Use Identifier or Variable for Font Name
Hi! In my template, I have a couple of lines like this one: \override X #'font-name = #FF Where XXX is some object and is the font i choose. I would like to use a global identifier or variable for the font name, so that I can write %Definitions FontName = #FFF ... %The rest \override X #'font-name = \FontName This does not work, however, I tried many different configuration, also scheme music functions, nothing worked. Does anybody have an idea? Thanks! ALEXander. -- View this message in context: http://www.nabble.com/Use-Identifier-or-Variable-for-Font-Name-tf4717387.html#a13485290 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Use Identifier or Variable for Font Name
LilyPond variables are also available as Scheme variables: FontName = #FFF \override TextScript #'font-name = #FontName /Mats wackazong wrote: Hi! In my template, I have a couple of lines like this one: \override X #'font-name = #FF Where XXX is some object and is the font i choose. I would like to use a global identifier or variable for the font name, so that I can write %Definitions FontName = #FFF ... %The rest \override X #'font-name = \FontName This does not work, however, I tried many different configuration, also scheme music functions, nothing worked. Does anybody have an idea? Thanks! ALEXander. -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music notation
The lilypond-user mailist can answer this in more detail than the bug list, so I have CC'd them. The short answer is that non-programmers can use lilypond without problems, but I do not believe that finale files can be imported to lilypond. The best route is probably musicXML, but I'm not certain if finale can create musicxml files. Cheers, - Graham Steve Sedberry wrote: I've been using Finale Notepad, 2000 version, for the past six years or so and am interested in moving from Windows 98 to an open source operating system. I am interested in using Lilypond and am hoping to import my finale notepad files into the Lilypond program for further editing and printing. Two questions: Since I am not a programmer and cannot fix bugs should I resist the urge to try Lilypond? Can finale notepad files be easily imported into Lilypad? Thank you for your help. Steve Sedberry on the border of Alabama/Georgia, USA ___ bug-lilypond mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/bug-lilypond ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music notation
Am Mittwoch, 31. Oktober 2007 schrieb Graham Percival: The lilypond-user mailist can answer this in more detail than the bug list, so I have CC'd them. The short answer is that non-programmers can use lilypond without problems, but I do not believe that finale files can be imported to lilypond. Exactly, Finale's .mus files cannot be imported into lilypond. The best route is probably musicXML, but I'm not certain if finale can create musicxml files. Finale can create MusicXML files, but Finale Notepad cannot. MusicXML import (via the musicxml2ly converted, which I'm currently working on) has improved a lot recently and produces fairly decent results in most cases... Cheers, Reinhold -- -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Snap-pizzicato in Liliypond?
Hi, How can I create a snap-pizzicato (aka. Bartok-pizzicato) in lilypond? The articulation should look like the one shown in Wikipedia: http://en.wikipedia.org/wiki/Modern_musical_symbols#Articulation_marks Thanks, Reinhold -- -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Better vertical spacing in 2.11 adversely affects lyric spacing
Is there any possibility to make the spacing algorithm behave differently for Lyrics contexts that are included in a ChoirStaff compared to those that are not? That's the only way I could think of to deduce from the information available in the .ly file if the lyrics should be centered between staves or should be kept close to a single stave. I think its not that easy. I would use ChoirStaff as well for polyphonic music with only one voice per system, but as well I do songs, like the SATB example in de appendix, but with only one voice in the middle. It appeared somehow logical to me to use ChoirStaff for that two. But if we have it well enough documentated, we could have a VocalStaff and a ChoirStaff with different spacing. Till /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-user Digest, Vol 59, Issue 78
Message: 6 From: Till Rettig [EMAIL PROTECTED] Subject: Re: Better vertical spacing in 2.11 adversely affects lyric spacing I think its not that easy. I would use ChoirStaff as well for polyphonic music with only one voice per system, but as well I do songs, like the SATB example in de appendix, but with only one voice in the middle. It appeared somehow logical to me to use ChoirStaff for that two. But if we have it well enough documentated, we could have a VocalStaff and a ChoirStaff with different spacing. I am curious to know whether anyone who does a lot of vocal music (of any variety) actually thinks that the current (2.10) vertical lyric spacing is problematic. Was it changed on its own merit or as part of other changes? Even with the keep-fixed-while-stretching set to ##t to fix the distance from the lower staff, I still altered my engraver-init.ly in 2.11 to match 2.10's, since some of the systems wound up too heavy on the bottom. -- Monk Panteleimon Hermitage of the Holy Cross Wayne, WV, USA [EMAIL PROTECTED] + IC + XC + + + + + NI + KA + ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-user Digest, Vol 59, Issue 78
