Re: Barlines between staffs
It's clearly not valid syntax. See section Defining new contexts for more
information on how to do it. However, a much easier method to get different
versions of the Lyrics context is to use the \with feature described in
Modifying context plug-ins, i.e. something like
\score {
\new StaffGroup {
\new Staff { \override Staff.BarLine #'transparent = ##t music }
\context Lyrics = SopraanLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t music }
\context Lyrics = AltLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t music }
\context Lyrics = TenorLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t music }
\context Lyrics = BasLyrics \with{\remove Bar_engraver } { s1 }
}
}
\layout {
\context {
\Lyrics {
\consists Bar_engraver
\override BarLine #'transparent = ##t
\consists Separating_line_group_engraver
}
}
}
Just as Eduardo, I have not spent the time to fill in actual music and
lyrics to
be able to test the idea. However, I would expect that this solution
does not
exactly solve your problem, since the bass lyrics will not avoid the bar
lines.
Note also that there was a typo in the \layout block of the original code.
/Mats
Eduardo Vieira wrote:
Citando Maurits Lamers [EMAIL PROTECTED]:
I can't find in the list your first post. Did you try in the context Lyrics
revert those properties for the bass? Maybe in layout you could try this that I
never tested:
\context {
\Lyrics = SopraanLyrics {
\consists Bar_engraver
\override BarLine #'transparent = ##t
\consists Separating_line_group_engraver
}
and so on and avoid applying that to the bass.
Warning: I don't know if its valid syntax.
Hi,
I sent a mail a week ago about the same problem, but did not get any
response (as far as I can see from the digests).
So, for a second try:
I want to typeset a renaissance choir piece and I would like to do it
with the barlines not on the staffs but between them.
The structure I chose is the following:
\score {
\new StaffGroup {
\new Staff { \override Staff.BarLine #'transparent = ##t
music
}
\context Lyrics = SopraanLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t
music
}
\context Lyrics = AltLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t
music
}
\context Lyrics = TenorLyrics { s1 }
\new Staff { \override Staff.BarLine #'transparent = ##t
music
}
\context Lyrics = BasLyrics { s1 }
}
}
This works beautiful, until I want the Lyrics to avoid the Barlines.
When I add the Barline_engraver to the Lyrics Context using:
\layout {
\context {
\Lyrics {
\consists Bar_engraver
\override BarLine #'transparent = ##t
\consists Separating_line_group_engraver
}
}
}
as the example in the manual tells me, the lyrics do indeed avoid the
barlines, but also something else strange occurs. The barline is
drawn not only between the Staffs, but also between the lowest staff
and the lowest Lyrics line. I have included a small excerpt of the
score showing the problem as a jpeg file.
Have a good day!
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: lyrics clashing with barlines
When Maurits sent his question, I suddenly realized that it looked
familiar, and I
found Matevz' old email, which did contain a full example that was easy
to play
around with. The solution to both of your problems turns out to be very
simple,
once you realize that the bar lines drawn between staves are actually
the so-called
SpanBar barlines belonging to the StaffGroup context. If you move the
bottom
lyrics line outside the StaffGroup context, you get rid of these bar
lines. In Matevz'
example, just replace the \score block by
\score {
\context StaffGroup = choirStaff
\context Voice =
cantusNotes \global \cantusNotes
\context Lyrics =
cantusLyrics \lyricsto cantusNotes { \cantusLyrics }
\context Voice =
altusNotes \global \altusNotes
\context Lyrics =
altusLyrics \lyricsto altusNotes { \altusLyrics }
\context Voice =
tenorNotes \global \tenorNotes
\context Lyrics =
tenorLyrics \lyricsto tenorNotes { \tenorLyrics }
\context Voice =
bassusNotes \global \bassusNotes
\context Lyrics =
bassusLyrics \lyricsto bassusNotes { \bassusLyrics }
...
}
/Mats
Matevz Jekovec wrote:
Hi.
Thank you both. The hint at the bottom regarding how to avoid barlines
work. However, I think I found a bug in Lily. I attached the png and .ly
file. The problem is that the barline is now drawn *under* the last
staff where it shouldn't be.
Regards.
- Matevž
Mats Bengtsson pravi:
I hope you have seen the hints at the bottom of
http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Vocal-music.html#Vocal-music
/Mats
Matevz Jekovec wrote:
Usually choir staffgroup has barlines only in staffs, but not connecting
staffs as well. However, in some cases (like renaissance music, where
the barlines are drawn only *between* the staffs and not in them) when
the barlines are drawn, lyrics position for every syllable doesn't take
the barline into account. They collide.
I attached an example of Gallus's Ecce quomodo.
Is there a large CPU overhead to implement this (like you mentioned it
was for avoiding clashing page borders and notes for every text sign).
Regards.
