Grace Notes + Lyrics
You'll have to forgive me if I ask a question answered in the manual or archives. I have no lyrics experience in music *or* lilypond, so this is new dabbling for me. I swear I searched and experimented before I wrote this message. I wish to have one measure as so in lily 2.6.3: (I'm writing it vertically in case formatting is crippled when viewing): g4 Land: \grace bflat8 a8 Er -- a de, r4 f8 und g die lilypond tends to put 'Er --' on the grace note, which naturally kills the alignment for the rest of the music. How do I put empty space on the grace value? I tried ignoreMelisma but I was basically guessing in my placement of \set and \unset. Best, will is the everyman -- _ | WILL ORAM ASCII ribbon campaign ( ) | spamguy (at) foxchange . com - against HTML email X | wro1 (at) cwru . edu vCards / \ | | AIM spamguy21 -- (ABOVE: Magnetic poetry #6) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace Notes + Lyrics
The easiest is simply to put an empty syllable in the lyrics, \version 2.6.0 \score{ \relative c''{g4 \grace bes8 a a r4 f8 g} \addlyrics {Land: _ Er -- de, und die } } but maybe it's more idiomatic typesetting to use a acciaccatura instead (I'm not sure what the standard typesetting practice is, though). \version 2.6.0 \score{ \relative c''{g4 \acciaccatura bes8 a a r4 f8 g} \addlyrics {Land: Er -- de, und die } } /Mats Will Oram wrote: You'll have to forgive me if I ask a question answered in the manual or archives. I have no lyrics experience in music *or* lilypond, so this is new dabbling for me. I swear I searched and experimented before I wrote this message. I wish to have one measure as so in lily 2.6.3: (I'm writing it vertically in case formatting is crippled when viewing): g4 Land: \grace bflat8 a8 Er -- a de, r4 f8 und g die lilypond tends to put 'Er --' on the grace note, which naturally kills the alignment for the rest of the music. How do I put empty space on the grace value? I tried ignoreMelisma but I was basically guessing in my placement of \set and \unset. Best, will is the everyman -- _ | WILL ORAM ASCII ribbon campaign ( ) | spamguy (at) foxchange . com - against HTML email X | wro1 (at) cwru . edu vCards / \ | | AIM spamguy21 -- (ABOVE: Magnetic poetry #6) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: problems with special characters on 2.6
On Friday 28 October 2005 19:26, Ralf und Martina Wimmer wrote: I run LilyPond 2.6 on Windows 2000. By using the characters from the keyboard for the german umlaut (ä, ö, ü) or french accent (é, è) there are no printed signs in the pdf-output and the following character is also ignored. Did you save the file in utf-8 encoding? bye, Wilbert Berendsen -- http://www.wilbertberendsen.nl/ www.lambertikerk.nl | www.kerklied.net | www.kde.nl Gratis Office met PDF en Flash export: http://nl.openoffice.org/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
strange beam behavior
Hello Lilypond folks,I'm a (relatively) novice Lilypond user. I'm working on some non-measured (cadenza-like) material and have encountered a strange situation.The five sixteenth notes of the 2nd figure in Line 3 ... c8 ( [ \setTextCresc d16\ c b c ) e\staccato ] ... should all be beamed together. What I'm seeing in the output is the second flag on the d facing left all by itself, then the remaining 4 sixteenths beamed together with both flags. If I remove the first (unaffected) figure, the problem resolves in the second figure, but moves to the third figure. (It all makes sense if you compile and look at the output.)On a related note, the way this code is currently edited, line 4 looks OK. BUT, if I remove the "modified" line 3, you'll see the same strange beam behavior in the "fis16 [ ( g" sixteenth notes in the middle of the line.Any ideas on how to make these beamings work?Thanks!\version "2.6.3"melody = \relative c'' { \key g \major\override Staff.TimeSignature #'transparent = ##t\override Score.BarNumber #'transparent = ##t\cadenzaOn% Line 3 % ORIGINAL - doesn't work - first figure OK, second figure wrong, third and fourth figures OK.b4 ( c16 [ b a b ) d\staccato ] c8 ( [ \setTextCresc d16\ c b c ) e\staccato ] d8 ( [ e16 d cis d ) f\staccato ] e8 ( [ f!16 e dis e ) g\staccato ] f!1\f \breathe\bar "" \break% MODIFIED - removed first figure - now it moves the error into the next figure - why?c8 ( [ \setTextCresc d16\ c b c ) e\staccato ] d8 ( [ e16 d cis d ) f\staccato ] e8 \( [ f!16 e dis e \) g\staccato ] f!1\f \breathe\bar "" \break% FIXME: fix sixteenth note beams in first figure in line above% Line 4 e16 ( [ g f! ] ) cis! ( [ d e d ] ) \once \override TextScript #'extra-offset = #'(1.2 . 0) ais16_\markup {diminuendo } ( [ b c b ] ) fis16 [ ( g d'8 ) c b a g8. f16 ] f2 ( e4 ) \breathe\bar "" \break% FIXME: fix sixteenth note beams in second figure in line above\cadenzaOff}\score { \new Staff \melody} Best wishes,Scott-- Scott RussellIT Support Engineer, Office of Information Technologies, University of Notre DameInstructor of Horn, University of Notre Dame and Saint Mary's CollegeAssistant Horn, South Bend Symphony Orchestra205 DeBartolo Performing Arts Center574-631-2698ScottRussell@nd.eduhttp://www.nd.edu/~srussel2/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\book usage
