$12882
Hello, I sent you an email a few days ago, because you now qualify for a new mortgage. You could get $300,000 for as little as $700 a month! Bad credit is no problem, you can pull cash out or refinance. Please click on this link: http://www.fast-loanz.com/e4/e7.php?weo=71 Best Regards, Steve Morris system information Currency identification need Procedure corresponding identifier Services reports However repeated collections other similar-looking Status provides XML defined Membership fully could sorting locale) can group ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Dave Phillips writes: > Not so much success with abc2ly and musedata2ly What problems do you have, can you post an error log? abc2ly is used quite heavily, notably by Laura Conrad (see http://laymusic.org). As abc2ly is a python script, you may want to look at the latest version in CVS http://savannah.gnu.org/cgi-bin/viewcvs/*checkout*/lilypond/lilypond/scripts/abc2ly.py?rev=HEAD&content-type=text/x-python some problems were fixed recently. Greetings, Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Hi Ferenc: Thank you, that's just what I needed. I've "successfully" imported some MIDI files into LY format, and I started using the excellent emacs LilyPond mode. Very cool. Not so much success with abc2ly and musedata2ly, and I haven't figured out how to activate the LP mode in vi. Back to the hack... Best, dp Ferenc Wagner wrote: Dave Phillips <[EMAIL PROTECTED]> writes: My question now is whether this list is appropriate for questions regarding Denemo. Welcome! Some questions may be on topic here, while for the rest you can try Denemo's own mailing lists, see http://sourceforge.net/mail/?group_id=1952 ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Dave Phillips <[EMAIL PROTECTED]> writes: > My question now is whether this list is appropriate for questions > regarding Denemo. Welcome! Some questions may be on topic here, while for the rest you can try Denemo's own mailing lists, see http://sourceforge.net/mail/?group_id=1952 -- Feri. ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Methods of working
On Wed Jun 30, 2004 at 03:06:16PM +0200, Mats Bengtsson wrote: > I hope you have noticed the skipTypesetting property. See > http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Skipping-corrected-music.html sure, I have used it but for some reason I found the use of variables for sections more useful. Maybe it is time to try skipTypesetting again. Pedro ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: proper placing of chordnames re: alternative ending brackets
Hello,
you could use this instead:
...
\context Staff = one \with { \remove Volta_engraver }
\melody
...
\paper {
\context {
\ScoreContext \consists "Volta_engraver"
\override VoltaBracket #'minimum-space = #0
}
}
Bert
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proper placing of chordnames re: alternative ending brackets
Newbee question:
I was doing a simple lead sheet with repeats and alternatives and had
trouble with the chordnames being above the alternative ending brackets
rather than between the brackets and the staff, which is the usual way
of doing lead sheets.
I got some help which lead me to a solution to this problem posted in
Feb., and after playing got part of it working:
\score {
\notes <<
\context ChordNames {
\set chordChanges = ##t
\harmonies
}
\context Staff = one \melody
\set verticalExtent = #' (-1 . 3.5)
\set minimumVerticalExtent = #'(-1 . 1)
>>
\paper{
% \translator {
%\StaffContext
%VoltaBracket \override #'padding = #3 %pts
%}
The part that is flagged out is an exact quote from the solution
posting, but the translator escape is not recognized by lilypond in my
case. What should I do to get the VoltaBracket padding modification to
work? Translators are completely beyond my newbee experience.
Thanks, John Sellers, fiddle player, violinist, and Former Smalltalker
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RE: Two staves to one while dropping the bracket?
Hi Mats, Many thanks for that. I will give it a try! BTW, if anybody is interested, I've earned some money from typesetting a band score with Lilypond for somebody and they are very pleased with the result! Sounds like the start of a wonderful career ;-) Even more thanks to all concerned for a wonderful project! More on the Braille stuff soon Regards, Ralph - Tribal Data Solutions has moved, please visit our website for more details http://www.tribaldata.co.uk. This e-mail and any attachments are confidential and are sent on the basis of our copyright, e-mail and security policy which can be inspected by visiting http://www.tribaldata.co.uk/policies.asp. If you are not the intended recipient, please notify the sender and delete this message. Thank you. --- ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
crash-axis-group-engraver
Added this to repository as crash-axis-group-engraver.ly
%crash important
[EMAIL PROTECTED]
\header {texidoc = "lilypond hangs during 'Preprocessing graphical objects...'
