ChordNames
Hello, We have a problem (or rather an optical preference) with the chord names that are deisplayed. Moll chords are displayed like Am, but we want to have it another way (maybe it is a german thing...), to have moll chords displayed lowercase. So A remains A and Am will become a. I have posted to the user list but got no respone on that - is it possible at all at the moment? I have discovered these properties in the documentation: - chordRootNamer - chordNoteNamer The documentations says: The chordNoteNamer property can be set to a specialized function to change this behavior. For example, the base can be printed in lower case. Now the only problem for me is to know how to write and set such a function, then I would probably be able to make moll chords lowercase :) Is this documented somewhere? Regards, Philip ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: patch for properly scaled fractions
Werner LEMBERG escreveu: Note that the correct command to position the plus sign is \translate-scaled; this is something which should probably be added to the documentation. However, it's still not perfect yet: For smaller sizes, the whitespace surrounding the plus sign is too large since it isn't scaled. I consider this as, well, a bad feature, and I suggest to change it too. After some thinking I wonder whether *all* commands which move objects should obey the font size. For example, consider a small \score within a \markup -- in such cases it would be natural to use the small score's size values. If you want to create a smaller score, you should tone the staff size down from the \layout block. This will scale down everything, including markups. (at least, so it should) -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: patch for properly scaled fractions
Werner LEMBERG escreveu: I suggest the patch at the end of this email to get properly scaled fractions. The two images demonstrate this, using the input below. Note that the correct command to position the plus sign is \translate-scaled; this is something which should probably be added to the documentation. Please apply. However, it's still not perfect yet: For smaller sizes, the whitespace surrounding the plus sign is too large since it isn't scaled. I consider this as, well, a bad feature, and I suggest to change it too. Yes, the word-space in line and justified paragraph composition should be scaled by the font-size. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: ChordNames
Hi, On Wed, 29 Nov 2006, Philip Chinery wrote: We have a problem (or rather an optical preference) with the chord names that are deisplayed. Moll chords are displayed like Am, but we want to have it another way (maybe it is a german thing...), to have moll chords displayed lowercase. So A remains A and Am will become a. Have you tried \germanChords? Is this documented somewhere? I looked at http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Printing-chord-names.html Hth, Dscho ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
AW: ChordNames
Have you tried \germanChords? Yes, I have, but it only changes B to H and such things, but our Goal ist to display Am as a while A remains A. Regards, Philip ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: \concat markup command
Can you push this change after adding it to one of the markup regtests? Done. Shall I prepare an entry for the NEWS file also? Werner ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: patch for properly scaled fractions
I suggest the patch at the end of this email to get properly scaled fractions. The two images demonstrate this, using the input below. Note that the correct command to position the plus sign is \translate-scaled; this is something which should probably be added to the documentation. Please apply. Done. Werner ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
regression: tuplet brackets missing in cues
Erik, I think it was you who've changed the tuplet implementation. Please look at this regression report: http://code.google.com/p/lilypond/issues/detail?id=159 Werner ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: AW: ChordNames
Hi,
On Wed, 29 Nov 2006, Philip Chinery wrote:
Have you tried \germanChords?
Yes, I have, but it only changes B to H and such things, but our Goal ist to
display Am as a while A remains A.
Correct. And you cannot just override chordRootNamer, since that function
is only passed a single pitch (not enough information).
Attached is my attempt at it. It is dirt simple, in that it only displays
alower case letter for minor chords, and an upper case letter for all
others. No triangles, numbers or symbols. But it's a start...
Ciao,
Dscho
\version 2.10.0
\header {
texidoc = Demonstrate German chord names
}
chs = \transpose c' c'
{
c e g1
c es g% m = minor triad
c e gis
c es ges \break
\transpose c' d' {
c e g bes
c es g bes
c e g b % triangle = maj
c es ges beses
}
c es ges b \break
\transpose c' es' {
c e gis bes
c es g b
}
c e gis b
c es ges bes\break
c e g a % 6 = major triad with added sixth
c es g a % m6 = minor triad with added sixth
c e g bes d'
c es g bes d' \break
c es g bes d' f' a'
c es g bes d' f'
c es ges bes d'
c e g bes des' \break
c e g bes dis'
c e g bes d' f'
c e g bes d' fis'
c e g bes d' f' a'\break
c e g bes d' fis' as'
c e gis bes dis'
c e g bes dis' fis'
c e g bes d' f' as'\break
c e g bes des' f' as'
c e g bes d' fis'
c e g b d'
c e g bes d' f' as'\break
c e g bes des' f' as'
c e g bes des' f' a'
c e g b d'
c e g b d' f' a'\break
c e g b d' fis'
c e g bes des' f ' a'
c f g
c f g bes\break
c f g bes d'
c e g d' % add9
c es g f'
}
#(define (simple-german-chord-name pitches bass inversion context)
Return simple chord markup for PITCH, using german note names.
Use lower case for minor, otherwise upper case. Does not do any fancy
sub or superscripts.
