Re: convert problem
Quoting James E. Bailey [EMAIL PROTECTED]: Hello list I haven't had any problems recently, so I haven't been here in a bit. I'm running OSX, I just downloaded 2.11.19-1 (Build from Sun Feb 18 01:19:40) and I'm having a problem converting what I thought was a pretty recent file. The file is this: \version 2.10 Try adding a full version number, for example \version 2.10.0 That should hopefully solve the conversion problems. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
First volta bracket not closed, 2nd horizontally misaligned
I am not sure if this is a bug or if I missed something.
In the following example the first volta bracket is not closed, the
second is horizontally misaligned. Any ideas?
LilyPond 2.10.19, Windows XP
--
\version 2.10.19
\header {
title = 1. volta bracket not closed
}
Melody =\context Voice = Melody {
\relative c' {
\repeat volta 2 {c c c c}
\alternative {{c1} {c}}
}}
chordsymbols = \new ChordNames \with {voltaOnThisStaff = ##t}
\chordmode {
\override Score.VoltaBracket #'minimum-space = #0
c1 c c }
guitarstaff=\new Staff \with {\remove Volta_engraver}
\Melody
\score
{
\chordsymbols
\guitarstaff
}
--
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Re: Problems with Lilypond-book, accidentals, and time signatures
This sounds like some weird problem with some font file. I seem to
remember that there were some similar problems
in some distributions of version 2.6 or possibly version 2.8
but not in any of the 2.10 packages available at www.lilypond.org.
I hope you have made sure that you really use version 2.10 and not some
older version that's left from some previous installation.
/Mats
Quoting Aaron Dalton [EMAIL PROTECTED]:
Aaron Dalton wrote:
Aaron Dalton wrote:
I am trying to incorporate some musical fragments into a brief paper I'm
writing. Here is the snippet:
\begin[fragment,staffsize=15]{lilypond}
\relative c {
\key c \major
\clef bass
\time 4/4
r8 e e e e e e e e e e e e e fis fis
}
\end{lilypond}
Here's the script that compiles it:
#!/bin/sh
rm -rf lilyscratch
lilypond-book --psfonts $1.tex --output lilyscratch
cd lilyscratch
latex $1
latex $1
dvips -h $1.psfonts -o -Ppdf $1.dvi
ps2pdf $1.ps
cp $1.pdf somewhere
cd ..
Problem 1) I don't get a time signature (C, in this case) unless I do:
\override Staff.TimeSignature #'style = #'()
which gives me 4/4.
Problem 2) Note the initial 8th note rest is not rendered.
Problem 3) Note the # sign is not printed for the F sharps.
I'm running under FreeBSD 5.4-RELEASE. I am using the following versions:
- Lilypond 2.10.13 (the FreeBSD package)
- pdfeTeX (latex) 3.141592-1.21a-2.2 (Web2C 7.5.4) kpathsea version 3.5.4
- dvips(k) 5.95a
- ps2pdf, version unknown
- ghostscript-gnu v2.07-15 (for the latex system, not lilypond)
I would really appreciate any advice you could give me. I'm not sure
where to start.
As a follow-up, it appears natural signs render fine, but not sharps.
As a further follow-up, flats also render fine. The problem seems to be
solely with the rests and the sharp signs. Updating to 2.10.19 did not
correct the problem.
--
Aaron Dalton | Super Duper Games
[EMAIL PROTECTED] | http://superdupergames.org
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Importing PDF into Adobe Illustrator
Hi Again, I'm still working on my CD jewel case insert. I can now make a PDF in Lilypond that is the right size. But I tried to import it into Adobe Illustrator 10 for the Mac to position it on the printed page - otherwise it gets printed in the middle, rather than along the edge of the sheet, where I need it to match the outside of the case insert that I previously designed in Illustrator. When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. And the staves are thick, solid black lines. Also where the noteheads appear outside the staves they are thickened. The overall effect is as if someone tried to draw the score with a thick felt marker. Is the some option that will fix this? It seems to me that the score wouldn't render in other programs if the font wasn't included in the PDF. Alternatively, could I install the Lilypond fonts in Mac OS X to fix it? Thanks for your help, Michael David Crawford [EMAIL PROTECTED] http://www.geometricvisions.com/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Importing PDF into Adobe Illustrator
Hi Michael, [EMAIL PROTECTED] wrote: When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. Why not using an EPS-File instead of PDF? Greetings, Ole ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Importing PDF into Adobe Illustrator
The fonts should be embedded in the PDF files, but it's a well-known problem that Adobe Illustrator fails to handle many aspects of PDF and PS files, even though both PS and PDF have been defined by Adobe themselves. One possibility might be to use ps2ps, included in the Ghostscript distribution to convert the file to a simpler Postscript. In spite of the name of the program, you can use both PDF and PS files as the input, but at least if you have a recent version of Ghostscript, it's probably better to start from the .ps file from LilyPond. /Mats Michael David Crawford wrote: Hi Again, I'm still working on my CD jewel case insert. I can now make a PDF in Lilypond that is the right size. But I tried to import it into Adobe Illustrator 10 for the Mac to position it on the printed page - otherwise it gets printed in the middle, rather than along the edge of the sheet, where I need it to match the outside of the case insert that I previously designed in Illustrator. When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. And the staves are thick, solid black lines. Also where the noteheads appear outside the staves they are thickened. The overall effect is as if someone tried to draw the score with a thick felt marker. Is the some option that will fix this? It seems to me that the score wouldn't render in other programs if the font wasn't included in the PDF. Alternatively, could I install the Lilypond fonts in Mac OS X to fix it? Thanks for your help, Michael David Crawford [EMAIL PROTECTED] http://www.geometricvisions.com/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: First volta bracket not closed, 2nd horizontally misaligned
Just as in the example in section Printing Chord Names, it seems that you
need to add the bar line engraver to the chord names context (the bar line
won't show up in print, but LilyPond needs it to handle the volta brackets
correctly).
