vertical spacing of dynamics
Has the vertical spacing of dynamics changed in 2.1.12 or must I have done something silly. My dynamics are all centered on the bottom line of the staff and this does nothing. \property Voice.DynamicLineSpanner \override #'padding = #10.0 TIA for any ideas. Paul Scott ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
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Cursos de webmarketing, aulas de webdesign, e-books, cursos de musica, softwares gratis, cursos de marketing para internet, aulas de violao, cursos de guitarra, audio books, aulas de informatica, fotos de sexo, mp3, cursos em audio, programas gratuitos, ganhar dinheiro na internet http://www.mercadinhovirtual.rg3.net Cursos, webmarketing, aulas, tutorial, webdesign, e-books, cursos de musica, softwares, programas, gratis, CURSOS, marketing, internet, apostilas, GANHARaulas de violao, cursos de guitarra, mp3, TUTORIAIS, conquistar, cifras, tablaturas, cursos em audio, download, programas, ganhar, dinheiro http://www.mercadinhovirtual.rg3.net ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Dynamics: cresc not correctly typesetted
On Monday 19 January 2004 10:31, Kieren Richard MacMillan wrote: > Hello, Dave (et al.): > > I don't like \crescmark too much either, but IMHO something or this > > sort > > is a lot more logical and intuitive than what is being done now. > > > > \cpin, \endcpin? \dpin, \enddpin? The fact that "<" can be seen > > as a letter C doesn't hurt. Any better ideas? > > Do you not like the existing \< notation? > > Just curious, > Kieren. That's great! It's hard to keep up. :-) daveA -- Failure is certain when you fail to identify your enemy and invade the wrong country. Our troops defend the enemy and weaken our country by making new enemies and fighting them instead. Thus, our "leaders" give our terrorist enemies aid and comfort for a pittance of Arab oil money. D. Raleigh Arnold dra@ (http://www.) openguitar.com [EMAIL PROTECTED] ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Appoggiatura + Double Bar Line
Will: \appoggiatura a,8( fsharp'8\p) r fsharp2 e16[( d fsharp a]) | (Bonus points for identifying what music it is!) It's almost exactly a quote from "Star Wars: The Empire Strikes Back" (Han Solo's theme, I think), so I'm going to guess Richard Strauss... Best wishes, Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Appoggiatura + Double Bar Line
I tried all the tricks I know to keep an appoggiatura in the same bar as the note it slurs to; this one case seems to be different from all my experiences in the past. bar "||" \appoggiatura a,8( fsharp'8\p) r fsharp2 e16[( d fsharp a]) | In other words, a double bar followed by an appoggiatura, followed by music. (Bonus points for identifying what music it is!) When outputted, a single barline is created, the appoggiatura follows, THEN the double barline appears, followed by the music. I've tried \bar "", << { \appogiatura music } \\ { s8 } >>, etc.; nothing works. Suggestions? Will Oram [EMAIL PROTECTED] // [EMAIL PROTECTED] // AIM spamguy21 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: lyrics, NoteEdit and Lilypond2.0.2
[EMAIL PROTECTED] writes: > > > >Perhaps I can shorten this: Next NoteEdit version will always produce > > > > \property Score.melismaBusyProperties = #'() > > > > > Silly me, why did I ever mention this ugly workaround that works in this > particular example but means that slurs and ties are not interpreted as > melismas > when the lyrics are combined with the music. What am I missing? Doesn't NoteEdit know the right durations for each syllable? Why doesn't it simply output the lyrics with explicit duration? -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Vertical alignment of Figured Bass?
