Re: stretchable systems
On 25-Aug-05, at 8:12 PM, [EMAIL PROTECTED] wrote:
to get this to apply to all the voices in a staff. From this, I
conclude that you could probably (?) say
\set Score.minimumVerticalExtent = #'(-7 . 7)
to get it to apply to all the staves in a Score. There's a piece I'm
The best way to do this is like this:
\layout { \context { \Score
minimumVerticalExtent = #'(-7 . 7)
}}
Nicolas is trying to do something a bit more difficult; he wants to
have this set automatically, which is very tricky to program.
Cheers,
- Graham
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Re: Can Span bar engraver only print at linebreaks?
It seems that the handling of break-visibility has changed between versions 2.4 and 2.6. However, it seems to work with \override SpanBar #'break-visibility = #end-of-line-visible in version 2.4. /Mats Thies Albrecht wrote: Hi Mats! \override SpanBar #'break-visibility = #center-invisible What version of Liyl did you use? When I'm trying it on 2.4.X it responds with the error unbound variable: center-invisible. All in all I would also be very interested in the desired behaviour of Span_bar_engraver as particularly for dynamics I often get collisions with bar lines connecting the different staves. Kind regards, Thies -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Can Span bar engraver only print at linebreaks?
Hi Mats! \override SpanBar #'break-visibility = #center-invisible What version of Liyl did you use? When I'm trying it on 2.4.X it responds with the error unbound variable: center-invisible. All in all I would also be very interested in the desired behaviour of Span_bar_engraver as particularly for dynamics I often get collisions with bar lines connecting the different staves. Kind regards, Thies -- 5 GB Mailbox, 50 FreeSMS http://www.gmx.net/de/go/promail +++ GMX - die erste Adresse für Mail, Message, More +++ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Preferred way for text
Hi gurus,
What is the preferred way to add general texts?
So far I've found two ways that are reasonably 'universal':
\mark \markup { MyText }
or
s1*0 ^\markup { MyText }
where the latter has the possibility to position the text above the staff.
or is there another way that should be used for general purpose?
regards,
Hans.
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Re: Preferred way for text
Depends on what you want to use it for.
For a longer section of text, such as lyrics lines for some verses
of a song, you can actually have a \markup{...} completely outside the
\score{...}.
Hans de Rijck wrote:
Hi gurus,
What is the preferred way to add general texts?
So far I've found two ways that are reasonably 'universal':
\mark \markup { MyText }
gives you a textual indication over a bar line or between notes.
or
s1*0 ^\markup { MyText }
gives you a textual indication over a note (assuming that the s1*0
starts at the same time as a note).
where the latter has the possibility to position the text above the staff.
Yes, assuming that you mean that you can have different text over
different staves, as opposed to \mark which only places text over
the top stave.
or is there another way that should be used for general purpose?
Too general question to answer!
R1^\markup { MyText } for texts centered over full measure rests, for
example.
/Mats
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Re: Preferred way for text
On 8/26/05, Mats Bengtsson [EMAIL PROTECTED] wrote:
Depends on what you want to use it for.
For a longer section of text, such as lyrics lines for some verses
of a song, you can actually have a \markup{...} completely outside the
\score{...}.
Hans de Rijck wrote:
Hi gurus,
What is the preferred way to add general texts?
So far I've found two ways that are reasonably 'universal':
\mark \markup { MyText }
gives you a textual indication over a bar line or between notes.
or
s1*0 ^\markup { MyText }
gives you a textual indication over a note (assuming that the s1*0
starts at the same time as a note).
where the latter has the possibility to position the text above the staff.
Yes, assuming that you mean that you can have different text over
different staves, as opposed to \mark which only places text over
the top stave.
or is there another way that should be used for general purpose?
Too general question to answer!
R1^\markup { MyText } for texts centered over full measure rests, for
example.
That exchange right there might beneficially add to the manual at
section 8.1.3 or 8.1.4.
* external \markup { } for a block of text outside a score
* \mark \markup { } for text over a barline or between notes (and only
above the topmost staff)
* _\markup { } and ^\markup { } for text below or above the a single
staff, respectively
* R1^\markup { } for text centered over fullmeasure rests
... with an example of each.
Those uses are quite clear to me now, but they certainly weren't at
the beginning.
Trevor Bača
[EMAIL PROTECTED]
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Yet another font problem
Hallo I noticed a strange problem (version: windows 2.7.7) while trying to change some fonts in a markup. \override #'(font-name . binnerd ) works fine, but \override #'(font-name . minion regular ) Comes out with the default(?) font. Both are regular installed and well-working (ttf) fonts. What's wrong with it or have I forgot something? Georg --- Diese Nachricht besteht aus 100% recycelten Elektronen! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bypass \set associatedVoice altogether?
