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On using midi2ly
Greetings: Some suggestions for the docs on midi2ly: 1) The utility will work as advertised *if* you use Type 1 MIDI files. Type 0 files put all data into a single track, so unless you're rendering monophonic music you probably want to be using Type 1 files. 2) Multiple tracks in a sequence should be given the same MIDI channel. If you use separate channels per track midi2ly will create an LY file that will render only the first track. 3) Quantizing start-times and durations should be recommended. This relates to the notes regarding the transcription of a MIDI recording of a performance. I realize it can be done via the utility, but a sequencer gives better visual feedback. 4) Overlapping notes in an arpeggio will not be correctly rendered. The first note will be read and the others will be ignored. Set them all to a single duration and add phrase markings or pedal indicators. Forgive me if these issues are already well-known. Comments and suggestions are welcome. Best regards, dp ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Laura Conrad writes:
> I've hit that one (in 2.0); I was planning to report it after I had
> a chance to check it on a more recent version.
Ok. Next time, feel free to just report such a thing, as long as you
mention the version.
> The workaround is to change the "< a' c >" that comes in the lilypond
> output to read "<< a' c >>".
I guessed that much, but wanted to test it before making changes.
It's a simple patch, see below, but I haven't been able to test it.
Fixed in CVS.
> My tunes aren't so simple, but I don't use chords very often
That was what I meant of course, no offence intended!
Greetings,
Jan.
Index: abc2ly.py
===
RCS file: /cvsroot/lilypond/lilypond/scripts/abc2ly.py,v
retrieving revision 1.40
retrieving revision 1.41
diff -p -u -p -u -r1.40 -r1.41
--- abc2ly.py 19 Apr 2004 23:18:39 - 1.40
+++ abc2ly.py 1 Jul 2004 21:36:08 - 1.41
@@ -1190,18 +1190,18 @@ def try_parse_chord_delims (str, state):
if state.next_bar:
voices_append(state.next_bar)
state.next_bar = ''
- voices_append ('<')
+ voices_append ('<<')
if str[:1] == '+':
str = str[1:]
if state.plus_chord:
- voices_append ('>')
+ voices_append ('>>')
state.plus_chord = 0
else:
if state.next_bar:
voices_append(state.next_bar)
state.next_bar = ''
- voices_append ('<')
+ voices_append ('<<')
state.plus_chord = 1
ch = ''
--
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien | http://www.lilypond.org
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Re: Greetings and a question
> "Jan" == Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes: >> /home/dlphilp/BachCelloPrelude.ly:14:38: error: parse error, >> unexpected BAR, expecting NOTENAME_PITCH or DRUM_PITCH or '>': >> \time 4/4 \key d \major < \ba Jan> This is invalid lilypond syntax: you found a bug. I've hit that one (in 2.0); I was planning to report it after I had a chance to check it on a more recent version. Basically, any chord (ABC syntax "[A C]", for instance, is translated with single angle brackets, instead of double ones. The workaround is to change the "< a' c >" that comes in the lilypond output to read "<< a' c >>". This is a pain for the way I work, where I do the editing in ABC and look at the abc2ly/lilypond output. Jan> AFAIC, abc is mainly used for simple tunes. The multiple Jan> voices/chord syntax changed and abc2ly was apparrently not Jan> updated. My tunes aren't so simple, but I don't use chords very often, since I enter the voices separately. The particular case where I hit this problem this week had a bass voice that split for one note. Dave probably has a similar case, with a mostly monophonic cello part with a few double stops. -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (501) 641-5011 233 Broadway, Cambridge, MA 02139 ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Making a lilypond-book -- IT WORKS...sort of
On Jul 1, 2004, at 3:33 AM, Mats Bengtsson wrote:
Will Oram wrote:
As is typical with me, I misread the instructions for lilypond-book
--process. After some toying around, I got it to build at last.
There are some problems, however. One is that nothing in \header {}
(found in header.ly) is printed in the final output. This is not a
terrible problem; I can insert anything missing in TeX.