Hello. To generate a piece with multiple movements, I'm used to the following document layout, which compiles fine: %--- all.ly --- \version 2.6.0 \paper { raggedbottom = ##f raggedlastbottom = ##t } \header { \include header.inc.ly } \include all_allegro.ly \include all_siciliana.ly \include all_bourree.ly \include all_menuet.ly \include all_trio.ly %- all_allegro.ly includes all_allegro.inc.ly and contains a \score. all_allegro.inc.ly defines a StaffGroup and includes all the parts for this movement, e.g. recorder_allegro.inc.ly which defines the a variable (recorderNotes) containing the note sequence. [And similarly for the other movements.] Now, in the documentation for 2.6.3, I read about the \book block; so, I changed the above into %--- all.ly --- \version 2.6.0 \paper { raggedbottom = ##f raggedlastbottom = ##t } \book { \header { \include header.inc.ly } \include all_allegro.ly \include all_siciliana.ly \include all_bourree.ly \include all_menuet.ly \include all_trio.ly } %- but lilypond doesn't like it: $ lilypond all.ly GNU LilyPond 2.6.3 Processing `all.ly' Parsing... recorder_allegro.inc.ly:3:0: error: syntax error, unexpected STRING recorderNotes = \relative c'' { recorder_allegro.inc.ly:135:0: error: syntax error, unexpected '}' } recorder_allegro.inc.ly:146:21: error: unknown escaped string: `\recorderNotes' \transpose c c { \recorderNotes } recorder_allegro.inc.ly:146:21: error: syntax error, unexpected STRING \transpose c c { \recorderNotes } all_allegro.ly:5:7: error: errors found, ignoring music expression \score { all_allegro.ly:16:2: error: errors found, ignoring music expression \unfoldRepeats \staves all.ly:24:0: error: syntax error, unexpected '}' } error: failed files: all.ly Could you explain why it doesn't work? Thanks, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
technique for mixing / matching tunes
What is the recommended technique for defining tunes in separate files so that they can be used to generate pdf with only that tune, or pdf wth several consecutive tunes? For example (what I'm try and failing with--I thing because I use variables outside of score but inside of book): caution: approximate/brief lilypond syntax below tune_a.ly: parta = { ... } partb = { ... } score { parta partb headerinfo } tune_b.ly parta = { ... } partb = { ... } score { parta partb headerinfo } tune_a-single.ly: generated on the fly with make/sh include single_tune_hdr.ly include tune_a.ly set_one.ly: include set_hdr.ly book { include tune_a.ly include tune_b.ly } Everything works fine except for set_one.ly. I tried putting the variable defs inside score but that didn't work. It works if I don't use variable, but I rely heavily on using variables. Any ideas? Thanks, Jason ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with title fonts
Hello group, I'm a novice Lilypond user. I'm working with lilypond 2.4.5 in debian. I intalled lilypond with apt-get. Now I'm compiling some lilypond codes, for example from the lilypond page and not all works fine. The midi an the scores are ok, but the font of title is not. I see the output from the examples and the title is in a Roman font (I think computer modern), but when I compile the same sources the font that I get is a typewriter font (but not monospaced). I put the result of the comand $ lilypond --png petite-ouverture-a-danser.ly in http://www.dcc.uchile.cl/~dhernand/lilypond/ How I can get the font correctly? Thanks Daniel Hernnandez ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: strange beam behavior
Hi Scott, Even though it is a cadenza, the beams still work in 4/4. If you count it out, you will realise that the beams are split in the natural place for 4/4 time. To override this, please read the Manual beams section in the manual Cheers, Edward Neeman --- Scott Russell [EMAIL PROTECTED] wrote: Hello Lilypond folks, I'm a (relatively) novice Lilypond user. I'm working on some non- measured (cadenza-like) material and have encountered a strange situation. The five sixteenth notes of the 2nd figure in Line 3 ... c8 ( [ \setTextCresc d16\ c b c ) e\staccato ] ... should all be beamed together. What I'm seeing in the output is the second flag on the d facing left all by itself, then the remaining 4 sixteenths beamed together with both flags. If I remove the first (unaffected) figure, the problem resolves in the second figure, but moves to the third figure. (It all makes sense if you compile and look at the output.) On a related note, the way this code is currently edited, line 4 looks OK. BUT, if I remove the modified line 3, you'll see the same strange beam behavior in the fis16 [ ( g sixteenth notes in the middle of the line. Any ideas on how to make these beamings work? Thanks! \version 2.6.3 melody = \relative c'' { \key g \major \override Staff.TimeSignature #'transparent = ##t \override Score.BarNumber #'transparent = ##t \cadenzaOn % Line 3 % ORIGINAL - doesn't work - first figure OK, second figure wrong, third and fourth figures OK. b4 ( c16 [ b a b ) d\staccato ] c8 ( [ \setTextCresc d16\ c b c ) e \staccato ] d8 ( [ e16 d cis d ) f\staccato ] e8 ( [ f!16 e dis e ) g \staccato ] f!1\f \breathe \bar \break % MODIFIED - removed first figure - now it moves the error into the next figure - why? c8 ( [ \setTextCresc d16\ c b c ) e\staccato ] d8 ( [ e16 d cis d ) f \staccato ] e8 \( [ f!16 e dis e \) g\staccato ] f!1\f \breathe \bar \break % FIXME: fix sixteenth note beams in first figure in line above % Line 4 e16 ( [ g f! ] ) cis! ( [ d e d ] ) \once \override TextScript #'extra-offset = #'(1.2 . 0) ais16_\markup {diminuendo } ( [ b c b ] ) fis16 [ ( g d'8 ) c b a g8. f16 ] f2 ( e4 ) \breathe \bar \break % FIXME: fix sixteenth note beams in second figure in line above \cadenzaOff } \score { \new Staff \melody } Best wishes, Scott -- Scott Russell IT Support Engineer, Office of Information Technologies, University of Notre Dame Instructor of Horn, University of Notre Dame and Saint Mary's College Assistant Horn, South Bend Symphony Orchestra 205 DeBartolo Performing Arts Center 574-631-2698 [EMAIL PROTECTED] http://www.nd.edu/~srussel2/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user Do you Yahoo!? Messenger 7.0: Free worldwide PC to PC calls http://au.messenger.yahoo.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with title fonts
yes, that's a common problem. try downloading the newest ec-fonts-mftraced package from the lilypond page: http://lilypond.org/download/fonts/ josiah On Tue, 1 Nov 2005, Daniel Hernandez wrote: Hello group, I'm a novice Lilypond user. I'm working with lilypond 2.4.5 in debian. I intalled lilypond with apt-get. Now I'm compiling some lilypond codes, for example from the lilypond page and not all works fine. The midi an the scores are ok, but the font of title is not. I see the output from the examples and the title is in a Roman font (I think computer modern), but when I compile the same sources the font that I get is a typewriter font (but not monospaced). I put the result of the comand $ lilypond --png petite-ouverture-a-danser.ly in http://www.dcc.uchile.cl/~dhernand/lilypond/ How I can get the font correctly? Thanks Daniel Hernnandez ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
Quoting Jan Nieuwenhuizen [EMAIL PROTECTED] from ml.lilypond.users: :Raphael Manfredi writes: : : Something is wrong. : :Please attach a minimal, but full example of your .ly file. Here it is. The character I'm printing is u` in case there is a problem with the encoding via mail. The UTF-8 encoding is correct. - % UTF-8 character messes markup % Output is fine without the font override, but then I get ugly courier \version 2.6.3 \new Staff { \clef treble \time 4/4 \override TextScript #'font-name = cmr10 \relative c'' { a^\markup { piu mosso } b c d e^\markup { più mosso } f g f } } - Raphael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
And here is a PNG of the lilypond output on my system, in case you cannot reproduce it. Raphael bug5.png Description: PNG image ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
Raphael Manfredi wrote: And here is a PNG of the lilypond output on my system, in case you cannot reproduce it. There was a problem with fontchanges in the middle of text strings, which I fixed in 2.7.8. However, I recommend you to use another font, which includes the accented characters as separate glyphs, eg. ecrm10. With 2.7.8, you will still get the sans-serif u` but with correct placement. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: technique for mixing / matching tunes
What is the recommended technique for defining tunes in separate files so that they can be used to generate pdf with only that tune, or pdf wth several consecutive tunes? For example (what I'm try and failing with--I thing because I use variables outside of score but inside of book): Indeed, this seems to be the same problem I posted a couple of hours ago (subject was: \book usage) Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
