[OT] but not very---latex and html
If you find yourself typing a lot of latex and html you might like a couple of sed scripts I wrote. The source of the page is linked there, so it's quick to check out. You use the same source file for both latex and html. http://www.openguitar.com/quicktype.html daveA -- Free download of technical exercises worth a lifetime of practice: "Dynamic Guitar Technique": http://www.openguitar.com/instruction.html email: "David Raleigh Arnold" <[EMAIL PROTECTED]>|<[EMAIL PROTECTED]> or use [EMAIL PROTECTED]: http://www.openguitar.com/contact.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Italian/Spanish: multiple vowels on one note
For clarification, it's called an elision (the vowels are elided together) and I’ve secretly been wondering about it as well. It's a problem in Finale, too.Am 01.02.2006 um 20:06 schrieb cordilow (sent by Nabble.com): Hello, I've been searching for a way to represent what looks like an upside down breve, and also what looks like a breve spaced as low as an underscore. Anyway, I have music I want to notate, in Italian and Spanish, that uses these characters (the first for Italian, the second for Spanish). They use them to show that two different words, or syllables from words, are to be associated with the same note (basically, you just sing them both quickly). I've been using a miniature circumflex for this, and sometimes a breve, but I want to use the actually characters. Is there a way to add these in Lilypond? I ask because I haven't found such characters in the unicode character set. Is there a font I can use that has them? This is what a breve looks like: ˘ Here's the circumflex character I've been using: ˆ (it's smaller than ^) I would like a breve spaced as low, or lower, than an underscore (i.e. _), and preferably one that looks like it's trying to connect the two sounds. View this message in context: Italian/Spanish: multiple vowels on one note Sent from the Gnu - Lilypond - User forum at Nabble.com.___lilypond-user mailing listlilypond-user@gnu.orghttp://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
problem with cue notes
Here's part of the bass part to a song:
{
\voiceFour
b, 2 4 4 4. a,8 d2
}
I want the lower notes in the interval brackets (i.e. the g, in ) mentioned to be cue notes.
How is this possible, the way I have it set up? Is it possible? I don't want to make another voice, because it'll mess up the formatting of the stems, and make things rather inconvenient, even if it's just full of invisible rests.
Why can't cue notes be made as simply as grace notes? All I want is the note head size to be smaller (I don't care about the stem size and all that, as the stem is attached to the other note in the bass part; the cue notes are meant to be optional alternative bass part).
View this message in context: problem with cue notes
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Footers/headers and line breaks
Hello,
I was wondering how to create a footer. The documentation talks about them, but it never says how to make them. So far, I've only been able to make a footer by using tagline in the header.
The following does not work, or compile for that matter:
\footer
{
poet = "some poet"
composer = "some composer"
}
Also, I was wondering how to make line breaks in a header or footer.
I was also wondering how to make additional pieces of text in a header or footer.
I mean, if I want something besides the poet or composer--like a reference, and/or a copyright notice, for example--or even just a note. I mean,
\header
{
otherHeaderItem = "this or that"
}
Does seem to work. Also, if such can be added, how do I position it where I want?
Hmm . . . Is there a way to just arrange it with HTML, and have it pretend that the music (staves, notes, and lyrics) is a picture in between? That would be extremely nice.
Thanks! Any feedback would be appreciated.
View this message in context: Footers/headers and line breaks
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piano introduction marks
Hello, I'm searching for a way to represent hymn-style piano introduction marks in Lilypond. I've looked at all the unicode characters I could find, and I haven't found anything appropriate. These are the closest characters I could find: ΓГЃгךדר But they don't exactly work professionally. I need the opening and closing ones to look exactly the same, and I would like the intersecting bars to be the same length as each other. Anyway, I'm adding a picture of what I'm talking about. View this message in context: piano introduction marks Sent from the Gnu - Lilypond - User forum at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: lilypond-book and misalignment
Try including
\layout { indent = 0.0\cm }
In your .ly file, or adding the indent = 0.0\cm statement to your existing
\layout { } statement.
- Nov
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of debian
Sent: Wednesday, February 01, 2006 23:01
To: lilypond-user@gnu.org
Subject: lilypond-book and misalignment
NEWBIE: on debian sarge with lilypond 2.6.3.
