Ties go a bit haywire, bug?
Hi, in 2.11.26 when there are many ties, some have positioning errors. 2.10 has no problems, but for many other improvements I'm already dependent on 2.11.x :) This is an excerpt, attached a PNG which shows that some ties are drawn too long. Must I report this as a bug? \version "2.11.26" rh = { % \repeat unfold 10 { a'1~ | } \repeat unfold 4 { 1~ } \repeat unfold 2 { 1~ } \repeat unfold 2 { 1~ } \repeat unfold 2 { 1~ } 8\fermata r4 r4. r4 \bar "|." } \score { \new Staff = "rh" \rh } With best regards, Wilbert Berendsen PS: I'm really impressed with all the improvements in the latest releases, thanks! -- http://www.wilbertberendsen.nl/ "You must be the change you wish to see in the world." -- Mahatma Gandi <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pre-Release: Slave Songs of the United States
2007/6/12, Marcus Brinkmann <[EMAIL PROTECTED]>: All type-setting of the original 1867 text is finished and in very good shape. Future improvements will be done in other areas, like a new preface, illustrations, MIDI files, etc. This pre-release, although quite usable in its own right, is particularly directed at people who might be willing to take a look at the source code and tell me what I could do better. And a typographic nit: the margins seem rather on the small side. Have you done the page layout yourself? I recommend copying margins from reknowned publications. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pre-Release: Slave Songs of the United States
2007/6/12, Marcus Brinkmann <[EMAIL PROTECTED]>: Hi, I am happy to give you a sneak preview to my ambitious music notation project based on Lilypond 2.10, a digital edition of the 1867 song book: very cool Lilypond does an excellent job on these songs, and only few manual tweaks were necessary. Some tweaks may be the result of my lack of understanding of Lilypond internals. The whole book contains 136 songs, each about 1 DIN A5 page on average. The build tree produced by lilypond-book is over 700 MB (!) strong, I suspect because the required fonts are copied into each EPS file (can this be improved?). checkout -dhelp, You probably want to use -dgs-load-fonts and preferably pdflatex. If you're technically inclined, you can run make web >& logfile and see how we build the documentation. We try to minizime font loads too as it slows down the build. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using \allowPageTurn
Joe Neeman wrote: On Wednesday 06 June 2007 21:31, Cameron Horsburgh wrote: 'There are two steps to using this page breaking function. First, you must enable it in the \paper block. Then, you must tell the function where you would like to allow page breaks.' Section 11.4.2 tells you how to enable a particular page-breaking algorithm in the \paper block. I guess it would be good to include a reference to that in later sections as well. Thanks, added to GIT. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \raise in markup glitch (was: Re: Pre-Release: Slave Songs of the United States)
Hi Marcus, There must be a better way to do this, though. Not sure about "better", but here are a couple options: \version "2.11.23" theMusic = { c''^\markup { \italic "Variation second." } c''^\markup { \translate #(cons 0 1) { \hspace #0 \italic "Variation second." } } c''^\markup { \raise #1 { \hspace #0 \italic "Variation second." } } } \score { \theMusic } Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Optional Notes (Small noteheads)
chords work like this , see manual section 9.3.5 (version 2.11.26) < c \tweak #'color #red d \tweak #'font-size #-4 g \tweak #'duration-log #1 a > cheers D On 12 Jun 2007, at 16:38, MusicallyForbidden wrote: Though that should work (and does work in most cases), it doesn't seem to work for chords. No matter which way I change the size of the notehead (I've tried \set, \tweak, \tiny) it either sets all the notes in the chord to tiny or normalsize. Is there a workaround for this? Thanks! :) Marcus Brinkmann wrote: At Mon, 11 Jun 2007 16:29:25 -0700 (PDT), MusicallyForbidden <[EMAIL PROTECTED]> wrote: In some pieces of choral music, optional notes are indicated by a smaller-than-normal notehead. How is this achieved? Thank you! \tweak #'font-size #-4 c'' Greetings, Marcus ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/Optional-Notes-% 28Small-noteheads%29-tf3904674.html#a11081182 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Optional Notes (Small noteheads)
Though that should work (and does work in most cases), it doesn't seem to work for chords. No matter which way I change the size of the notehead (I've tried \set, \tweak, \tiny) it either sets all the notes in the chord to tiny or normalsize. Is there a workaround for this? Thanks! :) Marcus Brinkmann wrote: > > At Mon, 11 Jun 2007 16:29:25 -0700 (PDT), > MusicallyForbidden <[EMAIL PROTECTED]> wrote: >> >> >> In some pieces of choral music, optional notes are indicated by a >> smaller-than-normal notehead. How is this achieved? Thank you! > > \tweak #'font-size #-4 c'' > > Greetings, > Marcus > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user > > -- View this message in context: http://www.nabble.com/Optional-Notes-%28Small-noteheads%29-tf3904674.html#a11081182 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Point and click: HELP ME PLEASE...