Raphael Manfredi writes: Here it is. The character I'm printing is u` in case there is a problem with the encoding via mail. The UTF-8 encoding is correct. \override TextScript #'font-name = cmr10 This may be a bug, the cmr font does not have the u` character, possibly the metrics from the fallback font are not used. But even if the metrics were correct, it would look very ugly. What happens when you use another font, one that does includes u`, say the default? Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fun with \include english.ly
After some experimentation. I've discovered that the problem was doing the include inside a {} block. english.ly defines a variable, which, it seems, can't be done inside a block. I didn't see anything on this in the tutorial or manual. Did I miss something obvious? Mats Bengtsson wrote: I hope you have verified that you don't have any other syntax error in your own input file. Sometimes the error messages can be misleading. /Mats Thomas J. Dillman wrote: I'm using lilypond 2.6.4 I've used the command: \include english.ly in one of my files and am getting: Parsing... C:/Program Files/LilyPond/usr/share/lilypond/2.6.4/ly/english.ly:6:0: error: syntax error, unexpected STRING pitchnamesEnglish = #`( error: errors found, ignoring music expression What am I doing wrong. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user smime.p7s Description: S/MIME Cryptographic Signature ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
emacs: error in post-command-hook: (wrong-type-argument integerp nil)
I'm using tei-emacs, lilypond 2.6.4, on win98se. Copied lilypond_init.el into .emacs Copied lilypond emacs-mode files to site-lisp\lilypond directory. This seemed to work as here is load-path: load-path's value is (c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/emacs-21.3/leim c:/PROGRAM FILES/TEI EMACS/xslt-process/lisp c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/nxml-mode/ c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/cedet-common c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/eieio c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/elib c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/lilypond c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/nxml-mode c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ocaml c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/psgml c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/semantic c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/speedbar c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/tdtd c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/tei-emacs c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/tuareg c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/xslide c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/cedet-common/icons c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/nxml-mode/char-name c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/semantic/bovine c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/semantic/wisent c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/big5conv c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/jisx0213 c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/reldata c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/nxml-mode/char-name/unicode c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current/doc c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current/lisp c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current/lisp/big5conv c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current/lisp/jisx0213 c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/site-lisp/ucs/Mule-UCS-current/lisp/reldata C:/PROGRAM FILES/TEI EMACS/EMACS-21.3/../site-lisp C:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/toolbar c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/textmodes c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/progmodes c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/play c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/obsolete c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/net c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/mh-e c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/mail c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/language c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/international c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/gnus c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/eshell c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/emulation c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/emacs-lisp c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/calendar c:/PROGRAM FILES/TEI EMACS/EMACS-21.3/lisp/calc C:/PROGRAM FILES/TEI EMACS/EMACS-21.3/leim) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
problem or bug?
