Re: #(make-dynamic-script)
On 31-May-06, at 4:01 AM, Kieren Richard MacMillan wrote: subPTrans = #(make-dynamic-script (markup #:hspace 0 #:translate (cons 4 0) #:line(#:normal-text #:italic sub. #:hspace -0.3 #:dynamic p ))) However, I find that the extra padding is irritating -- for example, with a leading hairpin: ... The non-padded manually-realigned version (i.e., the last one) is the most satisfying to my eye. Since nobody (hint hint!) has gotten back to me on how to align the dynamic text within the Scheme construct *without* adding all that padding, this is the best I can do for you right now... Hey, weren't you asking for suggestions for hacking lilypond? ;) Seriously, I don't know how to do this, but a set of tips on how to produce easily-used and beautiful sub p / f espr / etc signs would be of great value to many people (including me). Please consider figuring this out, and if necessary adding patches to lilypond to enable this. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: including eps file
Hi Han-Wen, Am 31. Mai 2006, 13:38 Uhr (+0200) schrieb Han-Wen Nienhuys: see http://lilypond.org/~hanwen/eps-demo.zip I can't get the barlow.ly example to compile. the log file is attached. gs version is 8.15.2 on my machine. -- Orm ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: including eps file
Hi Han-Wen, sorry, forgot the attachment... Am 31. Mai 2006, 13:38 Uhr (+0200) schrieb Han-Wen Nienhuys: see http://lilypond.org/~hanwen/eps-demo.zip I can't get the barlow.ly example to compile. the log file is attached. gs version is 8.15.2 on my machine. -- Orm ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user GPL Ghostscript 8.50 (2005-12-31) Copyright (C) 2005 artofcode LLC, Benicia, CA. All rights reserved. This software comes with NO WARRANTY: see the file PUBLIC for details. WARNING: /Unicode /Decoding resource is not accessible but it is useful for generating ToUnicode CMap. Can't find (or can't open) font file n021003l.pfb. Can't find (or can't open) font file /usr/local/lilypond/usr/share/ghostscript/8.50/Resource/Font/NimbusRomNo9L-Regu. Can't find (or can't open) font file NimbusRomNo9L-Regu. Can't find (or can't open) font file /usr/local/lilypond/usr/share/ghostscript/8.50/Resource/Font/NimbusRomNo9L-Regu. Can't find (or can't open) font file NimbusRomNo9L-Regu. Querying operating system for font files... Didn't find this font on the system! Substituting font Courier for NimbusRomNo9L-Regu. Can't find (or can't open) font file n022003l.pfb. Can't find (or can't open) font file /usr/local/lilypond/usr/share/ghostscript/8.50/Resource/Font/NimbusMonL-Regu. Can't find (or can't open) font file NimbusMonL-Regu. Can't find (or can't open) font file /usr/local/lilypond/usr/share/ghostscript/8.50/Resource/Font/NimbusMonL-Regu. Can't find (or can't open) font file NimbusMonL-Regu. Didn't find this font on the system! Unable to substitute for font. Error: /invalidfont in findfont Operand stack: Times-Roman Font Times-Roman 739153 Times-Roman --nostringval-- Times-Roman NimbusRomNo9L-Regu Courier NimbusMonL-Regu Execution stack: %interp_exit .runexec2 --nostringval-- --nostringval-- --nostringval-- 2 %stopped_push --nostringval-- --nostringval-- --nostringval-- false 1 %stopped_push 1 3 %oparray_pop 1 3 %oparray_pop 1 3 %oparray_pop 1 3 %oparray_pop .runexec2 --nostringval-- --nostringval-- --nostringval-- 2 %stopped_push --nostringval-- --nostringval-- 1 5 %oparray_pop 2 5 %oparray_pop --nostringval-- --nostringval-- --nostringval-- --nostringval-- --nostringval-- false 1 %stopped_push 5 6 %oparray_pop --nostringval-- --nostringval-- --nostringval-- 1 -1 1 --nostringval-- %for_neg_int_continue Dictionary stack: --dict:1124/1686(ro)(G)-- --dict:0/20(G)-- --dict:133/200(L)-- --dict:133/200(L)-- --dict:133/200(L)-- --dict:17/17(ro)(G)-- --dict:1124/1686(ro)(G)-- Current allocation mode is local Last OS error: 2 Current file position is 373825 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: #(make-dynamic-script)
Hi, Graham: Hey, weren't you asking for suggestions for hacking lilypond? ;) In a sense, I already have a million ideas on how to hack Lilypond! ;-) The problem is figuring out the best way to start, from a learning- curve-plus-community-benefit perspective. a set of tips on how to produce easily-used and beautiful sub p / f espr / etc signs would be of great value to many people (including me). So that sounds like a pretty good place to start, then!? Please consider figuring this out, and if necessary adding patches to lilypond to enable this. In progress! =) Cheers, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
single quotes in docs (esp. functions, variables, etc.)