Please,
my googling leads me to believe that there is some kind of bug in
Lilypond-book which causes it to output misaligned staves ?
I seem to be suffering from this, in that _sometimes_, only sometimes, the
first stave is far too far to the right.
Is there a fix for this or some kind of work around ?
Thanks a lot.
Joe
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FW: How to retain empty Lyrics staff
Oops, sent in private by accident.
- Nov
-Original Message-
From: Nahum wengrov [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 02, 2006 06:11
To: 'Mats Bengtsson'
Subject: RE: How to retain empty Lyrics staff
It is a piano double-staff with two lyrics lines. Here is the example:
\version "2.6.5"
upperpart =
\relative c'' {
\clef treble
\key c \major
\time 7/8
\tempo 4=135
\set Staff.midiInstrument = "accordion"
% bar 1
c,8\mf g' g g4 g |
g8 fis g f4 e |
aes8 aes aes g4 f | f8 e f g4. r8 | \break
}
lowerpart = \relative c {
\clef bass
\key c \major
\time 7/8
\set Staff.midiInstrument = "acoustic grand"
% bar 1
g4\p r8 r r | r4 |
e4. c4 a | g'8 f e d4. r8 |
}
lyrone = \lyricmode {
\override Score.RemoveEmptyVerticalGroup #'remove-first = ##f
% Stanza one Empty:
\skip 2.. \skip 2.. \skip 2.. \skip 2..
}
lyrtwo = \lyricmode {
% bar 1
Bo8 -- i8 na8 bo4 -- i4
tzvi8 -- yat8 ha8 -- che4 -- med4
be8 -- ged8 shel8 tal4 lav4 --
shu8 ha8 -- sa8 -- dot4. \skip 8
}
\score {
\context GrandStaff <<
\context Staff = upper {
\context Voice = singer {
\autoBeamOff
\upperpart } }
\new Lyrics \lyricmode { \set associatedVoice = #"singer" \lyrone }
\new Lyrics \lyricmode { \set associatedVoice = #"singer" \lyrtwo }
\context Staff = lower <<
\clef bass
\lowerpart
>>
>>
\layout { indent = 0.0\cm
\context { \GrandStaff \accepts "Lyrics" }
\context { \Lyrics
\consists "Bar_engraver"
\remove "Hara_kiri_engraver"
}
}
\midi {
\tempo 4=135 }
}
\paper {
footsep = 2\cm
raggedlastbottom = ##t
}
- Nov
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 01, 2006 21:03
To: Nahum wengrov
Cc: 'Lilypond Mailing List'
Subject: RE: How to retain empty Lyrics staff
Are you really really sure that this is the only thing you changed. I
cannot see any reason why it would have such an effect. Could you send
a small example to the mailing list?
/Mats
Quoting Nahum wengrov <[EMAIL PROTECTED]>:
> This causes the lyrics to jump above the piano staves rather than
> being between them.
>
> - Nov
>
>
> -Original Message-
> From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, February 01, 2006 00:17
> To: Nahum wengrov
> Cc: 'Lilypond Mailing List'
> Subject: Re: How to retain empty Lyrics staff
>
>
> You can redefine how the Lyrics context works and simply remove the
> engraver handling these removals:
>
> \layout{
> ...
> \context{
>\Lyrics
>\remove "Hara_kiri_engraver"
> }
> }
>
> /Mats
>
> Quoting Nahum wengrov <[EMAIL PROTECTED]>:
>
>>
>> How do I retain an empty Lyrics staff?
>> The "\override" example in the manual explains how to retain the
>> first staff, but the empty lyrics on subsequent music lines are not
>> retained. I wish to retain an empty lyrics staff across a few lines.
>> How do I do that?