\version 2.10.19
\header {
title = 1. volta bracket not closed
}
Melody = \context Voice = Melody {
\relative c' {
\repeat volta 2 {c c c c}
\alternative {{c1} {c}}
}}
chordsymbols = \new ChordNames \with {
voltaOnThisStaff = ##t
\consists Bar_engraver
}
\chordmode {
\override Score.VoltaBracket #'minimum-space = #0
c1 c c }
guitarstaff= \new Staff \with {voltaOnThisStaff= ##f }
\Melody
\score
{
\chordsymbols
\guitarstaff
}
/Mats
Thomas Scharkowski wrote:
I am not sure if this is a bug or if I missed something.
In the following example the first volta bracket is not closed, the
second is horizontally misaligned. Any ideas?
LilyPond 2.10.19, Windows XP
--
\version 2.10.19
\header {
title = 1. volta bracket not closed
}
Melody =\context Voice = Melody {
\relative c' {
\repeat volta 2 {c c c c}
\alternative {{c1} {c}}
}}
chordsymbols = \new ChordNames \with {voltaOnThisStaff = ##t}
\chordmode {
\override Score.VoltaBracket #'minimum-space = #0
c1 c c }
guitarstaff=\new Staff \with {\remove Volta_engraver}
\Melody
\score
{
\chordsymbols
\guitarstaff
}
--
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Importing PDF into Adobe Illustrator
On 2/22/07, Michael David Crawford [EMAIL PROTECTED] wrote: Hi Again, I'm still working on my CD jewel case insert. I can now make a PDF in Lilypond that is the right size. But I tried to import it into Adobe Illustrator 10 for the Mac to position it on the printed page - otherwise it gets printed in the middle, rather than along the edge of the sheet, where I need it to match the outside of the case insert that I previously designed in Illustrator. When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. And the staves are thick, solid black lines. Also where the noteheads appear outside the staves they are thickened. The overall effect is as if someone tried to draw the score with a thick felt marker. Is the some option that will fix this? It seems to me that the score wouldn't render in other programs if the font wasn't included in the PDF. Alternatively, could I install the Lilypond fonts in Mac OS X to fix it? Hi Michael, I can't vouch for Illustrator, but I had very similar problems with InDesign. The good news, is, however, that I did manage to get letter-perfect output from InDesign ... after about 2 and half weeks of figuring the following things out. All this is on Intel OS X box, BTW. 1. If you're working on a Mac, the most evil thing in this process is that Apple's Preview application causes flat out weird stuff to happen *if you open with Preview and then re-save with Preview*, say, for the purpose of renaming your PDF. It's fine to *view* with Preview, but under no circumstances should you resave your PDFs with Preview. If you need to rename scores, just do so through the operating system. (Of course if you're on Windows or Linux, this doesn't apply.) 2. Placing the file in InDesign worked fine (so long as I obeyed step 1), just using File Place. 3. On exporting from InDesign, there was a very important detail. The PDF created using File Export PDF did *not* work correctly on all printers; the file would look OK on screen in InDesign but would export with weird font problems in the LilyPond inserts (such as gracenote flags displacing horizontally from the stems to which they attach). The solution was to use File Export EPS from within InDesign to generates EPSes, then open in Distiller with File Open to create the PDF. That always worked perfectly. That was it. So the two most important points were to keep Apple's Preview completely out of the pipeline, and to export from InDesign as EPS (rather than as PDF). If you don't have InDesign this won't help, but on the chance that you have CS2 I thought I'd pass along the tips. -- Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Two Creative Commons Piano Scores
I'm sorry, it turned out that the US Letter PDF I provided for Recursion was sized for A4 paper, not US Letter. It probably got cut off if you tried to print it. It's corrected now, as is the Lilypond source. The PDF for Emergence didn't have this problem. I was having some trouble getting system-count to work if I set the paper size explicitly. It turns out what I needed was to put the \paper block BEFORE the \include of the main source file, and to set system-count AFTER setting the paper size. http://www.geometricvisions.com/music/ Best, Michael David Crawford [EMAIL PROTECTED] Michael David Crawford wrote: Ladies and Germs, I have scored my compositions Emergence and Recursion in Lilypond. They have the Creative Commons Attribution-Sharealike 2.5 license. Please enjoy, copy, perform and make derivative works - provided you Share Alike! They're at: http://www.geometricvisions.com/music/ There are MIDI files, US Letter and A4 PDFs, the Lilypond source, and audio files of recordings I made back in 1994. The other two songs will take me some more time. I also plan to compose some new pieces, and when I get enough of them, I'll record a new CD that I will have glass mastered, that is, pressed in quantity at a factory, and all with the CC-SA 2.5 license. Enjoy! Michael David Crawford [EMAIL PROTECTED] http://www.geometricvisions.com/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with Lilypond-book, accidentals, and time signatures
Aaron:
I pasted your snippet into a TeX file and ran lilypond-book
(2.11.19.) Output looked good to me. I used pdflatex:
lilypond-book InlineFragment.tex --pdf --output=pdflatex
lilypond-book (GNU LilyPond) 2.11.19
Reading InlineFragment.tex...