Hello, all:
1. Just reminding people that cutting and pasting code from the (PDF)
docs might not always work as expected. In particular, many of the
examples contain single typographer's quotes (’), where Lilypond
would be expecting single straight quotes (') -- be sure to
substitute these out before attempting to typeset/compile your file!
2. Graham: is there any way that the code (or verbatim or
whatever) sections in the docs could be stylesheeted so that all
curly quotes are straightened automatically?
Thanks,
Kieren.
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Re: single quotes in docs (esp. functions, variables, etc.)
On 01/06/06, Kieren MacMillan [EMAIL PROTECTED] wrote:
Hello, all:
1. Just reminding people that cutting and pasting code from the (PDF)
docs might not always work as expected. In particular, many of the
examples contain single typographer's quotes ('), where Lilypond
would be expecting single straight quotes (') -- be sure to
substitute these out before attempting to typeset/compile your file!
2. Graham: is there any way that the code (or verbatim or
whatever) sections in the docs could be stylesheeted so that all
curly quotes are straightened automatically?
That has been fixed, at least in the 2.9 documentation as far as I can
see. Or are there any particular places in the documentation where
code samples still use the wrong single quotes?
--
Sven Axelsson
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Re: single quotes in docs (esp. functions, variables, etc.)
Hi, Sven: are there any particular places in the documentation where code samples still use the wrong single quotes? Curly quotes are all over Chapter 11 (Interfaces for Programmers), e.g. pg. 245. Don't know for certain that they cause a problem in that context, but a. I was (am) having difficulty defining a function, and remembered that curly single quotes have caused me problems in the past (in other situations); and, b. The docs should be consistent. Thanks, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Tip/Solution: formatting and alignming multi-line instrument names
Hello, all:
Robert Memering was having difficulty getting his multi-line
instrument names to line up.
I've attached the solution I came up with, which I rather like... In
addition to fixing the alignment insert insect-related euphemism
here, there are a couple of tweaks that make this particular output
'just right'.
Best wishes,
Kieren.
_
%% CODE SNIPPET BEGINS
\version 2.9.6
\paper
{
indent = 40\mm
}
\layout
{
\context
{
\Score
\override InstrumentName #'X-offset = #-9.5
\override InstrumentName #'baseline-skip = #2.1
}
}
\score
{
\new StaffGroup = wholestaff
\new Staff
\with
{
instrument = \markup { \center-align { Superius \fontsize #-2
(Soprano/Alto) } }
}
\relative c'' { \clef treble c }
\new Staff
\with
{
instrument = \markup { \override #'(baseline-skip . 2.3 ) \center-
align { Quinta Pars \fontsize #-2 (Soprano/Alto) } }
}
\relative c' { \clef treble g' }
\new Staff
\with
{
instrument = \markup { \center-align { Contratenor \fontsize
#-2 (Tenore) } }
}
\relative c' { \clef treble_8 e }
\new Staff
\with
{
instrument = \markup { \center-align { Tenor \fontsize #-2
(Tenore) } }
}
\relative c' { \clef treble_8 c }
\new Staff
\with
{
instrument = \markup { \center-align { Sexta Pars \fontsize #-2
(Basso) } }
}
\relative c' { \clef bass g }
\new Staff
\with
{
instrument = \markup { \center-align { Bassus \fontsize #-2
(Basso) } }
}
\relative c { \clef bass c }
}
%% CODE SNIPPET ENDS
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rest positioning failure - please help
I would like to repeat my question how to position a normal rest in single
staff polyphony since I didn't get any answer. I would be very grateful if
anybody could help me. It is a while ago since I described the problem as
follows:
Dear all,
why does b4/rest in the following file.ly position the rest - exactly like
r4 - to f'', while a4/rest and c4/rest would work as expected? Is there a
special command apart from tweaking to enforce the b' position?
