[lace] Fake Vermeer / placing pins

2011-10-27 Thread Vibeke Ervo
Years ago I bought 'Handmade Lace and Patterns' by Annette Feldman
(1975). It is a strange book, while the history of lace chapter is
traditional, all the patterns are restricted to crochet, knitting and
tatting.

At that time I collected pictures with paintings of lacemakers, making
friends buying postcards at the Louvre and even getting photos from
Eastern Germany. When I tried to buy a copy of the Vermeer Lacemaker
in Annette Feldman's book I was told that it was made by a 'follower
of Vermeer' and no picture was offered.

Do take a look at the bobbins:
The girl in the real painting is hiding the lower part, so the fake
has some sorry small sticks, not at all like the Dutch bobbins.

BTW when working Freehand Lace you are supposed to place the pins at
the left side with your left hand and those at the right side with
your right hand.

Vibeke in Copenhagen

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Re: [lace] fake VerMeer

2011-10-26 Thread Jacquie Tinch
 Actually I think she must have been left handed  because that is the hand 
 that appears to  setting a pin.

???  

If I am placing a pin on the left of the lace, my left hand is twisting, then 
holding the workers out of the way and my right hand collects and places the 
pin. 

On the right hand edge the opposite happens.  I'm sure I am not alone in this. 

With new lacemakers I encourage them to do the same as it is one way to 
increase speed and rhythm in working. Despite occasional protestations that I 
can't do that, I'm right (or left) handed most people soon get the knack. I 
have found very few people so one handed they can't place a pin with their 
not-dominant hand. 

But very interesting about the other lacemaker. What a shame they don't 
realise there would still be a demand for prints.  If it's a print it doesn't 
much matter who the artist is - you must be buying it for the picture not as an 
investment. 

Jacquie in Lincolnshire. 

Sent from my iPhone

On 26 Oct 2011, at 04:33, TRENNA RUFFNER ter...@ameritech.net wrote:

  About 24 years ago I was able to purchase a reproduction print of  picture 
 entitled The Lacemaker by VerMeer, original owned by the  National Gallery, 
  
 
 Washington DC.  I loved the picture and went  several times to the Gallery 
 when 
 visiting Washington to try to see  it..But noone seemed to know anything 
 about 
 it.  The painting was  very much related to the famous Lacemaker  Same 
 yellow dress,  lace  collar and cuffs,. same type of stand and the blue 
 embroidery pillow  with red and yellow threads spilling out.  In this the 
 case 
 the young  woman is looking out at the camera, but her hands appear to be in 
 the  
 act of making  lace.  Actually I think she must have been left handed  
 because 
 that is the hand that appears to  setting a pin.
When the wonderful VerMeer collection was shown  at Gallery in1995 I, of 
 course, made a special effort to see the  exhibit, especially the famous  
 and 
 delightful Lacemaker.. And  reading  in the very scholarly catalog that was 
 published at the time of  the exhibition I dixcovered what had happened to 
 the 
 other Lacemaker   She had been discoverd to be a FAKE! Now attributed to 
 the 
 notorious  van Meergan (1937),  is described as now in storage,. My copy 
 still 
 in  on my wall of fame (lacemakers!) and I love her.  If the Gallery  wants 
 to 
 get rid of the oriiginal, I would be happy to give her a good  home.
Incidentally the scholarly description of the wonderful  original 
 Lacemaker, 
 is mostly technical regarding the construction of  the design of painting but 
 quite respectful of the craft depicted.   -the crisp accents of light 
 illuminate the precision and clarity of  vision  required  by this demanding 
 craft.
 Trenna Ruffner
 Michigan
 
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[lace] Re: lace fake VerMeer

2011-10-26 Thread Laurie Waters
I did send a note to Arachne that I  had posted an article on LaceNews on 
the fake Vermeer yesterday. Here's the specific pointer:

http://lacenews.net/2011/10/24/fine-art-vermeers-lost-lacemaker/
Laurie
http://lacenews.net

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Re: [lace] fake VerMeer

2011-10-26 Thread Malvary Cole
Jacquie wrote If I am placing a pin on the left of the lace, my left hand 
is twisting, then holding the workers out of the way and my right hand 
collects and places the pin.  On the right hand edge the opposite happens. 
I'm sure I am not alone in this.


Like Jacquie - I use either hand to set the pin, I didn't know she did and I 
don't think it is a sister thing!  I thought it was just me as I'm fairly 
ambidextrous because I keep doing silly things like breaking my arms.


Malvary in Ottawa where we have a cloudy day and a forecast of +6c.  Down 
to -2c overnight.


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[lace] fake VerMeer

2011-10-25 Thread TRENNA RUFFNER
  About 24 years ago I was able to purchase a reproduction print of  picture 
entitled The Lacemaker by VerMeer, original owned by the  National Gallery,  

Washington DC.  I loved the picture and went  several times to the Gallery when 
visiting Washington to try to see  it..But noone seemed to know anything about 
it.  The painting was  very much related to the famous Lacemaker  Same 
yellow dress,  lace  collar and cuffs,. same type of stand and the blue 
embroidery pillow  with red and yellow threads spilling out.  In this the case 
the young  woman is looking out at the camera, but her hands appear to be in 
the  
act of making  lace.  Actually I think she must have been left handed  because 
that is the hand that appears to  setting a pin.
When the wonderful VerMeer collection was shown  at Gallery in1995 I, of 
course, made a special effort to see the  exhibit, especially the famous  and 
delightful Lacemaker.. And  reading  in the very scholarly catalog that was 
published at the time of  the exhibition I dixcovered what had happened to the 
other Lacemaker   She had been discoverd to be a FAKE! Now attributed to the 
notorious  van Meergan (1937),  is described as now in storage,. My copy 
still 
in  on my wall of fame (lacemakers!) and I love her.  If the Gallery  wants 
to 
get rid of the oriiginal, I would be happy to give her a good  home.
Incidentally the scholarly description of the wonderful  original 
Lacemaker, 
is mostly technical regarding the construction of  the design of painting but 
quite respectful of the craft depicted.   -the crisp accents of light 
illuminate the precision and clarity of  vision  required  by this demanding 
craft.
Trenna Ruffner
Michigan

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