See the information on titling at
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/
Integrating-LaTeX-and-music.html#Integrating%20LaTeX%20and%20music
However, you will need version 2.2.3 since earlier 2.2.x versions had a
bug. If you don't want to upgrade, I have described a workaround in
several emails found in the mailing list archives.
This is true. But perhaps I didn't stress that for such a large
project, using \maketitlepage might make more sense. I will still need
to embed headers, if only for Mutopia purposes.
A more serious problem is that I can't seem to have multiple
\lilypondfile's in one .tex file. This is my code:
\documentclass[a4paper]{opera}
\begin{document}
\title {Violin Concerto in D Major}
\subtitle {Opus 35}
\author {Peter Ilyitch Tchaikovsky}
\date {\today}
\maketitle
\begin{center}
{\huge{I. Allegro Moderato}} \\
\end{center}
\lilypondfile{mvmt1/mvmt1.ly}
\begin{center}
{\huge{III. Finale}} \\
\end{center}
\lilypondfile{mvmt3/mvmt3.ly}
\end{document}
The resulting output is the title page, mvmt1 header, mvmt1, NO
header at all, mvmt1 AGAIN. What's up?
I tried your example with some small files in mvmt1.ly and mvmt3.ly and
it works fine here. You can hopefully get a hint on what's up if you
run lilypond-book with the additional flag --verbose and also take a
careful look at the printouts from LaTeX.
--verbose doesn't reveal much, other than it is indeed compiling the
same mvmt1 twice. The last thing lilypond-book says that's on track is
'input renamed to: `mvmt3/mvmt3.ly''. After that it proceeds to
reprocess mvmt1.
I recommend to remove all
lily-*.ly files first to make sure that lilypond-book reruns all the
steps.
AFAIK, I have to do that every time I build this project, else I get
'All snippets are up to date', whether or not that's actually true.
Will Oram // Genius @ Large // AIM spamguy21
spamguy (at) foxchange (dot) com // wro1 (at) cwru (dot) edu
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Re: invisible key signature (Key changes)
I will add the following example to the Tips and Tricks document:
--
\version "2.2.0"
\header {
texidoc = "@cindex Key Signature End of Line
According to normal typesetting conventions, LilyPond typesets key
changes at the end of the line, when the change appears at a line break.
This example shows how to change this default to only print the
new key signature at the beginning of the next line.
" }
\score {
\notes \relative c' {
\set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
c d e f | g a b c | \break
\key d \major
d cis b a | g fis e d |
}
}
/Mats
Wolfgang Mechsner wrote:
I would like to have no keys while keys changing at the end of
line. (For short music examples)
Thanx for any help.
Wolfgang
Wolfgang Mechsner
www.wolfgang-mechsner.de
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: not-latin lyrics
The steps described below are not relevant for the current versions
of LilyPond. However, they provided enough hints that I think I have
found a solution, see the following example. Note that I don't know
any russian, so I just copied a text from a web page.
\header{
inputencoding="koi8-r"
fontencoding="T2A"
}
\score{<<
\context Voice = melody \notes \relative c'{
c d e f g a b c}
\lyricsto melody \new Lyrics \lyrics{
ÐÐÑ ÐÑÐÐÐ ÑÐÑÐÐ Ð teTeX ÐÑÐÐÐ
}>>
\paper{
\context{
\LyricsContext
\override LyricText #'font-name = #'"larm1000"
}
}
}
---
As you can see, the necessary steps are to define the
inputencoding and the fontencoding and to tell LilyPond
the name of the font file. The steps to find out the name of
the font file is just as described below (I don't understand
the problems mentioned about the larm* files though).
Note that you need LilyPond version 2.2.0 or newer for
this solution to work.
/Mats
Herman Grootaers wrote:
On Monday 28 June 2004 19:13, Werner LEMBERG wrote:
Hmm, I only remember having seen the ps. Do you have a search
string google could use?
I just did a google search by myself, without results.
