Re: [lace] Finnish lace

2017-02-05 Thread Janis Savage
Dear Susan

I have not been to Finland but agree with Antjie's comment about traditional
Finnish Lace. I have a book called "Ristnippu, Vanhoja raumalaisia
tyllipitseja II"

The narratve inside is in Finnish, English and German and the English says
that it is the second in a series of books about traditional Finnish lace in
the from the Rauma museum.

There are 11 prickings inside, beautifully made for the pictures, and it
appears to be a tulle lace, like Bucks Point, but made on a 45 degree grid.

Maybe you should have 2 samples of lace for Finland, traditional and modern or
most well-known so that you can include Eeva-Liisa Kortelahti's lace as well.

Good luck with the project.

Janis in South Africa

where the summer weather is fabulous

-
--
Hello All!  Today I'm seeking advice to find a small, reasonably simple
pattern that is representative of traditional Finnish lace.  I need to make a
sample of Finnish lace for one of our library exhibits.  Hopefully, it will
bring back fond memories for Finnish Americans who are patrons of the library
in this small Ohio town.  Many thanks.  Sincerely, Susan Hottle

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[lace] lily lappet - pattern?

2017-02-05 Thread Sue Babbs
I spotted a lovely piece of lace on page 4 of the Honiton Lace book on “the
professor’s site”
https://www2.cs.arizona.edu/patterns/weaving/books/archive_032.pdf

Does anyone know if there is a pattern or pricking available for this piece
anywhere?

Sue

suebabbs...@gmail.com

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[lace] Support pins etc.

2017-02-05 Thread lizlace
I see no problem with using support pins if you need them and if they help you
get your lace looking how you want it.  I am sure the Öld-timers”would have
used whatever they could to assist in making the lace.

I also use coloured pens to mark my prickings before I put the contact on
them. I find that helps, too – Who cares – no-one else sees the prickings,
and if they do – so what?!!!  (You all know I am rebellious and go
“radical” every now and again!!! )  I worked a fairly dense Beds piece –
with Overlapping 9 pin edge, and when I first looked at the pricking and tried
to follow the lines of the plaits I could see where there might be a problem
if I wasn’t concentrating well, - so marked one ‘loop’ of the edge in
black, and the overlapping one in red – and did that all around the pattern.
It worked beautifully – I knew exactly where I was the whole time. The
trails were marked in green, and I think the cloth stitch pattern bits were
blue, -- whatever – it all helped me make the lace Enjoyably (which is the
whole point!) When you have a forest of pins it is sometimes hard to see what
is what, -- so get out the coloured pens and get some marks there before you
start, so you can enjoy the journey.
Who will ever know you marked the pricking first?!!  - and anyone who finds
out will most probably think you Very Sensible!!!

Thank you for that book review on the new Korella book, Jeri.  It looks like
another great book.

Regards from Liz in Melbourne, Oz.. --where we had 35mm rain last evening
(1⅜inches) - the first good rain for Ages!

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Re: [lace] Support pin in Binche cloth areas and Flanders

2017-02-05 Thread Anna Binnie
Getting the tension right in Flanders is a bit tricky. I never use 
support pins BUT I do tall my students when they tension they should pat 
their bobbins down rather than pulling them. You never pull the worker 
bobbins just keep them loose and allow the ring pair and ground to 
tension them.


Julie I have some notes I can send you on this if you like

Anna froma hot Sydney summer where the tamp out side at 9.30am is 33C 
and expected to get over 40 again!!! We have had 40C+ days at least 
twice a week since New Year!



On 5/2/17 6:04 pm, Julie Shalack wrote:

I just finished my third or fourth Flanders exercise without support pins and I 
am not really happy with the cloth areas.


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[lace] Learning about Point de Gaze from Laurie Waters

2017-02-05 Thread Jeriames
Supplementing Elizabeth Kurella's new book - Point de Gaze  - reviewed 
earlier today:
 
Lace lovers might like to subscribe to the  free Lace News at  
https://lacenews.net/   On the right there  is a "Follow Blog"; enter your 
email address 
in space provided.  Laurie  Waters selects from a broad range of eBay 
offerings, and presents her informed  observations.  An excellent way to learn 
lace identification in small  doses.  Photos can be enlarged with a click.  A 
week after  the auction ends, click on a line that looks like
http://tinyurl.com/j4klvae   
Sometimes a dealer sets a price, and there are no bids, or you will be able 
 to see the final price realized. 
 