If you are new to lilypond I strongly recommend using LilyPondTool (http://lilypondtool.organum.hu), while it is mainly aimed at Windows users (because the installation of java is the most simple on that platform), it works perfectly well on Linux. Bert ps For me please do top-post if you like, because I mainly read email on a mobile connection, getting only the first 4K of mails :-) pps There are strong arguments for and against top-posting, so I don't want to start a flame. Mark Knoop írta: > Marco wrote: > >> I thank you for your help, but I'm not so expert to do all what you said... >> > > Hi Marco, > > Firstly, make sure you keep replying to the list - other people may have > ideas to help you, and others may be helped by this thread. > > Secondly, please don't top-post. > > A: Because it messes up the order in which people normally read text. > Q: Why is top-posting such a bad thing? > A: Top-posting. > Q: What is the most annoying thing in e-mail? > > http://en.wikipedia.org/wiki/Top-posting > > More below... > > >> I'm a Ubuntu user and I'm not very able working in the command line: >> for example what is gconf and what have I to do (and where: command line, >> emacs, elsewhere?), >> what is the logfile I have to uncomment? >> what have I to do with the code you have written () and >> the file you attached ? >> ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Point and click: HELP ME PLEASE...
Marco wrote: > I thank you for your help, but I'm not so expert to do all what you said... Hi Marco, Firstly, make sure you keep replying to the list - other people may have ideas to help you, and others may be helped by this thread. Secondly, please don't top-post. A: Because it messes up the order in which people normally read text. Q: Why is top-posting such a bad thing? A: Top-posting. Q: What is the most annoying thing in e-mail? http://en.wikipedia.org/wiki/Top-posting More below... > I'm a Ubuntu user and I'm not very able working in the command line: > for example what is gconf and what have I to do (and where: command line, > emacs, elsewhere?), > what is the logfile I have to uncomment? > what have I to do with the code you have written () and > the file you attached ? OK, firstly I'll describe the two files in a bit more detail. The first is an XML file (your email client may just display it in the message, not as an attachment). Save it somewhere (on your desktop will be fine) as '/home//textedit-url-handler.schemas' where is your linux username. The second file is a Bash shell script which accepts the point-and-click url from Evince and turns it into a form that is usable by a text editor - in my case gvim. Save this file as '/home//bin/textedit_url.sh'. You may need to create the 'bin' directory. Then open a terminal (command-line) and enter the command: gconftool-2 --install-schema-file=~/textedit-url-handler.schemas Then open the Bash script for editing in emacs. The # character designates comments in bash - lines starting with # are ignored. Remove the # from the start of the lines which include the word 'logfile', i.e. lines 7, 8, 26, 52. Then go to line 47 - comment out (i.e. insert a # at the beginning of) the next three lines: #KEYS=":${LINENUM}${STARTPOS}|" #gvim --remote $FILENAME #gvim --remote-send $KEYS and add this line: emacsclient --no-wait +${LINENUM}:${STARTPOS} $FILENAME Save the file. In your terminal window, enter the following: touch ~/textedit_url.log tail -f ~/textedit_url.log Then open a lilypond pdf in evince, and try clicking on one of the notes. There should be some output in the terminal window which is logging the script, and hopefully emacs should open. Let us know how you go. (An excellent introduction to Bash scripting is here: http://www.faqs.org/docs/abs/HTML/index.html) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Optional Notes (Small noteheads)
If you look in the index of the user manual (called "LilyPond index" for some silly reasons), and search for "small", you will find the relevant section "Selecting notation font size". The easiest is to write \small c'' \normalsize /Mats Quoting Marcus Brinkmann <[EMAIL PROTECTED]>: At Mon, 11 Jun 2007 16:29:25 -0700 (PDT), MusicallyForbidden <[EMAIL PROTECTED]> wrote: In some pieces of choral music, optional notes are indicated by a smaller-than-normal notehead. How is this achieved? Thank you! \tweak #'font-size #-4 c'' Greetings, Marcus ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fonts in SVG output
> It is little difficult for me. I have in directory > ~/.fonts no fonts. There is only any file named fonts.dir. > Is it necessary copy fonts into this directory from > other one? Will Inscape prefer fonts from this directory? Sorry, I don't use linux (yet ;-). I guess ~/fonts is "where linux stores the font files", but I don't know exactly what it is. In windows this is a folder named "c:\windows\fonts". I have all the lilypond otf font files here and inkscape just finds them there. I don't know how inkscape finds the fonts under linux, or how to configure it. Perhaps some linux user can tell you more about that. See more in this thread: http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00194.html Greetings, Vincent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: same font in stanzas and latex.
