[lace] Bedfordshire vs Early lace

2017-06-15 Thread GilDye
When I first came across Bedfordshire I knew it as  Beds-Maltese and I have 
never had a reason to consider it as anything other than  a guipure lace 
with its origins in the 19th century. The extensive use of plaits  does give 
it a superficial resemblance to the 16th century bobbin laces which  mimicked 
early needlelace - cutwork and reticella (which came before punto in  aria) 
- however there are considerable differences in working methods.  
Over more than a decade of active research into early  bobbin lace I have 
yet to determine a satisfactory definition for 16th and early  17th century 
lace - it is often called plaited lace, but in reality long plaits  are rare. 
It is an open lace with spaces crossed by twisted pairs and short  plaits 
often consisting of no more than a lockstitch (ctc tc), there are more solid 
areas  consisting of plaits of 3, 4 or more pairs, or of one group of 
threads working  through another in cloth-stitch (ctc). Like Bedfordshire it is 
a  
continuous lace, but there is no half-stitch and pairs are not added or 
taken  out in the course of the work (as  they are in some of the more complex 
Beds  patterns). 
Relatively few pins are used in working the early lace,  and those that are 
used are usually placed below or to the side of a stitch to  provide 
tension - this means there is never a pin-hole in the centre of a stitch  - as 
there would be for example in the centre of a windmill crossing in  
Bedfordshire (or many 19th century reproduction of an early lace). Overall the  
working 
method is much more like  Freehand lace where pins are used only on  the 
outside edges and no pricked pattern is needed - this allows considerable  
freedom for the lacemakers. Great fun to do and almost certainly made  in 
England in the 16th century. 
Gil Dye

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[lace] bowing off

2017-03-01 Thread GilDye
Most  early bobbin lace is continuous, ie all threads are added at the 
start and  remain in use until they run out and are replaced, with no pairs  
added or  removed as the work progresses. However in the 1630s there was an 
abrupt change  in style which involved working in sections, adding and removing 
pairs, and  requiring bobbins to be wound in pairs. This slows down the 
working and  potentially involves considerable waste of expensive linen thread. 
 
Honiton  workers today 'bow off', ie cut and tie discarded pairs in a 
single movement -  can anyone tell me if this or a similar technique is used in 
any other pieced  lace? 
Also  would lacemakers in the 1630s have been using scissors of the type we 
know  today? (It is possible, but difficult,  to bow off with the older 
type of  spring snips).
Any  help will be gratefully received
Gil,  from a rainy Northumberland

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[lace] Battle of Britain lace

2015-09-19 Thread GilDye
I know many lacemakers are interested in the Battle of  Britain 
Commemorative Lace Panels, despite their machine, rather than hand,  origin, so 
I 
thought I should pass on the rather scanty details of a new book on  the 
subject 
that I was shown this week. 
The book records the location of all the known surviving examples of the  
panels with press cuttings and other back-up information, together with 
copies  of photos that were the inspiration for many of illustrations in the  
panels.
The title is as the italics above, it was written by an Australian, Brian  
Farr, and self-published this year (2015). Part of the publication proceeds 
are  going to The Aviation Heritage Museum, Bull Creek, Western Australia 
and I .am  afraid this is the only contact given in the book.
Gil
In the North East of England, where the sun has finally found  us.

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[lace] Lace Gone Wild

2015-05-18 Thread GilDye
Voluntary Arts Week is being celebrated across the UK and Ireland when  
those who enjoy participating in any form of art or craft are encouraged to get 
 out and about and share their enthusiasm. 
Northumbria Lacemakers' contribution to this event is Lace Gone  Wild, an 
outdoor exhibition in the grounds of Wallington Hall supported by  eight days 
of demonstrating in the conservatory. See the website: 
https://lacegonwildatwallington.wordpress.com/ to  see how the week is going.
Gil

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[lace] Lace Exhibition in Twickenham

2014-10-29 Thread GilDye
There is an exhibition opening on 30th October and running until 25th  
January 2015  at the Stables Gallery, Twickenham near London (TW1 3DJ). The  
exhibition is titled 'Lacemakers', and the blurb says 'A contemporary open  
exhibition celebrating work made of or inspired by lace'.
This is the first time the gallery (or its parent gallery, Orleans  House) 
has had an exhibition devoted entirely to lace. I hope to visit later  next 
week, but at the moment all I know about the content is that  my submission 
called 'Framing the Face' (based on my work on early lace)  should be on 
show.
Gil Dye
In a still summery Northumberland