Problem disappears if you remove the comment." }
\version "2.2.3"
\score{
\notes\new StaffGroup <<
\new Staff {c1 c c c c c c c \break e e e e e e e e \break d1 d d d d
d d d}
\new Staff {c1 c c c c c c c \break R1*8 d1 d d d d d d d}
\new Staff \with {
% \remove "Axis_group_engraver"
\consistsend "Hara_kiri_engraver"
}{c1 c c c c c c c R1*8 d1 d d d d d d d}
>>
}
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Making a lilypond-book -- IT WORKS...sort of
As is typical with me, I misread the instructions for lilypond-book
--process. After some toying around, I got it to build at last.
There are some problems, however. One is that nothing in \header {}
(found in header.ly) is printed in the final output. This is not a
terrible problem; I can insert anything missing in TeX.
A more serious problem is that I can't seem to have multiple
\lilypondfile's in one .tex file. This is my code:
\documentclass[a4paper]{opera}
\begin{document}
\title {Violin Concerto in D Major}
\subtitle {Opus 35}
\author {Peter Ilyitch Tchaikovsky}
\date {\today}
\maketitle
\begin{center}
{\huge{I. Allegro Moderato}} \\
\end{center}
\lilypondfile{mvmt1/mvmt1.ly}
\begin{center}
{\huge{III. Finale}} \\
\end{center}
\lilypondfile{mvmt3/mvmt3.ly}
\end{document}
The resulting output is the title page, mvmt1 header, mvmt1, NO header
at all, mvmt1 AGAIN. What's up?
Best,
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
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Re: [svoboda@mandal.lti.cs.cmu.edu] Lilypond Comments!
[EMAIL PROTECTED] writes:
> Hello, I have used Lilypond just last week to create a few musical
> scores (pop music with a chordline, melody line, and lyrics).
>
> Anyway I have some comments regarding usage, mainly the problems I
> encountered. I can possibly fix them given some encouragement...mainly
> I want to know if anything has been done to address these problems?
>
> (I'm using LilyPond 2.2 on both RH9 Linux and Windows XP)
>
>
> -> I use | a lot to separate measures, and am always running up
> against the "| not at a measure boundary" warning...obviously I am
> constantly having notes/measures between bars that don't add up to the
> time signature. This was a major slowdown and pain to deal with...I'd
> like to figure out some way to fix this problem.
>
> One notion I have is an addition to LilyPond's emacs mode that
> operates similar to Emacs's column-mode (which automatically displays
> the cursor's column number on the modeline). This addition would
> simply indicate on the modeline just what beat the cursor is on...or
> rather how many beats lie between the cursor and the previous | or {.
>
> With that in place, I could prevent those measure boundary warnings,
> b/c I would know how 'full' each measure was when I type it in.
>
> Has anyone attacked this problem? I could be convinced to work on a
> patch if no one else has...
Since no one else has attacked this problem, I figured I'd take a
whack at it. My results are appended to this message. Going to try it
for a few days & see how well it works. To use it, I tweaked my .emacs
file as follows:
(load-library "lilypond-init.el") ; already there
(load "/usr0/svoboda/sw/elisp/what-beat.el") ; this file
(add-hook 'LilyPond-mode-hook (lambda () (local-set-key "\C-cb" 'what-beat)))
Hence 'C-c b' displays the current beat in the minibuffer; displayed
as a ratio. i.e. if it shows 3/8, it means there are the equivalent of
3 eighth notes between the point and the last measure indicator (|).
Comments? Buggestions?