Monk Panteleimon wrote: I think its not that easy. I would use ChoirStaff as well for polyphonic music with only one voice per system, but as well I do songs, like the SATB example in de appendix, but with only one voice in the middle. It appeared somehow logical to me to use ChoirStaff for that two. But if we have it well enough documentated, we could have a VocalStaff and a ChoirStaff with different spacing. I am curious to know whether anyone who does a lot of vocal music (of any variety) actually thinks that the current (2.10) vertical lyric spacing is problematic. Was it changed on its own merit or as part of other changes? Even with the keep-fixed-while-stretching set to ##t to fix the distance from the lower staff, I still altered my engraver-init.ly in 2.11 to match 2.10's, since some of the systems wound up too heavy on the bottom. I actually LIKE the 2.11 system! But I don't set that much music on the other hand, so maybe there are some situations, that I just don't encounter. But the peace I had begun some time ago on 2.10 and now finished on 2.11 got really enhanced! I am only missing a centered align for piano staves (to put dynamics into) and likewise one for choral music (for the lyrics). Greetings Till ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music notation
Steve Sedberry wrote: I've been using Finale Notepad, 2000 version, for the past six years or so and am interested in moving from Windows 98 to an open source operating system. I am interested in using Lilypond and am hoping to import my finale notepad files into the Lilypond program for further editing and printing. Two questions: Since I am not a programmer and cannot fix bugs should I resist the urge to try Lilypond? Can finale notepad files be easily imported into Lilypad? Thank you for your help. Steve Sedberry on the border of Alabama/Georgia, USA Steve, Just to give some reassurance, I also would not call myself a programmer, but I really appreciate all that Lilypond can do...much more than Finale Notepad. As for bugs, I know there are some, but for what I use it for, they're not an issue. And they seem to get fixed quickly, so if you do happen to find one, be sure to report it. Also, from reading the user lists, there are almost always workarounds. The Lilypond Snippet Repository, the documentation (which is good and getting better) and other helpful users and developers will all help you do anything you could want to do with Lilypond. Welcome! Tim Reeves ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music notation
Later versions of Finale export to musicXML. Check to see if this is supported by a newer version of notepad. If not, you may need to have help from someone working with a full version of Finale. Good luck, Dave Graham Percival-2 wrote: The lilypond-user mailist can answer this in more detail than the bug list, so I have CC'd them. The short answer is that non-programmers can use lilypond without problems, but I do not believe that finale files can be imported to lilypond. The best route is probably musicXML, but I'm not certain if finale can create musicxml files. Cheers, - Graham Steve Sedberry wrote: I've been using Finale Notepad, 2000 version, for the past six years or so and am interested in moving from Windows 98 to an open source operating system. I am interested in using Lilypond and am hoping to import my finale notepad files into the Lilypond program for further editing and printing. Two questions: Since I am not a programmer and cannot fix bugs should I resist the urge to try Lilypond? Can finale notepad files be easily imported into Lilypad? Thank you for your help. Steve Sedberry on the border of Alabama/Georgia, USA ___ bug-lilypond mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/bug-lilypond ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/Re%3A-music-notation-tf4725371.html#a13517719 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music notation