At Tue, 12 Jun 2007 12:08:25 +0200, Sebastian Menge <[EMAIL PROTECTED]> wrote: > Im still a newbie in lilypond, though i've type set about 5 pieces. but > anyway... > > I want to make a small booklet for my marriage with all the hymns and > songs and additional text (title, preface, program, thankyous etc) > > We (actually my wife) have typeset the songs, as you can see in the > attachment. It looks ok for us. But now we want that the fonts of the > stanzas and the normal latex text are the same. How can we do that? I am not sure I am following you exactly, but what I did in LaTeX with Lilypond-Book is: \usepackage{newcent} At 10pt, this seems to match the stanza font that Lilypond uses. Thanks, Marcus ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\raise in markup glitch (was: Re: Pre-Release: Slave Songs of the United States)
At Tue, 12 Jun 2007 10:42:54 +0200, "Dominic Neumann" <[EMAIL PROTECTED]> wrote: > > Hi, > > in song No. 27 the markup text "Variation second." is placed too low, > so it´s directly printed onto the notes. Thanks. My work around apparently stopped working. The problem is that this does not work: d'16^\markup { \raise #1 \italic { Variation second. } } and this doesn't work either (that's in the 1.0 ALPHA): d'16^\markup { "" \raise #1 \italic { Variation second. } } I changed it now to the following, which works: d'16^\markup { " " \raise #1 \italic { Variation second. } } There must be a better way to do this, though. > And why are there bar numbers on some systems and on others not. For > example, in song 39 only system two and four are printed WITH bar > numbers, the others not. In other songs (e.g. No. 41) every system > (except the first) has bar numbers. Why? This happens when a bar is split across a line break. I do this fairly often, sometimes because that's also what the original book has, see for example: http://docsouth.unc.edu/church/allen/ss3.jpg, and sometimes because it makes for much better line breaks overall, at least to my taste. Is splitting bars across line breaks at the beginning of verses considered bad style? In singing practice it may be a problem realizing that there is a split, although it seems to me that if a song starts with a partial, it's clear that verses should start with a partial as well. I fixed the bar numbering in 040 though, where Lilypond's bar counter seems to get quite confused. There may be more problems like that, I'll make myself a note to review the bar numbering of the songs. Thanks for pointing it out! Marcus ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Point and click: HELP ME PLEASE...
Marco wrote: > I use Lilypond to write music. The manual says that there exist a funcion > called point and click that allows clicking on the .pdf file to find the > line in the .ly file. > It is not clear how to set the parameters. I use: > emacs as editor, > evince as pdf viewer, > xdvi as dvi viewer, > but even I looked for solution I have never succeeded. > Please help me (I'm a beginner of both Lilypond and Linux), > Marco. Evince ignores the embedded textedit:// urls by default, but you can tell it via gconf to pass them to whatever you like. Apply the attached gconf schema file with: gconftool-2 --install-schema-file=textedit.schemas And save the attached script in ~/bin/ (don't forget to make it executable. I use gvim as my editor, so you'll have to make some changes to use it with emacs. It should be fairly self-explanatory - let me know if you need any help. Emacs users might have some tips too... If you uncomment the lines with 'logfile', the script will record your clicks to a log - useful for debugging. Cheers, Mark -- Mark Knoop /schemas/desktop/gnome/url-handlers/textedit/command /desktop/gnome/url-handlers/textedit/command string ~/bin/textedit_url.sh %s The handler for textedit urls The command used to handle textedit URLs, if enabled. /schemas/desktop/gnome/url-handlers/textedit/enabled /desktop/gnome/url-handlers/textedit/enabled bool true Whether the specified command should handle textedit URLs True if the command specified in the "command" key should handle textedit URLs. textedit_url.sh Description: application/shellscript ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
same font in stanzas and latex.