--
David Svoboda[EMAIL PROTECTED]
Senior Research Programmer http://www.cs.cmu.edu/~svoboda
Language Technologies Institute Practice Kind Randomness and
Carnegie Mellon University Beautiful Acts of Nonsense
-
(setq pitch-regex "\\([a-z]+[,']*\\(=[,']\\)?\\)\\|<[^>]*>")
(setq duration-regex "\\([ \t]*\\(128\\|6?4\\|3?2\\|16?\\|8\\)\\([.]*\\)\\([ \t]*[*][
\t]*\\([0-9]+\\)\\(/\\([1-9][0-9]*\\)\\)?\\)?\\)")
(defun extract-match (string match-num)
(if (null (match-beginning match-num))
nil
(substring string (match-beginning match-num) (match-end match-num
(defun add-fractions (f1 f2)
"Adds two fractions, both are (numerator denominator)"
(set 'result (list (+ (* (car f1) (cadr f2)) (* (car f2) (cadr f1)))
(* (cadr f1) (cadr f2
(set 'result (reduce-fraction result 2))
(set 'result (reduce-fraction result 3))
(set 'result (reduce-fraction result 5))
(set 'result (reduce-fraction result 7))
)
(defun reduce-fraction (f divisor)
"Eliminates divisor from fraction if present"
(while (and (= 0 (% (car result) divisor))
(= 0 (% (cadr result) divisor))
(< 1 (cadr result))
(< 0 (car result)))
(set 'result (list (/ (car result) divisor) (/ (cadr result) divisor
result
)
(defun parse-duration (duration)
"Returns a duration string parsed as '(numerator denominator)"
(string-match duration-regex duration)
(let ((result (list 1 (string-to-int (extract-match duration 2
(dots (extract-match duration 3))
(numerator (or(extract-match duration 5) "1"))
(denominator (or (extract-match duration 7) "1")))
(if (and (not (null dots)) (< 0 (string-width dots)))
(dotimes (dummy (string-width dots))
(set 'result (list (1+ (* 2 (car result))) (* 2 (cadr result))
(list (* (string-to-int numerator) (car result))
(* (string-to-int denominator) (cadr result)))
))
(defun walk-note-duration ()
"Returns duration of next note, moving point past note.
If point is not before a note, returns nil
If next note has no duration, returns t"
(if (not (looking-at pitch-regex))
nil
(progn
(goto-char (match-end 0))
(if (not (looking-at duration-regex))
t
(progn
(goto-char (match-end 0))
(parse-duration(match-string 0)))
(defun get-beat ()
(save-excursion
(save-restriction
(let* ((end (point))
(measure-start (or(re-search-backward "\|" 0 t) 0))
(last-dur (or(re-search-backward duration-regex 0 t) 0))
(duration (parse-duration(match-string 0)))
(result '(0 1))) ; 0 in fraction form
(if (= measure-start 0)
(error "No | before point")
(progn
(goto-char (1+ measure-start))
(skip-chars-forward " \t\n")
(while (< (point) end)
(set 'ne
Re: page breaks
This is because the \newpage command just redefines what will happen
between successive score lines within a piece. To get a page break
between two pieces, you can simply insert a LaTeX page breaking
command in the titling text:
\header{ piece = "\\newpage Piece 2" }
/Mats
Pascal Legris wrote:
This example give me also a page break, but "\newpage" does not work
between two pieces like:
\score{
\notes\relative c'{
c d e f g a b c \newpage
}
\header { piece = "Piece 1" }
\paper {}
}
\score{
\notes\relative c'{
c d e f g a b c
}
\header { piece = "Piece 2" }
\paper {}
}
@+,
Pascal
Le 16 juin 04, à 17:32, Mats Bengtsson a écrit :
The following example gives two pages here.
\score{
\notes\relative c'{
c d e f \newpage g a b c
}}
/Mats
Pascal Legris wrote:
Hi,
For me, \newpage in at bar lines do nothing, but \\newpage in piece
header is fine.