i am also definitely not a programmer, and i really value the quality and control that i get using lilypond (after migrating from finale). it's just a matter of making a paradigm shift from wysiwyg score editting to text-based score engraving. fwiw, i got finale 2000 to work on my linux box under wine without too much hassle. but i never ended up using it once i started learning lilypond... bernie On 10/31/07, notesetter [EMAIL PROTECTED] wrote: Later versions of Finale export to musicXML. Check to see if this is supported by a newer version of notepad. If not, you may need to have help from someone working with a full version of Finale. Good luck, Dave Graham Percival-2 wrote: The lilypond-user mailist can answer this in more detail than the bug list, so I have CC'd them. The short answer is that non-programmers can use lilypond without problems, but I do not believe that finale files can be imported to lilypond. The best route is probably musicXML, but I'm not certain if finale can create musicxml files. Cheers, - Graham Steve Sedberry wrote: I've been using Finale Notepad, 2000 version, for the past six years or so and am interested in moving from Windows 98 to an open source operating system. I am interested in using Lilypond and am hoping to import my finale notepad files into the Lilypond program for further editing and printing. Two questions: Since I am not a programmer and cannot fix bugs should I resist the urge to try Lilypond? Can finale notepad files be easily imported into Lilypad? Thank you for your help. Steve Sedberry on the border of Alabama/Georgia, USA ___ bug-lilypond mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/bug-lilypond ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/Re%3A-music-notation-tf4725371.html#a13517719 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-user Digest, Vol 59, Issue 78
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Mittwoch, 31. Oktober 2007 schrieb Till Rettig: I actually LIKE the 2.11 system! But I don't set that much music on the other hand, so maybe there are some situations, that I just don't encounter. I just tried one of my choir scores (ChoirStaff with two stanzas written between the two staves for SA and TB) with the current git version. The lyrics are tied to the S voice, but in 2.10.x, the lyrics were still centered between the two staves. Now in 2.11, the lyrics seem to be glued to the SA staff (when using ragged-bottom=##f and ragged-last-bottom=##f), so they are quite far away from the TB, which make the scores absolutely unusable for choir use. Here it seems like there is more space between the staves of a system than between two systems. If the staves are not streched, then everything is just fine, only when some stretching happens, then the lyrics stay glued to the staff, and too much spacing is inserted between the staves (instead of between the systems). Cheers, Reinhold - -- - -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFHKRkwTqjEwhXvPN0RAj4eAKC/dkdLEFpArRf5hZNssnPjnfKaYACgmHeu fgKDWz259pxdXs4vxY8sTS4= =HZMx -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Professional LilyPond users?
I'm just wondering (out of simple curiosity) if there are individuals in this forum or elsewhere who are using LilyPond to engrave commercial projects. I'm new to LilyPond but thus far I like what I see. I have entertained the thought of offering LilyPond engraving as a service (after I become much more proficient with it) sometime in the future and wonder if there is anyone currently using this wonderful software in a commercial capacity. Thanks, Dave -- View this message in context: http://www.nabble.com/Professional-LilyPond-users--tf4728783.html#a13521352 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Beginner question
Okay, my musical terms and english isn't good but I will try to explain my problem. I like to have lyrics to the notes and I'm learning this right now in Lilypond. If I want one word to sing in two different notes for example, the notes should be tied of course. But I also want something like an underscore after the word to show the reader that it shall be singed for a long time. Is this possible in Lilypond? An example in an image. The word och in this image have some underscore after it: http://www.bellman.net/noter/fs64.gif -- View this message in context: http://www.nabble.com/Beginner-question-tf4728652.html#a13520911 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Dynamics and arpeggios too close to bar lines
Hi all, It's been a while since I've been on this list, but now with a composition teacher, I'm using Lilypond regularly again. Thus, I have some questions about a few issues that have been bugging me, having to do with music elements too close to or overlapping with bar lines. This is with version 2.10.33. The first of these is arpeggios on the first note of a bar; the arpeggio squishes right up against the bar line, making it hard to read. This problem could be solved by moving to 2.11, which I just tested; however, I'd prefer to stay on the stable branch. Also, my second problem was not solved by 2.11. This relates to dynamics in the Piano centered dynamics template. Hairpins and dynamic marks tend to brush right up against, or even overlap (the mp mark is one of the worst) the bar lines. If there's one tweak involving bar lines that would solve both these problems, then that would be great; however, from a quick look at the reference docs on bar line objects, nothing was obvious. Alternatively, tweaks to the arpeggio objects or the dynamic objects would work instead. Thanks in advance guys! Benedict ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beginner question
Kieren MacMillan wrote:
Hello!