Werner
Maybe this mail from in the lilypond-user-archive will help. I have been
struggling to get it printing in cyrillic, and on my search I found this
mail.
reference: lists.gnu.org/archive/html/lilypond-user/2001-11/msg00119.html
I have however not enough knowledge to make it working, but that can come
because we are now in version 2.2/2.3
==
Greetings,
Herman Grootaers
A copy form the e-mail follows below
= = = =
Re: Cyrillic
From:
Gregory (Grisha) Trubetskoy
Subject:
Re: Cyrillic
Date:
Fri, 16 Nov 2001 01:43:22 -0500 (EST)
OK, I've succeded in having Cyrillic lyrics, here is how I did it. This
may not be the ultimately correct way to do it, but it worked for me.
Hopefully this will help someone facing the same problem.
The instructions below are for FreeBSD, on other systems I'm guessing
paths will vary, but everything should be essentially the same.
The initial problem lies (to the best of my understanding) in lilypond
making an assumption that a font "root name" as described in an FD file
matches the actual file name. TeTeX includes a cyrillic font package
called cmcyr, and, for example, a standard size 8 font in the
/usr/local/share/texmf/tex/latex/cyrillic/t2acmr.fd file is called "larm",
but there are no files on my system beginning with larm. May be I haven't
tried hard enough, but I concluded that using cmcyr fonts with lilypond is
impossible.
So, I installed the pscyr package.
(On FreeBSD this amounts to:
# cd /usr/ports/russian/pscyr
# make install)
Here is what you have to do next:
Step 1 - figure out the file name.
A simple way to do it is to put together the following LaTeX file,
say, test.tex:
\documentclass[10pt, letterpaper]{article}
\usepackage[T2A]{fontenc}
\usepackage[koi8-r]{inputenc}
\usepackage[russian]{babel}
\usepackage{pscyr}
\begin{document}
\texttx{}
\end{document}
"XX" above need to be koi8-r encoded cyrillic characters. \texttx
should set the font to Textbook font. (this is all documented in a file
called fonts-ex.tex)
Then, do:
$ latex test.tex
$ dvitype test.dvi | grep Font
Font 16: ftxr6a---loaded at size 655360 DVI units
Font 15: faqr6a---loaded at size 655360 DVI units
From this you can see that the file is most likely called ftxr6a, which
can be confirmed by:
$ locate ftxr6a
/usr/local/share/texmf/fonts/tfm/public/pscyr/ftxr6a.tfm
Step 2 - add a link to it so that lilypond can find it
# cd /usr/local/share/lilpond
# ln -s /usr/local/share/texmf/fonts/tfm/public/pscyr tfm.2
Step 3 - add it to fonts.scm
Edit /usr/local/share/lilypond/scm/fonts.scm so that somewhere (which is
apparent by looking at the file), you have:
((4 medium upright roman ftxr6a 17) . "ftxr6a")
((3 medium upright roman ftxr6a 17) . "ftxr6a")
((2 medium upright roman ftxr6a 12) . "ftxr6a")
((1 medium upright roman ftxr6a 12) . "ftxr6a")
((0 medium upright roman ftxr6a 10) . "ftxr6a")
((-1 medium upright roman ftxr6a 8) . "ftxr6a")
((-2 medium upright roman ftxr6a 7) . "ftxr6a" )
((-3 medium upright roman ftxr6a 6) . "ftxr6a" )
((-4 medium upright roman ftxr6a 5) . "ftxr6a" )
((-5 medium upright roman ftxr6a 5) . "ftxr6a" )
Step 4 - add it to your .mulatex file, in \context Lyrics:
\property Lyrics . LyricText \set #'font-name = #'farr6a
Also, make sure that at the beginning of the document you have:
\usepackage[T2A]{fontenc}
\usepackage[koi8-r]{inputenc}
\usepackage[russian]{babel}
\usepackage{pscyr}
I've skipped all of the details about lilypond-book, but all that is in
the documentation. Because you need the above lines, I don't you can do
this in an .ly file.
Grisha
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RE: What properties should I set?