For instance :
\header { piece = "\\huge \\begin{center} \\newpage \\textbf{Noel
Anglois} \\\* \\end{center} \\Large \\textit{Cornet de recit}" }
Lilypond: version 2.2.2
@+,
Pascal
Le 14 juin 04, à 17:24, Mats Bengtsson a écrit :
You can add a page break using the command \newpage. Just as
\break for line breaking, it will only work at bar lines.
For the moment, there's no way to prevent page breaks, but often
you can control it by adding them manually where you want them.
/Mats
LEGRAND Jean-Marc wrote:
HI !
I've been trying to understand messages about that pb, but I can't
find out how to force page breaks
with Lilypond 2.0.
My score is divided in little verses (it's a Folia), and I'de like
to avoid turning pages during a
verse. How can I do it ?
Thanks
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 Fax: (+46) 8 790
7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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r
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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r
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: "\set staffSize" like "\set fontSize"?
Go to the on-line docuementation for your version of LilyPond at
www.lilypond.org. Click on Tips and Tricks and search for the
example file staff-size.ly.
/Mats
Felix Hammer wrote:
Hello
I tried to do following.
i have a system with two staffs. It should be a violin-duo.
the first staff should be bigger (staffsize) as the other staff an should have
bigger notes (fontsize).
as you can see i set the fontsize with "\set fontSize = #+3". But i cannot set
the staff-size the same way --> \set staff-size = #+3
please can anybody tell me how to do this?
much thanks
felix
---
\score
{
\notes <<
\new Staff
{
\time 3/4
\clef violin
\tempo 4 =120
\relative c''
{
\set fontSize = #+3 g4 c,8 d e f | g4 c, c | a' f8 g a b | c4 c, c |
f g8 f e d | e4 f8 e d c | b4 c8 d e c | \grace e4( d2.)
\break
g4 c,8 d e f | g4 c, c | a' f8 g a b | c4 c, c | f g8 f e d | e4 f8
e d c | d4 e8 d c b | c2. \bar ":|"
\break
e'4 c8 d e c | d4 g,8 a b g | c4 a8 b c g | fis4 e8 fis d4 | d8 e fis
g a b | c4 b a | b d, fis | g2.
\break
g4 c,8 b c4 | a'4 c,8 b c4 | g' f e | d8 c b c d4 | g,8 a b c d e |
f4 e d | e8 g c,4 b | c2. \bar ":|"
}
}
\new Staff
{
[...]
}
>>
%\midi { \tempo 4 = 120 }
}
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Two staves to one while dropping the bracket?
It seems it's not enough to add the Hara_kiri_engraver, you
have to copy also another line from the definition of
RemoveEmptyStaffContext in ly/engraver-init.ly
\score{
\notes\new StaffGroup <<
\new Staff {c1 c c c c c c c \break e e e e e e e e \break d1 d d d d
d d d}
\new Staff {c1 c c c c c c c \break R1*8 d1 d d d d d d d}
\new Staff \with {
\remove "Axis_group_engraver"
\consistsend "Hara_kiri_engraver"
}{c1 c c c c c c c R1*8 d1 d d d d d d d}
>>
}
If you comment out the \remove ... line, LilyPond hangs just
as you described. Looks like a bug to me, even though we are
playing with the internal details of LilyPond here.
/Mats
Ralph Little wrote:
Hi Mats,
I have a related question.
I have a score where I wish to use the \RemoveEmptyStaffContext on one
staff of a staff group only. The reason for this is that I have a part
which is separate but only exists for a few bars in the entire piece,
and I don't want it to occupy a line on every page of the score.
However, all other parts I do, even if they only have bars rest.
I can't remember exactly what I tried, but I think it involved using the
new \with syntax to add the HaraKiri engraver, like:
\score {
\new StaffGroup {
\new Staff \SoloCornet
\new Staff \with { \consists "Hara_kiri_engraver"}
\TuttiCornet
}
}
..or something like that.
I could put together a simple example if nothing comes immediately to
mind
What happened is that lilypond just "hung".