>>
>> - Nov
>>
>>
>>
>> ___
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>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>
>
>
>
>
> ___
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Italian/Spanish: multiple vowels on one note
Hello, I've been searching for a way to represent what looks like an upside down breve, and also what looks like a breve spaced as low as an underscore. Anyway, I have music I want to notate, in Italian and Spanish, that uses these characters (the first for Italian, the second for Spanish). They use them to show that two different words, or syllables from words, are to be associated with the same note (basically, you just sing them both quickly). I've been using a miniature circumflex for this, and sometimes a breve, but I want to use the actually characters. Is there a way to add these in Lilypond? I ask because I haven't found such characters in the unicode character set. Is there a font I can use that has them? This is what a breve looks like: ˘ Here's the circumflex character I've been using: ˆ (it's smaller than ^) I would like a breve spaced as low, or lower, than an underscore (i.e. _), and preferably one that looks like it's trying to connect the two sounds. View this message in context: Italian/Spanish: multiple vowels on one note Sent from the Gnu - Lilypond - User forum at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Vertical lyric/stanza spacing
Hello,
I've been trying to figure this out for months and months--ever since I started using Lilypond, anyway.
I've looked at the documentation (2.6.4), and I could not find a way to change the vertical spacing, or padding, or whatever it is in this case, between verses of lyrics (stanzas). I've found ways to change the horizontal, however. Preferably, I would like to do it with addlyrics. Is there a way to remove *all* vertical padding and spacing between stacked verses?
Anyway, if you know how, please tell me as much information as you can.
I suppose this would be done with something like \override someCommand #'verticalPadding = #0.0
or such, but I don't know where to put it, even if I knew what commands to use.
If I had the following:
\addlyrics
{
\stanza = "1. "
here are some ly -- rics
}
\addlyrics
{
\stanza = "2. "
here are ly -- rics for the se -- cond verse
}
How would I make those two stanzas closer together, veritcally?
View this message in context: Vertical lyric/stanza spacing
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a new LilyPond music page
Greetings: I've set up a site that contains some of my recent LP projects : http://linux-sound.org/dlp-music-lilypond/ Feel free to comment & criticize as desired. Btw, I used LP version 2.6.3 from Demudi 1.3.0rc1. I'm still finessing the pieces there. Some problems to resolve : How do I get a hairpin crescendo to span a series of single-staff polyphonic measures ? So far everything I've tried results in the compiler complaining of unterminated crescendi. Are string numbers available in 2.6.3 ? I indicate them, the compiler doesn't complain about them, but they don't display. How can I move fingering indicators out of the way of slur and phrase curves ? In general, how do I override default spacing of elements such as slurs and ties ? I've briefly looked at the docs, I'm sure there's a way, but is there a preferred method ? I had a few days to do nothing but play with LilyPond, so I dug in and had some great fun. I'm just getting re-started with the program, the learning curve has been relatively painless, and I love the output quality. Big thanks to all LP devels and users ! Best, dp ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a new LilyPond music page
On 1-Feb-06, at 5:18 AM, Dave Phillips wrote: How can I move fingering indicators out of the way of slur and phrase curves ? In general, how do I override default spacing of elements such as slurs and ties ? I've briefly looked at the docs, I'm sure there's a way, but is there a preferred method ? Chapter 4, "putting it all together". You may also want to read that chapter in 2.7; it was recently updated with a lot of info. In general, you may wish to read the manual for 2.7; most of the info applies to 2.6 as well. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
split lyrics
Hello,
I'm looking through the archives and I've found almost exactly what I
need. I'm trying to have a split where the text for the upper part is
above the staff, and the text for lower voice is below the staff, and
I just cannot figure out what to do. The example I found from the
archives (from Mats Bengtsson) is here:
\version "2.6.5"
\score{
<<
\context Voice = "melody" {
\relative c' { c
<< {\voiceOne c'8 e} \context Voice = splitpart {\voiceTwo c,
4} >>
\oneVoice c4 c | c
}
}
\new Lyrics \lyricsto "melody" { we shall not o- ver- come }
\new Lyrics \lyricsto "splitpart" { shall }
>>
}
But everything I try affects the splitpart and not the melody.
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Re: a new LilyPond music page
In general, it's a good idea to split different questions
into separate emails, but I'll at least try to answer a few
of them.
Dave Phillips wrote:
Greetings:
I've set up a site that contains some of my recent LP projects :
http://linux-sound.org/dlp-music-lilypond/
Feel free to comment & criticize as desired. Btw, I used LP version
2.6.3 from Demudi 1.3.0rc1.
I'm still finessing the pieces there. Some problems to resolve :
How do I get a hairpin crescendo to span a series of single-staff
polyphonic measures ? So far everything I've tried results in the
compiler complaining of unterminated crescendi.