To whom it may concern, Hi, I have some problems here with Lilypond 2.6.3. I've attached both example.ly and example.pdf for your reference. In the 2nd bar, why is the appoggiatura slur not attached to the note heads of both the appoggiatura and the main note? Instead, as shown, the slur is at the end of the stem. In the 5th bar, I'm puzzled as to why the running trill line does not span to the end of the bar when I explicitly attached the \stopTrillSpan at the last spacer quarter note of the bar? I could cheat by attaching \stopTrillSpan to a hidden grace note at the end of the bar but I wouldn't like to do this everytime. Can both these problems be rectified or are they bugs of version 2.6.3? Thank you. Yours sincerely, Seng Liang. example.pdf Description: Adobe PDF document \version 2.6.3 \relative { \time 2/4 b'4 b8 b \appoggiatura ais16 b4.( cis16 d) e8 cis b a \appoggiatura b16 { a2~\startTrillSpan a } { s2 s4. s8\stopTrillSpan } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: technique for mixing / matching tunes
Exactly, so the root of the poblem is that this doesn't work: book { parta = { ... } partb = { ... } score { parta partb header{ ... } } } or, slightly more general case: book { parta = { something1 } partb = { something2 } score { parta partb header{ ... } } parta = { something3 } partb = { something4 } score { parta partb header{ ... } } } Though, for my application, this may be an entirely wrong solution in the first place. On 11/1/05, Gilles [EMAIL PROTECTED] wrote: What is the recommended technique for defining tunes in separate files so that they can be used to generate pdf with only that tune, or pdf wth several consecutive tunes? For example (what I'm try and failing with--I thing because I use variables outside of score but inside of book): Indeed, this seems to be the same problem I posted a couple of hours ago (subject was: \book usage) Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with title fonts
Thanks, with the last ec-fonts-mftraced debian package it works fine. On Tue, 1 Nov 2005, D Josiah Boothby wrote: yes, that's a common problem. try downloading the newest ec-fonts-mftraced package from the lilypond page: http://lilypond.org/download/fonts/ josiah On Tue, 1 Nov 2005, Daniel Hernandez wrote: Hello group, I'm a novice Lilypond user. I'm working with lilypond 2.4.5 in debian. I intalled lilypond with apt-get. Now I'm compiling some lilypond codes, for example from the lilypond page and not all works fine. The midi an the scores are ok, but the font of title is not. I see the output from the examples and the title is in a Roman font (I think computer modern), but when I compile the same sources the font that I get is a typewriter font (but not monospaced). I put the result of the comand $ lilypond --png petite-ouverture-a-danser.ly in http://www.dcc.uchile.cl/~dhernand/lilypond/ How I can get the font correctly? Thanks Daniel Hernnandez ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Doc translation
Hi On the wiki http://wikihost.org/wikis/lilypond/programm/gebo.prg?name=discus , [EMAIL PROTECTED] wrote: Well, I just mailed Jan N. about starting a Wiki for the translation of the entire manual into Dutch. He mailed me back, that this already existes, kinda... All I found, was a very difficult site where I couldn't find what I was looking for. What is this very difficult site? Is it a message in the mailing list archive? More precisely, is it [[http://lists.gnu.org/archive/html/lilypond-devel/2005-09/msg00017.html]]? If not, could you please give the URL? Well, now I hope, anyone will mail me, how to make any translation into the Wiki. I'm not (I repeat; I'm not!) a developer, just a choir director. But willing to translate is my spare time. I'm not a developer either, but I'm trying to make something similar to the infrastructure used to translate the website, starting with patch from Jan (see above message link). I hope you're not in a hurry, because I can't spend much time on it, and I'm a newbie concerning makefiles and Texinfo. I've read the Texinfo info pages, and now I'm trying to figure out how to debug the makefile. I'll submit ideas and problems on the list later, when I really know what I talk about. French translators are waiting for it too. By the way, I hope you will find other Dutch people interested in doing this job, in order to do it faster and better. We (the French translators) have managed to translate most of the website with a good quality, haven't we? As we are a team, we read and improve each other's work, until it looks good. Regards -- John Mandereau [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
Quoting Han-Wen Nienhuys [EMAIL PROTECTED] from ml.lilypond.users: :Raphael Manfredi wrote: : And here is a PNG of the lilypond output on my system, in case you : cannot reproduce it. : :There was a problem with fontchanges in the middle of text strings, :which I fixed in 2.7.8. : :However, I recommend you to use another font, which includes the :accented characters as separate glyphs, eg. ecrm10. With 2.7.8, you will :still get the sans-serif u` but with correct placement. Yes, ecmr10 works fine, but it is a sans-serif font and it does not look as good as cmr10. Where does lilypond get its font list from, so that I can try others? I gathered the name cmr10 from a config file I saw, but I don't know where to find an exhaustive list of the available fonts. Thanks, Raphael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