Hi Im still a newbie in lilypond, though i've type set about 5 pieces. but anyway... I want to make a small booklet for my marriage with all the hymns and songs and additional text (title, preface, program, thankyous etc) We (actually my wife) have typeset the songs, as you can see in the attachment. It looks ok for us. But now we want that the fonts of the stanzas and the normal latex text are the same. How can we do that? And perhaps some of you have additional ideas howto improve the lilypond code, im not really happy with it ... TIA, Sebastian. \version "2.10.5" #(set-default-paper-size "a5") \header { title = "Heilig" tagline = "" } global = { \time 3/4 \key f \major } melodyA = { \relative f' { a2 a4 g2 a4 bes2. a2. g2 g4 g2 a4 f2.( g2) r4 a2 a4 g2 a4 bes2. a2. g2 g4 g2 a4 f2.( f4) r2 c'2 c4 c2 c4 d2. bes 2. bes2 c4 a2 f4 g2.( g4) r2 a2 a4 g2 f4 bes2. a2. d2 g,4 g2 a4 f2. ( f4) r2 \bar "|." } } % ende A stropheEinsA = \lyricmode { \set stanza = "1. " Hei -- lig, hei -- lig, hei -- lig, hei -- lig ist der Herr! Hei -- lig, hei -- lig, hei -- lig, hei -- lig ist nur Er! Er, der nie be -- gon -- nen, Er, der im -- mer war, e -- wig ist und wal -- tet, sein wird im -- mer -- dar. } << \new Voice = "teila" { \global \melodyA } \new Lyrics \lyricsto "teila" \stropheEinsA >> \markup{\override #'(font-size . 1) \column { \line {2. Heilig, heilig, heilig, / heilig ist der Herr! /} \line {Heilig, heilig, heilig, / heilig ist nur Er! /} \line {Allmacht, Wunder, Liebe, / Alles rings umher! /} \line {Heilig, heilig, heilig, / heilig ist der Herr!} } } \layout { indent = #0 line-width = #120 }___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pre-Release: Slave Songs of the United States
On Tuesday 12 June 2007 15:09, Marcus Brinkmann wrote: > Hi, > > I am happy to give you a sneak preview to my ambitious music notation > project based on Lilypond 2.10, a digital edition of the 1867 song book: > > The Slave Songs of the United States > Edited by: William Francis Allen, Charles Pickard Ware and Lucy McKim > Garrison Cool! I haven't had a look at the source, but in the variation to number 26, the first bar has an extra quaver and the third bar needs another quaver. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pre-Release: Slave Songs of the United States
Hi, in song No. 27 the markup text "Variation second." is placed too low, so it´s directly printed onto the notes. And why are there bar numbers on some systems and on others not. For example, in song 39 only system two and four are printed WITH bar numbers, the others not. In other songs (e.g. No. 41) every system (except the first) has bar numbers. Why? /Dominic 2007/6/12, Marcus Brinkmann <[EMAIL PROTECTED]>: Hi, I am happy to give you a sneak preview to my ambitious music notation project based on Lilypond 2.10, a digital edition of the 1867 song book: The Slave Songs of the United States Edited by: William Francis Allen, Charles Pickard Ware and Lucy McKim Garrison All type-setting of the original 1867 text is finished and in very good shape. Future improvements will be done in other areas, like a new preface, illustrations, MIDI files, etc. This pre-release, although quite usable in its own right, is particularly directed at people who might be willing to take a look at the source code and tell me what I could do better. Lilypond does an excellent job on these songs, and only few manual tweaks were necessary. Some tweaks may be the result of my lack of understanding of Lilypond internals. The whole book contains 136 songs, each about 1 DIN A5 page on average. The build tree produced by lilypond-book is over 700 MB (!) strong, I suspect because the required fonts are copied into each EPS file (can this be improved?). This book is a very important