Running latex...This is pdfeTeX, Version 3.141592-1.30.4-2.2 (Web2C
7.5.5)
entering extended mode
(/tmp/tmpq8dcqe.tex
LaTeX2e 2003/12/01
Babel v3.8d and hyphenation patterns for american, french, german,
ngerman, d
utch, italian, norsk, portuges, spanish, swedish, nohyphenation, loaded.
snip
cd pdflatex
open lily-173dcc0941.pdf
lily-173dcc0941.pdf
Description: Adobe PDF document
and the .TeX file looked fine too. This was on OSX. So I suspect
Mats is right, it is something about the fonts.
The only other thing is the --output option needs an = sign. Your
script does not. That means output from lilypond-book will not wind
up in lilyscratch as you intended. If you are looking for it there,
you will have something old (maybe from a previous version of lilypond.
Fred Leason
On Feb 22, 2007, at 4:25 AM, Mats Bengtsson wrote:
This sounds like some weird problem with some font file. I seem to
remember that there were some similar problems
in some distributions of version 2.6 or possibly version 2.8
but not in any of the 2.10 packages available at www.lilypond.org.
I hope you have made sure that you really use version 2.10 and not
some older version that's left from some previous installation.
/Mats
Quoting Aaron Dalton [EMAIL PROTECTED]:
Aaron Dalton wrote:
Aaron Dalton wrote:
I am trying to incorporate some musical fragments into a brief
paper I'm
writing. Here is the snippet:
\begin[fragment,staffsize=15]{lilypond}
\relative c {
\key c \major
\clef bass
\time 4/4
r8 e e e e e e e e e e e e e fis fis
}
\end{lilypond}
Here's the script that compiles it:
#!/bin/sh
rm -rf lilyscratch
lilypond-book --psfonts $1.tex --output lilyscratch
cd lilyscratch
latex $1
latex $1
dvips -h $1.psfonts -o -Ppdf $1.dvi
ps2pdf $1.ps
cp $1.pdf somewhere
cd ..
Problem 1) I don't get a time signature (C, in this case) unless
I do:
\override Staff.TimeSignature #'style = #'()
which gives me 4/4.
Problem 2) Note the initial 8th note rest is not rendered.
Problem 3) Note the # sign is not printed for the F sharps.
I'm running under FreeBSD 5.4-RELEASE. I am using the following
versions:
- Lilypond 2.10.13 (the FreeBSD package)
- pdfeTeX (latex) 3.141592-1.21a-2.2 (Web2C 7.5.4) kpathsea
version 3.5.4
- dvips(k) 5.95a
- ps2pdf, version unknown
- ghostscript-gnu v2.07-15 (for the latex system, not lilypond)
I would really appreciate any advice you could give me. I'm not
sure
where to start.
As a follow-up, it appears natural signs render fine, but not
sharps.
As a further follow-up, flats also render fine. The problem seems
to be
solely with the rests and the sharp signs. Updating to 2.10.19
did not
correct the problem.
--
Aaron Dalton | Super Duper Games
[EMAIL PROTECTED] | http://superdupergames.org
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Return of the font cache mess (help!)