the notes should be tied of course. But I also want something like an
underscore after the word to show the reader that it shall be
singed for a
long time. Is this possible in Lilypond?
Yes: after the lyric, put a double-underscore, e.g., och __
Hope this helps!
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Aha, there should be a space there, okay. :-) Thanks! But one more thing.
That underscore thing in the notation thing, I want it to be shorter. It
streches so long to other notes. For example, in this code, the underscore
between the word och streches to E. I just want it to stretch to under the
second A there.
\version 2.10.33
\score {
\relative c'' {
\key g \major
| a4 ~ a b2 | a4 ~ a e c
| e4 c e f | e4 e8[ c] b2 \bar |: \break
| a'4 b ces bis | a4 b8[ a] f2
| e4 c e f | e4 e8[ c] b2 \break
| a'4 a b2 | a4 a b2
| d,4 e b'8[ a] f4 | e1 \bar |.
}
\addlyrics {
ba -- js och __
}
\addlyrics {
bajs två tre f -- e -- s
}
\layout { }
\midi {}
}
%%% Local Variables:
%%% coding: utf-8
%%% End:
--
View this message in context:
http://www.nabble.com/Beginner-question-tf4728652.html#a13522183
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beginner question
Hello! the notes should be tied of course. But I also want something like an underscore after the word to show the reader that it shall be singed for a long time. Is this possible in Lilypond? Yes: after the lyric, put a double-underscore, e.g., och __ Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beginner question
On 31.10.2007 (18:45), Jocke wrote:
Aha, there should be a space there, okay. :-) Thanks! But one more thing.
That underscore thing in the notation thing, I want it to be shorter. It
streches so long to other notes. For example, in this code, the underscore
between the word och streches to E. I just want it to stretch to under the
second A there.
First of all: notes that are tied together count as one syllable.
Second: the extender should stretch for as many syllables as you
specify, i.e. with single underscores separated by spaces after a
syllable: ba -- ch __ _ _ _ would have an extender stretching under
four syllables. In Jo -- hann __ Se -- ba -- sti -- an the extender
will stretch for as long as that syllable lasts -- in your case, that
would mean over the two tied notes.
However, as you note, it goes one note further, which looks odd. In
this case, the reason for this behaviour seems to be that this is the
last syllable in your lyrics. The docs state that the extender goes
between a syllable and the next one. This does seem to be a minor bug,
though, which may not be of practical consequence, since the case in
your example is probably very rare in practice, but if it's a bug, it
should nevertheless be looked into.
Thirdly: there is a way around this, if you desperately want the
lyrics to end with an extender while there is still music left: use a
phrasing slur a\( a\) instead of the tie a ~ a. That way, the
notes will be counted as two syllables, and when the extender
stretches too far it will still stretch only as far as you want it.
Lastly: watch your mouth; your lyrics aren't exactly appropriate for
such a splendid piece of software, are they ;-)
\version 2.10.33
\score {
\relative c'' {
\key g \major
| a4 ~ a b2 | a4 ~ a e c
| e4 c e f | e4 e8[ c] b2 \bar |: \break
| a'4 b ces bis | a4 b8[ a] f2
| e4 c e f | e4 e8[ c] b2 \break
| a'4 a b2 | a4 a b2
| d,4 e b'8[ a] f4 | e1 \bar |.
