Re: Distributing Lyrics
See the section on Divisi Lyrics.
/Mats
Latomus wrote:
Hello
Thank you very much for you help. It works fine and I managed to produce the
desired output.
Another newbie question.
Here is a short LY file. (see below)
I would like to enter lyrics in order to have three red words aligned with the notes
highlighted in red and three blue words aligned with the notes highlighted in blue.
In fact, I would like to enter a long score with some few sections higlighted
with colours and containing lyrics. Once again, could someone tell me what
chapter of the doc I'm supposed to read?
Yours
Pierre Masson
-
\version 2.10.10
soliste = \relative c'' {
\clef treble
\key g \minor
\time 3/4
s4. g8 g a |
\override NoteHead #'color = #red
\override Stem #'color = #red
\override Beam #'color = #red
bes4 bes4. bes8 |
\override NoteHead #'color = #black
\override Stem #'color = #black
\override Beam #'color = #black
bes4 a bes8 c | d4 c a8 bes |
\override NoteHead #'color = #blue
\override Stem #'color = #blue
\override Beam #'color = #blue
a4 c bes8
\override NoteHead #'color = #black
\override Stem #'color = #black
\override Beam #'color = #black
a |
g4 fis4. g8 |
bes 4 c bes8 a | g4 fis4. g8 | g4 d d8 d | g4 fis4. g8 | bes4 c bes8 a | g4 fis4. g8 | g4. \break g8 g a |
}
\score {
{
\new Staff = Soliste { \soliste }
} %{musique%}
\layout { }
} %{\score%}
- Original Message
From: Mats Bengtsson [EMAIL PROTECTED]
To: Latomus [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, March 14, 2007 9:48:32 PM
Subject: Re: changing noteheads shape vs keeping same rythm
Read the section on Scaling durations.
/Mats
Latomus wrote:
Hello,
I'm new on Lilypond.
Just a question : is it possible to change noteheads shapes without changing
durations eg printing {c2} where the actual duration is {c2.}?
Could you tell me in what chapter I could find relevant information on that?
Thanks a lot
Pierre Masson
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Distributing Lyrics
Dear Mats,
Thank you very much!
I had noticed the content of this user guide section, but without grasping that
it was a solution to the issue I was trying to solve.
I have just reviewed it and I'm sure it is helpful!
However, I would like to share this thought with you all : this is a common
problem when starting with such a new tool. You sometimes try to solve a
problem as a human engraver, but is difficult to establish a link between you
problem and the technical resources at hand! Maybe this is the definition of
the word newbie... :--))
Pierre
- Original Message
From: Mats Bengtsson [EMAIL PROTECTED]
To: Latomus [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Tuesday, April 3, 2007 9:32:49 AM
Subject: Re: Distributing Lyrics
See the section on Divisi Lyrics.
/Mats
Latomus wrote:
Hello
Thank you very much for you help. It works fine and I managed to produce the
desired output.
Another newbie question.
Here is a short LY file. (see below)
I would like to enter lyrics in order to have three red words aligned with
the notes highlighted in red and three blue words aligned with the notes
highlighted in blue.
In fact, I would like to enter a long score with some few sections higlighted
with colours and containing lyrics. Once again, could someone tell me what
chapter of the doc I'm supposed to read?
Yours
Pierre Masson
-
\version 2.10.10
soliste = \relative c'' {
\clef treble
\key g \minor
\time 3/4
s4. g8 g a |
\override NoteHead #'color = #red
\override Stem #'color = #red
\override Beam #'color = #red
bes4 bes4. bes8 |
\override NoteHead #'color = #black
\override Stem #'color = #black
\override Beam #'color = #black
bes4 a bes8 c | d4 c a8 bes |
\override NoteHead #'color = #blue
\override Stem #'color = #blue
\override Beam #'color = #blue
a4 c bes8
\override NoteHead #'color = #black
\override Stem #'color = #black
\override Beam #'color = #black
a |
g4 fis4. g8 |
bes 4 c bes8 a | g4 fis4. g8 | g4 d d8 d | g4 fis4. g8 | bes4 c bes8 a | g4
fis4. g8 | g4. \break g8 g a |
}
\score {
{
\new Staff = Soliste { \soliste }
} %{musique%}
\layout { }
} %{\score%}
- Original Message
From: Mats Bengtsson [EMAIL PROTECTED]
To: Latomus [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, March 14, 2007 9:48:32 PM
Subject: Re: changing noteheads shape vs keeping same rythm
Read the section on Scaling durations.