Make sure that the beginning and the end of the hairpin
happens in the same Voice. If you use the <<{...} \\ {...} >>
feature, make sure to read Sect. "6.6.2 Explicitly instantiating
voices" of the manual to understand what it really does.
May I guess that you have used one (or even several)
such constructs in each measure. Then, why not simply
include all the measures in the same {...} within the
<<{...} \\ {...} >>.
Are string numbers available in 2.6.3 ? I indicate them, the
compiler doesn't complain about them, but they don't display.
At least it works with my installation of version 2.6.3.
Did you try the following example from the manual?
\version "2.6.3"
\relative c' { }
How can I move fingering indicators out of the way of slur and
phrase curves ?
Read the section about Common Tweaks (you may want to
read the rest of that chapter as well).
In general, how do I override default spacing of elements such as
slurs and ties ? I've briefly looked at the docs, I'm sure there's a
way, but is there a preferred method ?
Slurs and ties are a bit trickier than most other objects.
Note also that the typesetting of ties and slurs has been
improved in the development version, 2.7.x.
/Mats
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Linux installer problems
Hello all, when using the Linux installer, and after a successful (I assume) istallation trying to run lilypond, I get this: /usr/local//lilypond/usr/bin/lilypond: error while loading shared libraries: libstdc++.so.6: cannot open shared object file: No such file or directory The FC4 RPM packages (up to 2.7.27, I think) always worked well on my SUSE 9.3 system. I could not find any information about this new installer on the website, so any information about what it does (or should do) and how to solve my problem would be welcome. Thanks, Robert ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: How to retain empty Lyrics staff
Are you really really sure that this is the only thing you changed. I
cannot see any reason why it would have such an effect. Could you send
a small example to the mailing list?
/Mats
Quoting Nahum wengrov <[EMAIL PROTECTED]>:
This causes the lyrics to jump above the piano staves rather than being
between them.
- Nov
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 01, 2006 00:17
To: Nahum wengrov
Cc: 'Lilypond Mailing List'
Subject: Re: How to retain empty Lyrics staff
You can redefine how the Lyrics context works and simply remove the
engraver handling these removals:
\layout{
...
\context{
\Lyrics
\remove "Hara_kiri_engraver"
}
}
/Mats
Quoting Nahum wengrov <[EMAIL PROTECTED]>:
How do I retain an empty Lyrics staff?
The "\override" example in the manual explains how to retain the first
staff, but the empty lyrics on subsequent music lines are not
retained. I wish to retain an empty lyrics staff across a few lines.
How do I do that?
- Nov
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Re: partial error
I forgot to post the resolution. It's a known bug. I'm not worried.
Am 01.02.2006 um 05:19 schrieb Ramana Kumar:
i remember getting bar check failed errors on a certain score i'd
written a couple of days ago. i was using 2.6.5. i'm now using 2.7.30
and i just ran the score - no bar check errors. but i'm not sure
whether it's just the new version that did it. i don't remember fixing
the problem in the .ly code though. in any case, bar check errors that
don't have any noticeable effect on the ps/pdf output don't need to be
worried about =) (they're just a bit annoying)
i presume you've actually checked all your bars are the right lengths.
On 2/1/06, James E. Bailey <[EMAIL PROTECTED]> wrote:
Sorry, I'm using latest stable 2.6.5 and I get a bar check failed
error. It's not been a problem, I'm just wondering if I should be
worried.
Am 31.01.2006 um 00:49 schrieb Ramana Kumar:
On 1/31/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]>
wrote:
so I have this file, I'll attach it. My question is the error I
get.
I have two partial measures set up, exactly identical to each
other.