I'm running Lillypond 2.10.19. As has happened in the past, it gets stuck rebuilding the font database every time. When I run fc-cache on c:\windows\fonts, I get an error Failed to write cache. I don't know if it means anything, but fc-cache -s gives fc-cache -s Fontconfig warning: no cachedir elements found. Check configuration. Fontconfig warning: adding cachedir/usr/var/cache/fontconfig/cachedir Fontconfig warning: adding cachedir~/.fontconfig/cachedir Fontconfig error: out of memory Can anyone help? David Feuer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Importing PDF into Adobe Illustrator
If you are merely queuing the cover to the printer, why don't you just define a custom Paper Size for your printer. Preview can make it fit top and left justified. In Preview, hit File / Page Setup. The third pull-down is Paper Size: pull down and select Manage Custom Sizes. On the Custom Page Sizes menu, hit + and define your page size: 4.75 X 4.75 Printer Margins User defined, Top 0, Left 0, Right 0, Bottom 0. (I think you name it somewhere, I called mine CD Cover) I can print graphics right on the pre-cut jewel case covers that came in a pad with my cases and CDs. Good Luck! Fred On Feb 22, 2007, at 9:09 AM, Trevor Bača wrote: On 2/22/07, Michael David Crawford [EMAIL PROTECTED] wrote: Hi Again, I'm still working on my CD jewel case insert. I can now make a PDF in Lilypond that is the right size. But I tried to import it into Adobe Illustrator 10 for the Mac to position it on the printed page - otherwise it gets printed in the middle, rather than along the edge of the sheet, where I need it to match the outside of the case insert that I previously designed in Illustrator. When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. And the staves are thick, solid black lines. Also where the noteheads appear outside the staves they are thickened. The overall effect is as if someone tried to draw the score with a thick felt marker. Is the some option that will fix this? It seems to me that the score wouldn't render in other programs if the font wasn't included in the PDF. Alternatively, could I install the Lilypond fonts in Mac OS X to fix it? Hi Michael, I can't vouch for Illustrator, but I had very similar problems with InDesign. The good news, is, however, that I did manage to get letter-perfect output from InDesign ... after about 2 and half weeks of figuring the following things out. All this is on Intel OS X box, BTW. 1. If you're working on a Mac, the most evil thing in this process is that Apple's Preview application causes flat out weird stuff to happen *if you open with Preview and then re-save with Preview*, say, for the purpose of renaming your PDF. It's fine to *view* with Preview, but under no circumstances should you resave your PDFs with Preview. If you need to rename scores, just do so through the operating system. (Of course if you're on Windows or Linux, this doesn't apply.) 2. Placing the file in InDesign worked fine (so long as I obeyed step 1), just using File Place. 3. On exporting from InDesign, there was a very important detail. The PDF created using File Export PDF did *not* work correctly on all printers; the file would look OK on screen in InDesign but would export with weird font problems in the LilyPond inserts (such as gracenote flags displacing horizontally from the stems to which they attach). The solution was to use File Export EPS from within InDesign to generates EPSes, then open in Distiller with File Open to create the PDF. That always worked perfectly. That was it. So the two most important points were to keep Apple's Preview completely out of the pipeline, and to export from InDesign as EPS (rather than as PDF). If you don't have InDesign this won't help, but on the chance that you have CS2 I thought I'd pass along the tips. -- Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Importing PDF into Adobe Illustrator
Thanks Fred, That will work for me, but I'd like to also supply the case insert as a PDF on my website - my whole CD is Creative Commons-licensed, so I offer free downloads of it. But I was only trying to use Illustrator to position the score on the paper. Maybe it would work to position it from the Lilypond source. The PDF for the outside of the case insert has some instruction at the top of the landscape-oriented sheet, with the insert graphics at the bottom. Maybe it would work to just add a large margin above the Lilypond header? Also, I defined the custom case insert paper size in one of Lilypond's scheme source files, as instructed in the manual. But I don't want to require that of those who download my Lilypond source. Can a custom paper size be defined in a \paper block? Please be patient with me... I'm still a newbie with Lilypond. But I have quite grand musical ambitions: someday I'll be scoring symphonies with Lilypond. I'm very determined! Michael David Crawford [EMAIL PROTECTED] http://www.geometricvisions.com/ Fred Leason wrote: If you are merely queuing the cover to the printer, why don't you just define a custom Paper Size for your printer. Preview can make it fit top and left justified. In Preview, hit File / Page Setup. The third pull-down is Paper Size: pull down and select Manage Custom Sizes. On the Custom Page Sizes menu, hit + and define your page size: 4.75 X 4.75 Printer Margins User defined, Top 0, Left 0, Right 0, Bottom 0. (I think you name it somewhere, I called mine CD Cover) I can print graphics right on the pre-cut jewel case covers that came in a pad with my cases and CDs. Good Luck! Fred On Feb 22, 2007, at 9:09 AM, Trevor Bača wrote: On 2/22/07, Michael David Crawford [EMAIL PROTECTED] wrote: Hi Again, I'm still working on my CD jewel case insert. I can now make a PDF in Lilypond that is the right size. But I tried to import it into Adobe Illustrator 10 for the Mac to position it on the printed page - otherwise it gets printed in the middle, rather than along the edge of the sheet, where I need it to match the outside of the case insert that I previously designed in Illustrator. When I place the PDF in my Illustrator window, I get this message: Missing Type 1 fonts have been substituted with the default font. And the staves are thick, solid black lines. Also where the noteheads appear outside the staves they are thickened. The overall effect is as if someone tried to draw the score with a thick felt marker. Is the some option that will fix this? It seems to me that the score wouldn't render in other programs if the font wasn't included in the PDF. Alternatively, could I install the Lilypond fonts in Mac OS X to fix it? Hi Michael, I can't vouch for Illustrator, but I had very similar problems with InDesign. The good news, is, however, that I did manage to get letter-perfect output from InDesign ... after about 2 and half weeks of figuring the following things out. All this is on Intel OS X box, BTW. 1. If you're working on a Mac, the most evil thing in this process is that Apple's Preview application causes flat out weird stuff to happen *if you open with Preview and then re-save with Preview*, say, for the purpose of renaming your PDF. It's fine to *view* with Preview, but under no circumstances should you resave your PDFs with Preview. If you need to rename scores, just do so through the operating system. (Of course if you're on Windows or Linux, this doesn't apply.) 