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[lace] Re: lace-digest V2014 #46

2014-03-06 Thread GilDye
In a message dated 06/03/2014 14:04:49 GMT Standard Time,  
owner-lace-dig...@arachne.com writes:

Why do  European lace experts assume that people who speak and  
read English  are not interested in the lace history of the countries where 
lace  
originated?
Many people have raised valid points in response to this question from  
Jeri. Here are my 2 cents worth:
 If you need translation of technical terms for bobbin lace  see the 
excellent section of the OIDFA website: http://www.oidfa.com/translate.html.en#
  Jeri specifically mentions lace history, rather than  techniques, and 
this is rather less of a challenge to translate than  technical instructions.  
I am one of those people who can read a diagram,  but struggle with reading 
any language but my own, so do find it very  frustrating that I miss out on 
what is often fascinating background. For most  books a printed translation 
is not a viable option, but putting something on  line might be a 
possibility, especially if lacemakers were prepared to  collaborate in the 
project. 
The author would need to offer his/her work for  translation, then an initial 
translation be made, possibly through a translation  site (Arachne members 
can probably recommend the best options for different  
language-to-languages). That translation would need to be moderated by one  or 
two native speaker 
of the 'new' language, preferably someone with lace  knowledge.  Once 
approved by the author, the translation, along with a  front cover picture and 
full publication details of the original publication,  would be transferred to 
a dedicated site where it could be stored and accessed -  someone would be 
needed to host the site. This would not be  appropriate for a full scale book 
or thesis, but could work for an article  or the introductory chapter of a 
techniques or pattern book.
Gil Dye (in Northumberland where the spring flowers are giving a wonderful  
splash of colour)

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[lace] Bucks point for church lace

2014-01-27 Thread GilDye
Hi Dot,
 
Think twice before you use Bucks Point for church lace: one of the  saddest 
pieces of lace I have ever seen was a Bucks point border on an altar  cloth 
in a Suffolk church. So much work had gone into the lace, but it had  
absolutely no impact for anyone sitting or standing in the body of the church  
and close up it showed how much it had suffered from inexpert laundering. I  
would certainly endorse Antje's suggestion that you should look at Eve-Lisa  
Koretelahti's patterns
Gil (Dye)
In Northern England

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[lace] Re: lace-digest V2012 #168

2013-01-23 Thread GilDye
In a message dated 22/01/2013 11:32:48 GMT Standard Time,  
owner-lace-dig...@arachne.com writes:

I have  been taking my lace while traveling for a good decade


I always have needlelace and tatting in my bag and often have a travel  
pillow if I am going to be away for any length of time. Over the years of 
making  lace publicly there have probably been equal numbers of funny looks and 
 
interesting conversations!
Somewhere in a recent posting there is a mention of the role of craft in  
dealing with pain. Anyone for whom this might be an issue might be  
interested in knowing that the Pain Clinic at the Royal Bath Hospital has set 
up  a 
knitting and craft group which is having very positive results - see 
_http://www.stitchlinks.com/_ (http://www.stitchlinks.com/) 
Gil
>From a snowy Northumberland

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[lace] Lace Dealer's Pattern Book

2012-10-04 Thread GilDye
Veronica Main has asked me to pass on the information  that the new edition
of The Lace Dealer’s  Pattern book, with accompanying DVD, will be
published on 12 November, and  can be purchased from the Luton Culture website
(price £19.99 plus p&p).
In appreciation of their generous support of the  original publication,
Arachne members are invited to attend the Cattern Day  launch at Wardown Park
Museum, Luton, on Friday 30th November between  midday and 4pm.
Gil  (Dye)

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[lace] ruffs

2008-01-21 Thread GilDye
Liz asks how many yards to make a ruff.
When I was approached by the costume group at Buckland Abbey, (Devon,  
England) to make the lace for a reproduction of the costume worn by the second  
Lady 
Drake, they asked for 6 yards; this I did and the ruff looks very effective  
(at least it does in the pictures, I have not yet seen the real thing) See 
more  about this lace in the January 2007 (no 125) issue of Lace.
Gil (Dye)

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