcoming 2015
IOLI convention.  I am delighted to say it is being co-hosted by the Doris
Southard Lace Guild right here in eastern Iowa, namely Coralville.  You can
find information on the IOLI website.  And you will (hopefully) find me in her
class too!

Anita Hansen
Cedar Rapids, Iowa

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Re: [lace] mathematics and lace - compare to Whiting's research

2015-02-06 Thread Karen Bovard
I have been enjoying learning about Veronika's work/thesis.  Very cool!!! I
just wanted to point out that there are some math ties to tatting too.  A few
years back, Patty Dowden introduced the tatting world to 'Hyperbolic Tatting'
and taught it at the Minnesota IOLI Convention (so sorry I couldn't go to be
in that class!).    Follow the following link to explore Patty Dowden's work
on Hyperbolic
Tatting:http://api.ning.com/files/7K-JVVxwVhh4LGvReFO018O*M*lVkVxiCkKDXgkvZES
9uImRI9DR6d5*5E-Te54YQgM07nM*LFJxlaKHH-5w6iU-Gm28GnaB/HyperbolicTatting.pdf
 Just recently I was in the Denver Art Museum Textile Gallery and they had
some wonderful displays up that introduced fiber/textiles as 'Art'.  In the
tatting display was a couple of small tatted bits of hyperbolic tatting.  I
faintly recall that Patty gave a workshop there...but could be completely
wrong about that.  I have a picture of the display and hyperbolic tatting on
my blog:  www.TheShuttle.com/shuttlesmithblog I have been researching and
playing around with the concept of Tesselation in my tatting design work.  My
last book, MORE Fun with Split Ring Tatting, introduces that theme and
features unique tatted designs with Tesselation in mind.  However,
Tesselation refers to designs made of identical shapes but the shapes must
fit together without any gaps.  I have a few of these designs in my book. 
BUTLace is about the negative space (holes) enhancing the positive parts
(the thread) in the design.  Thus I came up with a new term:  LACE
TESSELATION.  Many of my designs fit into that category. You can see some of
the designs on the front covers of the book at this
address:  www.TheShuttleSmith.com/books-for-sale/   There are more in the
book. Karen BovardThe ShuttleSmithOmaha, NEwebsite  blog: 
www.TheShuttleSmith.com 

 On Friday, February 6, 2015 9:16 AM, Veronika Irvine v...@uvic.ca
wrote:


 Thanks for the reference Jeri.  I will definitely try to get my hands on a
copy of Whiting's book.

I have been trying to collect as many references as possible on lace grounds
and systematic descriptions of lace.

The main resources I am using right now are:

    Viele Gute Grunde by Ulrike Lohr
    Grunde mit System by Uta Ulrich
    Moderne Grunde by Deutscher Kloppelverband e.V.
    The Book of  Bobbin Lace Stitches by Cook and Stott

Many thanks to Lorelei and the IOLI newsgroup for helping me compile this
list and to Bev Walker and the Victoria Lace Guild for helping me get access
to books.

As an aside, I have recently discovered the Google Translate image to text
option which is helping me read some of the German text.  You can take a
photograph of the text and Google Translate will scan the image for words so
I don't have have to type them.  Now all we need is to get Google to
recognize lace specific terms...

Kind regards,
Veronika Irvine

http://web.uvic.ca/~vmi/

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