[lace] Re:

2012-06-02 Thread TRENNA RUFFNER
please look in to this http://www.danews.net/biz/?employment=3799635

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[lace] Re:

2012-06-02 Thread TRENNA RUFFNER
wow this is pretty awesome you should give it a look 
http://www.danews.net/biz/?page=2906171

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[lace] Re demonstrating

2011-10-26 Thread TRENNA RUFFNER
I have a demonstration pillow that I only work on when in public. It has been 
in use for many years.  It has a simple but pretty torchon pattern and  it has 
several yards attached.  My bobbins are strictly utilitarian - noone is the 
least interested in stealing them.  I don't use my pretty and/or antique 
bobbins 
because I would rather folks looked at the lace.  I welcome onlookers to touch 
the lace - yes it will be a bit grubby when finally taken off for use. but it 
was meant to be washed in the first place if used as a trim on clothing.  My 
show pieces are all framed or in plastic sheet protectors so noone  can 
finger 
those .  The yardage seems to satisfy that impulse anyway. By demonstrating 
with 
a simple pattern, I can make the point that it really is not a hard craft to 
master, just as simple cross and twist - two movements like knitting. I found 
that  having a complex piece just put people off - sooo many bobbins!  With a 
simple piece I can assure them that with a bit of concentration and practise 
they could be doing the same thing in a couple of months.(Plus I don't have 
to to take out a lot of mistakes that always seem to happen when I am lacing 
and 
talking at the same time which would be discouraging on a complicated piece).  
And I have shown that it doesn't take a fortune to get into the craft   - 3 
dozen utilitarian bobbins, a home made pillow, and some thread and they would 
be 
in business.
The funniest comment I ever received was from a young boy who dashed up and 
said What are you doing with the little baseball bats, lady?
Trenna Ruffner
Michigan

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[lace] fake VerMeer

2011-10-25 Thread TRENNA RUFFNER
  About 24 years ago I was able to purchase a reproduction print of  picture 
entitled The Lacemaker by VerMeer, original owned by the  National Gallery,  

Washington DC.  I loved the picture and went  several times to the Gallery when 
visiting Washington to try to see  it..But noone seemed to know anything about 
it.  The painting was  very much related to the famous Lacemaker  Same 
yellow dress,  lace  collar and cuffs,. same type of stand and the blue 
embroidery pillow  with red and yellow threads spilling out.  In this the case 
the young  woman is looking out at the camera, but her hands appear to be in 
the  
act of making  lace.  Actually I think she must have been left handed  because 
that is the hand that appears to  setting a pin.
When the wonderful VerMeer collection was shown  at Gallery in1995 I, of 
course, made a special effort to see the  exhibit, especially the famous  and 
delightful Lacemaker.. And  reading  in the very scholarly catalog that was 
published at the time of  the exhibition I dixcovered what had happened to the 
other Lacemaker   She had been discoverd to be a FAKE! Now attributed to the 
notorious  van Meergan (1937),  is described as now in storage,. My copy 
still 
in  on my wall of fame (lacemakers!) and I love her.  If the Gallery  wants 
to 
get rid of the oriiginal, I would be happy to give her a good  home.
Incidentally the scholarly description of the wonderful  original 
Lacemaker, 
is mostly technical regarding the construction of  the design of painting but 
quite respectful of the craft depicted.   -the crisp accents of light 
illuminate the precision and clarity of  vision  required  by this demanding 
craft.
Trenna Ruffner
Michigan

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[lace] RE: bobbin makers

2010-09-30 Thread TRENNA RUFFNER
No one has seemed to have mentioned the late Dennis Hornsby who was one of the 
earlisest English bobbin makers (of this era) and who set a high standard of 
quality for others to follow.  I treasure the ones I have from him - they have  
ideal balance and never a rough spot.  Trenna Ruffner, MI




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Re: l[lace]Plays about lace

2006-09-06 Thread James and Trenna Ruffner
(Sorry to be so tardy to offer this on the topic that was discussed last 
July but it took me awhile to find the book!)
   I was reminded during the discussion of lacemaking on the stage that 
is also is mentioned in the movies.  Lacemakers who are also old movie 
fans have a giggle when they watch Betty Davis declare that she was 
busy with her lace , while crocheting right up under her nose in The 
Letter  It is the story of a nasty lady who kills her lover in a 
jealous rage and is only saved when her husband bankrupts himself to buy 
back an incriminating letter.  One time when I was watching it I managed 
to pay attention to the credits and saw that is was adapted from  story 
by W. Somerset Maugham.
   I went looking for the original story, only to find out to my 
surprise that it had originally been written as a stage play presented 
originally in 1927 starring Katherine Cornell as Leslie,.  And these
are the scene setting directions The room is lit by one lamp and this 
stands by a little table on which is Leslie's pillow lace. Wow - I guess 
Miss Davis just couldn't get the hang of it so they had to substitute 
crochet.  One sample line: I had dinner rather late, and then I started 
working on my lace.  (she points to the pillow on which a piece of lace 
half made is pinned with little pins)   Crosbie(her husband) My wife is 
rathe a dab at lace-making
   Whatever, her explanations don't hold up and her husband loses his 
rubber plantation to save her .- Miss Davis chews the scenery quite a 
bit.  I wonder how Miss Cornell managed the lacemaking.

