Re: [PATCH] Added chromatic ledger and internal ledger lines. Sample test file is

2007-03-07 Thread Kevin Dalley
Oops.  I forgot my virtual destructor.

From 5cc0407d62fd9cf02960cc5996b30578862e8e4c Mon Sep 17 00:00:00 2001
From: Kevin Dalley [EMAIL PROTECTED]
Date: Wed, 7 Mar 2007 00:04:37 -0800
Subject: [PATCH] Added virtual destructor for Layout_pos

---
 lily/note-heads-engraver.cc |3 +++
 1 files changed, 3 insertions(+), 0 deletions(-)

diff --git a/lily/note-heads-engraver.cc b/lily/note-heads-engraver.cc
index 4e9b0fe..52b7c5a 100644
--- a/lily/note-heads-engraver.cc
+++ b/lily/note-heads-engraver.cc
@@ -26,6 +26,9 @@ class Layout_pos
 {
 public:
   virtual int pos(Pitch* pit) = 0;
+  virtual ~Layout_pos()
+  {
+  }
 };
 
 class Layout_pos_traditional : public Layout_pos
-- 
1.4.4.4



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Re: [fr: barres de notes dans un triolet] Lyrics and \partial

2007-03-07 Thread Mats Bengtsson
That clearly looks like a bug (which remains in version 2.11.20)! I 
forward it to

bug-lilypond.

As a workaround, you can do change the lyrics part into
\new Lyrics 
   \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
   \lyricsto v {Here is the ly -- rics line }


or use the \with construct:
\new Lyrics \with {
   \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
   } {
   \lyricsto v {Here is the ly -- rics line }
}


  /Mats

Colin Wilding wrote:

Ok, I think I have identified where the problem occurs.
If you take your example and add an extra line like this...

\version 2.10.0

\new Voice = v \relative c' {\partial 4 c | c d e f | g2. }
\new Lyrics {
\override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
\lyricsto v {Here is the ly -- rics line }
}
  


...then the lyrics start at the second note.

This is in version 2.10.20, by the way.  As I say, it did not do this in
2.8.

I'm not sure how I can add that spacing without causing this effect.  I want
it to be specific to that lyric line, not in the general \layout
instructions.

-

Colin Wilding



Mats Bengtsson-4 wrote:
  

The following two examples works well over here:
\version 2.10.0

\new Voice = v \relative c' {\partial 4 c | c d e f | g2. }
\new Lyrics \lyricsto v {Here is the ly -- rics line }
 


\version 2.10.0

\relative c' {\partial 4 c | c d e f | g2. }
\addlyrics {Here is the ly -- rics line }
 


Please send a small bug complete example of your problem
if you can't figure out what's wrong yourself.

   /Mats

Colin Wilding wrote:



I upgraded an old file from 2.8 to 2.10 today.  The music begins with
\partial 4.  I find that in 2.10 the lyrics skip the partial note;  they
didn't do this before.

Is this intentional?  If so, is there a way to force the lyrics to use the
partial note?

It's not crucial, because I can work around it by replacing the partial
  

with
  

skipped notes, but it would be useful to know.


Colin Wilding


 

  

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\score vs. \new Score with \midi

2007-03-07 Thread Vivian Barty-Taylor
I'm using 2.10.19 for Mac OSX

I've just had an irritating couple of hours trying to find out why a \midi 
block was causing an error message and stopping the file from processing. It 
turns out that if you use \new Score instead of \score then the file fails. 
These two commands should theoretically be identical. 
Why does this happen, and could it be changed?

Compare:

 BEGIN CODE (FAILS)

\new Score {

c1

\midi { }
}


% BEGIN CODE (WORKS)

\score {

c1

\midi { }

}

Cheers,
Vivian.





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Re: \score vs. \new Score with \midi

2007-03-07 Thread Mats Bengtsson
As you have noticed, they are not equivalent from a syntactical point of 
view.

From different email discussions, I have got the impression that the main
hackers had some ideas on how to revise the syntax related to \book and 
\score

blocks, but I don't know if there are any concrete plans.

Actually, you write
\score{
 \new Score{
   ...
 }
 \midi{...}
}
if you really need to explicitly specify the Score context (I don't see 
why that

would be needed, though).