Since nobody has come up with any answer and the output
looks very strange, I send the question on the bug-lilypond.
/Mats
Trevor Baca wrote:
Why does the second set of lyrics with \set associatedVoice align incorrectly?
And, in general, should I bypass \set associatedVoice altogether and
insert fake spaces, as in the third set of lyrics (which do work
correctly)?
%% BEGIN LYRICS ALIGNMENT SNIPPET %
\version 2.7.7
theVoice = {
\time 2/4
\set Staff.autoBeaming = ##f
d''8
{
\voiceOne
d''16
d''16
\oneVoice
}
\context Voice = alternative {
\voiceTwo
d''8
\oneVoice
}
d''8
d''8
}
theFirstLyrics = \lyricmode {
\set stanza = GOOD:
Five words in this voice.
}
theSecondLyrics = \lyricmode {
\set stanza = BAD :
\set associatedVoice = alternative
On --
% reverts to mainVoice 1/16th too early:
\set associatedVoice = mainVoice
ly
four
here.
}
theThirdLyrics = \lyricmode {
\set stanza = GOOD:
On --
ly
four
here.
}
\score {
\new Staff
\context Voice = mainVoice \theVoice
\new Lyrics \lyricsto mainVoice \theFirstLyrics
\new Lyrics \lyricsto mainVoice \theSecondLyrics
\new Lyrics \lyricsto mainVoice \theThirdLyrics
\layout {
raggedright = ##t
}
}
%%% END LYRICS ALIGNMENT SNIPPET %
Trevor Bača
[EMAIL PROTECTED]
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Preferred way for text
Hi Mats, or is there another way that should be used for general purpose? Too general question to answer! Well, in fact it's a clear answer. Apparently there is no general way. thanks, Hans. ps. I agree with Trevor that adding the different ways to the manual would help. h. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Preferred way for text
On 26-Aug-05, at 9:23 AM, Trevor Baca wrote:
That exchange right there might beneficially add to the manual at
section 8.1.3 or 8.1.4.
Most of this info is already in the manual, though.
* external \markup { } for a block of text outside a score
Not really covered, but I've added it now.
* \mark \markup { } for text over a barline or between notes (and only
above the topmost staff)
8.1.3
* _\markup { } and ^\markup { } for text below or above the a single
staff, respectively
8.1.1
* R1^\markup { } for text centered over fullmeasure rests
8.2.3
... with an example of each.
Those uses are quite clear to me now, but they certainly weren't at
the beginning.
Well, I'm happy to add user-contributed docs; see
http://lilypond.org/web/devel/participating/documentation-adding
Cheers,
- Graham
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(doc help, 2.19) transposition sanity check
As a string player, I always get confused when trying to deal with the
grammar
of transposition. In the below excerpt from the docs, should a fifth
downwards
be a fourth upwards ? Or a fourth downwards ? Or should the
\transpose
be written differently? Or...?
\hornNotes = { stuff in C (concert pitch, sounding pitches, whatever) }
{
\transpose f c' \hornNotes
}
The line
\include horn-music.ly
substitutes the contents of horn-music.ly at this position in the file,
so hornNotes is defined afterwards. The command \transpose f c'
indicates that the argument, being \hornNotes, should be transposed by
a fifth downwards. Sounding `f' is denoted by notated c', which
corresponds with the tuning of a normal French Horn in F. The
transposition can be seen in the following output
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Re: (doc help, 2.19) transposition sanity check
On Fri, 2005-08-26 at 12:27 -0700, Graham Percival wrote:
As a string player, I always get confused when trying to deal with the
grammar
of transposition. In the below excerpt from the docs, should a fifth
downwards
be a fourth upwards ? Or a fourth downwards ? Or should the
\transpose
be written differently? Or...?
\hornNotes = { stuff in C (concert pitch, sounding pitches, whatever) }
{
\transpose f c' \hornNotes
}
The line
\include horn-music.ly
substitutes the contents of horn-music.ly at this position in the file,
so hornNotes is defined afterwards. The command \transpose f c'
indicates that the argument, being \hornNotes, should be transposed by
a fifth downwards. Sounding `f' is denoted by notated c', which
corresponds with the tuning of a normal French Horn in F. The
transposition can be seen in the following output
Actually, what it should say is:
The command \transpose f c' indicates that the argument, being
\hornNotes, should be transposed by a fifth upwards. [not downwards]
That is to say that the SOUNDING pitch in the horn part (small 'f';
fourth line bass clef) will be notated as 'middle c' (and all other
pitches will be move as well, of course).
\transpose f c' = small f goes up to middle c
It can get confusing if you're not clear about which direction you're
going, i.e. to or from concert pitch. Since in this case we're going
from concert pitch to notated F-horn pitch it goes UP a 5th.
-David
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