2. Placing the file in InDesign worked fine (so long as I obeyed step 1), just using File Place. 3. On exporting from InDesign, there was a very important detail. The PDF created using File Export PDF did *not* work correctly on all printers; the file would look OK on screen in InDesign but would export with weird font problems in the LilyPond inserts (such as gracenote flags displacing horizontally from the stems to which they attach). The solution was to use File Export EPS from within InDesign to generates EPSes, then open in Distiller with File Open to create the PDF. That always worked perfectly. That was it. So the two most important points were to keep Apple's Preview completely out of the pipeline, and to export from InDesign as EPS (rather than as PDF). If you don't have InDesign this won't help, but on the chance that you have CS2 I thought I'd pass along the tips. --Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with Lilypond-book, accidentals, and time signatures
Quoting Fred Leason [EMAIL PROTECTED]: Aaron: I pasted your snippet into a TeX file and ran lilypond-book (2.11.19.) Output looked good to me. I used pdflatex: lilypond-book InlineFragment.tex --pdf --output=pdflatex lilypond-book (GNU LilyPond) 2.11.19 Reading InlineFragment.tex... Running latex...This is pdfeTeX, Version 3.141592-1.30.4-2.2 (Web2C 7.5.5) entering extended mode (/tmp/tmpq8dcqe.tex LaTeX2e 2003/12/01 Babel v3.8d and hyphenation patterns for american, french, german, ngerman, d utch, italian, norsk, portuges, spanish, swedish, nohyphenation, loaded. snip cd pdflatex open lily-173dcc0941.pdf Well, a more relevant command is pdflatex InlineFragment.tex open InlineFragment.pdf This is actually a good hint for Aaron, namely to use the --pdf flag and pdflatex instead of --psfonts, latex, dvips and ps2pdf. The font files should be the same, but you never know with software. Also, I really hope that Aaron removed all generated lily-* files from any older LilyPond installation before trying to run lilypond-book again with a newer one. The same goes if you earlier have used --psfonts and then want to use --pdf instead. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with Lilypond-book, accidentals, and time signatures
Mats Bengtsson wrote: Quoting Fred Leason [EMAIL PROTECTED]: Aaron: I pasted your snippet into a TeX file and ran lilypond-book (2.11.19.) Output looked good to me. I used pdflatex: lilypond-book InlineFragment.tex --pdf --output=pdflatex lilypond-book (GNU LilyPond) 2.11.19 Reading InlineFragment.tex... Running latex...This is pdfeTeX, Version 3.141592-1.30.4-2.2 (Web2C 7.5.5) entering extended mode (/tmp/tmpq8dcqe.tex LaTeX2e 2003/12/01 Babel v3.8d and hyphenation patterns for american, french, german, ngerman, d utch, italian, norsk, portuges, spanish, swedish, nohyphenation, loaded. snip cd pdflatex open lily-173dcc0941.pdf Well, a more relevant command is pdflatex InlineFragment.tex open InlineFragment.pdf This is actually a good hint for Aaron, namely to use the --pdf flag and pdflatex instead of --psfonts, latex, dvips and ps2pdf. The font files should be the same, but you never know with software. Also, I really hope that Aaron removed all generated lily-* files from any older LilyPond installation before trying to run lilypond-book again with a newer one. The same goes if you earlier have used --psfonts and then want to use --pdf instead. /Mats First let me say thank you. The pdflatex solution did indeed work. Unfortunately, this is not a permanent solution. There are indeed differences (both internally and in regards to output) between pdflatex and the latex-dvips-ps2pdf way of doing things. Being one that uses bibTeX and a few other oddities, I have become quite accustomed to the latex route. Is there a way to correct the --psfonts problem? Thank you again for your time and assistance. I feel much better having this paper finally printed out. Now to find this DejaVuLGC font everybody keeps talking about so I can get my Lyric Ties working! Cheers! -- Aaron Dalton | Super Duper Games [EMAIL PROTECTED] | http://superdupergames.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Cluster note heads
While we're at the subject of note heads: is it possible to specify a cluster as the tone height? I don't mean the \makeClusters command, since that - as several others have pointed out - does not seem to work very well for single cluster chords. What I'd like is a sqqare notehead whose note span can be specified, but which otherwise behaves as ordinary notes, i.e., it can have stems, it can be filled or open (for whole notes etc). What i've done so far, is specify two very short, identical chords with \makeClusters and fill up the rest of the space with s. Not ideal. If this is already in the manual, forgive me for not having found it. And if it's not - perhaps something to consider? Eyolf ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with Lilypond-book, accidentals, and time signatures
Aaron: I tried it using --psfonts and everything worked fine that way as well. dvips(k) 5.95b kpathsea version 3.5.5 gs --version 8.54 Unfortunately, this version / path / fonts / environment stuff is not my strong point. Good luck! On Feb 22, 2007, at 3:48 PM, Aaron Dalton wrote: First let me say thank you. The pdflatex solution did indeed work. Unfortunately, this is not a permanent solution. There are indeed differences (both internally and in regards to output) between pdflatex and the latex-dvips-ps2pdf way of doing things. Being one that uses bibTeX and a few other oddities, I have become quite accustomed to the latex route. Is there a way to correct the --psfonts problem? Thank you again for your time and assistance. I feel much better having this paper finally printed out. Now to find this DejaVuLGC font everybody keeps talking about so I can get my Lyric Ties working! Cheers! -- Aaron Dalton | Super Duper Games [EMAIL PROTECTED] | http://superdupergames.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Rests with multiple parts and text above parts
I have a transcription that I'm working on in 4 vocal parts and in more
than one place, I have multiple parts on a rest. If both voices on a
staff are on a rest, how do I display one rest centered rather than two
rests above each other.