  /Mats


Vivian Barty-Taylor wrote:

I'm using 2.10.19 for Mac OSX

I've just had an irritating couple of hours trying to find out why a 
\midi block was causing an error message and stopping the file from 
processing. It turns out that if you use \new Score instead of \score 
then the file fails. These two commands should theoretically be 
identical.

Why does this happen, and could it be changed?

Compare:

 BEGIN CODE (FAILS)

\new Score {

c1

\midi { }
}


% BEGIN CODE (WORKS)

\score {

c1

\midi { }

}

Cheers,
Vivian.


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Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
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Re: Extending a slur back from end of repeat

2007-03-07 Thread Mats Bengtsson

One solution is to add a slur to an invisible note. You can use scaled note
durations to avoid changing the rhythm, see the following example.

\version 2.10.0
\relative c' \repeat volta 2 { c d e f }
 \alternative{{ g f e d4*1/2 ( \hideNotes b4*1/2 ) \unHideNotes } { g a 
g e }}


I tried a solution using \repeatTie, but hit upon a bug when trying to
modify it to point to the right of a note.

  /Mats

Stephen Martin wrote:

Does anyone have a suggestion for making a slur which returns
 from notes at the end of a repeat back to notes at the 
beginning of the repeat?


The ends should look like a slur which spans a line break,
 i.e. the start of the slur ends at the double bar lines,
the end of the slur comes in at the beginning of the repeat
block.

I tried changing x-extent and extend-x-extent of a local
slur to achieve the desired appearance, but to no avail..

thanks, Steve



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   Fax:   (+46) 8 790 7260
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Re: OOolilypond and openoffice 2.1

2007-03-07 Thread Johan Vromans
Samuel Hartmann [EMAIL PROTECTED] writes:

 I think this is a problem with lilypond that may be is not binary
 compatible with your linux distribution. I'm sorry I can not help in this.

OOo supplies its own versions of several libraries, and sets the
LD_LIBRARY_PATH environment variable to force loading the private
libs. When starting lilypond via OOoLilyPond LD_LIBRARY_PATH is passed
to lilypond as well, and it chokes on the non-compatible version of
the libs.

I posted a simple workaround a couple of days ago.

-- Johan


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Re: OOolilypond and openoffice 2.1

2007-03-07 Thread Johan Vromans
Samuel Hartmann [EMAIL PROTECTED] writes:

 You can change the template path by *copying* the templates to another
 path, changeing the path settings in OOoLilyPond configuration dialog.
 Test whether it is working and after that you can delete the old path.

I just changed the BASIC to eliminate the error so I could use the
config dialog to change the path.

Anyway, did I already THANK YOU VERY MUCH for this nice tool?

-- Johan


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Re: \score vs. \new Score with \midi

2007-03-07 Thread Vivian Barty-Taylor
Would it be possible to add this to the documentation (which I checked 
thoroughly ) for Rookie users such as myself who think they know how things 
work and sometimes get it wrong? I guess under the sections relating to Score 
and MIDI.
Thanks,
Vivian.

- Original Message 
From: Mats Bengtsson [EMAIL PROTECTED]
To: Vivian Barty-Taylor [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, 7 March, 2007 10:05:37 AM
Subject: Re: \score vs. \new Score with \midi

As you have noticed, they are not equivalent from a syntactical point of 
view.
 From different email discussions, I have got the impression that the main
hackers had some ideas on how to revise the syntax related to \book and 
\score
blocks, but I don't know if there are any concrete plans.

Actually, you write
\score{
  \new Score{
...
  }
  \midi{...}
}
if you really need to explicitly specify the Score context (I don't see 
why that
would be needed, though).

   /Mats


Vivian Barty-Taylor wrote:
 I'm using 2.10.19 for Mac OSX

 I've just had an irritating couple of hours trying to find out why a 
 \midi block was causing an error message and stopping the file from 
 processing. It turns out that if you use \new Score instead of \score 
 then the file fails. These two commands should theoretically be 
 identical.
 Why does this happen, and could it be changed?

 Compare:

  BEGIN CODE (FAILS)

 \new Score {

 c1

 \midi { }
 }


 % BEGIN CODE (WORKS)

 \score {

 c1

 \midi { }

 }

 Cheers,
 Vivian.