martin
% start file.ly
\version 2.7.40
\score {
\context PianoStaff
\new Staff { \override Score.BarNumber #'break-visibility =
#all-invisible
% Sopran
{ \key f \major \relative c'
{ \partial 4*1 f a g a bes c2 a4\fermata
d c bes a g a2 \fermata
b4\rest c d e f e d2 c4\fermata
a bes a g g f2.\fermata \bar |. } } \\
% Alt
{ \relative c' { } }
}
\new Staff {
% Tenor
{ \clef F \key f \major \relative c
{ } } \\
% Bass
{ \relative c
{ \hideNotes
c4 c c c c c c c
c4 c c c c c c c
c4 c c c c c c c
c4 c c c c c c c \unHideNotes } }
}
\layout {
indent = 00
ragged-right = ##t
ragged-last = ##t
\context { }
}
\midi {
\tempo 4 = 92
}
}
% end file.ly
p.s. bug-lilypond@gnu.org rejected my message.
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Re: Multi-line instrument names
Robert Memering [EMAIL PROTECTED] writes:
Hi all,
I'm very frustrated because I still can't get proper alignment
of my multi-line instrument names. I wrote a lengthy
message to this list, including example bitmaps of the
output, but nobody responded.
(see http://lists.gnu.org/archive/html/lilypond-user/2006-03/msg00302.html)
Now, several versions later, and after a careful review
of the relevant sections of the manual, I still don't see
the error in my code.
But it has to be my error, because if this was the intended
output, someone using multi-line instrument names would have
complained...
Below is my source text, I'd be grateful for any hints.
I use the following commands:
#(define-markup-command (hcenter-pad layout props width arg)
(number? markup?)
(let* ((arg-stencil (interpret-markup layout props arg))
(w (interval-length (ly:stencil-extent arg-stencil X)))
(pad-stencil (ly:make-stencil
(cons 0 (if ( w width)
0
(/ (- width w) 2.0)))
'(-0.1 . 0.1
(stack-stencil-line 0
(list pad-stencil arg-stencil pad-stencil
#(define-markup-command (right-pad layout props pad arg)
(number? markup?)
(interpret-markup layout props (markup arg #:hspace pad)))
#(define-markup-command (instruments layout props texts) (markup-list?)
(interpret-markup layout props
(make-column-markup
(map (lambda (m) (markup #:hcenter-pad 18 #:huge m))
texts
#(define-markup-command (instrument-name layout props text) (markup?)
(interpret-markup layout props
(markup #:right-pad 1 #:instruments (text
instrumentName =
#(define-music-function (parser location name) (markup?)
#{ \set Staff . instrument = \markup \instrument-name $name #})
\layout {
indent = 40 \mm
}
\new StaffGroup
\new Staff
\instrumentName \markup \instruments { Oboe,
Violino I. }
c''
\new Staff
\instrumentName \markup Violino II.
g'
\new Staff
\instrumentName \markup Viola.
\clef alto
e'
\new Staff
\instrumentName \markup \instruments { Tutti Bassi. }
\clef bass
c
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Re: How to work with makefile?
In message [EMAIL PROTECTED], Eduardo Vieira [EMAIL PROTECTED] writes Hello list! Once in a while I see .ly examples posted in this list in a zip file containing several pieces and a file called makefile. I suppose it is to put all the parts together. Is it possible to work with it Windows? If you're running it under Cygwin ... 'make' is part of the GNU development tools. I use it, but I'm currently using the ?mingw version of lilypond and don't know how to get make to work with that. Cheers, Wol -- Anthony W. Youngman - wol at thewolery dot demon dot co dot uk HEX wondered how much he should tell the Wizards. He felt it would not be a good idea to burden them with too much input. Hex always thought of his reports as Lies-to-People. The Science of Discworld : (c) Terry Pratchett 1999 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
lilypond semitones
http://img293.imageshack.us/my.php?image=semitone7xg.jpg I would like to know if it's possible to have lilypond do what you can see on the picture above ? it's a way to emphasize the place of the semitones. it's makes it easier for beginners to place their fingers right. thank you for your help, I can't seem to be able to find anything in the manuel... nor on the web... if it's not possible yet... will il be in the future ? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: set Hairpin length as percentage of normal?
