Re: Moving a volta bracket vertically
Dear Sven,
2008/4/27 Sven Axelsson :
Could someone please tell
me what the current way of moving the volta brackets down, possibly
overlapping the music, would be?
I've been wondering that, too, but I've found no magic bullet so far.
Sometimes I have used extra-offset to lower the VoltaBracket to the
desired level. That, however, takes place after the spacing
calculations have already been made. On tightly set pages this is not
good.
Another way is to use Y-extent and minimum-Y-extent. In this case you
have to calculate (test) the right values for the Y extent and the
height of the bracket. The upside is that this way the spacing
calculations should be correct. See the example.
Question:
Could VoltaBracket be changed in such a way that it would sense the
skyline and lower itself closer to the staff if the stuff would not
collide with the bracket or the volta number?
-Risto
\version 2.11.43
\paper
{
ragged-right = ##t
}
\relative c'
{
\override Score.VoltaBracket #'edge-height = #'(3.0 . 3.0)
\override Score.VoltaBracket #'Y-extent = #'(0 . 0.0)
\override Score.VoltaBracket #'minimum-Y-extent = #'(-0.35 . 0.0)
\repeat volta 2 {
c1
}\alternative {{
c2 c^\f
}{
c2 c \bar |.}}
}
attachment: lowering_volta_bracket.png___
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Re: Moving a volta bracket vertically
The common alignment of the different endings is now handled by the
VoltaBracketSpanner
object, so to move the brackets vertically, you can use
\override Score.VoltaBracketSpanner #'padding = #3 % Default = 1.0
However, if you want to lower it, then you could do as Risto propose,
namely to
modify the Y-extent value, but perhaps it makes more sense to do the
setting on
VoltaBracketSpanner instead of VoltaBracket:
\override Score.VoltaBracketSpanner #'Y-extent = #'(0 . 0)
/Mats
Risto Vääräniemi wrote:
Dear Sven,
2008/4/27 Sven Axelsson :
Could someone please tell
me what the current way of moving the volta brackets down, possibly
overlapping the music, would be?
I've been wondering that, too, but I've found no magic bullet so far.
Sometimes I have used extra-offset to lower the VoltaBracket to the
desired level. That, however, takes place after the spacing
calculations have already been made. On tightly set pages this is not
good.
Another way is to use Y-extent and minimum-Y-extent. In this case you
have to calculate (test) the right values for the Y extent and the
height of the bracket. The upside is that this way the spacing
calculations should be correct. See the example.
Question:
Could VoltaBracket be changed in such a way that it would sense the
skyline and lower itself closer to the staff if the stuff would not
collide with the bracket or the volta number?
-Risto
\version 2.11.43
\paper
{
ragged-right = ##t
}
\relative c'
{
\override Score.VoltaBracket #'edge-height = #'(3.0 . 3.0)
\override Score.VoltaBracket #'Y-extent = #'(0 . 0.0)
\override Score.VoltaBracket #'minimum-Y-extent = #'(-0.35 . 0.0)
\repeat volta 2 {
c1
}\alternative {{
c2 c^\f
}{
c2 c \bar |.}}
}
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=
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: How to stack scripts and textscripts?
Why not typeset all of them with a single \markup:
c^\markup{\column {\natural \musicglyph #scripts.turn \flat }}
/Mats
Peter Chubb wrote:
Hi,
I'm trying to set a turn symbol with a natural sign over it
and a flat sign under it. I tried:
c''^\markup{\natural}^\turn^\markup{\flat}
but the natural and flat signs always turn up next to each other,
and the turn is above both. Any ideas? Playing with script-priority
moves both accidentals, not just one, even with \once.
--
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http://www.ertos.nicta.com.au ERTOS within National ICT Australia
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=
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Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: How to stack scripts and textscripts?