 
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Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: \score vs. \new Score with \midi

2007-03-07 Thread Mats Bengtsson

Since you probably have read the documentation much more carefully than
I have, could you please provide more specific hints on where to best 
put this

information?

  /Mats

Vivian Barty-Taylor wrote:
Would it be possible to add this to the documentation (which I checked 
thoroughly ) for Rookie users such as myself who think they know how 
things work and sometimes get it wrong? I guess under the sections 
relating to Score and MIDI.

Thanks,
Vivian.

- Original Message 
From: Mats Bengtsson [EMAIL PROTECTED]
To: Vivian Barty-Taylor [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, 7 March, 2007 10:05:37 AM
Subject: Re: \score vs. \new Score with \midi

As you have noticed, they are not equivalent from a syntactical point of
view.
From different email discussions, I have got the impression that the main
hackers had some ideas on how to revise the syntax related to \book and
\score
blocks, but I don't know if there are any concrete plans.

Actually, you write
\score{
  \new Score{
...
  }
  \midi{...}
}
if you really need to explicitly specify the Score context (I don't see
why that
would be needed, though).

   /Mats


Vivian Barty-Taylor wrote:
 I'm using 2.10.19 for Mac OSX

 I've just had an irritating couple of hours trying to find out why a
 \midi block was causing an error message and stopping the file from
 processing. It turns out that if you use \new Score instead of \score
 then the file fails. These two commands should theoretically be
 identical.
 Why does this happen, and could it be changed?

 Compare:

  BEGIN CODE (FAILS)

 \new Score {

 c1

 \midi { }
 }


 % BEGIN CODE (WORKS)

 \score {

 c1

 \midi { }

 }

 Cheers,
 Vivian.

 
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax:   (+46) 8 790 7260

Email: [EMAIL PROTECTED]
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convert-ly broken in 2.10.19 ?

2007-03-07 Thread Vivian Barty-Taylor
Using 2.10.19 for Mac OSX
I'm trying to update a file I made under 2.8. When I click Update Syntax I 
get the output:

Traceback (most recent call last):
  File /Applications/LilyPond.app/Contents/Resources/bin/convert-ly, line 22, 
in ?
import lilylib as ly
ImportError: No module named lilylib

Is this me or is it just broken?

Thanks,
Vivian. 





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Re: convert-ly broken in 2.10.19 ?

2007-03-07 Thread Mats Bengtsson

Please search the mailing list archives (including the one for bug-lilypond)
to find more information about this bug and how to fix it.

/Mats

Vivian Barty-Taylor wrote:

Using 2.10.19 for Mac OSX
I'm trying to update a file I made under 2.8. When I click Update 
Syntax I get the output:


Traceback (most recent call last):
File /Applications/LilyPond.app/Contents/Resources/bin/convert-ly, 
line 22, in ?

import lilylib as ly
ImportError: No module named lilylib

Is this me or is it just broken?

Thanks,
Vivian.


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Re: OOolilypond and openoffice 2.1

2007-03-07 Thread Samuel Hartmann

Johan Vromans wrote:

OOo supplies its own versions of several libraries, and sets the
LD_LIBRARY_PATH environment variable to force loading the private
libs. When starting lilypond via OOoLilyPond LD_LIBRARY_PATH is passed
to lilypond as well, and it chokes on the non-compatible version of
the libs.

I posted a simple workaround a couple of days ago.
Thanks a lot for your workaround. I think it is a good idea to 
automatically append the lilypond command to the env command. Or do you 
see there any problems?


regards,

Samuel


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Re: OOolilypond and openoffice 2.1

2007-03-07 Thread Johan Vromans
Samuel Hartmann [EMAIL PROTECTED] writes:

 Thanks a lot for your workaround. I think it is a good idea to
 automatically append the lilypond command to the env command. Or do
 you see there any problems?

In most cases, no.
Best solution would be to only remove any OOo library paths from
LD_LIBRARY_PATH, and leave anything else.

-- Johan


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Re: OOolilypond and openoffice 2.1

2007-03-07 Thread Samuel Hartmann

Johan Vromans wrote:

Samuel Hartmann [EMAIL PROTECTED] writes:


Thanks a lot for your workaround. I think it is a good idea to
automatically append the lilypond command to the env command. Or do
you see there any problems?