> There are certainly a number of properties that are useful to > set but that are unset by default. However, it's a difficult > compromise to determine which ones to list or not. Well it is not a difficult compromise if there is a well-known property like minimumVerticalExtent, but you don't have the chance at all to find out that it can be set. For example I suppose that it can be set even in ChoirStaff, but there is no link to anywhere from the ChoirStaff documentation where you can find it. I must add, that I don't want to browse the documentation for settable properties at all. It's the task for my automatic code completion working in jEdit's LilyPond plugins. And I was able to perfectly set up the code completion database for the grob properties, but not for context properties. So I think something is very bad, if contexts' properties are not self-documenting. Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Dave Phillips writes: > I'll check out the CVS abc2ly today. Meanwhile, here's what's > happening with my current versions of things (Planet CCRMA RH9, > LilyPond 2.2.0) : Ok. > /home/dlphilp/BachCelloPrelude.ly:14:38: error: parse error, > unexpected BAR, expecting NOTENAME_PITCH or DRUM_PITCH or '>': > \time 4/4 \key d \major < \ba This is invalid lilypond syntax: you found a bug. AFAIC, abc is mainly used for simple tunes. The multiple voices/chord syntax changed and abc2ly was apparrently not updated. > I hope that helps. Going for the CVS abc2ly now... This won't help, same bug is probably in CVS. Could you please complete your bug report by posting the ABC source that triggers the bug? (attachments are not allowed on lilypond-user currently, due to limited spam filtering options). Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Greetings and a question
Hi Jan: I'll check out the CVS abc2ly today. Meanwhile, here's what's happening with my current versions of things (Planet CCRMA RH9, LilyPond 2.2.0) : [EMAIL PROTECTED] dlphilp]$ abc2ly BachCelloPrelude.abc abc2ly from LilyPond 2.2.0 Parsing `BachCelloPrelude.abc'... Line ... lilypond output to: `BachCelloPrelude.ly'... [EMAIL PROTECTED] dlphilp]$ lilypond BachCelloPrelude.ly lilypond (GNU LilyPond) 2.2.0 Running lilypond-bin... Now processing `BachCelloPrelude.ly' Parsing... /home/dlphilp/BachCelloPrelude.ly:14:38: error: parse error, unexpected BAR, expecting NOTENAME_PITCH or DRUM_PITCH or '>': \time 4/4 \key d \major < \ba r "|." d'16 ^"A"( a'16 fis''16 -) [snip many similar messages] Backtrace: In /usr/share/lilypond/2.2.0/scm/music-functions.scm: 429: 1* (let ((es #) (e #)) (if (pair? es) (# m # ...)) ...) 431: 2* (if (pair? es) ((setter ly:music-property) m (quote elements) ...)) 432: 3 [ly:music-set-property! # elements ... 432: 4* [map # (#)] In /usr/share/guile/1.6/srfi/srfi-1.scm: 637: 5 (if (null? rest) (map1 f list1) ...) ... 624: 6 (let ((ret (list #))) (letrec ((lp #)) (lp (cdr ls) ret))) 624: 7* [list ... 624: 8* [voicify-music #] In /usr/share/lilypond/2.2.0/scm/music-functions.scm: 429: 9 (let ((es #) (e #)) (if (pair? es) (# m # ...)) ...) 433: 10* (if (ly:music? e) ((setter ly:music-property) m (quote element) ...)) 434: 11 [ly:music-set-property! # element ... 434: 12* [voicify-music #] 429: 13 (let ((es #) (e #)) (if (pair? es) (# m # ...)) ...) 431: 14* (if (pair? es) ((setter ly:music-property) m (quote elements) ...)) 432: 15 [ly:music-set-property! # elements ... 432: 16* [map # (#)] In /usr/share/guile/1.6/srfi/srfi-1.scm: 637: 17 (if (null? rest) (map1 f list1) ...) ... 624: 18 (let ((ret (list #))) (letrec ((lp #)) (lp (cdr ls) ret))) 624: 19* [list ... 624: 20* (f (car ls)) /usr/share/guile/1.6/srfi/srfi-1.scm:624:24: In expression (f (car ls)): /usr/share/guile/1.6/srfi/srfi-1.scm:624:24: Stack overflow lilypond: error: LilyPond failed on input file BachCelloPrelude (exit status 2) lilypond: warning: Running LilyPond failed. Rerun with --verbose for a trace. I hope that helps. Going for the CVS abc2ly now... Best, dp Jan Nieuwenhuizen wrote: Dave Phillips writes: Not so much success with abc2ly and musedata2ly What problems do you have, can you post an error log? abc2ly is used quite heavily, notably by Laura Conrad (see http://laymusic.org). As abc2ly is a python script, you may want to look at the latest version in CVS http://savannah.gnu.org/cgi-bin/viewcvs/*checkout*/lilypond/lilypond/scripts/abc2ly.py?rev=HEAD&content-type=text/x-python some problems were fixed recently. Greetings, Jan. ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Papersize switching
The problem is that dvips has its own opinion on what paper size to
use. You can set the default paper size in dvips by running the
command 'texconfig' as root. Otherwise, add the flag
dvips -t a4 ...