I use this sort of construction (note-shorter-than-it-looks + hidden note) quite a lot for tweaks, it's very handy. Colin -- View this message in context: http://www.nabble.com/set+Hairpin+length+as+percentage+of+%22normal%22--t1652404.html#a4669479 Sent from the Gnu - Lilypond - User forum at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Glissando length
Hi Ben
I would like to suggest three (more or less sophisticated) solutions for
your problem:
- you could insert additional line breaks to increase the distance between
notes
- decrease the gap between note and glissando:
\once \override Glissando#'gap = #0.1 (standard value is 0.5)
- (my favourite) use skips as spacers between the notes:
c4 \glissando s8 d4*1/2
you can even shift both notes symmetrically (see code bellow)
Stefan @Munich
% %%%
\version 2.8.3
\layout {
indent = 0\cm
ragged-right=##t
}
upper = \relative c' {
c4 d4*3/4 c4 \glissando s8 d4*3/4
c4 d c4 \glissando s8 d4*1/2
}
lower = \relative c' {
c4 c c c c c c c
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower \lower
\layout {
}
}
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Re: Glissando length
Thanks for your suggestions! I'd rather avoid doing manual line-breaks,
as lilypond does the line-breaking well in general. At the scales that
this is an issue, decreasing the gap wouldn't help either. Somebody else
pointed me towards \once \override Score.SeparationItem #'padding = #1,
and this works well. For now, I'm just overriding the padding for the
entire section to be 1.5, and this does a nice job with the glissandi,
although it spaces out the whole section way too much (as expected). At
least this lets me and others see where the glissandi are, and when I
clean up the score I'll look into using the skips like you suggest.
Thanks again!
Ben
[EMAIL PROTECTED] wrote:
Hi Ben
I would like to suggest three (more or less sophisticated) solutions
for your problem:
- you could insert additional line breaks to increase the distance
between notes
- decrease the gap between note and glissando:
\once \override Glissando#'gap = #0.1 (standard value is 0.5)
- (my favourite) use skips as spacers between the notes:
c4 \glissando s8 d4*1/2
you can even shift both notes symmetrically (see code bellow)
Stefan @Munich
% %%%
\version 2.8.3
\layout {
indent = 0\cm
ragged-right=##t
}
upper = \relative c' {
c4 d4*3/4 c4 \glissando s8 d4*3/4
c4 d c4 \glissando s8 d4*1/2
}
lower = \relative c' {
c4 c c c c c c c
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower \lower
\layout {
}
}
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Re: rest positioning failure - please help
Hi Martin,
Mats gave me this help awhile ago which still works.
normalRests = {
\revert Rest #'direction
\revert MultiMeasureRest #'staff-position
}
place this at the start of a file and use \normalRests before the rest you
want to change.
Trent
- Original Message -
From: Martin Bergande [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Friday, June 02, 2006 5:21 AM
Subject: rest positioning failure - please help
| I would like to repeat my question how to position a normal rest in
single staff polyphony since I didn't get any answer. I would be very
grateful if anybody could help me. It is a while ago since I described the
problem as follows:
|
| Dear all,
|
| why does b4/rest in the following file.ly position the rest - exactly
like r4 - to f'', while a4/rest and c4/rest would work as expected? Is
there a special command apart from tweaking to enforce the b' position?
|
| martin
|
| % start file.ly
|
| \version 2.7.40
|
| \score {
|
| \context PianoStaff
|
| \new Staff { \override Score.BarNumber #'break-visibility =
| #all-invisible
|
| % Sopran
|
| { \key f \major \relative c'
| { \partial 4*1 f a g a bes c2 a4\fermata
| d c bes a g a2 \fermata
| b4\rest c d e f e d2 c4\fermata
| a bes a g g f2.\fermata \bar |. } } \\
|
| % Alt
|
| { \relative c' { } }
|
| }
|
| \new Staff {
|
| % Tenor
|
| { \clef F \key f \major \relative c
| { } } \\
|
| % Bass
|
| { \relative c
| { \hideNotes
|
| c4 c c c c c c c
| c4 c c c c c c c
| c4 c c c c c c c
| c4 c c c c c c c \unHideNotes } }
|
| }
|
|
|
| \layout {
|
| indent = 00
| ragged-right = ##t
| ragged-last = ##t
|
| \context { }
| }
|
| \midi {
|
| \tempo 4 = 92
| }
|
| }
|
| % end file.ly
|
| p.s. bug-lilypond@gnu.org rejected my message.