historic document, not only as a document of the harm inflicted upon a people by slavery, but also as evidence for the roots of much of our contemporary music, from Blues to Jazz. It may also be useful to serve as an example for how to use Lilypond in a large-scale song book project, although there is lots of room for improvement. If you have any suggestions, please drop me a note at <[EMAIL PROTECTED]>. You can find more information below and at: http://www.marcus-brinkmann.de/slave-songs.html I want to thank the Lilypond team, without whom this work would not have been possible at all! Kind regards, Marcus Brinkmann The PDF file and the source: http://www.marcus-brinkmann.de/slave-songs-1.0-alpha.pdf http://www.marcus-brinkmann.de/slave-songs-1.0-alpha.tar.gz The song list: 1. Roll, Jordan, roll 2. Jehovah, Hallelujah 3. I hear from Heaven to-day 4. Blow your trumpet, Gabriel 5. Praise, member 6. Wrestle on, Jacob 7. The Lonesome Valley 8. I can't stay behind 9. Poor Rosy 10. The Trouble of the World 11. There's a meeting here to-night 12. Hold your light 13. Happy Morning 14. No man can hinder me 15. Lord, remember me 16. Not weary yet 17. Religion so sweet 18. Hunting for the Lord 19. Go in the wilderness 20. Tell my Jesus ``Morning.'' 21. The Graveyard 22. John, John, of the Holy Order 23. I saw the beam in my sister's eye 24. Hunting for a city 25. Gwine follow 26. Lay this body down 27. Heaven bell a-ring 28. Jine 'em 29. Rain fall and wet Becca Lawton 30. Bound to go 31. Michael row the boat ashore 32. Sail, O believer 33. Rock o' Jubilee 34. Stars begin to fall 35. King Emanuel 36. Satan's Camp A-Fire 37. Give up the world 38. Jesus on the Waterside 39. I wish I been dere 40. Build a house in Paradise 41. I know when I'm going home 42. I'm a trouble in de mind 43. Travel on 44. Archangel, open the door 45. My body rock 'long fever 46. Bell da ring 47. Pray all de member 48. Turn sinner, turn O 49. My army cross over 50. Join the angel band 51. I an' Satan had a race 52. Shall I die? 53. When we do meet again 54. The White Marble Stone 55. I can't stand the fire 56. Meet, O Lord 57. Wai', Mr.~Mackright 58. Early in the morning 59. Hail, Mary 60. No more rain fall for wet you 61. I want to go home 62. Good-bye, brother 63. Fare ye well 64. Many thousand go 65. Brother Moses gone 66. The Sin-sick Soul 67. Some Valiant Soldier 68. Hallelu, Hallelu 69. Children do linger 70. Good-bye 71. Lord, make me more patient 72. The Day of Judgment 73. The Resurrection Morn 74. Nobody knows the trouble I've had 75. Who is on the Lord's side 76. Hold out to the end 77. Come go with me 78. Every hour in the day 79. In the mansions above 80. Shout on, children 81. Jesus, won't you come by-and-by? 82. Heave away 83. Wake up, Jacob 84. On to Glory 85. Just Now 86. Shock along, John 87. Round the corn, Sally 88. Jordan's Mills 89. Sabbath has no end 90. I don't feel weary 91. The Hypocrite and the Concubine 92. O shout away 93. O'er the Crossing 94. Rock o' my Soul 95. We will march thro' the valley 96. What a trying time 97. Almost Over 98. Don't be weary, traveller 99. Let God's saints come in 100. The Golden Altar 101. The Winter 102. The Heaven Bells 103. The Gold Band 104. The Good Old Way 105. I'm going home 106. Sinner won't die
Point and click: HELP ME PLEASE...
I use Lilypond to write music. The manual says that there exist a funcion called point and click that allows clicking on the .pdf file to find the line in the .ly file. It is not clear how to set the parameters. I use: emacs as editor, evince as pdf viewer, xdvi as dvi viewer, but even I looked for solution I have never succeeded. Please help me (I'm a beginner of both Lilypond and Linux), Marco. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user