Hi Peter
This is a case where \tweak is needed. All these markups occur at the same
musical moment, so \override affects them all. Also the property to change
is 'outside-staff-priority. This does what you want:
{
c''
-\tweak #'outside-staff-priority #200
^\markup{\natural}
-\tweak #'outside-staff-priority #100
^\turn
-\tweak #'outside-staff-priority #0
^\markup{\flat}
}
Trevor
- Original Message -
From: Peter Chubb [EMAIL PROTECTED]
To: lilypond-user@gnu.org
Sent: Monday, April 28, 2008 6:03 AM
Subject: How to stack scripts and textscripts?
Hi,
I'm trying to set a turn symbol with a natural sign over it
and a flat sign under it. I tried:
c''^\markup{\natural}^\turn^\markup{\flat}
but the natural and flat signs always turn up next to each other,
and the turn is above both. Any ideas? Playing with script-priority
moves both accidentals, not just one, even with \once.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT
gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT
Australia
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Re: Problem with midi2ly
This looks very strange. I just tried midi2ly on Windows XP using version 2.11.44 the other day, and couldn't see any such problems. I seems to recall some problems when running LilyPond in a working directory that's on another disk than the LilyPond installation. Could you please try if it works when you are on C: instead of D:. Do you have any other installation of Python on your computer (it shouldn't matter, normally, but you never know)? However, you may also want to read my general comments on midi2ly at http://lists.gnu.org/archive/html/lilypond-user/2007-12/msg00234.html before spending too much effort on the issue. On the other hand, if you want to exercise your programming skills, trying to make midi2ly more useful and robust could be an excellent exercise. /Mats Rafa del Campo wrote: Hello I have a problem when I type midi2ly albeniz.mid: D:\midi2ly albeniz.mid Traceback (most recent call last): File C:\Archivos de programa\LilyPond\usr\bin\midi2ly.py, line 51, in module import midi ImportError: No module named midi But I have in the same directory midi.dll. Where can I find especific documentation about midi2ly??? Thanks ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: strange problem of variable definition and more error messages
hhpmusic wrote: Hi, I just finished typesetting one of my very early piece. I want to ease the writing when every time using Chinese font ile simfang.ttf, so I put an override font-name line in mydefs.ly. I have defined lots of things used very often in this file. But the log file says this override is wrong. When I used it from time to time in my input file, it's correct Please tell me how to do that? Unfortunately, you cannot define a macro for the markup command in this way. Since the property setting should apply to the following markup, the macro has to be implemented as a new markup command, using the programming interface: #(define-markup-command (simfang layout props arg) (markup?) (interpret-markup layout (prepend-alist-chain 'font-name 仿å®_GB2312 props) arg)) BTW, the log file gives a lot of warnings of cannot find start of (de)crescendo, but all of my \cresc and \dim has corresponding \! signs. There is also a programming error for midi output, which confused me very much! Why? I haven't had the time to investigate why this happens. I just noted that you get the same warnings also if you include the dynamics in a normal Voice context, so it's not the Dynamics context that's the culprit. Unfortunately, warnings like cannot find start of (de)crescendo usually mean that the corresponding dynamics are lost in the output. /Mats SINCERELY Haipeng 免费鸡翅比萨天天抽 http://popme.163.com/link/004062_0424_7216.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: two problems
Itried to unpack the 2.11.44 tarball in Windows using 7-zip, http://www.7-zip.org/ and it worked well (apart from the duplicated files, which I will send a separate bug report on). Perhaps there was some error in the file transfer that caused your problems. For the language of the printouts, check if you have the environment variable LANG (or some other environment variable that seems to be related to language settings) set in your Windows installation. /Mats hhpmusic wrote: Hi, I encountered two problems when using Lilypond on Windows. First, the 2.11.44 documentation tarball seems have problms. I don't know how to build bz2 file using Windows, my way is to unpack the files to a doc folder using Winrar. But the tarball (from the time I began to learn Lily) always has some files duplicated in name, which causes the program asks for rename or ignore from time to time. The tarball this time I got has even serious problem which cause Winrar stops to unpack, saying reading error. Please tell me how to build this tarball correctly? Second, Lilypad always display Chinese characters in a corrupted code. Can I find a way to let it just display English rather than the language my computer's platform is using? REGARDS Haipeng ??QQ?? http://popme.163.com/link/004062_0416_4599.html ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to stack scripts and textscripts?