Normally, ps2pdf should copy the page size from the input file,
otherwise you may have to add the flag
ps2pdf -sPAPERSIZE=a4 ...
as well.
/Mats
TS Sunhede Fulk wrote:
This is a strange problem.
I've been working on a songbook using lilypond-book and Latex. In the
.tex file, I specified that I wanted a4 paper
("\documentclass[a4paper]{book}"). However, the final .pdf file is U.S.
letter.
Here are the commands that I used to produce the .pdf (all from the
manual).
lilypond-book --output=out filename.tex
cd out
latex filename
dvips -Ppdf -u +lilypond filename
ps2pdf filename.ps
The .tex file that was created by lilypond-book has the same
\documentclass line as the original, so it must be something that one of
the the other programs is doing.
Does anyone have any idea why this is happening?
Thanks in advance,
Ted S. Sunhede Fulk
Örebro, Sweden
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r
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Drawing program to tweak lilypond output?
I definitely recommend to do as many tweaks as possible from within LilyPond itself. The reason is that even the final version of a score often contains one or more mistakes that you want to correct later. This means that you often would have to do these manual corrections two or three times, so even if it's quicker to use a drawing program the first time you do the correction, it will in the end take longer than the additional time to find out how to do it in the .ly file. /Mats Bertalan Fodor wrote: Hello, When finishing a document I would find it useful if there were a free (gratis) vector drawing program that can import LilyPond's PS, so I could beautify some parts of the score manually. Is there anything out there for this purpose? Thanks, Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: flag position
The problem is that the rhythm is incorrect. Each of the first 8 bars
is one 32:nd note longer than 4/4. I see that you have turned off the
ordinary timing, but LilyPond will still keep track of the timing and
deterine the beaming and some other layout decisions based on it.
I propose to use an alternative route, namely to "correct" the
durations in the input, so that for example the MIDI output sounds
as you would play it. Still, you can keep the original notation in the
printed output.
There are several possibilities to do this, but I suggest to use the
trick described at
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Durations.html#Durations
namely to write the first bar as
d8. \stopped [a'32*2/3 a a] d,8 [a' d, a'] |
This means that the printed output still will contain the three
32:nd notes, but LilyPond will internally handle them as a triplet.
(An alternative would be to use the ordinary support for triplets:
\times 2/3 { a32 a a }, but then you would have to turn off the
triplet number.)
This has several advantages, in addition to the problem you mention.
For example that LilyPond will print the bar lines correctly (if you
remove your setting of Score.timing).
As you can see above, I also added a bar check at the end of the
bar, which means that LilyPond will give you a warning when it
thinks that the timing isn't correct. This is very useful, not the
least in situations like these where you want to play some tricks
with the durations.
/Mats
LEGRAND Jean-Marc wrote:
Hi all of you !
my new problem deals with flag position.