Hi list, how can I achieve better vertical alignment of figured bass figures? See example. My preference is between: a) the top of the stack of figures is at some fixed distance below the lowest note in this *bar* or b) the top of the stack of figures is at some fixed distance below the lowest note in this *staff*. In all cases, I would prefer the alignment to be "top" i.s.o. "bottom". Any tips? I tried: \property FiguredBass . TextScript \override #'self-alignment-Y = #'-1 but to no avail. Thanks, Rutger <>___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Loading lilypond-mode fails on emacs startup
I just recently realized that the elisp source is included with the distribution (as opposed to the emacswiki). When I execute the following on startup: , | (load "lilypond-mode") | (setq auto-mode-alist | (cons '("\\.ly$" . LilyPond-mode) auto-mode-alist)) | (add-hook 'LilyPond-mode-hook (lambda () (turn-on-font-lock))) ` But it results in the following backtrace, can anyone give me a hand with this? ,[ Backtrace2.txt ] | Debugger entered--Lisp error: (wrong-type-argument arrayp nil) | substring(nil 0 -3) | (if (eq LilyPond-command-current (quote LilyPond-command-master)) (substring (LilyPond-master-file) 0 -3) LilyPond-region-file-prefix) | (let ((fnameprefix ...) (allcount ...) (count ...)) (concat fnameprefix (if ... ...) ".midi")) | LilyPond-string-current-midi() | (concat LilyPond-midi-command " " (LilyPond-string-current-midi)) | (cons (concat LilyPond-midi-command " " (LilyPond-string-current-midi)) (quote "LilyPond")) | (cons "Midi" (cons (concat LilyPond-midi-command " " ...) (quote "LilyPond"))) | (backquote-list* "Midi" (concat LilyPond-midi-command " " (LilyPond-string-current-midi)) (quote "LilyPond")) | (list (quote ("LilyPond" "lilypond-bin %s" . "LaTeX")) (quote ("TeX" "tex '\\nonstopmode\\input %t'" . "View")) (quote ("2Dvi" "lilypond %s" . "View")) (quote ("2PS" "lilypond -P %s" . "ViewPS")) (quote ("2Midi" "lilypond -m %s" . "View")) (quote ("Book" "lilypond-book %x" . "LaTeX")) (quote ("LaTeX" "latex '\\nonstopmode\\input %l'" . "View")) (quote ("SmartView" "xdvi %d" . "LilyPond")) (backquote-list* "View" (concat LilyPond-xdvi-command " %d") (quote "LilyPond")) (backquote-list* "ViewPS" (concat LilyPond-gv-command " %p") (quote "LilyPond")) (backquote-list* "Midi" (concat LilyPond-midi-command " " ...) (quote "LilyPond")) (backquote-list* "MidiAll" (concat LilyPond-all-midi-command " " ...) (quote "LilyPond"))) | (\` (("LilyPond" "lilypond-bin %s" . "LaTeX") ("TeX" "tex '\\nonstopmode\\input %t'" . "View") ("2Dvi" "lilypond %s" . "View") ("2PS" "lilypond -P %s" . "ViewPS") ("2Midi" "lilypond -m %s" . "View") ("Book" "lilypond-book %x" . "LaTeX") ("LaTeX" "latex '\\nonstopmode\\input %l'" . "View") ("SmartView" "xdvi %d" . "LilyPond") ("View" ... . "LilyPond") ("ViewPS" ... . "LilyPond") ("Midi" ... . "LilyPond") ("MidiAll" ... . "LilyPond"))) | eval((\` (("LilyPond" "lilypond-bin %s" . "LaTeX") ("TeX" "tex '\\nonstopmode\\input %t'" . "View") ("2Dvi" "lilypond %s" . "View") ("2PS" "lilypond -P %s" . "ViewPS") ("2Midi" "lilypond -m %s" . "View") ("Book" "lilypond-book %x" . "LaTeX") ("LaTeX" "latex '\\nonstopmode\\input %l'" . "View") ("SmartView" "xdvi %d" . "LilyPond") ("View" ... . "LilyPond") ("ViewPS" ... . "LilyPond") ("Midi" ... . "LilyPond") ("MidiAll" ... . "LilyPond" | custom-initialize-reset(LilyPond-command-alist (\` (("LilyPond" "lilypond-bin %s" . "LaTeX") ("TeX" "tex '\\nonstopmode\\input %t'" . "View") ("2Dvi" "lilypond %s" . "View") ("2PS" "lilypond -P %s" . "ViewPS") ("2Midi" "lilypond -m %s" . "View") ("Book" "lilypond-book %x" . "LaTeX") ("LaTeX" "latex '\\nonstopmode\\input %l'" . "View") ("SmartView" "xdvi %d" . "LilyPond") ("View" ... . "LilyPond") ("ViewPS" ... . "LilyPond") ("Midi" ... . "LilyPond") ("MidiAll" ... . "LilyPond" | custom-declare-variable(LilyPond-command-alist (\` (("LilyPond" "lilypond-bin %s" . "LaTeX") ("TeX" "tex '\\nonstopmode\\input %t'" . "View") ("2Dvi" "lilypond %s" . "View") ("2PS" "lilypond -P %s" . "ViewPS") ("2Midi" "lilypond -m %s" . "View") ("Book" "lilypond-book %x" . "LaTeX") ("LaTeX" "latex '\\nonstopmode\\input %l'" . "View") ("SmartView" "xdvi %d" . "LilyPond") ("View" ... . "LilyPond") ("ViewPS" ... . "LilyPond") ("Midi" ... . "LilyPond") ("MidiAll" ... . "LilyPond"))) "AList of commands to execute on the current document.\n\nThe key is the name of the command as it will be presented to the\nuser, the value is a cons of the command string handed to the shell\nafter being expanded, and the next command to be executed upon\nsuccess. The expansion is done using the information found in\nLilyPond-expand-list.