I get an error on the first one, not the second. The output pdf is
fine, I'm just curious as to whether I should worry.
what error do you get?
which version of lilypond are you using?
try attaching a .ly file if it's going to be that long instead of
pasting it - the pasted code gets wrapped badly by my mail client.
sopMusic = \relative c' {
s1 | \time 3/4 d4~ d8[ es] \times 2/3 {d[ es g]} | \time 4/4 \times
2/3 {f4 g a} \times 2/3 {b a8~} a4 | \time 2/4 b c | a g |
\times 2/3
{f2 es4} | \time 4/4 es f g b | \time 5/4 a2 g4 b2 | \time 3/4
a8 b c
d es4 | \time 5/4 f es8 d \times 2/3 {c b a} b d c a | \time 11/8
b2.~ b4.~ b4~ | \time 13/8 b1~ b4.~ b4 | \time 3/4 b a g | \time
4/4
\times 2/3 {a b8} \times 2/3 {a b c} d4 es8 d | \time 9/8 \times
2/3
{c b c} d es4 d c8 b | \time 9/16 a8. g f~ | \time 6/16 f8 r g
f8. es
| \time 3/4 es2~ es8 r | \time 4/4 g4~ g8 fis \times 2/3 {es
d4~} d |
\partial4 R4 | \time 5/4 R1*5/4 | \time 7/4 r4 d' g f8 es d4~
\times
2/3 {d8 c a} d c~ | \time 4/4 c1 | \time 5/4 f4 b,2 c4 f~ |
\time 4/4
<< {f g c, r} \\ { a4 \times 2/3 {g8 a b} c b4}>> | \time 5/8 c8 d4
\times 2/3 {c8 b a} | g a2 | \time 9/8 g4 \times 2/3 {fis8 g4}
es4 d8
\times 2/3 {es d4} | \time 9/8 R1*9/8 | \time 4/4 R1 | \time 5/4
R1*5/4 | \time 4/4 d es f4. g8 | f g b a c b a g | \times 2/3 { f g
a} \times 2/3 {g c b} \times 2/3 {g a b} \times 2/3 {d c a} | b4
es b
es | \time 9/8 b4. r4 c a | \time 4/4 \times 2/3 {g8 a g} \times
2/3
{f es f} \times 2/3 {g c b} \times 2/3 {a g f} | \time 6/4 g a g
f es
f g c b a g f | \time 3/4 f2~ f8 r | \time 9/8 R1*9/8 | \time
4/4 f2
g~ | g4 f a c | \time 9/8 b2 a8 c4. b8 | \time 4/4 a16 g f es d8
c'4
b4.~ | \time 11/8 b8 r g4 b4. a8 g \times 2/3 {a b c} | \time
5/8 d4
c4. | \time 4/4 d4~ \times 2/3 {d8 c a} b a~ a4 | es' d c c | \time
3/4 b8 a g f c'4 | c2~ c8 r | \partial4 R4 | \time 4/4 R1 |
\time 9/8
R1*9/8 | \time 6/4 g4 g2 c8 b~ b2 | \time 4/4 c4 c2 c4 | \time
6/4 b8
a b1~ b4 | \time 4/4 des2 b~ | \time 3/4 b8 r c4 c | \time 4/4 f,4.
es8 b4 c | des2 c4 b | \time 5/4 \times 2/3 {c8 es f} g f d es
b'4 c
| \time 6/8 g'4. f8 es d | \time 5/4 c4 b8 a b4 f2 | \time 9/8
b4. c4
c2 | \time 3/4 d2. | \time 5/4 r2 g,2 d'4~ | \time 7/4 d4 f a, b g'
d2 | \time 2/4 d4~ \times 2/3 {d8 c a}\bar ":" \times 2/3 { b4 a8~}
a4 | \times 2/3 { b4 a8~} a4\bar ":" \times 2/3 { b4 a8~} a4 |
\time
12/16 es8. d f es | \time 5/4 \times 2/3 {g8 f g~} \times 2/3 {g f
g~} \times 2/3 {g f g~} \times 2/3 {g f g~} \times 2/3 {g f g~} |
\time 11/16 g8. es4~ es8 r | \time 9/8 f4 \times 2/3 {g a b} c4. |
\time 5/4 b8 f c'4 b g es | \time 6/4 <<{r4 es' b~ \times 2/3 {b8 c
d} \times 2/3 {es4 c b} | \time 3/4 as'2~ as8 r} \\ {f,1.~ | \time
3/4 f2~ f8 r}>> | \time 4/4 R1 | d4 d2. \bar "|."
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where is musicxml?