}
\addlyrics {
ba -- js och __
}
\addlyrics {
bajs två tre f -- e -- s
}
\layout { }
\midi {}
}
%%% Local Variables:
%%% coding: utf-8
%%% End:
--
View this message in context:
http://www.nabble.com/Beginner-question-tf4728652.html#a13522183
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
C-3PO:
I do believe they think I am some kind of god.
Han Solo:
Well, why don't you use your divine influence and
get us out of this?
C-3PO:
I beg your pardon General Solo, but that just
wouldn't be proper.
Han Solo:
Proper???
C-3PO:
It's against my programming to impersonate a deity.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beginner question
eyolf wrote:
On 31.10.2007 (18:45), Jocke wrote:
Aha, there should be a space there, okay. :-) Thanks! But one more thing.
That underscore thing in the notation thing, I want it to be shorter. It
streches so long to other notes. For example, in this code, the
underscore
between the word och streches to E. I just want it to stretch to under
the
second A there.
First of all: notes that are tied together count as one syllable.
Second: the extender should stretch for as many syllables as you
specify, i.e. with single underscores separated by spaces after a
syllable: ba -- ch __ _ _ _ would have an extender stretching under
four syllables. In Jo -- hann __ Se -- ba -- sti -- an the extender
will stretch for as long as that syllable lasts -- in your case, that
would mean over the two tied notes.
However, as you note, it goes one note further, which looks odd. In
this case, the reason for this behaviour seems to be that this is the
last syllable in your lyrics. The docs state that the extender goes
between a syllable and the next one. This does seem to be a minor bug,
though, which may not be of practical consequence, since the case in
your example is probably very rare in practice, but if it's a bug, it
should nevertheless be looked into.
Thirdly: there is a way around this, if you desperately want the
lyrics to end with an extender while there is still music left: use a
phrasing slur a\( a\) instead of the tie a ~ a. That way, the
notes will be counted as two syllables, and when the extender
stretches too far it will still stretch only as far as you want it.
Lastly: watch your mouth; your lyrics aren't exactly appropriate for
such a splendid piece of software, are they ;-)
\version 2.10.33
\score {
\relative c'' {
\key g \major
| a4 ~ a b2 | a4 ~ a e c
| e4 c e f | e4 e8[ c] b2 \bar |: \break
| a'4 b ces bis | a4 b8[ a] f2
| e4 c e f | e4 e8[ c] b2 \break
| a'4 a b2 | a4 a b2
| d,4 e b'8[ a] f4 | e1 \bar |.
}
\addlyrics {
ba -- js och __
}
\addlyrics {
bajs två tre f -- e -- s
}
\layout { }
\midi {}
}
%%% Local Variables:
%%% coding: utf-8
%%% End:
--
View this message in context:
http://www.nabble.com/Beginner-question-tf4728652.html#a13522183
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
C-3PO:
I do believe they think I am some kind of god.
Han Solo:
Well, why don't you use your divine influence and
get us out of this?
C-3PO:
I beg your pardon General Solo, but that just
wouldn't be proper.
Han Solo:
Proper???
C-3PO:
It's against my programming to impersonate a deity.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thank you! Great answer! Yeah, that bug should really be fixed! Haha, you
know swedish! :-D
--
View this message in context:
http://www.nabble.com/Beginner-question-tf4728652.html#a13522676
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Professional LilyPond users?
I use LilyPond for commercial projects. I typeset songbooks and song sheets primarily for church use. Dominic 2007/11/1, notesetter [EMAIL PROTECTED]: I'm just wondering (out of simple curiosity) if there are individuals in this forum or elsewhere who are using LilyPond to engrave commercial projects. I'm new to LilyPond but thus far I like what I see. I have entertained the thought of offering LilyPond engraving as a service (after I become much more proficient with it) sometime in the future and wonder if there is anyone currently using this wonderful software in a commercial capacity. Thanks, Dave -- View this message in context: http://www.nabble.com/Professional-LilyPond-users--tf4728783.html#a13521352 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