Peter Chubb wrote:
Mats == Mats Bengtsson [EMAIL PROTECTED] writes:
Mats Why not typeset all of them with a single \markup:
Mats c^\markup{\column {\natural \musicglyph #scripts.turn \flat }}
Because then there's no \turn articulation in the EventChord
structure, so my Midi interpreter doesn't do anything.
OK! Then you have an excellent reason to use the more complicated \tweak
solution.
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Re: In octaves
Bravo Jay!! It works flawlessly!! The commas and single quotes work
perfectly in the \relative blocks and the cautionary accidentals also
work properly now. Thanks so much for your persistence on this as I
don't have the programming wherewithal to do it myself. This is an
*awesome* tool. Thanks!!! :-)
Jon
Jay Anderson wrote:
Let me know how it works!
A couple more changes:
#(define (octave-up m t)
(let* ((octave (1- t))
(new-note (ly:music-deep-copy m))
(new-pitch (ly:make-pitch
octave
(ly:pitch-notename (ly:music-property m 'pitch))
(ly:pitch-alteration (ly:music-property m 'pitch)
(set! (ly:music-property new-note 'pitch) new-pitch)
new-note))
#(define (octavize-chord elements t)
(cond ((null? elements) elements)
((eq? (ly:music-property (car elements) 'name) 'NoteEvent)
(cons (car elements)
(cons (octave-up (car elements) t)
(octavize-chord (cdr elements) t
(else (cons (car elements) (octavize-chord (cdr elements ) t)
#(define (octavize music t)
(let* ((es (ly:music-property music 'elements))
(e (ly:music-property music 'element))
(name (ly:music-property music 'name)))
(cond ((eq? name 'EventChord)
(ly:music-set-property! music 'elements (octavize-chord es t)))
((pair? es)
(for-each (lambda(x) (octavize x t)) es))
((ly:music? e)
(octavize e
music)
octaves = #(define-music-function (parser location arg mus) (integer? ly:music?)
(octavize mus arg))
Now you can do silly things like: \relative c'{ \octaves #2 {c d e f'
g,,} } and it will make the new note two octaves up. I'm not sure why
you'd want that, but it seemed easy enough to do (and takes slightly
less code).
-Jay
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http://www.jonathankulp.com
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Rest and bar measures problems with midi2ly
Hello, I have a problem with midi2ly. When I save a midi file in Sibelius, and then I invoke midi2ly, the translation is ok. But when I record a midi file with my piano and another program I have problem with rests and the bar measures. What can I do?? What files do I have to modify to improve midi2ly Thanks ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Adding notes above drumstaff
Hi everyone - I'm stuck with an issue here. I'm trying to get proper kicks over time notation in lilypond -- essentially small, normal noteheads above a drum staff (where g would be in treble clef). I'm afraid I'm not sure how to go about this. . .and my attempts to alter the cymr notehead to be a regular notehead haven't worked. Is there a simple way to do this that I'm missing? Thanks, Aaron Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Adding notes above drumstaff
Hi Aaron, I'm stuck with an issue here. Do you have a scan/screenshot/picture of what you're looking for? I can't really picture it... and so I won't be able to help much. Cheers, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Adding notes above drumstaff
Hi -
Unfortunately, I don't have anything on the computer as I can't get this to
work and my scanner is broken. . .
See if I can explain better. . .
I want to be able to place something like:
\relative c'' {
g'4 g8 g8 g4. g8
}
Into a drum-staff, to show a rhythm above the staff. At first I thought of
changing the notehead of one of the cymbals to a regular notehead, but I can't
seem to figure out how to do that. g4 of course won't display in a
drum-voice/staff.
Thanks,
Aaron
---
There is no good or evil, there is only the flute -- and those too weak to play
it.
- Original Message
From: Kieren MacMillan [EMAIL PROTECTED]
To: Aaron Morse [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Monday, April 28, 2008 1:23:13 PM
Subject: Re: Adding notes above drumstaff
Hi Aaron,
I'm stuck with an issue here.
