Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-16 Thread Rob Myers

On 09/16/2010 02:19 AM, Dave F. wrote:

On 16/09/2010 01:12, John Smith wrote:

This happens all the time, new CDs are released of out of copyright
music that copy is then re-protected.


Would that protection only apply to the physical characteristics of the
CD, such as printed inlay sleeves?


Sometimes, although the copyright notice will carefully never say this.

A copyright might be claimed on the collection, or (in jurisdictions 
with low originality thresholds) on the clean-up or re-mix of the old 
recordings.


 Does the music not remain in the public domain?

The original, individual, unmodified pieces of music remain in the 
public domain.


(IANAL, TINLA.)

- Rob.

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-16 Thread Rob Myers

On 09/16/2010 01:07 AM, Frederik Ramm wrote:


The question is, how much do I have to do with that file before I can
legally (or, if someone fancies going into that, morally) claim a
copyright. What if I convert line endings or use an automated process to
convert from one character set to another - does that give rise to
copyright? Or is it too trivial an action?


That should be too trivial IMO, although the standard of originality is 
getting ridiculously low in some jurisdictions.



What if the action I do on the file is highly complex (such as
converting from a shape file to OSM format or compiling from C source
code to binary), but the action is done by a program where my only input
is pressing a button and naming a file?


If you've created something original that might qualify, although it 
might only qualify for a lesser computer generated copyright in the UK 
(for example).



Does copyright then lie with the
author of the complex program,


No. Copyright goes to the person who presses the button. Unless there is 
a copyright on the original work that the program is transforming, in 
which case the new work is a derivative and in the absence of a licence 
is an infringing work under the original author's copyright.


(The only reason this wouldn't be the case would be if there was no 
copyright on the original work and the program combined a piece of 
copyrighted work by the program's author with the output, e.g. a code 
table or style sheet. This would then make the output a derivative of 
the program author's work, but it would still *not* be just because it 
has been produced by the program.)



or is actually pushing the button on the
software in this case non-trivial enough to warrant copyright?


It's not pushing the button, it's producing the original new work 
however you might do it. No other human being has intervened between you 
pressing the button and the output, so if there is a copyright, it's yours.


(IANAL, TINLA.)

- Rob.

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread 80n
Dave Hanson relicensed the TIGER data under CC-BY-SA when he contributed it
to OSM.  If you received it from him you have to comply with his license
terms.

On Thu, Sep 16, 2010 at 12:15 AM, Frederik Ramm frede...@remote.org wrote:

 Hi,

   with my eyes firmly on the upcoming license change, I wonder how we are
 going to deal with people who have imported data which is suitable from a
 license point of view, but whom we cannot reach or who do not agree to the
 CT.

 For the sake of argument, let's assume that Dave Hansen (who ran the TIGER
 import) wouldn't agree to the CT. I know he has agreed already, I'm just
 using this as a what-if example.

 The original TIGER data is PD, so there's no license problem with keeping
 it. But Dave certainly has invested a lot of time in planning and executing
 the import, and he has certainly created copyrightable software in the
 process, thinking of how to match features in the original data to OSM tags
 and so on.

 We know that facts are very unlikely to be protected by CC-BY-SA in the US,
 no matter how many times you convert them into something else, but let's
 assume for a moment that Dave was operating out of Europe.

 Would his act of converting and uploading public domain data to OSM give
 him rights in that data, so that we'd have to remove it if he does not agree
 to the CT? Or do we say PD data is PD data, no matter what the person
 uploading it to OSM says?

 It may be even easier to think about this if one splits the process into
 two steps - person A masterfully creates a piece of data conversion
 software, then person B installs that software, grabs a PD dataset, and hits
 a button on the software. Who owns the resulting data in OSM? A, who
 devised the algorithms? B, who pushed the button and used his computing time
 and network bandwidth? Both? Neither?

 Bye
 Frederik

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread Frederik Ramm

80n,

80n wrote:
Dave Hanson relicensed the TIGER data under CC-BY-SA when he contributed 
it to OSM.  If you received it from him you have to comply with his 
license terms.


Just to be clear again, we're only using Dave as an example here; the 
real Dave Hansen has already agreed to the contributor terms so we're 
not worrying about him.


Generally, CC-BY-SA is a license based on copyright. I can only license 
something CC-BY-SA if I have a copyright in the first place. Since I do 
not automatically have a copyright on everything I touch, I'm afraid 
things are not as easy as you make it sound.


If I cut and paste a page of a Shakespeare play and put it on my web 
page, and write CC-BY-SA 2.0 below it, that's null and void. Copying a 
page of text doesn't give me a copyright on it, and where I don't have a 
copyright I cannot license it CC-BY-SA. (I can perhaps say it but it 
isn't legally binding.)


If I download a TIGER file from the US government and mirror it on my 
web site, I cannot claim copyright or relicense it. Anyone who receives 
that data through me can do whatever he pleases with it, just as he can 
if he downloads the file from the government.