At the July 16-22 2017 International Organization of Lace, Inc. convention  
in Pennsylvania, Laurie Waters will be teaching:  Introduction to the  
Belgian Needlelaces - Mixed in the mornings, and Lace History &  Identification 
in the afternoons (both Beginner to Advanced).
For details, select - 2017 IOLI Convention - in right column at:  
_www.internationalorganizationoflace.org_ 
(http://www.internationalorganizationoflace.org)   
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] Review - Point de Gaze Brussels Needle Lace, by Elizabeth Kurella

2017-02-05 Thread Jeriames
Point de Gaze Brussels Needle Lace for Collectors and Lacemakers
By Elizabeth M. Kurella, Self-published, 2017, 168 pages, Soft Cover, $30;
ISBN 978-1-5323-2923-4

Use Subject line of this Review to find on eBay.Or, write to
_www.lacemerchant.com_ (http://www.lacemerchant.com)   address, which has not
yet been
updated to include a photo of this  book.

You may also find this review under Book Reviews at http://www.nelg.us/ ,
with a photo of  cover.
---


The first book of 2017 to arrive at the Lace and Embroidery Resource Center
 is one that will be welcomed by lace collectors and curators, historians,
and  costume experts.

Did you ever wonder why more people do not know how to identify  lace?


Elizabeth Kurella's special brand of lace identification insight informs
each book she has written.  She counsels it is technique, not design, that
provides the means of identifying specific types of lace, which leads to the
assertion that as soon as a set of designs became popular, they were copied
in  whatever technique was available, including machine.

To explain the title of this book: Brussels needle lace was a precursor to
the Point de Gaze developed in about 1850, and manufactured until the early
 1900s:  a span of about 50 glorious years for this lace before
machine-made  laces finally won the lace "battle".

Judging from current auction offerings, quite a lot of  this stylish needle
lace is still available.  It is one of those  laces that, at its finest,
can (when closely studied) make one forget to  breathe.

To those who claim to be lace experts, it is of importance to  have the
ability to differentiate between Point de Gaze (Belgian) and other  refined
European laces, such as Alençon/Argentan/Point de  France (French), and
Burano/Point de Venise (Italian).

It is doubtful most people have ever considered the variety of Point de
Gaze laces produced.  Kurella has separated Point de Gaze into liberally
illustrated chapters:

oRecognizing (and making)
oClassic flat
oWith layers of petals
oWith special effects
oNovelties
oWith no mesh
oBlends and hybrids
oVery special
oAppendix: Plauen Museum folio

Photo captions generally include descriptions rather than simply  names,
because there was never a single authority that assigned names to types  of
lace.  As with all laces, the ability to personally touch it with  your
fingers and study both sides of these laces under magnification adds
exponentially to knowledge.

If you love the genteel needle-made laces of the past, this  book teaches a
lot about how to view and enhance your appreciation  of all of them - in
addition to Point de Gaze - using a method of study  that Kurella has
developed for her lace identification books.  A  combination of design,
techniques
and skills converge to create the  finest-of-the-fine.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] Lace Guild AGM and Fringe

2017-02-05 Thread Malvary Cole
While I was cutting up vegetables for my soup maker which I’ve just plugged
in, I remembered that tomorrow is the do-not-mail before date for The Lace
Guild and AGM.

If you don’t have Lace 164 yet (I don’t) you can download the forms from
the internet (I did) and choose your course and get ready to send it in
tomorrow.

The Fringe and dinner are being held in Widnes and the AGM in the same
location as the Haydock (not just Lace) Fair at Haydock Park Racecourse.

I’m looking forward to going to Widnes again as my maternal grandparents
were born there.  It used to be in Lancashire, but now finds itself in
Cheshire.  Hope to have a look around the churchyards and such while we are
there.

Malvary in Ottawa where it is snowing (again) big fluffy flakes.  Hope it
stops soon as I have to go visiting at the hospital when I’ve finished my
soup.

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Re: [lace] Support pin in Binche cloth areas

2017-02-05 Thread Adele Shaak
Hi Everybody:

I have a feeling that historically, lacemakers didn’t tension quite as much as 
we do. 