Hi all, I just installed the latest dev version using the grand installer. when I run musicxml2ly I get the following error: [EMAIL PROTECTED]:/data2/bakup/musicxml/bakup$ musicxml2ly evocation.xml Traceback (most recent call last): File "/usr/bin/musicxml2ly", line 26, in ? import musicxml ImportError: No module named musicxml line 26 infact want to include musicxml. Is this something I am supposed to already have when I install with the grand installer or is it program I am obliged to install from elsewhere. I also noticed that the installer puts lilypond in /usr/share/lilypond/usr/bin it says it is linking with a script to /usr/bin but I find no such link: this left me with adding /usr/share/lilypond/usr/bin/ to my path, or making a soft link in /usr/bin or copying the binaries to /usr/bin/ Is there a cleaner way to install using the grand installer, that I am just missing? BTW I really like the newer versions of lilypond, kudo to Hans and all the developers :) Thanks Aaron Do you Yahoo!? With a free 1 GB, there's more in store with Yahoo! Mail.___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Staccato in polyfony
Is this a bug? The staccato marks are displayed on the wrong side of the note. I tried both the latest stable release and the newest development release.
Example:
\context Voice << { r4 c4-. d2. e4-. f2 } \\ { e2. f4-. g2. a4-. b2.} >>
View this message in context: Staccato in polyfony
Sent from the Gnu - Lilypond - User forum at Nabble.com.
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lilypond-book and misalignment
NEWBIE: on debian sarge with lilypond 2.6.3. Please, my googling leads me to believe that there is some kind of bug in Lilypond-book which causes it to output misaligned staves ? I seem to be suffering from this, in that _sometimes_, only sometimes, the first stave is far too far to the right. Is there a fix for this or some kind of work around ? Thanks a lot. Joe ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: partial error
i remember getting bar check failed errors on a certain score i'd
written a couple of days ago. i was using 2.6.5. i'm now using 2.7.30
and i just ran the score - no bar check errors. but i'm not sure
whether it's just the new version that did it. i don't remember fixing
the problem in the .ly code though. in any case, bar check errors that
don't have any noticeable effect on the ps/pdf output don't need to be
worried about =) (they're just a bit annoying)
i presume you've actually checked all your bars are the right lengths.
On 2/1/06, James E. Bailey <[EMAIL PROTECTED]> wrote:
> Sorry, I'm using latest stable 2.6.5 and I get a bar check failed
> error. It's not been a problem, I'm just wondering if I should be
> worried.
>
> Am 31.01.2006 um 00:49 schrieb Ramana Kumar:
>
> > On 1/31/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]>
> > wrote:
> >> so I have this file, I'll attach it. My question is the error I get.
> >> I have two partial measures set up, exactly identical to each other.
> >> I get an error on the first one, not the second. The output pdf is
> >> fine, I'm just curious as to whether I should worry.
> >
> > what error do you get?
> > which version of lilypond are you using?
> > try attaching a .ly file if it's going to be that long instead of
> > pasting it - the pasted code gets wrapped badly by my mail client.
> >
> >> sopMusic = \relative c' {
> >> s1 | \time 3/4 d4~ d8[ es] \times 2/3 {d[ es g]} | \time 4/4 \times