My text is, with Lilypond 2.0 on Windows :
%31ème couplet
\score{
\notes {
\clef alto
\key d\minor
\time 3/4
\relative c' {
\property Voice.Script \set #'padding = #1
\property Score.timing = ##f
d8.\stopped [a'32 a a] d,8 [a' d, a'] \bar "|"
cis,8.[\breathe a'32 a a] cis,8 [a' a, a'] \bar "|"
d,8.\stopped [a'32 a a] d,8 [a' f d] \bar "|"
c8. [g'32 g g] c,8 [g' c, e] \bar "|"
f,8. [f'32 f f] f,8 [f' f, a] \bar "|"
\appoggiatura {\stemDown \slurUp c,16} g'8. [e'32 e e] c,8 [e' c, bes'] \bar
"|"
\appoggiatura {\stemDown \slurUp d,16} f8. [d'32 d d] d,8 [d' d, f]
\clef F \bar "|"
\appoggiatura {\stemDown \slurUp a,16} e'8. [cis'32 cis cis] a,8 [cis' a, g'] \bar
"|"
d16 a' a a f a a a d, a' a a \bar "|"
cis, a' a a e a a a cis, a' a a \bar "|"
d, a' a a f a a a d, b' b b \bar "|"
c, c' c c c,16 c' c c c,16 bes' bes bes \bar "|"
\clef alto
f f' f f a, f' f f f, f' f f \bar "|"
c, e' e e g,16 e' e e c,16 bes' bes bes \bar "|"
f d' d d \clef F a, cis' cis cis e, cis' cis cis \bar "|"
\appoggiatura {\stemDown \slurUp \property Voice.Beam \override #'positions
= #'(-3 . -1)
d,16 [f a]} d2.
\bar "||"}
\break
}
\header { piece="\\newpage 31ème couplet"}
\paper {}
}
In the first measure, it's OK : [a'32 a a] are well grouped together.
But in the second and sixth measures, the firts of these three notes has its flag on
the left, so
that the two last are well grouped together, but there's a gap between first and
second note. I
don't know if I'm clear, but I do need somme help !
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RE: Problem with lilypond
One more thing: I think we can say now that due to the Cygwin Python package LilyPond may not work on Windows 98. Bert ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with lilypond
See http://lists.gnu.org/archive/html/lilypond-user/2004-04/msg00034.html /Mats Martin Birks wrote: I have downloaded lilypond but unfortunately it doesn't seem to work, i got a test PDF appear, but throughout the running of the process i got several messages saying that python 2 had caused errors. I hope you can help me find out whats wrong and correct the problem Thankyou Martin ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Coda Wheel and Sign not printing
Tim Sawyer wrote: On Saturday 26 Jun 2004 18:05, Erik Sandberg wrote: On Saturday 26 June 2004 14.30, Tim Sawyer wrote: e4. e8 e8 e8 e4 e8 e4 e8 e8 e8 e8 e8 e8 e8 e4. r4. \mark #'(music "scripts-segno") \bar "||" e8 e8 e8 e8 e8 e8 e4. e4. e8 e8 e8 e8 e8 e8 e4. r4. \mark #'(music "scripts-coda") \bar "||" e8^"To Coda" e8 e8 e4 e8 e8 e8 e8 e4 e8 e4 e8 e8 e8 e8 e4. r4.^"D.S. al Coda" \bar "|." Try running convert-ly on your file. Also, I would recommend you to use lilypond version 2.2.x. My apologies, I didn't include enough info. I'm building using lilypond-book, then running latex. I'm not sure how to run convert-ly in this context. I'm running on Gentoo Linux if that helps, lilypond 2.0.3 is the latest stable version there. You could try to run convert-ly on your LaTeX file with the included lilypond code, but make sure to check afterwards that it didn't destroy any of rest of the document. As an alternative, just copy the relevant lines of LilyPond code into a separate .ly file, and run convert-ly on that to see what is changed. However, I'm not sure that convert-ly can handle the text markup code, so you may have to read the manual yourself to find out the new syntax, see http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Text-markup.html#Text%20markup Version 2.2.x contains a completely new version of lilypond-book that can run convert-ly selectively only on the lilypond code. /Mats ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: After install problem
It looks as if the installation failed half way through, for some
weird reason. Try to rerun setup.exe once again and choose
"Reinstall" for the lilypond package (or run setup twice, first
removing then installing the package again).