Trenna Ruffner, Michigan
   


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[lace] Re: contemporary tatted fan

2005-12-31 Thread James and Trenna Ruffner
While surfing I came across this site and think it will of interest to 
all lacemakers but especially the tatters!  What a wonderful use of an 
old technique in a new way.  And what a privilege to work with another 
talented craftsperson.   Too bad the picture of the finished product 
isn't a little clearer so the construction could be clearly seen. 
http://www.lecurieux.com/Frivolite/frivolite.htm  Enjoy, Trenna, Michigan


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[lace]contemporary tatting fan

2005-12-31 Thread James and Trenna Ruffner
While surfing  I found this lovely contemporary tatted fan that I
think all lacemakers will appreciate especially the tatters among us.  A
lovely use of an old technique in a modern mode. And what a privilege to
work with another artist/craftsperson.  Too bad the picture of the final
product isn't clear enough to see the detail.  Trenna, Michigan
http://www.lecurieux.com/Frivolite/frivolite.htm

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Re: [lace] IOLI name

2005-04-07 Thread James and Trenna Ruffner
For as long as I can remember there has been agitation within IOLI for a name 
change, and I am probably one of the longest continuing members (going on 35 
years} who also reads the Digest on a regular basis.To give a little 
history - IOL was originally founded by a small group of women who were doll 
collectors and fervent members of
the National Doll Association.  They happened to find that some of them also 
collected lace ( and sadly a few of them cut up fine old lace to dress their 
dolls) and they arranged to have an evening meeting during the doll convention, 
where they showed a few dim slides of lace and repeated the old myths about 
lace.  They published a
Bulletin which was nothing more than a badly typed mimeographed sheet that 
came out a few times a year.
The real change came when Rachel Wareham, a wonderful lady (and exquisite 
tatter) volunteered to produce a bulletin.  She and her printer husband brought 
a professional look and quality to the Bulletin that was better than any other 
lace publication in the world.  (The Lace Guild, the Kant Centrum etc didn't 
even exist).  And Rachel
typed every one of the mailing labels each issue.
By word of mouth the news that there was an organization which was a 
vehicle for communication and sharing ideas available about lace and there was 
also a growing interest in the revivial of the crafts involved.  So lacemakrs 
began to join and thus began to get in touch with each other (no such thing as 
the Internet then).  This did
cause consternation among the original founders as they feared (rightly so) the 
new comers who wanted to do things other than wait through a doll convention 
for one evening meeting.  (I could write a funny sad account of my first IOL 
convention but won't.)
But from the start, there was concern about the name - much of it centering 
around the fact that in some areas, the word lacer was applied to drunks, and 
in othre cases it was thought to refer to that with which you tied your shoes.  
But somehow noone has ever been able to convince a majority that this was a 
huge problem.
In my own experience, I have never found it a particular problem.  If there 
is anybody that I have taught, shown, demonstrated. lectured etc. that got 
intriqued enough to pursue the idea of there being a national group devoted to 
the support of  these crafts and treasures, a question regarding the name, just 
gave me the opportunity
to expound that much more on the value of such an organization.  I have never 
had anybody be shocked or declare they couldn't be part of such a group with 
that name.  I usually get amused acceptance.
As Alice Howells comments, there are problems with a name change - indeed 
legal ones which are beyond a simple vote at the annual meeting.  Because IOL 
is a 501c3 non profit organization, by law changes must be approved by the 
bureacracy governing such organiztions and so they must be adopted very 
carefully by the book.  It also
requires review by the Postal authorities, as the PO does not automatically 
confer nonprofit status on the basis of what the tax folks declare - they 
review and make thier own decisions.
There has been one name change since I have belonged - the name was 
originally National Old Lacers.  The change came at the behest of our sizable 
Canadian membership who felt they were otherwise regarded as second class 
citizens. Whenever I am challenged on this point by European lacemakers, I 
relate the reason for the name and that
yes, Canada is a separate country. They seem to understand.   Trenna Ruffner, 
former Editor of the IOLI Bulletin

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