Do you have a scan/screenshot/picture of what you're looking for?
I can't really picture it... and so I won't be able to help much.
Cheers,
Kieren.
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Re: Adding notes above drumstaff
Aaron Morse a écrit :
I want to be able to place something like:
\relative c'' {
g'4 g8 g8 g4. g8
}
Into a drum-staff, to show a rhythm above the staff. At first I
thought of changing the notehead of one of the cymbals to a regular
notehead, but I can't seem to figure out how to do that. g4 of course
won't display in a drum-voice/staff.
Thanks,
Aaron
Hi Aaron,
I'm stuck with an issue here.
Do you have a scan/screenshot/picture of what you're looking for?
I can't really picture it... and so I won't be able to help much.
Cheers,
Kieren.
I attach a little template I use sometimes with an example inside.
(\version 2.10.33)
May be you can define one pitch from the list which is an extract of
drumpitch-init.ly
Here i've changed the guiro ( = gui )
You haven't to keep all the list. Only the pitch you choose.
Or you make a separate file and put an \include in your work.
Hope this helps
Phil.
\version 2.10.33
% \include /usr/share/lilypond/2.10.33/ly/drumpitch-init.ly
% \include /home/.../0-mydrums-style.ly
% \include /home/.../0-mypercussions-style.ly
\header {
title =
}
#(define mydrums-style '(
(acousticbassdrum () #f -3)
(bassdrum () #f -3)
(sidestick cross #f 1)
(acousticsnare () #f 1)
(snare () #f 1)
(handclap triangle #f 1)
(electricsnare () #f 1)
(lowfloortom () #f -4)
(closedhihat cross stopped 3)
(hihat cross #f 3)
(highfloortom () #f -2)
(pedalhihat cross #f -5)
(lowtom () #f -1)
(openhihat cross open 3)
(halfopenhihat xcircle #f 3)
(lowmidtom () #f 0)
(himidtom () #f 2)
(crashcymbala xcircle #f 5)
(crashcymbal xcircle #f 5)
(hightom () #f 4)
(ridecymbala cross #f 5)
(ridecymbal cross #f 5)
(chinesecymbal mensural #f 5)
(ridebell () #f 5)
(tambourine () #f 6)
(splashcymbal diamond #f 5)
(cowbell triangle #f 5)
(crashcymbalb cross #f 5)
(vibraslap diamond #f 4)
(ridecymbalb cross #f 5)
))
#(define mypercussions-style '(
(tambourine () #f 6)
(lobongo () #f -1)
(openlobongo () open -1)
(mutelobongo () stopped -1)
(hibongo () #f 1)
(openhibongo () open 1)
(mutehibongo () stopped 1)
(loconga () #f -2)
(openloconga () open -1)
(muteloconga () stopped -1)
(hiconga () #f 2)
(openhiconga () open 2)
(mutehiconga () stopped 2)
(hitimbale () #f 1)
(lotimbale () #f -1)
(hiagogo () #f 1)
(loagogo () #f -1)
(cabasa cross #f 6)
(maracas cross #f 0)
(shortwhistle cross staccato -2)
(longwhistle cross tenuto -2)
(shortguiro cross staccato -4)
(longguiro cross tenuto -4)
(guiro cross #f 12)
(cowbell triangle #f 5)
(claves diamond #f 0)
(hiwoodblock () #f -3)
(lowoodblock () #f -4)
(mutecuica diamond open 1)
(opencuica diamond stopped 1)
(triangle cross #f 0)
(opentriangle cross open 0)
(mutetriangle cross stopped 0)
))
pulseone = \drummode {
\time 4/4
\tempo 4 = 120
bd 1
}
pulsetwo = \drummode {
\time 4/4
\tempo 4 = 120
boh 1
}
pulsethree = \drummode {
\time 4/4
\tempo 4 = 120
gui 1 % it's the changed pitch
}
%
\score {
\new DrumStaff \with {
drumStyleTable = #(alist-hash-table mydrums-style)
\override DrumStaff #'TimeSignature #'style = #'()
}
\set Staff.instrumentName = Drums
\override Score.MetronomeMark #'extra-offset = #'(-10 . 2.5)
\pulseone
\new DrumStaff \with {
drumStyleTable = #(alist-hash-table mypercussions-style)
}
\set Staff.instrumentName = \markup{ \column {Bongos
\line {Congas} } \hspace #1.0 }
\new DrumVoice { \pulsetwo }
\override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-8 . 8 )
\new DrumStaff \with {