Do you know if anybody has used this in this way?
Lilypond 2.2 BTW.
Regards,
Ralph
Mats wrote:
One solution is to use the \RemoveEmptyStaffContext and simply insert
multimeasure rests in the second stave. Then, LilyPond will
automatically remove the second stave and the opening brace on the
lines where there are no notes.
Example:
uppervoice=\new Staff \notes\relative c'{
c d e f g a b c c b a g f e d c
c d e f g a b c c b a g f e d c
c d e f g a b c c b a g f e d c
}
lowervoice=\new Staff \notes\relative c''{
c b a g f e d c c d e f g a b c \break
R1*4 \break
c4 b a g f e d c c d e f g a b c }
\score{
\new GrandStaff <<
\uppervoice
\lowervoice
>>
\paper{
\context {
\RemoveEmptyStaffContext
}
}
}
/Mats
Alex Klein wrote:
Hi,
a month ago I had a little problem which I still haven't found a
solution for. I was engraving a piece of music where the first violin
is
split into upper and lower voice, which was notated by using two
staves
and a group bracket. At one time in the piece, the split is lost and
all
first violins play in unison. I was able to drop the second stave, but
no matter what I did, there was always a group bracket around the
single
stave left.
What is the correct way to engrave this?
Cheers
Alex
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: What properties should I set?
for example in the ChordNames context. In the doc I find the properties of the engravers and I find the translator properties that are given a default value. Is that all that should be set? There are certainly a number of properties that are useful to set but that are unset by default. However, it's a difficult compromise to determine which ones to list or not. Compare for example the Program Reference of version 2.0 and 2.2, where 2.0 listed every available property for every object but 2.2 only lists the once that are set by default and you have to click on the respective *-interface to find the full list. Another example: it is well-known that in a Staff context I can set the midiInstrument property, but I can not find it out from the internals-documentation. I look at dynamic_performer, I found it, and found it also in Tunable-context-properties. But how can I figure out that setting midiInstrument makes sense in (and only in?) a Staff context? Please let me understand the structure. As Han-Wen already answered, there's no good documentation of the MIDI generation part of LilyPond. The best starting point for the moment is to read ly/performer-init.ly. /Mats ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \thinspace in Lyrics
Certainly, just remember to replace each backslash with a double backslash: \\thinspace. However, note that you may confuse the algorithm in LilyPond that tries to calculate the width of each syllable to determine the note spacing. /Mats TS Sunhede Fulk wrote: Is there anyway to use Latex commands like \thinspace in Lyrics? ``' looks ugly without \thinspace. Thanks! tssfulk ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with lilypond-book after upgrade
Walter Hofmeister wrote: I have noticed that over the last year there have been repeated requests for how to do certain things (height of alternative ending and getting chords to appear at the correct height). Perhaps much of this could be solved by having an organized document that is included with the Lilypond documentation or can be downloaded from the site that includes a catalogue of tweaks. If you want to do something common, you look to this document and simply copy the text from it and paste it into your .ly file, change the numbers to suit you and away you go! I would be willing to help with such a document. Walter Hofmeister Excellent! However, I have some comments: - I hope you realize that such a document has to be actively maintained and updated when LilyPond is updated. - What about the current Tips and Tricks document? It should answer the same needs. Does it contain too many too exotic tricks or is it just that some of the common ones are missing? - Have you seen the last item at http://lilypond.org/web/devel/participating/call-for-help.html /Mats ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: pull-off and hammer-on signs don't look good