The question is, how much do I have to do with that file before I can 
legally (or, if someone fancies going into that, morally) claim a 
copyright. What if I convert line endings or use an automated process to 
convert from one character set to another - does that give rise to 
copyright? Or is it too trivial an action?


What if the action I do on the file is highly complex (such as 
converting from a shape file to OSM format or compiling from C source 
code to binary), but the action is done by a program where my only input 
is pressing a button and naming a file? Does copyright then lie with the 
author of the complex program, or is actually pushing the button on the 
software in this case non-trivial enough to warrant copyright?


Bye
Frederik

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread 80n
On Thu, Sep 16, 2010 at 1:07 AM, Frederik Ramm frede...@remote.org wrote:

 80n,


 80n wrote:

 Dave Hanson relicensed the TIGER data under CC-BY-SA when he contributed
 it to OSM.  If you received it from him you have to comply with his license
 terms.


 Just to be clear again, we're only using Dave as an example here; the real
 Dave Hansen has already agreed to the contributor terms so we're not
 worrying about him.

 Understood.  I was using Dave as an example in the same spirit.



 Generally, CC-BY-SA is a license based on copyright. I can only license
 something CC-BY-SA if I have a copyright in the first place. Since I do not
 automatically have a copyright on everything I touch, I'm afraid things are
 not as easy as you make it sound.

 If I cut and paste a page of a Shakespeare play and put it on my web page,
 and write CC-BY-SA 2.0 below it, that's null and void. Copying a page of
 text doesn't give me a copyright on it, and where I don't have a copyright I
 cannot license it CC-BY-SA. (I can perhaps say it but it isn't legally
 binding.)

 If I download a TIGER file from the US government and mirror it on my web
 site, I cannot claim copyright or relicense it. Anyone who receives that
 data through me can do whatever he pleases with it, just as he can if he
 downloads the file from the government.

 The question is, how much do I have to do with that file before I can
 legally (or, if someone fancies going into that, morally) claim a copyright.
 What if I convert line endings or use an automated process to convert from
 one character set to another - does that give rise to copyright? Or is it
 too trivial an action?

 What if the action I do on the file is highly complex (such as converting
 from a shape file to OSM format or compiling from C source code to binary),
 but the action is done by a program where my only input is pressing a button
 and naming a file? Does copyright then lie with the author of the complex
 program, or is actually pushing the button on the software in this case
 non-trivial enough to warrant copyright?


If the author of the complex program made that available (under GPL or
whatever) then you can just press the button again.  If they didn't share
the program with you then you have some code to write.  You can't just argue
that you *could* have written the code if you wanted to, and so take the
output anyway.

Doing the right thing is often a matter of understanding the spirit of the
law, not trying to twist the letter of the law.  Certainly when it comes to
OSM contributions this should be the prevailing attitude.



 Bye
 Frederik

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread Dave F.

 On 16/09/2010 01:12, John Smith wrote:

This happens all the time, new CDs are released of out of copyright
music that copy is then re-protected.



Would that protection only apply to the physical characteristics of the 
CD, such as printed inlay sleeves?

Does the music not remain in the public domain?

Similar for Fredrik's web page. The format/decoration that he applied 
would be copyrightable, but I could freely copy-paste the Shakespeare 
text from it.


Cheers
Dave F.

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread Anthony
On Wed, Sep 15, 2010 at 7:15 PM, Frederik Ramm frede...@remote.org wrote:
   with my eyes firmly on the upcoming license change, I wonder how we are
 going to deal with people who have imported data which is suitable from a
 license point of view, but whom we cannot reach or who do not agree to the
 CT.

My understanding was that the OSMF position is that all contributions
fall into that category, and that the request to relicense was merely
out of courtesy.

On Wed, Sep 15, 2010 at 8:07 PM, Frederik Ramm frede...@remote.org wrote:
 The question is, how much do I have to do with that file before I can
 legally (or, if someone fancies going into that, morally) claim a copyright.

This basically boils down to the same question of when, if ever, and
to what extent, is OSM copyrightable.  My answer being sometimes, to
some extent, in some jurisdictions, probably.

As I've said before, I think the only way this relicensing can be done
cleanly and universally is by starting over with a blank database.
Then you can go directly to the sources of the imports.

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Re: [OSM-legal-talk] Does importing data give you a copyright?

2010-09-15 Thread Anthony
On Wed, Sep 15, 2010 at 9:19 PM, Dave F. dave...@madasafish.com wrote:
  On 16/09/2010 01:12, John Smith wrote:

 This happens all the time, new CDs are released of out of copyright
 music that copy is then re-protected.


 Would that protection only apply to the physical characteristics of the CD,
 such as printed inlay sleeves?
 Does the music not remain in the public domain?

I can only quote US law (and Frederick's question is specifically
addressed to non-US law), but:

The copyright in a compilation or derivative work extends only to the
material contributed by the author of such work, as distinguished from
the preexisting material employed in the work, and does not imply any
exclusive right in the preexisting material. The copyright in such
work is independent of, and does not affect or enlarge the scope,
duration, ownership, or subsistence of, any copyright protection in
the preexisting material.

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