| --
|
|
| Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
| Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
|
|
|
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| lilypond-user@gnu.org
| http://lists.gnu.org/mailman/listinfo/lilypond-user
|
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Re: single quotes in docs (esp. functions, variables, etc.)
On 1-Jun-06, at 7:39 AM, Kieren MacMillan wrote: Hi, Sven: are there any particular places in the documentation where code samples still use the wrong single quotes? Curly quotes are all over Chapter 11 (Interfaces for Programmers), e.g. pg. 245. Ah, I see. Lilypond code is fine, but examples are not. Han-Wen, could you modify tex/texinfo.tex so quotes inside an @example c' @end example remain as ascii? (I can't understand texinfo.tex) Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond semitones
Uzu Maki schreef: http://img293.imageshack.us/my.php?image=semitone7xg.jpg I would like to know if it's possible to have lilypond do what you can see on the picture above ? it's a way to emphasize the place of the semitones. it's makes it easier for beginners to place their fingers right. thank you for your help, I can't seem to be able to find anything in the manuel... nor on the web... if it's not possible yet... will il be in the future ? It's not possible, but I can add it as a sponsored feature. Cheers! -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: including eps file
Orm Finnendahl schreef: Hi Han-Wen, sorry, forgot the attachment... Am 31. Mai 2006, 13:38 Uhr (+0200) schrieb Han-Wen Nienhuys: see http://lilypond.org/~hanwen/eps-demo.zip I can't get the barlow.ly example to compile. the log file is attached. gs version is 8.15.2 on my machine. Can you view the PS file with your regular GS ? The GS error you get is from our bundled GS, which doesn't have a Times-Roman font. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: single quotes in docs (esp. functions, variables, etc.)
Graham Percival schreef: On 1-Jun-06, at 7:39 AM, Kieren MacMillan wrote: Hi, Sven: are there any particular places in the documentation where code samples still use the wrong single quotes? Curly quotes are all over Chapter 11 (Interfaces for Programmers), e.g. pg. 245. Ah, I see. Lilypond code is fine, but examples are not. Han-Wen, could you modify tex/texinfo.tex so quotes inside an @example c' @end example remain as ascii? (I can't understand texinfo.tex) should be fixed in CVS. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen LilyPond Software Design -- Code for Music Notation http://www.lilypond-design.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Re: rest positioning failure - please help
Hi Trent,
wonderful, thank you very much! That's what I needed.
Yours,
Martin
Original-Nachricht
Datum: Fri, 2 Jun 2006 08:46:11 +1000
Von: Trent Johnston [EMAIL PROTECTED]
An: Martin Bergande [EMAIL PROTECTED], lilypond-user@gnu.org
Betreff: Re: rest positioning failure - please help
Hi Martin,
Mats gave me this help awhile ago which still works.
normalRests = {
\revert Rest #'direction
\revert MultiMeasureRest #'staff-position
}
place this at the start of a file and use \normalRests before the rest you
want to change.
Trent
- Original Message -
From: Martin Bergande [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Friday, June 02, 2006 5:21 AM
Subject: rest positioning failure - please help
| I would like to repeat my question how to position a normal rest in
single staff polyphony since I didn't get any answer. I would be very
grateful if anybody could help me. It is a while ago since I described the
problem as follows:
|
| Dear all,
|
| why does b4/rest in the following file.ly position the rest - exactly
like r4 - to f'', while a4/rest and c4/rest would work as expected?