Did you try to attach an example. In that case, it didn't make it through to the mailing list as the list server filters away attachments in an attempt to avoid spreading viruses. It's a very good idea to include an example together with a question, but in that case you can simply paste it into the email. Also, I recommend to upgrade to the version 2.2.x of LilyPond. Even though it's not available in the default Debian distributions, you can find dpkgs at http://lilypond.org/web/download/. [EMAIL PROTECTED] wrote: Hi list, I'm using the debian lilypond (2.1.0-2) package. I made some tabs with lilypond, which worked ok. I attached slurs to "notes" and i get automatically a P for pull of and a H for hammer-on printed, but the P and H are to big and collide with the slur and the "note". How can I reduce the font-size of the P and the H? How can I get more space between the slur and the note? Sorry, I don't know enough about how the tablature typesetting is done to answer these questions. You can probably change the font-relative-size property of the TextScript output object. For the slurs, there's a property attachment-offset that may be useful. Another "spacing-question": How can I put the repeating-brackets, for play 1st time, play 2nd time, all on the same level? IMHO it does not look good, if they are on different levels. This is also in the TabStaff context. For ordinary staves, the repeat brackets are printed on the same height unless you have a note that sticks out too far above the stave in one of the alternative endings. You may try to increase the minimum-space property so that this default height is large enough: \property TabStaff.VoltaBracket \override #'minimum-space = #7 Any help appreciated! Perhaps someone can point me to a good starting point in the manual to study such questions. The syntax for setting properties has changed from version 2.1.0 to 2.2.x, but I still recommend http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Changing-defaults.html#Changing%20defaults from the manual of 2.2 to get an introduction to the ideas of setting properties. /Mats ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: fingering size
Always tell what LilyPond version you use when asking a question. I will assume the latest stable version, 2.2.x. At the end of the section on "Fingering instructions" in the on-line version of the manual, you will find a link to "Fingering" which shows a list of all the properties that are set by default. Among others, you will find the property font-size that can be set to an even lower number than -5 to get a smaller font: \override Fingering #'font-size = #-6 Also, you can see that the fingerings are typeset using a special font (number) so if you want thinner figures you may want to change also the font-encoding property to text. However, I'm a bit confused by your request since smaller figures would be more or less unreadible, in my opinion. The default sizes, shown at http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Fingering-instructions.html#Fingering%20instructions for example, look fine to me. /Mats LEGRAND Jean-Marc wrote: Bonjour tout le monde ! I'd like to change font size for fingering (figures much too big and thick) gor all the score I'm typesetting. I'd like thiner and smaller figures : how can I do, please (couldn't find any trick in the doc or the archives) ? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Methods of working
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> Pedro Kroger wrote:
>
>> I forgot to mention that if you typeset long scores, it may be a good
>> idea to use variables. I use variables for each section, like
>> \sectiona \sectionb, etc. Them I can comment out the sections I don't
>> want to compile right now. I also use variables for each instrument,
>> so I can compile only specific instruments of a specific
>> section. This is a great time saver while you are copying a piece.
>
> I hope you have noticed the skipTypesetting property. See
> http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Skipping-corrected-music.html
It didn't really work out for me because MIDI was still
entirely generated, making proofhearing harder. And setting
this property is generally more work than commenting out
some parts. I couldn't switch it off from the very
beginning of the piece either... But didn't even try too
hard, though commenting also has a drawback: %{ %} is not
nestable. You just can't win all the time. I still think
the skipTypesetting property would be useful if it could
consistently suppress typesetting of other parallel things,
too. If I remember correctly, it fell short on lyrics.
--
Feri.