Raphael Manfredi wrote: Quoting Han-Wen Nienhuys [EMAIL PROTECTED] from ml.lilypond.users: :Raphael Manfredi wrote: : And here is a PNG of the lilypond output on my system, in case you : cannot reproduce it. : :There was a problem with fontchanges in the middle of text strings, :which I fixed in 2.7.8. : :However, I recommend you to use another font, which includes the :accented characters as separate glyphs, eg. ecrm10. With 2.7.8, you will :still get the sans-serif u` but with correct placement. Yes, ecmr10 works fine, but it is a sans-serif font and it does not look as good as cmr10. no, it's not; what you're seeing is the system default for fonts that are not found. Where does lilypond get its font list from, so that I can try others? the easiest is to put a .ttf .pfb or .pfa in ~/.fonts. If it shows up on the output of fc-list you can use it in lily. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Gilles wrote: all_allegro.ly includes all_allegro.inc.ly and contains a \score. all_allegro.inc.ly defines a StaffGroup and includes all the parts for this movement, e.g. recorder_allegro.inc.ly which defines the a variable (recorderNotes) containing the note sequence. [And similarly for the other movements.] %--- all.ly --- \version 2.6.0 \paper { raggedbottom = ##f raggedlastbottom = ##t } \book { \header { \include header.inc.ly } \include all_allegro.ly \include all_siciliana.ly \include all_bourree.ly \include all_menuet.ly \include all_trio.ly } %- but lilypond doesn't like it: $ lilypond all.ly GNU LilyPond 2.6.3 Processing `all.ly' Parsing... recorder_allegro.inc.ly:3:0: error: syntax error, unexpected STRING recorderNotes = \relative c'' { recorder_allegro.inc.ly:135:0: error: syntax error, unexpected '}' } recorder_allegro.inc.ly:146:21: error: unknown escaped string: `\recorderNotes' \transpose c c { \recorderNotes } recorder_allegro.inc.ly:146:21: error: syntax error, unexpected STRING \transpose c c { \recorderNotes } all_allegro.ly:5:7: error: errors found, ignoring music expression \score { all_allegro.ly:16:2: error: errors found, ignoring music expression \unfoldRepeats \staves all.ly:24:0: error: syntax error, unexpected '}' } error: failed files: all.ly Could you explain why it doesn't work? AFAIK, named music expressions *have to* be defined at toplevel, not within a \book or \score block. So, a simple thing to do may be moving every \include staff_movement.inc.ly statement from all_movement.inc.ly to all.ly, before \book. You will certainly have to rename expressions to avoid redefinitions, e.g. you'll have to replace each recorderNotes occurence with movementRecorderNotes otherwise all movements will be the same. -- John Mandereau [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
AFAIK, named music expressions *have to* be defined at toplevel, not within a \book or \score block. So, a simple thing to do may be moving every \include staff_movement.inc.ly statement from all_movement.inc.ly to all.ly, before \book. You will certainly have to rename expressions to avoid redefinitions, e.g. you'll have to replace each recorderNotes occurence with movementRecorderNotes otherwise all movements will be the same. Of course, I thought of this solution, but it provides a much less systematic and maintainable layout :-{ Instead of only having instrument name based variables (and reuse them for each movement), there must now be every combination of instrument and movement name variables, and worse even, since everything must be defined before actual use (in \book), you have to keep track of all the other variables that could have been defined to simplify input (e.g. repetitive patterns) in a given instrument and be sure that the name won't be used in another file included later on... In the documentation, section 11.1.1, about Input variables and Scheme, it is mentioned that variables can also be defined in \header, \midi and \layout blocks. Is there some inherent impossibility to being able to do the same for \book? Or, is there another recommended way to build documents from reusable elements, as was asked in another post today? Thanks, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
installation issue
I have just installed the package of 2.7.12 on Mandrake 10.1. When I attempt to invoke lilypond from my terminal window I get the following error: [EMAIL PROTECTED] Desktop]$ lilypond Amen1.ly GNU LilyPond 2.7.12 ERROR: In procedure primitive-load-path: ERROR: Unable to find file ice-9/boot-9.scm in load path I'm not great at Linux so any help would be appreciated. Arthur ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: text font problems with 2.6.4 for windows?
