Re [lace] Myth and Mystery exhibition

2004-06-04 Thread Jean Leader
I have been in contact with Adrienne Thunder, the Lace Guild 
Chairman, about various things, the Myth or Mystery exhibition among 
them, and she has asked me to send the following message on her 
behalf.

"The standard of work of all the entries was excellent and it was 
very difficult to decide which ones not to display in Coventry. In 
the end it was based on what went together so colour and size did 
have a bearing.  The decisions were made by Pat Phillpot who staged 
the exhibition, assisted by Jackie Roger (an Executive committee 
member who has professional experience in this area) and the museum 
staff. Work has not been rejected, but because the gallery, though 
large wasn't big enough, some of the entries have to be displayed 
elsewhere. The exhibition at The Hollies, the Lace Guild headquarters 
in Stourbridge, will be open from mid-July for two months and will be 
advertised in the next issue of 'Lace' which is due out at the end of 
July."

David and I have already advertised the 'overflow' exhibition at The 
Hollies on the Lace Guild website. If you can get to Coventry, 
Stourbridge isn't that much further (might even be closer depending 
on the direction you're coming from) and I can provide travel 
directions if necessary.

Jean in Glasgow but preparing to drive south tomorrow - we may even 
make it to Coventry!

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[lace] Myth and Mystery exhibition

2004-06-04 Thread Laceandbits
As an update to the previous comments about which pieces of work are on 
display at Coventry, I have just been speaking to Pat Read on another subject and 
mentioned how upset people are that their lace is not included.

She said she hopes that no-one thinks it was the judges who decided, and told 
me that in fact it was not even the Lace Guild themselves.  The pieces on 
show were selected by the Exhibition Director and the Gallery Staff, and there 
seems to be no logic to selection or otherwise.  The choice appears to be purely 
random, with about 70 pieces not on show; perhaps simply the last 70 in the 
pile with no real "selection" involved at all.  Because of all the building 
work going on at the Gallery, the area for the display is smaller than it was 
previously and I believe the Lace Guild was not aware that this would be the 
situation.  Pat said it was certainly not decided on quality because there were 
several pieces she remembered from the judging that she wanted to see again, and 
they were not on show.

Jane's piece of lace which was left out was apparently a very small piece 
and, space-wise, could easily have been included.  Jane is understandibly cross 
because this also means that her piece will now not even have the chance of 
winning the Visitor's Award, judged by the public.  And of course, this applies 
to you all who were unlucky enough to not have your lace on show.  In the 
recent past, the Visitor's prize was won by Caroline Biggins' Honiton Dolphin which 
won no other prize, so it does matter.

Sue thought perhaps the selection had been "fair" in that she had her prize 
winning piece on show, which maybe explained why the Wood Nymph isn't.  In 
fact, that is not the case either.  There is at least one example of a lacemaker 
with three entries, unfortunately none of which was a medal winner, but where 
all three are on display.  She is understandably embarrassed by the situation.  


I am intending to write to the Lace Guild about this, even though it appears 
to have been largely outside their control, so the situation does not occur in 
the future.  They have spent a lot of time, money and effort to run a well 
supported competition, and people enter with the hope, but not the neccessarily 
the expectation, of achieving some recognition for their work.  If it is not 
even to be displayed then the incentive, to my way of thinking, is considerably 
reduced.  I suggest that those of you affected also write expressing your 
misgivings.

Jacquie

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