> >> 2/3 {f4 g a} \times 2/3 {b a8~} a4 | \time 2/4 b c | a g | \times 2/3
> >> {f2 es4} | \time 4/4 es f g b | \time 5/4 a2 g4 b2 | \time 3/4 a8 b c
> >> d es4 | \time 5/4 f es8 d \times 2/3 {c b a} b d c a | \time 11/8
> >> b2.~ b4.~ b4~ | \time 13/8 b1~ b4.~ b4 | \time 3/4 b a g | \time 4/4
> >> \times 2/3 {a b8} \times 2/3 {a b c} d4 es8 d | \time 9/8 \times 2/3
> >> {c b c} d es4 d c8 b | \time 9/16 a8. g f~ | \time 6/16 f8 r g f8. es
> >> | \time 3/4 es2~ es8 r | \time 4/4 g4~ g8 fis \times 2/3 {es d4~} d |
> >> \partial4 R4 | \time 5/4 R1*5/4 | \time 7/4 r4 d' g f8 es d4~ \times
> >> 2/3 {d8 c a} d c~ | \time 4/4 c1 | \time 5/4 f4 b,2 c4 f~ | \time 4/4
> >> << {f g c, r} \\ { a4 \times 2/3 {g8 a b} c b4}>> | \time 5/8 c8 d4
> >> \times 2/3 {c8 b a} | g a2 | \time 9/8 g4 \times 2/3 {fis8 g4} es4 d8
> >> \times 2/3 {es d4} | \time 9/8 R1*9/8 | \time 4/4 R1 | \time 5/4
> >> R1*5/4 | \time 4/4 d es f4. g8 | f g b a c b a g | \times 2/3 { f g
> >> a} \times 2/3 {g c b} \times 2/3 {g a b} \times 2/3 {d c a} | b4 es b
> >> es | \time 9/8 b4. r4 c a | \time 4/4 \times 2/3 {g8 a g} \times 2/3
> >> {f es f} \times 2/3 {g c b} \times 2/3 {a g f} | \time 6/4 g a g f es
> >> f g c b a g f | \time 3/4 f2~ f8 r | \time 9/8 R1*9/8 | \time 4/4 f2
> >> g~ | g4 f a c | \time 9/8 b2 a8 c4. b8 | \time 4/4 a16 g f es d8 c'4
> >> b4.~ | \time 11/8 b8 r g4 b4. a8 g \times 2/3 {a b c} | \time 5/8 d4
> >> c4. | \time 4/4 d4~ \times 2/3 {d8 c a} b a~ a4 | es' d c c | \time
> >> 3/4 b8 a g f c'4 | c2~ c8 r | \partial4 R4 | \time 4/4 R1 | \time 9/8
> >> R1*9/8 | \time 6/4 g4 g2 c8 b~ b2 | \time 4/4 c4 c2 c4 | \time 6/4 b8
> >> a b1~ b4 | \time 4/4 des2 b~ | \time 3/4 b8 r c4 c | \time 4/4 f,4.
> >> es8 b4 c | des2 c4 b | \time 5/4 \times 2/3 {c8 es f} g f d es b'4 c
> >> | \time 6/8 g'4. f8 es d | \time 5/4 c4 b8 a b4 f2 | \time 9/8 b4. c4
> >> c2 | \time 3/4 d2. | \time 5/4 r2 g,2 d'4~ | \time 7/4 d4 f a, b g'
> >> d2 | \time 2/4 d4~ \times 2/3 {d8 c a}\bar ":" \times 2/3 { b4 a8~}
> >> a4 | \times 2/3 { b4 a8~} a4\bar ":" \times 2/3 { b4 a8~} a4 | \time
> >> 12/16 es8. d f es | \time 5/4 \times 2/3 {g8 f g~} \times 2/3 {g f
> >> g~} \times 2/3 {g f g~} \times 2/3 {g f g~} \times 2/3 {g f g~} |
> >> \time 11/16 g8. es4~ es8 r | \time 9/8 f4 \times 2/3 {g a b} c4. |
> >> \time 5/4 b8 f c'4 b g es | \time 6/4 <<{r4 es' b~ \times 2/3 {b8 c
> >> d} \times 2/3 {es4 c b} | \time 3/4 as'2~ as8 r} \\ {f,1.~ | \time
> >> 3/4 f2~ f8 r}>> | \time 4/4 R1 | d4 d2. \bar "|."
> >>
> >>
> >>
> >>
> >>
> >>
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Re: trouble with easyHeads
2006/1/30, Graham Percival <[EMAIL PROTECTED]>:
On 28-Jan-06, at 9:53 PM, Jay Hamilton, Sound and Silence wrote:> I thought I'd set a few piano exercises for my beginning students in> \setEasyHeads.> However when I put the line after the header just before the 'notes' I
> got and error message that it was an unknown 'Identifier' and wouldn't> compile and when I put it in the score/ the piece compiled but without> the letters in the noteheads.As the example in the manual shows, you put \setEasyHeads right before
notes. I don't mean\setEasyHeadsmelody=\notes{ c'4 }but instead this:melody = \notes{\setEasyHeadsc'4}Note also that \notes is a command from old lilypond; you don't need it
any more.- GrahamI also noticed that if you enlarge the noteheads with \set fontSize = #3 for exampleonly the note name inside the notehead is enlarged, not the notehead itself ...is this a bug ??
Rob
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