\n" :group LilyPond :type (repeat (cons :tag "Command Item" (string :tag "Key") (cons :tag "How" ... ... | (defcustom LilyPond-command-alist (\` (... ... ... ... ... ... ... ... ... ... ... ...)) "AList of commands to execute on the current document.\n\nThe key is the name of the command as it will be presented to the\nuser, the value is a cons of the command string handed to the shell\nafter being expanded, and the next command to be executed upon\nsuccess. The expansion is done using the information found in\nLilyPond-expand-list.\n" :group (quote LilyPond) :type (quote (repeat ...))) | eval-buffer(#> nil "lilypond-mode" nil t) | load-with-code-conversion("h:/usr/pkg/cygwin/usr/share/emacs/site-lisp/lilypond-mode.el" "lilypond-mode" nil nil) | load("lilypond-mode") | eval-buffer(# nil "~/.emacs" nil t) | lo
Re: Debian (Woody) packages for Lilypond 2.1.12
Nick Busigin <[EMAIL PROTECTED]> writes: > I've not done anything with lilypond-profile or > lilypond-login and everything works fine none-the-less. > What is the reason for sourcing lilypond-profile? It allows for viewing your typeset score with xdvi, which in turn makes point&click possible. Apart from that everything worked fine for me without sourcing it. Feri. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Debian (Woody) packages for Lilypond 2.1.12
On Mon, 19 Jan 2004, Ferenc Wagner wrote: > Binary packages of LilyPond 2.1.9 for Debian Woody are > available at > > http://afavant.elte.hu/~wferi/lilypond > > The previous 2.1.6 conditions apply with respect to the > geometry LaTeX package. This package is made a little bit > differently than the previous ones, please report any > anomalies. Also do not forget to convert-ly your sources, > the paperXX includes are gone. I will try to silence the > SyntaxWarnings in the next package. > >Thanks to the developers for releasing so fast my old > machine can hardly keep up compiling! :) Hello Feri, Thanks to you too for keeping the Debian Woody package up to date! > Survey of the day: > > * Should I include the required version of geometry.sty? If > yes, how? > - as a diversion against tetex-extra > - as a Replaces: > - one of the above in a new deb > - some other way I have no idea of (explain, please). I manually installed the geometry package as per your earlier recommendations, so everything works fine here. Unfortunately I don't know enough about the Debian packaging methods to make any helpful suggestions as to how best to deal with the need for the requied new geometry LaTeX package. > * Should I make the user shell source lilypond-login or > lilypond-profile? If yes, how? > - some way I have no idea of (explain, please). I've not done anything with lilypond-profile or lilypond-login and everything works fine none-the-less. What is the reason for sourcing lilypond-profile? (FWIW, I'm running the bash shell). Nick ==--- www.SongBirdofSwing.com ---== Nick Busigin [EMAIL PROTECTED] Visit Our Indie Jazz CD Construction Project! ==--- www.SongBirdofSwing.com ---== ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Dynamics: cresc not correctly typesetted
Kieren Richard MacMillan wrote: Hello, Dave (et al.): I don't like \crescmark too much either, but IMHO something or this sort is a lot more logical and intuitive than what is being done now. \cpin, \endcpin? \dpin, \enddpin? The fact that "<" can be seen as a letter C doesn't hurt. Any better ideas? Do you not like the existing \< notation? Just curious, Kieren. I love it. And I just wonder how to put cresc. on my music :'( I have two ready to contribute to mutopia, but without that I have a very large < followed by a little other <... thats not correct notation.. Best, Alberto ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Debian (Woody) packages for Lilypond 2.1.12
Binary packages of LilyPond 2.1.9 for Debian Woody are available at http://afavant.elte.hu/~wferi/lilypond The previous 2.1.6 conditions apply with respect to the geometry LaTeX package. This package is made a little bit differently than the previous ones, please report any anomalies. Also do not forget to convert-ly your sources, the paperXX includes are gone. I will try to silence the SyntaxWarnings in the next package. Thanks to the developers for releasing so fast my old machine can hardly keep up compiling! :) Survey of the day: * Should I include the required version of geometry.sty? If yes, how? - as a diversion against tetex-extra - as a Replaces: - one of the above in a new deb - some other way I have no idea of (explain, please). * Should I make the user shell source lilypond-login or lilypond-profile? If yes, how? - some way I have no idea of (explain, please). -- Feri. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Lilypond v2.1.12 sustain problem?