/Mats
Latomus wrote:
Hello,
I'm new on Lilypond.
Just a question : is it possible to change noteheads shapes without changing
durations eg printing {c2} where the actual duration is {c2.}?
Could you tell me in what chapter I could find relevant information on that?
Thanks a lot
Pierre Masson
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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How to parenthesize dynamics?
Hello all, Is there a way to parenthesize dynamics? (Like \parenthesize \mf or something.) Thanks, Zoltan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: parenthasize dynamics
I don't have the original post but this is one way:
_\markup{\large ( \dynamic mf \large )}
-David
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Crescendo/Decresendo Angles?
Can a crescendo (or decresendo) be set at angles (e.g., to follow a beam)? All I have seen is the tweak to raise or lower the vertical elevation, but with the crescendo mark being parallel with the score. Thanks and regards, John Rimmer Dallas, Tx ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Crescendo/Decresendo Angles?
See the NEWS link at the documentation page for version 2.10 at www.lilypond.org. /Mats John Rimmer wrote: Can a crescendo (or decresendo) be set at angles (e.g., to follow a beam)? All I have seen is the tweak to raise or lower the vertical elevation, but with the crescendo mark being parallel with the score. Thanks and regards, John Rimmer Dallas, Tx ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Extra staff above current staff
Hi, Is there any way to add a temporary staff (as in Tips and Tricks: extra-staff.ly or temporary-stave.ly) _above_ an existing staff rather than below? Jamie ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extra staff above current staff
In the temporary-stave.ly you can use
\new TemporaryStaff = Two {
\set Staff.alignAboveContext = One
c4 c8 d e4 f | c d e f |
c c c c | c c c8 b c b |}
to get what you want. Unfortunately, this feature isn't described in the
main manual yet.
/Mats
Jamie Bullock wrote:
Hi,
Is there any way to add a temporary staff (as in Tips and Tricks: extra-staff.ly
or temporary-stave.ly) _above_ an existing staff rather than below?
Jamie
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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two chords names by measure and accentuated text
I don't know how to do the following: Is it possible to use accentuated fonts like é è à How can I manage to control the duration of the chord name on the top of a staff. In French: Comment utiliser les lettres accentuées? Comment controler la durée du nom d'un accord au dessus d'une portée (pour une partition de chant avec accord mentionné) Merci/Thanks V.P. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Line breaks in any place
Is it possible to allow line breaks at any point, not just at bar lines? I know I can add \bar but I would like it to be done automatically if possible. Thank, Joe ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lyric Ties (desperate)
José Luis Cruz wrote:
Here is the page for downloading the fonts:
http://dejavu.sourceforge.net/wiki/index.php/Download
If you have windows, this is the direct linc to the ttf's on a zip:
http://prdownloads.sourceforge.net/dejavu/dejavu-ttf-2.16.zip?download
I extracted the fonts to the c:\windows\fonts folder (where all the
fonts are located), and lilypond were able to use them without
touching anything. I don't know if it'll be as easy for you.
Thank you, Jose! With this information and some Googling I've finally
resolved the issue. For the record, here's what I had to do for the
FreeBSD package (and I assume it's similar for the other *nix's).
1) Install the x11-fonts/dejavu port. This should install the fonts
somewhere like /usr/X11R6/lib/X11/fonts/dejavu.
2) Open the file LILYPONDBASE/usr/etc/fonts/local.conf and add the
following line just after the 'fontconfig' line. (Adjust as necessary
for your hierarchy.)
dir/usr/X11R6/lib/X11/fonts/dir
All your system fonts should now be accessible! Do a 'lilypond
-dshow-available-fonts any' to be sure. Below is the updated snippet
that now displays the lyric tie as it should:
\version 2.10.0
\paper {
#(set-default-paper-size letter)
#(define fonts (make-pango-font-tree DejaVu Serif
DejaVu Sans
DejaVu Sans Mono
(/ 16 20)))
}
\relative c'{ \time 4/4 r4 f4 e d | c2 c | }
\addlyrics
{ Buon gior -- no~al mon -- do. }
--
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Re: Line breaks in any place
One possibility is to use
\set Timing.barAlways = ##t
\set Timing.defaultBarType =
See the example called bar-always.ly in the Tips and Tricks
document. Of course, this means that you have to manually
add the true bar lines where you want them (if you want
regular time, that's easily done using
\repeat unfold 20 {s1 \bar | }
in parallel to the ordinary music).
