Re: Funny line breaking behavior with time signatures
when I try to force a time signature at the beginning of every line, I get an extra floating one at the end of every line, I was not very simple for me to find the right syntaxe for vectors, but finally i found a predefined value end-of-line-invisible : \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible You can put this line just after the \time 6/8. Gilles NB It works with my version 2.10.25 and i hope it will work with your old version. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
connecting a arpeggio
Dear readers,
How do i connect a arpeggio between 2 voices?
case:
staffClassicalGuitar = \new Staff {
\set Staff.connectArpeggios = ##t
\relative c' {
{ e' b gis!\arpeggio }
\\ { e,\arpeggio }
}
}
~ End
This does not work.
Kind Regards,
Peter
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Re: connecting a arpeggio
Hi Peter,
On 8/3/07, Peter Terpstra [EMAIL PROTECTED] wrote:
How do i connect a arpeggio between 2 voices?
Add the Span_arpeggio_engraver to your Staff context, i.e.
\score {
\staffClassicalGuitar
\layout {
\context { \Staff
\consists Span_arpeggio_engraver
}
}
}
Regards,
Neil
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Re: connecting a arpeggio
The only solution I found was to use an invisible chord to attach the
arpeggio symbol to. In previous versions, it was possible to hide/unhide
some notes of a chord, and there was no need to use a third voice, but that
does not work anymore.
Regards,
- Original Message -
From: Peter Terpstra [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Friday, August 03, 2007 17:29
Subject: connecting a arpeggio
Dear readers,
How do i connect a arpeggio between 2 voices?
case:
staffClassicalGuitar = \new Staff {
\set Staff.connectArpeggios = ##t
\relative c' {
{ e' b gis!\arpeggio }
\\ { e,\arpeggio }
}
}
~ End
This does not work.
Kind Regards,
Peter
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Re: connecting a arpeggio
2007/8/3, Peter Terpstra [EMAIL PROTECTED]: Thank you very much, this works!, but with the \set Staff.connectArpeggios = ##t option. Absolutely; I guess you found http://lsr.dsi.unimi.it/LSR/Item?id=294 in the LSR Regards, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: scaling problem
If you want a foolproof solution, define a markup-command, that
constructs the brackets, and adjusts lengths with the magstep of
font-size.
I've done that already (see below). However, I wasn't able to adjust
the extra-offset parameter in a scaled way. Can you help?
Werner
==
#(define-markup-command (vbracket layout props vsize xoff yoff)
(number? number? number?)
A left vertical bracket.
(let* ((mag (magstep (chain-assoc-get 'font-size props 0)))
(vb (interpret-markup
layout
props
(markup #:stencil (ly:stencil-translate
(ly:bracket Y (cons 0 (* mag vsize))
(* mag 0.2) (* mag 1))
(cons (* mag xoff) 0))
vb))
\new Staff \with {
fontSize = #-4
\override StaffSymbol #'staff-space = #(magstep -4)
}
{
% compare this
c''-\tweak #'extra-offset #'(2 . 6)
-\markup \stencil #(ly:bracket Y '(0 . 5) 0.2 1)
% with this
c''-\markup \vbracket #5 #2 #6
}
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Re: scaling problem
2007/8/3, Werner LEMBERG [EMAIL PROTECTED]: If you want a foolproof solution, define a markup-command, that constructs the brackets, and adjusts lengths with the magstep of font-size. I've done that already (see below). However, I wasn't able to adjust the extra-offset parameter in a scaled way. Can you help? extra-offset is scaled by the staff-space of the StaffSymbol, so you should be able to use \tweak with extra-offset for \vbracket. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Figured Bass - accidentals too small
Hi all, I don't like the tiny accidentals which are created f.e. by _! or _+ in figuredBass mode. I tried tweaking the font size in BassFigure object, however this increases the numbers too. Is there a way to get only the accidentals bigger? By the way, I would like to use the symbol for raised sixths, fourths etc., which is much more common in baroque scores than number and + or #. It lookes like the note has a small tick at it's top. Maybe anyone has already extended the font for this reason. Any advice would be great. Michael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: scaling problem
However, I wasn't able to adjust
the extra-offset parameter in a scaled way. Can you help?
extra-offset is scaled by the staff-space of the StaffSymbol, so you
should be able to use \tweak with extra-offset for \vbracket.
Hmm, have a look at the attached image. Something doesn't work as
expected...
Is it possible that there is still some vertical space inserted
somewhere? I tried to set both `padding' and `staff-padding' to zero
(using \tweak), but this has no effect.
In general, it would be great to have a `\scaledMarkup' command which
takes the size of the staff into account to which the markup is
attached.
Werner
==
#(define-markup-command (vbracket layout props vsize xoff)
(number? number?)
A left vertical bracket.
(let* ((mag (magstep (chain-assoc-get 'font-size props 0)))
(vb (interpret-markup
layout
props
(markup #:stencil (ly:stencil-translate
(ly:bracket Y (cons 0 (* mag vsize))
(* mag 0.2) (* mag 1))
(cons (* mag xoff) 0))
vb))
\new Staff \with {
fontSize = #-6
\override StaffSymbol #'staff-space = #(magstep -6)
}
{
c''-\tweak #'extra-offset #'(0 . 6)
-\markup \vbracket #5 #2
}
\new Staff \with {
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
{
c''-\tweak #'extra-offset #'(0 . 6)
-\markup \vbracket #5 #2
}
{
c''-\tweak #'extra-offset #'(0 . 6)
-\markup \vbracket #5 #2
}
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Re: Figured Bass - accidentals too small
Hi Michael,
On 8/3/07, Michael Käppler [EMAIL PROTECTED] wrote:
Hi all,
I don't like the tiny accidentals which are created f.e. by _! or _+
in figuredBass mode.
I tried tweaking the font size in BassFigure object, however this
increases the numbers too. Is there a way to get only the accidentals
bigger?
There's probably a more elegant solution, but the simplest way would be to
create macros for the larger accidentals, e.g.
sh = \markup { \large \sharp }
which you can use instead of the standard notation:
6 \sh
Regards,
Neil
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part-wise vs. time-wise
Hi, I am new to lilypond and I have a very basic question - is there any way to encode a composition chronologically, event-by-event? Something like the musicxml time-wise format, where each measure is defined one voice at a time before going on to the next measure. Or is the \score statement necessarily a complete rundown of each part, one at a time? If so, is there a workaround? Thank you, Sandeep ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: part-wise vs. time-wise
See 6.4.9 Writing music in parallel. - Graham Thomas Aquinas wrote: Hi, I am new to lilypond and I have a very basic question - is there any way to encode a composition chronologically, event-by-event? Something like the musicxml time-wise format, where each measure is defined one voice at a time before going on to the next measure. Or is the \score statement necessarily a complete rundown of each part, one at a time? If so, is there a workaround? Thank you, Sandeep ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