/Mats
Pom wrote:
Hello !
I have a classical "after installation" problem on Windows XP with
cygwin. I installed like shown on installation page (from cygwin
installer), and this error appears (I have :
C:\temp>lilypond-bin test2.ly
Now processing `test2.ly'
Parsing...
Interpreting music... error: can't find `feta20.afm'
Fonts have not been installed properly. Aborting
C:\temp>kpsewhich test2.ly
test2.ly
test2.ly contains:
C:\temp>cat test2.ly
\score {
\notes { c'4 e' g' }
}
and just the command "lilypond" does not exist in my cygwin/bin
directory, neither in other ?bin directory.
What can I do to resolve this problem ?
Thanks.
Best regards,
Tadeusz
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SE-100 44 STOCKHOLM
Sweden
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Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: Making a lilypond-book -- IT WORKS...sort of
Will Oram wrote:
As is typical with me, I misread the instructions for lilypond-book
--process. After some toying around, I got it to build at last.
There are some problems, however. One is that nothing in \header {}
(found in header.ly) is printed in the final output. This is not a
terrible problem; I can insert anything missing in TeX.
See the information on titling at
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Integrating-LaTeX-and-music.html#Integrating%20LaTeX%20and%20music
However, you will need version 2.2.3 since earlier 2.2.x versions had a
bug. If you don't want to upgrade, I have described a workaround in
several emails found in the mailing list archives.
A more serious problem is that I can't seem to have multiple
\lilypondfile's in one .tex file. This is my code:
\documentclass[a4paper]{opera}
\begin{document}
\title {Violin Concerto in D Major}
\subtitle {Opus 35}
\author {Peter Ilyitch Tchaikovsky}
\date {\today}
\maketitle
\begin{center}
{\huge{I. Allegro Moderato}} \\
\end{center}
\lilypondfile{mvmt1/mvmt1.ly}
\begin{center}
{\huge{III. Finale}} \\
\end{center}
\lilypondfile{mvmt3/mvmt3.ly}
\end{document}
The resulting output is the title page, mvmt1 header, mvmt1, NO header
at all, mvmt1 AGAIN. What's up?
I tried your example with some small files in mvmt1.ly and mvmt3.ly and
it works fine here. You can hopefully get a hint on what's up if you
run lilypond-book with the additional flag --verbose and also take a
careful look at the printouts from LaTeX. I recommend to remove all
lily-*.ly files first to make sure that lilypond-book reruns all the
steps.
/Mats
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Re: proper placing of chordnames re: alternative ending brackets
Always tell what LilyPond version you use, when sending questions to the
list.
The problem here is certainly that the proposed solution was intended
for another version of LilyPond than what you currently have.
However, this is easily solved using the convert-ly program.
So, try to figure out from the email you found, what version it was
intended for, say version 2.0.0. Then, copy the lines of code into
a file, say myfile.ly and run the command
convert-ly -e --from=2.0.0 myfile.ly
Then, the file contents should be updated to work with your version
of LilyPond, so you could just copy the lines into your score.
/Mats
John Sellers wrote:
Newbee question:
I was doing a simple lead sheet with repeats and alternatives and had
trouble with the chordnames being above the alternative ending brackets
rather than between the brackets and the staff, which is the usual way
of doing lead sheets.
I got some help which lead me to a solution to this problem posted in
Feb., and after playing got part of it working:
\score {
\notes <<
\context ChordNames {
\set chordChanges = ##t
\harmonies
}
\context Staff = one \melody
\set verticalExtent = #' (-1 . 3.5)
\set minimumVerticalExtent = #'(-1 . 1)
>>
\paper{
% \translator {
%\StaffContext
%VoltaBracket \override #'padding = #3 %pts
%}
The part that is flagged out is an exact quote from the solution
posting, but the translator escape is not recognized by lilypond in my
case. What should I do to get the VoltaBracket padding modification to
work? Translators are completely beyond my newbee experience.
Thanks, John Sellers, fiddle player, violinist, and Former Smalltalker
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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