/Mats
Joseph Haig wrote:
Is it possible to allow line breaks at any point, not just at bar
lines? I know I can add \bar but I would like it to be done
automatically if possible.
Thank,
Joe
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Divisi Lyrics
Hello,
I have reworked the ly file taking into account what I learned from the user
guide section devoted to divisi lyrics.
Additional question.
I have found out how to align some particular lyrics to some particular parts
of the music expression by using divisi lyrics
I have found out how to change colors and how to revert to the previous
settings for the split part and how to make the main part transparent.
However, I'm still wondering how to avoid that the dot appears twice on the
score (once for the main music expression and once for the split part)
Second question : would it be possible (by using the override command?!?!) to
change the color of this dot?
Thanks a lot
Pierre M.
---
\version 2.10.10
\score {
{
\new Voice = melody \relative c'' {
\clef treble
\key g \minor
\time 3/4
s4. g8 g a |
{ \voiceOne
\override NoteHead #'color = #red
\override Stem #'color = #red
\override Beam #'color = #red
bes4 bes4. bes8 |
}
\new Voice = splitpartA {\voiceThree
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
bes4 bes4. bes8 |}
\revert NoteHead #'color
\revert Stem #'color
\revert Beam #'color
bes4 a bes8 c | d4 c a8 bes |
{ \voiceOne
\override NoteHead #'color = #blue
\override Stem #'color = #blue
\override Beam #'color = #blue
a4 c bes8
}
\new Voice = splitpartB {\voiceThree
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
a4 c bes8}
\revert NoteHead #'color
\revert Stem #'color
\revert Beam #'color
a |
g4 fis4. g8 |
bes 4 c bes8 a | g4 fis4. g8 | g4 d d8 d | g4 fis4. g8 | bes4 c bes8 a | g4
fis4. g8 | g4. \break g8 g a |
}
\new Lyrics = testLyrics \lyricsto splitpartA { three red notes }
\context Lyrics = testLyrics \lyricsto splitpartB { three blue notes }
}
\layout { }
}
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Supression of output
Is it possible to supress the Postscript output and get only the .pdf? Also, can the .log file be supresssed except for successul compilation. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Divisi Lyrics
You have made things unnecessarily complicated. There's
no need to repeat the same music using invisible notes.
Also, since you use separat Voice contexts for the colored
sections, there's no need to revert the settings in the
melody Voice context. Here's a simplified version of your
file (which also gives colored dots):
\version 2.10.10
\score {
\new Voice = melody \relative c'' {
\clef treble
\key g \minor
\time 3/4
\partial 8*3
g8 g a |
\new Voice = splitpartA {
\override NoteHead #'color = #red
\override Stem #'color = #red
\override Beam #'color = #red
\override Dots #'color = #red
bes4 bes4. bes8 |
}
bes4 a bes8 c | d4 c a8 bes |
\new Voice = splitpartB{
\override NoteHead #'color = #blue
\override Stem #'color = #blue
\override Beam #'color = #blue
\override Dots #'color = #blue
a4 c bes8
}
a |
g4 fis4. g8 |
bes 4 c bes8 a | g4 fis4. g8 | g4 d d8 d | g4 fis4. g8 | bes4 c bes8 a |
g4 fis4. g8 | g4. \break g8 g a |
}
\new Lyrics = testLyrics \lyricsto splitpartA { three red notes }
\context Lyrics = testLyrics \lyricsto splitpartB { three blue notes }
\layout { }
}
/Mats
Latomus wrote:
Hello,
I have reworked the ly file taking into account what I learned from the user guide
section devoted to divisi lyrics.
Additional question.
I have found out how to align some particular lyrics to some particular parts
of the music expression by using divisi lyrics
I have found out how to change colors and how to revert to the previous settings for the
split part and how to make the main part transparent.
However, I'm still wondering how to avoid that the dot appears twice on the score (once
for the main music expression and once for the split part)
Second question : would it be possible (by using the override command?!?!) to
change the color of this dot?