(let* ((pitch (car pitches))
(pitch2 (cadr pitches))
(diff (if (null? pitch2) (ly:make-pitch 0 0 0)
(ly:pitch-diff pitch2 pitch)))
(minor? (and (= (ly:pitch-notename diff) 2)
(= (ly:pitch-alteration diff) -2)))
(name (ly:pitch-notename pitch))
(short-alt? (or (= name 2) (= name 5)))
(alt (ly:pitch-alteration pitch))
(n-a (if (member (cons name alt) `((6 . ,FLAT) (6 . ,DOUBLE-FLAT)))
(cons 7 (+ SEMI-TONE alt))
(cons name alt
(markup #:line
((string-append
(vector-ref
(if minor?
#(c d e f g a h b)
#(C D E F G A H B))
(car n-a))
(list-ref
(if short-alt?
'(ses s is isis)
'(eses es is isis))
(+ 2 (/ alt 2
germanChordProperties = \sequential {
\set chordNameFunction = #simple-german-chord-name
}
\score{
\new ChordNames {
\set instrumentName = #Ignatzek (default)
\set shortInstrumentName = #Def
\chs
}
\new ChordNames {
\germanChordProperties
\set instrumentName = #Deutsch
\set shortInstrumentName = #dt
\chs
}
\new Staff \transpose c c' { \chs }
\layout {
indent = 3.\cm
\context {
\ChordNames
\consists Instrument_name_engraver
}
}
}
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Re: \concat markup command
Werner LEMBERG escreveu: Can you push this change after adding it to one of the markup regtests? Done. Shall I prepare an entry for the NEWS file also? I think the feature is too minor to put in the NEWS file, but if you think otherwise -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
AW: AW: ChordNames
Thank you very much :) I will inspect the code, but it looks very good so far. We may only need to add 6 and 7 chords for our needs, but I will have a try on that and if I don't succeed I will come back ;-) Regards, Philip -Ursprüngliche Nachricht- Von: Johannes Schindelin [mailto:[EMAIL PROTECTED] Gesendet: Mittwoch, 29. November 2006 21:32 An: Philip Chinery Cc: lilypond-devel@gnu.org Betreff: Re: AW: ChordNames Hi, On Wed, 29 Nov 2006, Philip Chinery wrote: Have you tried \germanChords? Yes, I have, but it only changes B to H and such things, but our Goal ist to display Am as a while A remains A. Correct. And you cannot just override chordRootNamer, since that function is only passed a single pitch (not enough information). Attached is my attempt at it. It is dirt simple, in that it only displays alower case letter for minor chords, and an upper case letter for all others. No triangles, numbers or symbols. But it's a start... Ciao, Dscho ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
Re: urgent: layout of first page
Independently of this, I think it is another error that `head-separation' and `page-top-space' are applied on the first page if a title is present. You'd rather have to modify the function that computes the first system position on page: `first-line-position' in the file scm/layout-page-layout.scm ;; not tested (define (first-line-position line layout) Position of the first line on page (max (+ (if (ly:prob-property? line 'is-title) 0.0 ; do not use page-top-space when the 1st line is a title (ly:output-def-lookup layout 'page-top-space)) (interval-end (paper-system-staff-extents line))) (interval-end (paper-system-extent line Y Han-Wen, shall I apply this to the git repository? Regarding head-separation I wonder whether the current approach of lilypond to handle headers and footers is the right one. Wouldn't it be better to define a zone of a given height within the header (or footer) is rendered, instead of defining a distance from the header to the score? current with header:current without header: header line ^ ^ | | | head-separation | head-separation | | v v score score suggested with header: suggested without header: ^ header line ^ | | | | | | | | v v scorescore Currently, if a header line is missing, the whole text jumps up. Werner ___ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
copyright symbol?
I have the following line in lilypond 2.4.2 ..
tagline=Engraved by LilyPond, 2.4.2 { } Copyright \copyright { } 2005 Ian
Stirling, { } Some Rights Reserved
With 2.4.2 the \copyright was printed as the copyright symbol.
I used convert-ly in 2.11.0 to update the file,
but that copyright symbol isn't translated by convert-ly.
Ian
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Re: copyright symbol?
Right! convert-ly doesn't make any attempt to translate embedded TeX
commands like \copyright. The simple solution is to open the file in your
text editor, insert the character © where you want it (on my computer, I can
get the symbol by pressing Alt gr and C, but you may have to use some
Character Map program to find it) and then save the file in UTF-8 encoding.
/Mats
Ian Stirling wrote:
I have the following line in lilypond 2.4.2 ..
tagline=Engraved by LilyPond, 2.4.2 { } Copyright \copyright { } 2005 Ian
Stirling, { } Some Rights Reserved
With 2.4.2 the \copyright was printed as the copyright symbol.
I used convert-ly in 2.11.0 to update the file,
but that copyright symbol isn't translated by convert-ly.
Ian
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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