Is
there a special command apart from tweaking to enforce the b' position?
|
| martin
|
| % start file.ly
|
| \version 2.7.40
|
| \score {
|
| \context PianoStaff
|
| \new Staff { \override Score.BarNumber #'break-visibility =
| #all-invisible
|
| % Sopran
|
| { \key f \major \relative c'
| { \partial 4*1 f a g a bes c2 a4\fermata
| d c bes a g a2 \fermata
| b4\rest c d e f e d2 c4\fermata
| a bes a g g f2.\fermata \bar |. } } \\
|
| % Alt
|
| { \relative c' { } }
|
| }
|
| \new Staff {
|
| % Tenor
|
| { \clef F \key f \major \relative c
| { } } \\
|
| % Bass
|
| { \relative c
| { \hideNotes
|
| c4 c c c c c c c
| c4 c c c c c c c
| c4 c c c c c c c
| c4 c c c c c c c \unHideNotes } }
|
| }
|
|
|
| \layout {
|
| indent = 00
| ragged-right = ##t
| ragged-last = ##t
|
| \context { }
| }
|
| \midi {
|
| \tempo 4 = 92
| }
|
| }
|
| % end file.ly
|
| p.s. bug-lilypond@gnu.org rejected my message.
| --
|
|
| Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
| Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
|
|
|
| ___
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| lilypond-user@gnu.org
| http://lists.gnu.org/mailman/listinfo/lilypond-user
|
--
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
--
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
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Glissando fall/rises with no termination
Hi again, another Glissando related question,
This issue was brought up a while ago with the feature request dealing
with falls, but I'm revisiting it for a piece I'm working on; the
section in question is for pizz. cello, and I need a way to indicate the
pitch rising or falling after plucking the note. If there's a better way
than using \glissando then I'd love to hear about it, but until then
this is what I have:
glissFall =
#(define-music-function (parser location note) (ly:music?)
#{ $note \once \override NoteHead #'transparent = ##t \once
\override Stem #'transparent = ##t \relative c { f,8 } #})
varVI = \relative c' {
\clef bass
\time 3/4
\override Glissando #'style = #'zigzag
\glissFall f,4*1/2\glissando r2
\glissFall c'4*1/2\glissando r2
\bar ||
}
I'm looking for tips from the Scheme/LilyPond pros to make this a bit
better. In particular, the ending note is currently hard-coded, so the
gliss down from the F is much shorter than the one down from the C. Is
there a way to use the note that \glissFall takes as input and modify it
to construct the invisible note somehow? So that whatever note you
\glissFall from, the glissando goes to an invisible note an octave, or
two octaves, or some fixed interval, below the original note? The other
thing is that this requires the input to have the duration scaled
appropriately already so that the invisible eighth note can fit in - can
this be done in the function too? The second issue is less of a concern
than the first, since I anticipate using \glissFall on a wide variety of
starting pitches, and having the falls be uniform in length would be
excellent.
Thanks so much!
Benedict
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Re: Glissando fall/rises with no termination
On 1-Jun-06, at 8:12 PM, Benedict Singer wrote:
glissFall =
#(define-music-function (parser location note) (ly:music?)
#{ $note \once \override NoteHead #'transparent = ##t \once
\override Stem #'transparent = ##t \relative c { f,8 } #})
varVI = \relative c' {
\override Glissando #'style = #'zigzag
\glissFall f,4*1/2\glissando r2
}
I'm looking for tips from the Scheme/LilyPond pros to make this a bit
better.
1) If you always want zigzag gliss, I would move that line (with a
\once) inside the glissFall function.
2) Only have one command per line inside the music function. This is
good advice for lilypond in general, but particularly inside music
functions!
In particular, the ending note is currently hard-coded, so the gliss
down from the F is much shorter than the one down from the C. Is there
a way to use the note that \glissFall takes as input and modify it to
construct the invisible note somehow?
Yes, but I don't know how to do it offhand. See 11.3 Building
complicated functions for tips. The basic idea is to use scheme to
take the initial note, subtract 9 semitones (or whatever you want), and
create a new (invisible) note.
Cheers,
- Graham
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Re: Glissando fall/rises with no termination
Thanks to your input I looked in the 2.9 manual rather than the 2.8
manual and found the excellent examples there; I then came up with the
functions at the end of this mail; my Scheme training is useful for
once! Almost everything is perfect, however, I can't seem to suppress
the ledger lines with the method included below. LedgerLineEngraver is
all I've been able to find relating to ledger lines. If I have to turn
them off for the duration of the piece I could probably live with that,
and just use pitches within the staff, but it would be easier (and more
portable) to be able to suppress them for a single note. Thanks!