In most cases, no.
Best solution would be to only remove any OOo library paths from
LD_LIBRARY_PATH, and leave anything else.


I decided not implement this for the moment. Instead I have written a
FAQ on the home page. So people that have this problem can find the
answer there.

http://ooolilypond.sourceforge.net/#FAQ


regards,

Samuel



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Re: Markup extand

2007-03-07 Thread Mats Bengtsson

See http://lists.gnu.org/archive/html/lilypond-user/2007-02/msg00286.html
for some related information.

  /Mats

yota moteuchi wrote:

In order to add a tempo mark, I use a tweak found on the lilypond 
documentation website :


tempoMark = #(define-music-function (parser location markp) (string?)
#{
\once \override Score.RehearsalMark #'self-alignment-X = #left
\once \override Score.RehearsalMark #'extra-spacing-width = 
#'(+inf.0 . -inf.0)

\mark \markup { \smaller \italic \bold $markp }
#})

I work perfectly but I don't understand why in the viola part (see 
example), starting with 12 whole rests, the tempoMark push the first 
bar away. While it doesn't behave like this elsewhere.


Yota





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Re: Extending a slur back from end of repeat

2007-03-07 Thread Stephen Martin
Mats Bengtsson mats.bengtsson at ee.kth.se writes:

 
 One solution is to add a slur to an invisible note. You can use scaled note
 durations to avoid changing the rhythm, see the following example.
 
 \version 2.10.0
 \relative c' \repeat volta 2 { c d e f }
   \alternative{{ g f e d4*1/2 ( \hideNotes b4*1/2 ) \unHideNotes } { g a 
 g e }}
 

thanks Mats,

and

\version 2.10.0
\relative c' \repeat volta 2 { 
\hideNotes c4*1/2 ( \unHideNotes c4*1/2 ) d e f }
  \alternative{{ g f e d4*1/2 ( \hideNotes b4*1/2 ) \unHideNotes } { g a 
g e }}

draws the remainder of the slur back at the beginning of the block!

regards,
Steve



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Re: [fr: barres de notes dans un triolet] Lyrics and \partial

2007-03-07 Thread Graham Percival

Thanks, added as
http://code.google.com/p/lilypond/issues/detail?id=333

Cheers,
- Graham

Mats Bengtsson wrote:
That clearly looks like a bug (which remains in version 2.11.20)! I 
forward it to

bug-lilypond.

As a workaround, you can do change the lyrics part into
\new Lyrics 
   \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
   \lyricsto v {Here is the ly -- rics line }
 

or use the \with construct:
\new Lyrics \with {
   \override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
   } {
   \lyricsto v {Here is the ly -- rics line }
}


  /Mats

Colin Wilding wrote:

Ok, I think I have identified where the problem occurs.
If you take your example and add an extra line like this...

\version 2.10.0

\new Voice = v \relative c' {\partial 4 c | c d e f | g2. }
\new Lyrics {
\override VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 4)
\lyricsto v {Here is the ly -- rics line }
}
 
...then the lyrics start at the second note.

This is in version 2.10.20, by the way.  As I say, it did not do this in
2.8.

I'm not sure how I can add that spacing without causing this effect.  
I want

it to be specific to that lyric line, not in the general \layout
instructions.

-

Colin Wilding



Mats Bengtsson-4 wrote:
 

The following two examples works well over here:
\version 2.10.0

\new Voice = v \relative c' {\partial 4 c | c d e f | g2. }
\new Lyrics \lyricsto v {Here is the ly -- rics line }
 


\version 2.10.0

\relative c' {\partial 4 c | c d e f | g2. }
\addlyrics {Here is the ly -- rics line }
 


Please send a small bug complete example of your problem
if you can't figure out what's wrong yourself.

   /Mats

Colin Wilding wrote:

   

I upgraded an old file from 2.8 to 2.10 today.  The music begins with
\partial 4.  I find that in 2.10 the lyrics skip the partial note;  
they

didn't do this before.

Is this intentional?  If so, is there a way to force the lyrics to 
use the

partial note?

It's not crucial, because I can work around it by replacing the partial
  

with
 

skipped notes, but it would be useful to know.


Colin Wilding


 

  

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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
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Sweden
Phone: (+46) 8 790 8463   
Fax:   (+46) 8 790 7260

Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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