Re: Double \time change

[Werner LEMBERG]

> > Bartók uses similar things.
> > 
> > 
> > Werner
> 
> [...] The score is 3/4; so probably an error.

I was rather talking about a movement in the Trio for Violin,
Klarinet, and Piano (`Contrasts') which contains a chain of five time
signatures (IIRC) to indicate a complicated Hungarian folk music
rhythm pattern.


Werner


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Re: Double \time change

[sdfgsdhdshd]

Reinhold Kainhofer wrote:
> 
> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in one
> place 
> there are four (!!!) time signatures at the same time (the following
> measures 
> alternate freely between those four time signatures):
> 2/4 3/4 3/8 5/8
> 

Is it available online? just to compare.


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Re: Double \time change

[sdfgsdhdshd]

Werner LEMBERG wrote:
> 
> 
>> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in
>> one place there are four (!!!) time signatures at the same time (the
>> following measures alternate freely between those four time
>> signatures): 2/4 3/4 3/8 5/8
> 
> Bartók uses similar things.
> 
> 
> Werner
> 

The score beginning is (SATB)

|
|
|G clef---3/4---2/4---rest---note---
|
|
|
|
|
|
|F clef---3/4---2/4---rest---chord---
|
|

The score is 3/4; so probably an error.


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Re: adding graphics with external program

[luis jure]

on 2008-07-29 at 11:31 Matthieu Jacquot wrote:

>when you've got your .pdf output from lilypond, to "print in a file" to
>generate a .ps usable in scribus.

it's funny, i tried what you suggest and the file opens, but some
elements are displaced: some noteheads, accidentals and the like are
randomly moved.

if i open a ps file generated by ghostscript directly from the LP
output, this doesn't happen, but the right edge is truncated...

BTW, i haven't been able to open pdf's with scribus, i get some "not
acceptable format" message. i'm using scribus 1.3.3.11 on linux.

i'll keep on trying with inkscape, i'm obviously having some
fonts-related problem. i should try the inkscape forum or mailing list.

anyone lucky using inkscape with files generated by LP?

best,

lj



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Re: adding graphics with external program

[luis jure]

on 2008-07-29 at 04:38 Frederick Dennis wrote:

>Have you tried turning your pdf into bmp's using GhostScript?

not bmp's but png's, and it works, of course. but i'd like to edit the
files in a vector graphics format, if possible. i'm trying to avoid
going to bitmap graphics.

>ps have you noticed something peculiar about
>LilyPond's pdfs when you print multiple copies?

no, what are you referring to? i do have occasional problems when
printing with acroread (on linux), but not particularly with lilypond
files but just any pdf.



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Re: adding graphics with external program

[luis jure]

on 2008-07-28 at 09:16 Stefan Thomas wrote:

>on linux, there is the program pdf-edit available. You can add there
>simple graphice.

thanks for your suggestion, stefan. i did try pdfedit, but i couldn't
make anything useful with it. the buttons to add graphics were grayed
out and i didn't spend too much time reading manuals... it also crashed
a couple of times, so i deduced the software is (still) in an early
stage. perhaps it's just that i didn't know how to use it...

i'll try to insist with inkscape...


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Re: GDP: first public draft, NR 1.4 Repeats

[Graham Percival]

On Tue, 29 Jul 2008 22:45:29 +1000
"Joe Neeman" <[EMAIL PROTECTED]> wrote:

> On Tue, Jul 29, 2008 at 10:10 AM, Graham Percival <[EMAIL PROTECTED]>
> wrote:
> 
> > What else would you propose?  (or are you looking at something
> > else?)
> 
> I was referring to the fact that the "\partial 4*3" in the
> alternative bar is necessary to keep LilyPond's timekeeping happy.
> Now that I read this section again, I see that this is mentioned as a
> known issue. It might still be worth making clear that you have an
> example demonstrating the known issue and its solution.

I certainly won't argue against clarifying a known issue.  Ralph?

Cheers,
- Graham


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Re: broken link

[James E. Bailey]

Am 30.07.2008 um 00:04 schrieb Neil Puttock:


2008/7/29 James E. Bailey <[EMAIL PROTECTED]>:
In 2.8.2.1, Ancient note heads, the link to the  
Gregorian_ligature_engraver

in the IR is broken. It works fine in the big-page version, though.