Thanks a lot
Pierre M.
---
\version 2.10.10
\score {
{
\new Voice = melody \relative c'' {
\clef treble
\key g \minor
\time 3/4
s4. g8 g a |
{ \voiceOne
\override NoteHead #'color = #red
\override Stem #'color = #red
\override Beam #'color = #red
bes4 bes4. bes8 |
}
\new Voice = splitpartA {\voiceThree
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
bes4 bes4. bes8 |}
\revert NoteHead #'color
\revert Stem #'color
\revert Beam #'color
bes4 a bes8 c | d4 c a8 bes |
{ \voiceOne
\override NoteHead #'color = #blue
\override Stem #'color = #blue
\override Beam #'color = #blue
a4 c bes8
}
\new Voice = splitpartB {\voiceThree
\override NoteHead #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
a4 c bes8}
\revert NoteHead #'color
\revert Stem #'color
\revert Beam #'color
a |
g4 fis4. g8 |
bes 4 c bes8 a | g4 fis4. g8 | g4 d d8 d | g4 fis4. g8 | bes4 c bes8 a | g4 fis4. g8 | g4. \break g8 g a |
}
\new Lyrics = testLyrics \lyricsto splitpartA { three red notes }
\context Lyrics = testLyrics \lyricsto splitpartB { three blue notes }
}
\layout { }
}
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Supression of output
Ernie wrote: Is it possible to supress the Postscript output and get only the .pdf? Also, can the .log file be supresssed except for successul compilation. This isn't supported within LilyPond, but at least for the PS file, it's easy to make a script file (or bat file if you are on Windows) that first calls lilypond and then removes the PS file). /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Supression of output
snip Thanks for the prompt reply - I thought that was the case, but wanted your expert guidance in case I had missed something. Ernie ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Notes are going octaves down
Hello all! This is my first post and I really can't understand what is
it I am doing wrong. This file shows that I what to repeat a cord and a
separate note in the same staff several times. However, the notes seem
to be interpreted as relative in the sense that they are always going
one octave lower each duration.
Can you help me to fix it?... I haven't found a clear answer on the manual.
Thanks
THIS IS THE FILE
\version 2.11.15
\include espanol.ly
fragA =
{si do mi si do mi la do mi la do mi} \\
{la,,}
upper = \relative do''
{
\tempo 4=67
\clef treble
\key do \major
\time 4/4
r1 r1 r1 r1
}
lower = \relative do' {
\clef bass
\key do \major
\time 4/4
\fragA \fragB \fragA \fragB
}
\score {
\new PianoStaff
\set PianoStaff.instrumentName = Piano
\new Staff = upper \upper
\new Staff = lower \lower
\layout { }
END OF FILE
--
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Re: Notes are going octaves down
On 03/04/07, Jesús Guillermo Andrade [EMAIL PROTECTED] wrote:
Hello all! This is my first post and I really can't understand what is
it I am doing wrong. This file shows that I what to repeat a cord and a
separate note in the same staff several times. However, the notes seem
to be interpreted as relative in the sense that they are always going
one octave lower each duration.
Can you help me to fix it?... I haven't found a clear answer on the manual.
Thanks
THIS IS THE FILE
\version 2.11.15
\include espanol.ly
fragA =
{si do mi si do mi la do mi la do mi} \\
{la,,}
As you are using relative pitch for the notes, each note is put in the
octave closest to the previous one. This is done regardless of where
the previous note occured, so it doesn't matter that it might be in a
different chord. In your example, the 'si' in the second chord is put
close to the 'mi' in the previous chord, which happens to be an octave
below the 'si' in the first chord. To solve this, you need to
explicitly put it back up an octave:
fragA =
{si do mi si' do mi la' do mi la' do mi} \\
{la',,}
Note the inverted commas after the first note in each chord.
Hope this helps,
Joe.
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Re: Extra staff above current staff
Mats Bengtsson wrote:
In the temporary-stave.ly you can use
\new TemporaryStaff = Two {
\set Staff.alignAboveContext = One
c4 c8 d e4 f | c d e f |
c c c c | c c c8 b c b |}
to get what you want. Unfortunately, this feature isn't described in the
main manual yet.
It's mentioned in 9.2.8 of the 2.11 docs.
Cheers,
- Graham
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