The first instance of the rests that I want to fix is in bar 4. I want
the bass clef to share one rest. I tried putting s4 in one part, but
the other rest was still off set.
The other question I have is about additional words above the text. In
bar 48-49, I have some echo words and the spacing is funny. How do I
define the spacing that I want so the word is all on the same level?
Thanks,
Rebecca
--
The real secret of success is enthusiasm.
--Walter Chrysler
\header {
filename = RedRobin.ly
enteredby = Rebecca Gilbert
composer = Arr. Dot Calvin with additional key change
poet = Words and music by Harry Woods
dedication =
texttranslator = Bland Tucker
date=
title = Red, Red Robin
subtitle =
metre =
meter = \metre
copyright = © 1927 (Reneweed) Callicoon Music All Rights Reserved. Used by Permission. Warner Bros. Publications
style = Barbershop
mutopiacomposer = \composer
mutopiapoet=\poet
maintainer = Peter Chubb
maintainerEmail = [EMAIL PROTECTED]
lastupdated = 2005/December/25
}
\version 2.11.2
\paper{
#(set-paper-size letter)
top-margin = 0.5\in
bottom-margin = 0.54\in
ragged-bottom = ##t
}
global= {
\time 4/4
\key d \major
#(set-global-staff-size 20)
\set Staff.minimumVerticalExtent = #'(-4 . 4)
%\set Staff.midiInstrument = piano
}
%^text to insert words above the line
%_text to insert words below the line
ten = \context Voice = ten {
\voiceOne
d''4 d''8. d''16 d''8. d''16 d''4 d'' e''2.
d''4 d''8. d''16 cis''8. cis''16 cis''4 d''2.
r4 d''4 d'' ais'8. ais'16 ais'4 b' d''2
b'4 b' b' ais' ais' b'1
d''4 d'' d''8. d''16 d''4 d'' e''2.
d''4 d'' cis''8. cis''16 cis''4 d''2.
r4 d''4 d'' ais'8. ais'16 ais'4 b' d''2
d''4 d''8 d'' ~ d''4 d'' d'' cis''2( ~ cis''8 c''8 cis''4 d''2)
\transpose d ees {cis''4. cis''8 a'4 a' a'8. g'16 fis'4 g' g' g'8. g'16 g'4 fis'2. g'4 a'2
g'4 g' a' a' a'8. g'16 fis'4 g' g' g'8. g'16 g'4 a'2. r4 c''1
d''4 b' r4 d''4 b' d''8 bes'8 ~ bes' bes' bes'4 d''4 d'' r4 d''4 d'' d''8 a' ~ a' ais' b'4
d'' b'2 d''4 b' d''8 b' ~ b' cis'' d''4 cis'' r4 c''2 cis''8 cis'' cis''4 d'' cis''
a'4 a' a'8. g'16 fis'4 g' g' g'8. g'16 g'4 fis'2. g'4 a'2. r4
d''4 d'' d''8. cis''16 c''4 cis''4 cis'' cis''8. cis''16 cis''4 d''2. d''4 e''1
d''4 d''8. cis''16 d''8. b'16 b'4 d''8. d'' 16 d''8. d''16 d''8. cis''16 d''4
r4 d''4 ais' b' gis'2. gis'8. g'16 a'4 a' a'8. g'16 fis'4
g' g' g'8. g'16 g'4 fis'(g' gis') a'^a - a'8^long _( b' ~ b' c'' ~ c'' cis'' ~ cis''4
d'' d''8. cis''16 d''8. b'16 b'4 d''8. d''16 d''8. d''16 d''8. cis''16 d''4
r4 d''4 a' a' b'2.
b'8. b'16 b'4 b' b'8. cis''16 d''4 cis'' cis'' cis''8. b'16 a'4 c'' c''8 c'' ~ c'' b' bes'4 d''2. r4 r2 bes'2 d''1
}
}
lead=\context Voice = lead{
\voiceTwo
b'4 b'8. b'16 a'8. b'16 a'4 fis' fis'2.
b'4 b'8. b'16 a'8. b'16 a'4 fis'2.
d'8. e'16 fis'4 fis' e'8. fis'16 e'4 d' b2
d'4 e' e' fis' d' d'1
b'4 b' b'8. b'16 a'4 fis' fis'2.
b'4 b' a'8. b'16 a'4 fis'2.