Mats Bengtsson writes: On the other hand, I just tried John Mandereau's hints: I have prepared 2.6.4-3 packages with python compiled for console and incorporating John's hints (apart from downloading python manually :-). For PATH, PYTHONPATH and PATHEXT to be set automagically, you may have to reboot. But other than that, the python scripts should work ootb. Can you take a good stab at this again? Jan. $ cd LilyPond 02:57:38 [EMAIL PROTECTED]:~/LilyPond $ PATH=/cygdrive/c/Program Files/LilyPond/usr/bin:$PATH 02:57:42 [EMAIL PROTECTED]:~/LilyPond $ export PYTHONPATH='/Program Files/LilyPond/usr/lib/python2.4' 02:57:49 [EMAIL PROTECTED]:~/LilyPond $ export PATHEXT=$PATHEXT:.PY 02:57:53 [EMAIL PROTECTED]:~/LilyPond $ /cygdrive/c/WINDOWS/system32/cmd.exe Microsoft Windows XP [versie 5.1.2600] (C) Copyright 1985-2001 Microsoft Corp. c:\Program Files\LilyPondmidi2ly.py --help midi2ly.py --help Usage: c:\Program Files\LilyPond\usr\bin\midi2ly.py [OPTIONS]... FILE Convert MIDI to LilyPond source. Options: ... -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: problem or bug?
example.ly and example.pdf for your reference. In the 2nd bar, why is the appoggiatura slur not attached to the note heads of both the appoggiatura and the main note? Instead, as shown, the slur is at the end of the stem. The appogiatura slur placement is probably a bug, but it is easy to fix by overriding 'positions: \override Voice.Slur #'positions = #'(0 . 0) In the 5th bar, I'm puzzled as to why the running trill line does not span to the end of the bar when I explicitly attached the \stopTrillSpan at the last spacer quarter note of the bar? I could cheat by attaching \stopTrillSpan to a hidden grace note at the end of the bar but I wouldn't like to do this everytime. In fact this is what I do every time. Is it so much trouble? You can also attach the \stopTrillSpan to a rest and hide that, eg. \once \override Rest #'transparent = ##t r8\stopTrillSpan Cheers, Edward Neeman Do you Yahoo!? The New Yahoo! Movies: Check out the Latest Trailers, Premiere Photos and full Actor Database. http://au.movies.yahoo.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
On 1-Nov-05, at 4:19 PM, Gilles wrote: AFAIK, named music expressions *have to* be defined at toplevel, not within a \book or \score block. Yes. statement from all_movement.inc.ly to all.ly, before \book. You will certainly have to rename expressions to avoid redefinitions, e.g. you'll have to replace each recorderNotes occurence with movementRecorderNotes otherwise all movements will be the same. Yes. :( Of course, I thought of this solution, but it provides a much less systematic and maintainable layout :-{ My solution is to use lilypond-book and \book: --- foo.lytex: \documentclass{article} \begin{document} \lilypondfile{1allegro/score.ly} \liypondfile{2largo/score.ly} \end{document} --- 1allegro/score.ly \incude parts.ly \book{ \score{ \new Grandstaff \violin \piano } } ... you get the idea. - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fun with \include english.ly
On 30-Oct-05, at 1:00 PM, Thomas J. Dillman wrote: After some experimentation. I've discovered that the problem was doing the include inside a {} block. english.ly defines a variable, which, it seems, can't be done inside a block. I didn't see anything on this in the tutorial or manual. Did I miss something obvious? In file structure, it only says that definitions can be done at the top level (ie not within {} ). If you have suggestions for where else we should have this info, please let me know. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fontconfig error