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Greetings and a question
Hello everyone: I'm currently writing a profile of LilyPond and am learning how to use it via the tutorial and other packaged documentation. I'm also testing the various input facilitators (NoteEdit, Denemo, emacs, vi, Rosegarden). Hopefully I'll be able to find answers here if/when I get snagged by difficulties, but so far things are going well. I'll be testing some of LilyPond's own input filters today. My question now is whether this list is appropriate for questions regarding Denemo. I've compiled the CVS sources with GTK2, but I'm receiving some errors I'd like to resolve and I've uncovered at least one fatal bug. I'm just not sure who gets the report... Anyway, LilyPond is great Linux software, my congratulations to all the developers for this excellent work. Best regards, Dave Phillips ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: markup position
For the moment, there is no direct support to add an arbitrary markup at an arbitrary pitch within a stave. However, you can always use the extra-offset property to move a markup to the desired position, even though it may require some manual tweaking to find the correct offset for each markup. /Mats LEGRAND Jean-Marc wrote: Hi all of you ! I just always have the same problem : I cannot place my markups at the right position. My markups are either on the top or the bottom of the stave, and I can't find out how to put them into the stave itself, just like fingering with \property \Voice.fingeringOrientations (left), for instance. Any help, please ! ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Installation, Windows95
C. J. Evans writes: > Is there anything else that needs to be done? No. > I ask this because most of the downloaded files are of type .tar.bz2 Yes. > Do they all need to be extracted Yes. > (and if so, do I use the default locations suggested by WinRAR) No. > or has the setup program already extracted the ones that are needed > by lilypond? Yes. > I doubt that, because a file search fails to locate latex.exe or > pdflatex.exe When the archive in tetex-bin is extracted, there is a file > called latex.exe, but it (and a few other .exe files) contains zero bytes. Yes. Those are symbolic links, or symlinks for short. > Does this indicate something wrong with the archive at the uk mirror site? No. > On double-clicking a .ly file a window opens but closes again before it is > possible to see if any error messages have been printed. No .pdf or .log > file are created. Could you please rerun setup, or send a proper bug report using bug-lilypond-cygwin script? > I would be grateful for any tips, There may be some tips in the archives of this list. Greetings, Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Methods of working
I hope you have noticed the skipTypesetting property. See http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Skipping-corrected-music.html /Mats Pedro Kroger wrote: I forgot to mention that if you typeset long scores, it may be a good idea to use variables. I use variables for each section, like \sectiona \sectionb, etc. Them I can comment out the sections I don't want to compile right now. I also use variables for each instrument, so I can compile only specific instruments of a specific section. This is a great time saver while you are copying a piece. Pedro ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: About Staff.instrument
Since the text is not typeset with a fixed width font, the number of
characters that fit in will depend on the actual wording.
Anyway, you could try to increase the indentation of the first
score line to fit in a longer word:
\score{
...
\paper{
indent = 3.0\cm
...
}
}
An alternative is to break it up into several lines. See for example
http://lilypond.org/doc/v2.2/input/test/out-www/collated-files.html#coriolan-margin.ly
/Mats
Laura Conrad wrote:
"Gilles" == Gilles <[EMAIL PROTECTED]> writes:
Gilles> Is there a limit to the length of the "Staff.instrument" string?
Gilles> I'd like to indicate the names of the instruments in a percussion
Gilles> set, but already with e.g. "Triangle + cowbell", the beginning of
Gilles> the string is cut off.
I think I've had that problem even with one-word names like
"harpsichord".
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Installation, Windows95
Hi. I followed the instructions on the page: http://lilypond.org/web/download/windows.html Is there anything else that needs to be done? I ask this because most of the downloaded files are of type .tar.bz2 Do they all need to be extracted (and if so, do I use the default locations suggested by WinRAR) or has the setup program already extracted the ones that are needed by lilypond? I doubt that, because a file search fails to locate latex.exe or pdflatex.exe When the archive in tetex-bin is extracted, there is a file called latex.exe, but it (and a few other .exe files) contains zero bytes. Does this indicate something wrong with the archive at the uk mirror site? On double-clicking a .ly file a window opens but closes again before it is possible to see if any error messages have been printed. No .pdf or .log file are created. I would be grateful for any tips, Colin J. Evans. ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: midi output osx
hi daveA and Graham, thanks for the tips. will oram has sent me a copy of mighty midi and specific instructions on getting timidity up and running. also, is this a mac specific problem? is there a fix in the works? IIRC, there was some discussion about whether tempo changes belonged in track 0, or whether they should be placed in all tracks. yeah, i'd read this too. i'll be looking forward to revisions there, so that reviewing my complicated notation by ear is a bit easier. until then the notation side is fantastic enough to comprise with a work around. thanks again. -sean -- Sean Reed Web: www.seanreed.de ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