- Matevž
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\version 2.7.40
#(set-global-staff-size 19)
global = {
\pageBreak
\set Score.skipBars = ##t
% incipit
\override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
\key f \major
\time 2/2
\once \override Staff.TimeSignature #'style = #'neomensural
\override Voice.NoteHead #'style = #'neomensural
\override Voice.Rest #'style = #'neomensural
\override Voice.Accidental #'style = #'mensural
\set Staff.printKeyCancellation = ##f
\override NoteSpacing #'stem-spacing-correction = #0.6
\cadenzaOn % turn off bar lines
\skip 1*5
\once \override Staff.BarLine #'transparent = ##f
\bar ||
\skip 1*1 % need this extra \skip such that clef change comes
% after bar line
\bar
% main
\cadenzaOff % turn bar lines on again
\once \override Staff.Clef #'full-size-change = ##t
\set Staff.forceClef = ##t
\key f \major
\time 2/2
\override Voice.NoteHead #'style = #'default
\override Voice.Rest #'style = #'default
\override Voice.Accidental #'style = #'default
\override Score.PaperColumn #'keep-inside-line = ##t
% FIXME: setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
% Therefore, we need an extra \skip.
\skip 1*1
\set Staff.printKeyCancellation = ##t
\set Staff.forceClef = ##f
\override Staff.BarLine #'hair-thickness = #0.3
\skip 1*2 \break % Prima pars
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6
\once \override Staff.BarLine #'transparent = ##f
\bar || \pageBreak
\skip 1*8 \break % Secunda pars
\skip 1*8 \break
\skip 1*7
% let finis bar go through all staves
\override Staff.BarLine #'transparent = ##f
% finis bar
\bar |.
}
\layout {
\context {
\Lyrics
\consists Bar_engraver
\consists Separating_line_group_engraver
\override BarLine #'transparent = ##t
}
}
isUp = ^\markup \sharp
esUp = ^\markup \flat
nUp = ^\markup \natural
cantusNotes = {
\transpose c' c'' {
\set Staff.instrument = Cantus
\set Staff.midiInstrument = acoustic grand
% incipit
\clef treble
a\breve g1 r2 a2. a4 a2 % 4
\skip 1*1 % extra bar
% main
\clef treble
\once \override TextScript #'extra-offset = #'(-8 . 2)
a1^\markup {\large \bold Prima pars} | g2 r4 a4~ |% 3
a8 a a4 bes2~ | bes4 a
Re: lyrics clashing with barlines
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Re: Fwd: lilypond and editors
Hello list, hello Arjan, You wrote: Remember: While all editors can save your files, only one can save your soul. (Per Abrahamsen on alt.religion.emacs) In deed, what he means, is the vi. :) Best Regards Roland ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond and editors
On Saturday 09 December 2006 10:27, Bertalan Fodor wrote: Well, what is extremely important: development time is so little in Java and with JEdit (compared to any alternatives), that I won't change this platform. The price is that it will remain slow if you don't have much memory in the machine. I'm not a java expert, but wouldn't it get a lot faster if you compiled everything to native machine code (using gcj, for instance)? -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: feature request: read standard input
On Tuesday 12 December 2006 03:24, Ed Stauff wrote: It sure would be helpful to have an option for reading the standard input, so I can pipe the output of a program that generates LilyPond code directly into LilyPond.exe. try: lilypond - -- Erik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Output quality in the current Lilypond
Hello. I have been using Lilypond 1.6. Now I tried some current version, and just from the skimming of the output I have found that I like it much less. In particular, the arpeggios are almost glued to the bars and some ties are pointing somewhere behind the note heads. Now, it's the matter of taste, I guess someone changed the code to make it better in his or her opinion, but it would be nice if there were some options to set the preferences. Is this possible to set the arpeggios and the ties as they were in 1.6? That is, set the horizontal spacing of arpeggios and make the ties pointing somewhere in th space behing noteheads to point at the heads. By the way, the scripts from 1.6 are no more compilable, updating them with the lilypond tool makes a lot of warnings. What for is the constant fomar change? -- Syepi -- View this message in context: http://www.nabble.com/Output-quality-in-the-current-Lilypond-tf2807924.html#a7834550 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond and editors
Certainly not. Actually the java code is compiled to machine code at runtime. This is slower than precompiling, but the compiled code can run faster than its precompiled counterpart, because the runtime machine will have information about how often a certain part of the code is called, and those calls can be made inline. Running inline code is much faster than procedure calls. Bert Erik Sandberg írta: On Saturday 09 December 2006 10:27, Bertalan Fodor wrote: Well, what is extremely important: development time is so little in Java and with JEdit (compared to any alternatives), that I won't change this platform. The price is that it will remain slow if you don't have much memory in the machine. I'm not a java expert, but wouldn't it get a lot faster if you compiled everything to native machine code (using gcj, for instance)? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Why are these lyrics being left aligned?
Hello, list! I've been reviewing one of my first songs typesetted with Lilypond and noticed a problem that I don't know how to solve: The words for the tenor and bass become left aligned after these voices are splitted and put back together. See the picture where it shows the words O do not falter (on the bottom) Attached goes the source file. How can I arrange the lyrics placement so that O do not falter don't become left aligned? Eduardo ___ Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador, Blog, Flog, Games e atendimento 24 horas, voce também pode falar minutos DDD com a promoção Click 21 Minutos. Quanto mais você navega mais fala DDD. problemsnapshot.png Description: PNG image ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Entire Mozart Catalogue Online
now *here's* an xmas gift: The International Mozart Foundation in Salzburg, Austria, has made all the scores of Wolfgang Amadeus Mozart's works available online. ... More than 25,000 pages of music are available as PDF files through the site. http://www.cbc.ca/arts/music/story/2006/12/12/mozart-online.html#skip300x250 Cheers, Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