I need to use lilypond-book so I reinstalled the 2.6.3 Terminal version on 10.4.2 from fink, in addition to regular use of the .app. I seem to be having font problems not present in the executable, because when I call lilypond --verbose .ly, I get spamguy:~/projects/ spamguy$ lilypond --verbose .lyGNU LilyPond 2.6.4 LILYPOND_DATADIR=/sw/share/lilypond/2.6.4 LOCALEDIR=/sw/share/locale Effective prefix: /sw/share/lilypond/2.6.4 Initializing FontConfig...Fontconfig error: Cannot load default config file adding font directory: /sw/share/lilypond/2.6.4/fonts/otf/ adding font directory: /sw/share/lilypond/2.6.4/fonts/type1/ adding font directory: /sw/share/lilypond/2.6.4/fonts/svg/ Processing `.ly' Parsing... [etc etc etc] The output exists, but lyrics text is replaced with garbage, likely using the dynamics font. lilypond-book is similar; using the TeX code copied directly from the documentation: spamguy:~/projects/ spamguy$ lilypond-book --output=out --psfonts --verbose book.tex lilypond-book (GNU LilyPond) 2.6.4 Reading book.tex... Invoking `latex tmp2yTO4j.tex'This is pdfeTeX, Version 3.141592-1.21a-2.2 (Web2C 7.5.4) entering extended mode (./tmp2yTO4j.tex LaTeX2e 2003/12/01 Babel v3.8d and hyphenation patterns for american, french, german, ngerman, b ahasa, basque, bulgarian, catalan, croatian, czech, danish, dutch, esperanto, e stonian, finnish, greek, icelandic, irish, italian, latin, magyar, norsk, polis h, portuges, romanian, russian, serbian, slovak, slovene, spanish, swedish, tur kish, ukrainian, nohyphenation, loaded. (/sw/share/texmf-dist/tex/latex/base/article.cls Document Class: article 2004/02/16 v1.4f Standard LaTeX document class (/sw/share/texmf-dist/tex/latex/base/size10.clo)) No file tmp2yTO4j.aux. textwidth=345.0pt columnsep=10.0pt (./tmp2yTO4j.aux) ) No pages of output. Transcript written on tmp2yTO4j.log. Dissecting... Writing snippets... Processing... Invoking `/sw/bin/lilypond --formats=ps --backend eps -I /Users/ spamguy/projects/ snippet-map.ly lily-134892'GNU LilyPond 2.6.4 Fontconfig error: Cannot load default config file Processing `snippet-map.ly' Parsing... Processing `book.tex:2 (lily-134892.ly)' Parsing...[etc etc etc] focus on the wherefore for in it lies the question -- _ | WILL ORAM ASCII ribbon campaign ( ) | spamguy (at) foxchange . com - against HTML email X | wro1 (at) cwru . edu vCards / \ | | AIM spamguy21 -- (ABOVE: Magnetic poetry #4) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Escape sequence for accentuated characters?
* Han-Wen Nienhuys on Tuesday, November 01, 2005: Raphael Manfredi wrote: Where does lilypond get its font list from, so that I can try others? the easiest is to put a .ttf .pfb or .pfa in ~/.fonts. If it shows up on the output of fc-list you can use it in lily. Well, I can *not* use it on MacOS 10.3.9: $ fc-list Sabon Sabon:style=RomanOsF Sabon:style=BoldOsF Sabon:style=ItalicOsF Sabon:style=BoldItalicOsF and I tried e.g \override Score.BarNumber #'font-name = #Sabon-RomanOsF or \override Score.BarNumber #'font-name = #Sabon RomanOsF or \override Score.BarNumber #'font-name = #Sabon Roman Oldstyle Figures or (despair!) \override Score.BarNumber #'font-name = #Sabon and it I still only get LuxiSans. Apart from the fact that even if it worked any customized TeX font metrics (for LyricTexT e.g) were gone. So, again, for me a switch to lilypond 2.4.5 would mean a) a loss of quality b) a setup that's vry ;-) far from easier to use c -- _B A U S T E L L E N_ lesen! --- http://www.blacktrash.org/baustellen.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user