Ben
%%
fallAdjust =
#(define-music-function (parser location oct note) (number? ly:music?)
(let ((pitch (ly:music-property (first (ly:music-property note
'elements)) 'pitch)))
(make-music
'EventChord
'elements (list (make-music
'NoteEvent
'duration
(ly:make-duration 3 0)
'pitch
(ly:make-pitch (+ (ly:pitch-octave pitch) oct)
(ly:pitch-notename pitch) 0))
glissFall =
#(define-music-function (parser location note) (ly:music?)
#{ $note
\once \override NoteHead #'transparent = ##t
\once \override Stem #'transparent = ##t
\once \override Staff.LedgerLineSpanner #'transparent = ##t
\fallAdjust #-1 $note
#})
glissRise =
#(define-music-function (parser location note) (ly:music?)
#{ $note
\once \override NoteHead #'transparent = ##t
\once \override Stem #'transparent = ##t
\once \override Staff.LedgerLineSpanner #'transparent = ##t
\fallAdjust #1 $note
#})
varVI = {
\clef bass
\time 3/4
\override Glissando #'style = #'zigzag
\override Score.SeparationItem #'padding = #1.5
f4-.^sempre pizz. \glissFall f4*1/2-.\glissando r4
\glissFall f4*1/2-.\glissando \glissFall c4*1/2-.\glissando r4
\glissFall f4*1/2-.\glissando \glissFall d4*1/2-.\glissando r4
f4 c d
\glissFall g4*1/2-.\glissando r2
f4-. \glissRise f4*1/2-.\glissando r4
\glissRise f4*1/2-.\glissando \glissRise c4*1/2-.\glissando r4
\glissRise f4*1/2-.\glissando \glissRise d4*1/2-.\glissando r4
f4 c d
\glissRise g4*1/2-.\glissando r2
\bar ||
}
Graham Percival wrote:
On 1-Jun-06, at 8:12 PM, Benedict Singer wrote:
glissFall =
#(define-music-function (parser location note) (ly:music?)
#{ $note \once \override NoteHead #'transparent = ##t \once
\override Stem #'transparent = ##t \relative c { f,8 } #})
varVI = \relative c' {
\override Glissando #'style = #'zigzag
\glissFall f,4*1/2\glissando r2
}
I'm looking for tips from the Scheme/LilyPond pros to make this a bit
better.
1) If you always want zigzag gliss, I would move that line (with a
\once) inside the glissFall function.
2) Only have one command per line inside the music function. This is
good advice for lilypond in general, but particularly inside music
functions!
In particular, the ending note is currently hard-coded, so the gliss
down from the F is much shorter than the one down from the C. Is
there a way to use the note that \glissFall takes as input and modify
it to construct the invisible note somehow?
Yes, but I don't know how to do it offhand. See 11.3 Building
complicated functions for tips. The basic idea is to use scheme to
take the initial note, subtract 9 semitones (or whatever you want),
and create a new (invisible) note.
Cheers,
- Graham
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Re: How to work with makefile?
On 6/1/06, Anthony W. Youngman [EMAIL PROTECTED] wrote: In message [EMAIL PROTECTED], Eduardo Vieira[EMAIL PROTECTED] writesHello list! Once in a while I see .ly examples posted in this list in a zip file containing several pieces and a file called makefile. I suppose it is to putall the parts together. Is it possible to work with it Windows?If you're running it under Cygwin ... 'make' is part of the GNU development tools. I use it, but I'm currentlyusing the ?mingw version of lilypond and don't know how to get make towork with that.at least on http://www.mingw.org/download.shtml there is a mingw version of make, so it seems it might be possible, I haven't yet had the time to try, but I'll see during the weekend../Simon Cheers,Wol--Anthony W. Youngman - wol at thewolery dot demon dot co dot ukHEX wondered how much he should tell the Wizards. He felt it would not be agood idea to burden them with too much input. Hex always thought of his reports as Lies-to-People.The Science of Discworld : (c) Terry Pratchett 1999___lilypond-user mailing listlilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