When I was learning Mechlin ground, for example, I was advised to just tension 
after the first CTC and then not to worry so much at the end of the ground 
stitch. That worked better than all the tensioning I had been doing. In cloth 
stitch areas, it’s amazing how things pull themselves into shape a row or two 
later, without me being that concerned with tension. Of course if there are 
great loops in my work I do tension them out, but I find I can usually not 
tension as much as I used to, and it makes no difference.

There are lots of times when you don’t need support pins because the passive 
pair that has just been picked up as a worker can be tensioned while holding 
down the pair next to it. So, if you pick up a passive pair on the left of the 
cloth area, and work it across to the right, when you tension it you just make 
sure you hold down the passive pair that was just to the right of where it was 
originally. That pair, held down, will prevent you from pulling the cloth 
stitch area out of shape. 

And then sometimes there’s no pair to tension against, or for some other reason 
you want to use a support pin. If you get to the end of the row and you see the 
support pin wasn’t in the right place, move it. You don’t need to undo your 
work, just pick your pin up and budge it over a bit. There will always be a 
little hole in the lace from the support pin, but when you finish the lace and 
it gets dampened, you can fiddle with the little hole then if it really bothers 
you.

Hope this helps.

Adele
West Vancouver, BC
(west coast of Canada)

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Re: [lace] Support pin in Binche cloth areas

2017-02-05 Thread Clay Blackwell
I use support pins in Binche Lace primarily at take-ins and take-outs, 
especially where the work is in half-stitch.  Without the support pin, the 
worker thread tends to pull the passives away from the edge, leaving an 
undesirable hole.  I use the finest insect pins I can find, and put a dot of 
red nail polish on the heads of the these pins so that once I have gotten 
beyond that area I can take them out.  I also learned about support pins from 
Ulrike, way back when I had only been making Lace for about a year!  

Clay

> On Feb 5, 2017, at 2:04 AM, Julie Shalack  wrote:
> 
> I just finished my third or fourth Flanders exercise without support pins and 
> I am not really happy with the cloth areas.  I also remember years ago Ulrike 
> Voelker being very emphatic about using support pins in Mechlin cloth.

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Re: [lace] Support pin in Binche cloth areas

2017-02-05 Thread Nancy Neff
Julie,

Maybe you can analyze the working diagram, figure out where the support pin
should go, then add a smaller hole to your pricking in the right place
relative to the existing pin holes.

I think Ulrike thinks it no problem because 1) she has very experienced
lacemakers making the lace for the illustrations in her books, for whom
adding support pins is probably no problem, and 2) she's brilliant and
adding pins that aren't on the pricking is definitely no problem for her. I
think she'd say to add the pin hole to the pricking if that's better for
you.

Nancy
Connecticut, USA

Julie Shalack wrote:

...  It doesn't sound at all fun to me to put pins in freehand.  I don't
> understand why Voelker thinks it is no problem. ...
>
>

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RE: [lace] Support pin in Binche cloth areas

2017-02-05 Thread jo
Managed to interpret Susan Roberts' description by drawing it and placed the
image on my blog: 
https://kantelier.wordpress.com/2017/02/05/bincheflanders-tension-solutions/

Thank you, it makes perfect sense to me. I'll also prepare my insect pins
with nail polish, hope they don't bend too much.

Jo

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[lace] Binche

2017-02-05 Thread Alex Stillwell
Hi Arachnids

Re:
Subject: Re: [lace] Support pin in Binche cloth areas

At the risk of being called lace police there is no need to use support pins,


Lace police are those who dictate and insist that their way is the correct one
and the only one that should be used. I like to try all the techniques I come
across and then use the one that is best for me. By giving us the benefit of
your experience we gain more understanding of how we can make lace and so
choose the technique that fits the situation and our individual way of
working. I will definitely try this one.

Thank you Susan for sharing your experience of making Binche.

Alex

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Re: [lace] Finnish lace

2017-02-05 Thread AGlez
Hello,

I am a fan of Korthelati's designs, but if you want a traditional Finnish
lace, I would say that Korthelati is not the best option, as she is still
alive and making lace. I mean, she makes a contemporary and very personal
lace, not traditional lace.

A few years ago I went to Finland, and visited the museum in Rauma. In the
article I wrote then you can find out a bit more about the lace you can see
in the museum, which is Cluny type and Point Ground.

http://mi-pequeno-taller-eng.blogspot.com.es/search/label/Lace%20trips

Enjoy reading the article!

Have a nice Sunday!!

Antje , in Spain

www.vueltaycruz.es

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