d'8. e'16 fis'4 fis' e'8. fis'16 e'4 d' b2
b'4 b'8 gis' ~ gis'4 fis' e' a'2( ~ a'8 aes' a'4 bes'2)
\transpose d ees {a'4. g'8} \bar|| \key ees \major \transpose d ees {fis'4 fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 fis'2
d'4 e' fis' fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 a'1
b'4 g' r4 b' g' b'8 g' ~ g' fis' e'4 a' fis' r4 a' fis' a'8 fis' ~ fis' e' d'4
fis' d'2 fis'4 d' fis'8 d' ~ d' cis' b4 e' r4 fis'2 g'8 a' b'4 fis' e'
fis' fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 fis'2. r4
a'4 a' a'8. g'16 fis'4 g' g' g'8. fis'16 e'4 a'2. a'4 ais'1
b'4 b'8. ais'16 b'8. a'16 g'4 bes'8. bes'16 bes'8. c''16 bes'8. a'16 g'4
r4 a' fis' d' b2. d'8. e'16 fis'4 fis' fis'8. e'16 d'4
e' e' e'8. d'16 cis'4 d'1( fis'2 ~ fis'8) ais' ~ ais'4
b'4 b'8. ais'16 b'8. a'16 g'4 bes'8. bes'16 bes'8. c''16 bes'8. a'16 g'4
r4 a'4 fis' c' gis'2. gis'8. gis'16 gis'4 gis' gis'8. gis'16 gis'4 gis' gis' gis'8. gis'16 gis'4
a' a'8 a' ~ a' gis' g'4 a'2. r4 r2 g'2 a'1
}
}
bari = \context Voice = bari {
\voiceOne
fis4 fis8. fis16 fis8. fis16 fis4 b ais2.
fis4 fis8. fis16 g8. g16 g4 a2.
r4 a4 a fis8. e16 fis4 fis f2 f4 d d e fis fis1
fis4 fis fis8. fis16 fis4 b ais2.
fis4 fis g8. g16 g4 a2.
r4 a4 a fis8. e16 fis4 fis gis2 gis4 gis8 b ~ b4 gis gis g2( g8 ges g4 aes2)
\transpose d ees {fis4. e8} \key ees \major \transpose d ees { d4 d d8. b,16 a,4 cis cis cis8. b,16 a,4 a,2. cis4 d2
b,4 cis d d d8.b,16 a,4 cis cis cis8. b,16 a,4 fis2. a,4 fis1
g4 d r4 g4 d g8 d ~ d d d4 fis a r4 fis4 a fis8 d ~ d fis fis4
gis4 gis2 gis4 gis gis8 gis ~ gis gis gis4 gis r4 a2 a8 g g4 gis g
d4 d d8. b,16 a,4 cis cis cis8. b,16 a,4 a,2. cis4 d2. r4
fis4 fis fis8. a16 a4 a a e8. a16 g4 fis2. fis4 fis1
g4 g8. e16 g8. d16 d4 e8. e16 d8. fis16 e8. e16 e4
r4 fis4 e fis d2.
Re: Rests with multiple parts and text above parts
On Feb 22, 2007, at 8:55 PM, Rebecca Gilbert wrote:
I have a transcription that I'm working on in 4 vocal parts and in
more than one place, I have multiple parts on a rest. If both
voices on a staff are on a rest, how do I display one rest centered
rather than two rests above each other.
The first instance of the rests that I want to fix is in bar 4. I
want the bass clef to share one rest. I tried putting s4 in one
part, but the other rest was still off set.
perhaps half your answer...
how about using the trick of positioning a rest with a note?
{ d'4/rest }
The other question I have is about additional words above the
text. In bar 48-49, I have some echo words and the spacing is
funny. How do I define the spacing that I want so the word is all
on the same level?
Thanks,
Rebecca
--
The real secret of success is enthusiasm.
--Walter Chrysler
\header {
filename = RedRobin.ly
enteredby = Rebecca Gilbert
composer = Arr. Dot Calvin with additional key change
poet = Words and music by Harry Woods
dedication =
texttranslator = Bland Tucker
date=
title = Red, Red Robin
subtitle =
metre =
meter = \metre
copyright = © 1927 (Reneweed) Callicoon Music All Rights
Reserved. Used by Permission. Warner Bros. Publications
style = Barbershop
mutopiacomposer = \composer
mutopiapoet=\poet
maintainer = Peter Chubb
maintainerEmail = [EMAIL PROTECTED]
lastupdated = 2005/December/25
}
\version 2.11.2
\paper{
#(set-paper-size letter)
top-margin = 0.5\in
bottom-margin = 0.54\in
ragged-bottom = ##t
}
global= {
\time 4/4
\key d \major
#(set-global-staff-size 20)
\set Staff.minimumVerticalExtent = #'(-4 . 4)
%\set Staff.midiInstrument = piano
}
%^text to insert words above the line
%_text to insert words below the line
ten = \context Voice = ten {
\voiceOne
d''4 d''8. d''16 d''8. d''16 d''4 d'' e''2.
d''4 d''8. d''16 cis''8. cis''16 cis''4 d''2.
r4 d''4 d'' ais'8. ais'16 ais'4 b' d''2
b'4 b' b' ais' ais' b'1
d''4 d'' d''8. d''16 d''4 d'' e''2.