drumStyleTable = #(alist-hash-table mypercussions-style)
}
\set Staff.instrumentName = \markup{ \column {Percussions
\line {diverses} } \hspace #1.0 }
\new DrumVoice { \pulsethree }
\override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 5 )
\layout {}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Re: Rest and bar measures problems with midi2ly
2008/4/28 Rafa del Campo [EMAIL PROTECTED]: I have a problem with midi2ly. When I save a midi file in Sibelius, and then I invoke midi2ly, the translation is ok. But when I record a midi file with my piano and another program I have problem with rests and the bar measures. What can I do?? What files do I have to modify to improve midi2ly Greetings, this problems must come from the program you're using to record your music (tempo settings, for example?). If you can post a short example from the LilyPond code you get, we may be able to help you. If you know Python programming language, you can also have at the file midi2ly.py, in your LilyPond installation folder. Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Rest and bar measures problems with midi2ly
Valentin Villenave v.villenave at gmail.com writes:
Greetings,
this problems must come from the program you're using to record your
music (tempo settings, for example?).
If you can post a short example from the LilyPond code you get, we may
be able to help you.
If you know Python programming language, you can also have at the file
midi2ly.py, in your LilyPond installation folder.
Cheers,
Valentin
Hi
A example of LilyPond code I get:
--
% Lily was here -- automatically converted by C:\Archivos de
programa\LilyPond\usr\bin\midi2ly.py from output.mid
\version 2.7.18
trackAchannelA = {
\tempo 4 = 60
\time 4/4
\key g \major
}
trackAchannelB = \relative c {
s4*143/24 c'32*5 s32*11 c'4*31/24 s8. g'4*32/24 s4*16/24 |
% 4
g,4*7/24 s4*17/24 e4*7/24 s4*16/24 c16
}
trackA =
\context Voice = channelA \trackAchannelA
\context Voice = channelB \trackAchannelB
trackBchannelA = {
\tempo 4 = 60
\time 4/4
\key g \major
}
trackBchannelB = \relative c {
s4*97/24 c4*5/24 s4*257/24 g'4*5/24 s8. c,4*88/24
}
trackB =
\clef bass
\context Voice = channelA \trackBchannelA
\context Voice = channelB \trackBchannelB
\score {
\context Staff=trackA \trackA
\context Staff=trackB \trackB
}
When I open with Sibelius the file I have recorded in my program the rests and
figure measures is ok.
Only I have to modify midi2ly.py??
Thanks
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Re: Rest and bar measures problems with midi2ly
2008/4/28 Rafa del Campo [EMAIL PROTECTED]: \tempo 4 = 60 \time 4/4 s4*143/24 c'32*5 s32*11 c'4*31/24 s8. g'4*32/24 s4*16/24 | Looks like a problem of tempo/quantization to me. I don't know midi2ly at all (I haven't ever used it actually), but I believe there are people on this list who can (and will) help you... What software did you use to record this as a MIDI file? Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Looking inside markup
Peter == Peter Chubb [EMAIL PROTECTED] writes: Peter On my quest for better MIDI, I'm trying to deal with Peter alterations on a turn. How do I look `inside' a markup Peter sequence? Peter What I've tried is: Peter (let* ((t (ly:music-property e 'text))) Peter (cond Peter ((equal? t (markup #:line (#:flat))) Peter (set! alteration -1/2)) Peter ((equal? t (markup #:line (#:sharp))) Peter (set! alteration 1/2 Peter but this never matches. Turns out that the scheme function (markup ...) always adds an extra #:line so what I should try to match against is (markup #:flat) Then it works. -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