The \sustainDown and \sustainUp symbols are on the staffs in v2.1.12. There appears to have been a change from v2.1.10. Following are from the v2.1.12 Tips & Tricks See http://lilypond.org/doc/v2.1/input/test/out-www/lily-2059876733.ly which includes other anomalies. (see below) Picture 1.pdf Description: Adobe PDF document I think I'll revert to 2.1.10 for now! Stan___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
semi-automatic pagebreaks
hi all, ok, this one may be fairly complicated to do, but would be a really cool feature. if it's impossible, feel free to wallop me with a wet fish of your choosing... :)) in orchestral or band music (at least almost all the stuff i've seen) which extends over more than two pages, it is customary to insert page breaks only where the player has at least one bar rest. if i do this manually in lilypond, i will often end up with weird results. would there be a way for lilypond to automagically place pagebreaks at convenient locations if a) the score will extend over more than three pages b) the part in question has something like \pagebreakAtRestOnly in it i) this command should then be ignored if there is more than one staff on the page... the second thing which is sort of related to this: if a score is longer than one page, but only two or three lines longer, then the second page is more than half-empty. lastpagefill will stretch the space between the systems, but produces weird results... would it be possible to apply this stretch automatically to all systems in the piece, thereby filling both (or more) pages more or less evenly? i think/realise this would require two runs of lilypond to create reliable output; i wouldn't actually consider this an inconvenience -- latex needs more than that for decent sized docs w/indices and table[s] of content/figures/tables... if these things are feasible, would it be possible to put them on a wishlist? if not, i can carry on with the manual tweaking. :) thanks, regards, simon - This mail sent through Brainity: http://brainity.com ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: updates
Quoting Stan Sanderson <[EMAIL PROTECTED]>: > On Monday, January 19, 2004, at 08:14 AM, Kieren Richard MacMillan > wrote: > >> 2.1.12 offers the new "#(set-staff-size 18)", for example > > > > Does this allow different staff sizes per system? > > > A cursory investigation suggests that it doesn't, at least in the form > below. pity, that would be a great feature... regards, sb - This mail sent through Brainity: http://brainity.com ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: updates
On Monday, January 19, 2004, at 08:14 AM, Kieren Richard MacMillan wrote: 2.1.12 offers the new "#(set-staff-size 18)", for example Does this allow different staff sizes per system? A cursory investigation suggests that it doesn't, at least in the form below. Stan e.g. \context Staff = descant << #(set-staff-size 12) \descantMusic >> \context GrandStaff << \context Staff = upperVoices << #(set-staff-size 18) \sopranoAndAltoMusic >> \context Staff = lowerVoices << #(set-staff-size 18) \tenorAndBassMusic >> >> Thanks, Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: lyrics, NoteEdit and Lilypond2.0.2
Joerg Anders wrote: On Fri, 16 Jan 2004, Suzanne E. Blatt wrote: I found an even easier solution. In NoteEdit when I export to Lilypond, I don't click on the 'save beams' option. That put all my lyrics where they belonged and saved my slurs so my lyrics do what they should. Perhaps I can shorten this: Next NoteEdit version will always produce \property Score.melismaBusyProperties = #'() Silly me, why did I ever mention this ugly workaround that works in this particular example but means that slurs and ties are not interpreted as melismas when the lyrics are combined with the music. Please use \property Score.melismaBusyProperties = #'(melismaBusy slurMelismaBusy tieMelismaBusy) instead, which means that manually inserted beams don't count as melismas but that ties and slurs do. /Mats ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Dynamics: cresc not correctly typesetted
Hello, Dave (et al.): I don't like \crescmark too much either, but IMHO something or this sort is a lot more logical and intuitive than what is being done now. \cpin, \endcpin? \dpin, \enddpin? The fact that "<" can be seen as a letter C doesn't hurt. Any better ideas? Do you not like the existing \< notation? Just curious, Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Cygwin, Melody with chords
An alternative to the answer you have already received is to run setup.exe again and select the tetex-base package (you already have the tetex-tiny package wich is an (unfortunately too) tiny version of tetex-base). I think I have sent a bug report on tetex-tiny several months ago. /Mats [EMAIL PROTECTED] wrote: Hi everybody, I just installed the latest stable cygwin-based lilypond, and together with convert-ly, despite a few glitches here and there - when \grace is commented out, for instance - I must say the transition went pretty well, even when dealing with intricate piano scores. It just seemed to fail on simple melody + chords stuff, claiming there is a cmss7 font that cannot be found. I removed all tfm and pk files, and it still did not work. Supposing that there must have been a major difference between versions, I tried to engrave the "melody-with-chords" sample that can be downloaded from the lilypond web site, but the version of lilypond I've got also failed to produce anything, still with the same error message. I guess I must have done something wrong Any clue ? Cheers, Darius. - This mail sent through IMP: http://horde.org/imp/ ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Custom dynamics and D.C.