d''4 d'' cis''8. cis''16 cis''4 d''2.
r4 d''4 d'' ais'8. ais'16 ais'4 b' d''2
d''4 d''8 d'' ~ d''4 d'' d'' cis''2( ~ cis''8 c''8 cis''4 d''2)
\transpose d ees {cis''4. cis''8 a'4 a' a'8. g'16 fis'4 g' g' g'8.
g'16 g'4 fis'2. g'4 a'2
g'4 g' a' a' a'8. g'16 fis'4 g' g' g'8. g'16 g'4 a'2. r4 c''1
d''4 b' r4 d''4 b' d''8 bes'8 ~ bes' bes' bes'4 d''4 d'' r4 d''4
d'' d''8 a' ~ a' ais' b'4
d'' b'2 d''4 b' d''8 b' ~ b' cis'' d''4 cis'' r4 c''2 cis''8 cis''
cis''4 d'' cis''
a'4 a' a'8. g'16 fis'4 g' g' g'8. g'16 g'4 fis'2. g'4 a'2. r4
d''4 d'' d''8. cis''16 c''4 cis''4 cis'' cis''8. cis''16 cis''4
d''2. d''4 e''1
d''4 d''8. cis''16 d''8. b'16 b'4 d''8. d'' 16 d''8. d''16 d''8.
cis''16 d''4
r4 d''4 ais' b' gis'2. gis'8. g'16 a'4 a' a'8. g'16 fis'4
g' g' g'8. g'16 g'4 fis'(g' gis') a'^a - a'8^long
_( b' ~ b' c'' ~ c'' cis'' ~ cis''4
d'' d''8. cis''16 d''8. b'16 b'4 d''8. d''16 d''8. d''16 d''8.
cis''16 d''4
r4 d''4 a' a' b'2.
b'8. b'16 b'4 b' b'8. cis''16 d''4 cis'' cis'' cis''8. b'16 a'4
c'' c''8 c'' ~ c'' b' bes'4 d''2. r4 r2 bes'2 d''1
}
}
lead=\context Voice = lead{
\voiceTwo
b'4 b'8. b'16 a'8. b'16 a'4 fis' fis'2.
b'4 b'8. b'16 a'8. b'16 a'4 fis'2.
d'8. e'16 fis'4 fis' e'8. fis'16 e'4 d' b2
d'4 e' e' fis' d' d'1
b'4 b' b'8. b'16 a'4 fis' fis'2.
b'4 b' a'8. b'16 a'4 fis'2.
d'8. e'16 fis'4 fis' e'8. fis'16 e'4 d' b2
b'4 b'8 gis' ~ gis'4 fis' e' a'2( ~ a'8 aes' a'4 bes'2)
\transpose d ees {a'4. g'8} \bar|| \key ees \major \transpose d
ees {fis'4 fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 fis'2
d'4 e' fis' fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 a'1
b'4 g' r4 b' g' b'8 g' ~ g' fis' e'4 a' fis' r4 a' fis' a'8 fis' ~
fis' e' d'4
fis' d'2 fis'4 d' fis'8 d' ~ d' cis' b4 e' r4 fis'2 g'8 a' b'4
fis' e'
fis' fis' fis'8. e'16 d'4 e' e' e'8. d'16 cis'4 d'2. a4 fis'2. r4
a'4 a' a'8. g'16 fis'4 g' g' g'8. fis'16 e'4 a'2. a'4 ais'1
b'4 b'8. ais'16 b'8. a'16 g'4 bes'8. bes'16 bes'8. c''16 bes'8.
a'16 g'4
r4 a' fis' d' b2. d'8. e'16 fis'4 fis' fis'8. e'16 d'4
e' e' e'8. d'16 cis'4 d'1( fis'2 ~ fis'8) ais' ~ ais'4
b'4 b'8. ais'16 b'8. a'16 g'4 bes'8. bes'16 bes'8. c''16 bes'8.
a'16 g'4
r4 a'4 fis' c' gis'2. gis'8. gis'16 gis'4 gis' gis'8. gis'16 gis'4
gis' gis' gis'8. gis'16 gis'4
a' a'8 a' ~ a' gis' g'4 a'2. r4 r2 g'2 a'1
}
}
bari = \context Voice = bari {
\voiceOne
fis4 fis8. fis16 fis8. fis16 fis4 b ais2.
fis4 fis8. fis16 g8. g16 g4 a2.
r4 a4 a fis8. e16 fis4 fis f2 f4 d d e
\flageolet too big
The flageolet sign is too big for me -- this is both a matter of taste and the intended purpose. I tried to make it smaller, and I failed. To be more specific, I tried to define a shorthand \F which should behave similar to the \flageolet command but printing the `flageolet' glyph at a smaller size. How can I do that? Note, however, that I'm not interested in a solution which generally reduces the size of the Script grobs (this is what I'm doing now because I couldn't find something better) since it would have unpleasand side effects if there is more than a single articulation sign is attached to the note head. I would like to say this F = #(make-music 'ArticulationEvent 'articulation-type flageolet 'font-size -3) but the `font-size' property has no effect, and I don't know how to make this work... Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