> "Alberto" == Alberto Manuel Brandao Simoes <[EMAIL PROTECTED]> writes: Alberto> BTW, do not tell me 2.0.1 and 2.1.x will have Alberto> incompatible syntaxes :-| They will, in some sense; not necessarily in the area you're discussing. The developers have gotten much more consistent about making convert-ly handle the syntax differences, so if you don't have one of the differences that's not being converted, it isn't that big of a deal to jump forward versions. Going back is another story, however. So I wouldn't move to 2.1.x until you're sure it's stable enough for your application. -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (501) 641-5011 233 Broadway, Cambridge, MA 02139 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Brace before stanzas
Hi, Is there a way to put a bracket before two lines (stanzas) of lyrics, after the singer's name but before the lyrics? The singer's name should be vertically centered between the two stanzas. Imagine a situation where part of a choir music is repeated and there are different lyrics for the second repetition. Something like this: ( This is the ly-rics Ernie ( ( This is the ly-rics Thanks Csaba ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Dynamics: cresc not correctly typesetted
On Monday 19 January 2004 08:41, Alberto Simoes wrote: > Hi! > I am using a separate context for Dynamics: > > \context PianoStaff << > \context Staff = up \secondoUp > \context Dynamics = dynamics \secondoDynamics > \context Staff = down \secondoDown > > > And I am using \cresc and \endcresc on secondoDynamics but, when > using it here, lilypond typesets a big < instead of 'cresc.- - - - - > ' > > Thanks for any help > ALb I think you have made a good point, although this is not exactly what you meant. \cresc, \endcresc = cresc.- - - - \decresc, \enddecresc = decresc.- - - \dim, \enddim = dim.- - - \crescmark, \endcrescmark = < \dimmark | \decrescmark, \enddimmark | \enddecrescmark = > I don't like \crescmark too much either, but IMHO something or this sort is a lot more logical and intuitive than what is being done now. \cpin, \endcpin? \dpin, \enddpin? The fact that "<" can be seen as a letter C doesn't hurt. Any better ideas? daveA -- Failure is certain when you fail to identify your enemy and invade the wrong country. Our troops defend the enemy and weaken our country by making new enemies and fighting them instead. Thus, our "leaders" give our terrorist enemies aid and comfort for a pittance of Arab oil money. D. Raleigh Arnold dra@ (http://www.) openguitar.com [EMAIL PROTECTED] ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Hi
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Re: updates
Hello, all -- Stan wrote: I am amazed at the frequency of updates, and at the fact that each seems to include a feature which was on the wish list. Agreed! Kudos and thanks to the team! 2.1.12 offers the new "#(set-staff-size 18)", for example Does this allow different staff sizes per system? e.g. \context Staff = descant << #(set-staff-size 12) \descantMusic >> \context GrandStaff << \context Staff = upperVoices << #(set-staff-size 18) \sopranoAndAltoMusic >> \context Staff = lowerVoices << #(set-staff-size 18) \tenorAndBassMusic >> >> Thanks, Kieren. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Dynamics: cresc not correctly typesetted
Hi! I am using a separate context for Dynamics: \context PianoStaff << \context Staff = up \secondoUp \context Dynamics = dynamics \secondoDynamics \context Staff = down \secondoDown >> And I am using \cresc and \endcresc on secondoDynamics but, when using it here, lilypond typesets a big < instead of 'cresc.- - - - - ' Thanks for any help ALb ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user