By `works fine', I assume you mean it doesn't 404. :)



See, that's how language should work.


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Re: Is this possible

[Dominic Neumann]

That´s great! Thank you. Do you know a way to strech the spacing
between the noteheads? Now it looks very ugly, probably because there
are no lyrics attached to it. I already tried to assign "  "-lyrics,
but that wasn´t very good.

Dominic


2008/7/29 Reinhold Kainhofer <[EMAIL PROTECTED]>:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Am Dienstag, 29. Juli 2008 schrieb Reinhold Kainhofer:
>> Am Dienstag, 29. Juli 2008 schrieb Dominic Neumann:
>> > is it possible to typeset the attached gregorian piece in LilyPond? I
>> > could find something similar in the documentation. I need to know what
>> > the command is to produce the vertical lines |..| around a notehead.
>>
> [..]
>> It gives the hint that one can override the note head easily. It does not
>> correctly use them (for 2.11), though:
>>   \override NoteHead  #'style = #'vaticana.linea-punctum
>>
>> A little playing around (and knowing the glyph name) indicates that it
>> should be #'vaticana.linea.punctum. The attached file shows you how to do
>> this.
>
> Update: Instead of forcibly overriding the notehead, there a much better way:
> The docs say that there are prefixes \linea and \cavum, but my first attempts
> didn't show any effect...
>
> The source code shows that these glyphs are only used in the ligature
> engraver, so the command to use linea and cavum needs to be inside a
> ligature!
> The following works just fine:
>
> \new VaticanaVoice {
>  \[ \linea \cavum g \]
>  \[ \linea g\]
> }
>
> Cheers,
> Reinhold
>
>
> - --
> - --
> Reinhold Kainhofer, Vienna University of Technology, Austria
> email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/
>  * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
>  * K Desktop Environment, http://www.kde.org, KOrganizer maintainer
>  * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
> -BEGIN PGP SIGNATURE-
> Version: GnuPG v1.4.6 (GNU/Linux)
>
> iD8DBQFIj48TTqjEwhXvPN0RAuHAAJ41wOqQCr972zLdD4Ky7sHqxBZf3gCgjZyP
> Kk4HusJ2kZV2wdEoyc2FZVI=
> =VtUT
> -END PGP SIGNATURE-
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>
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Re: Tie control-points delete another tie

[Trevor Bača]

On Tue, Jul 29, 2008 at 5:25 PM, Trevor Daniels <[EMAIL PROTECTED]>wrote:

> Marco
>
> Here's a further solution to your problem which demonstrates how to use
> \tweak to change the shape of one tie within a chord.  Thanks to Han-Wen for
> showing how this should be done.  I've made a note to add this to the docs.
>
> \new Staff <<
>  \key f \major \time 6/8
>  \new Voice {
>   \voiceOne
>   \relative c' {
> 4. 4 8
>-\tweak #'control-points
> #'((1.75 . -0.5) (2.5 . 0.75) (8 . 2) (13.5 . -1.2))
>   -~ d'~>4.
> 4 8
>   }
>  }
>  \new Voice {
>   \voiceTwo
>   \relative c'' {
> a8 a16 a a8 a a a
> a8 a16 a a8 a a a
>   }
>  }
>
>>

That's nifty.

Would it be worth a page somewhere in manual just on uses of \tweak?
Notehead properties within a chord are the obvious example. Formatting
nested tuplet brackets that begin at the same moment is another really good
use of \tweak. And now the tie control points.

Maybe the different \tweaks should appear in the relevant sections of the
manual concerning the object of the tweak -- in chords, tuplets, ties, etc.
But it just seems like a small page on the uses of \tweak could be
structurally enlightening.



-- 
Trevor Bača
[EMAIL PROTECTED]
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Re: Vertical Stretching of Groups

[Trevor Bača]

2008/6/15 Frederick Dennis <[EMAIL PROTECTED]>

>
>
> Dear All,
> Regarding vertical stretching of staves, have you looked at Trevor Bača's
> "Controlling vertical spacing exactly - mini HOWTO"
> in which he says:
> 1. First, it seems that there are two *different* models for
> controlling vertical spacing, which we might term "permissive" and
> "strict", respectively. The first model corresponds roughly to chapers
> 11.3.1 and 11.3.3, and concerns overrides to VerticalAxisGroup and
> settings in the paper block like
>
>   \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
>
>   \paper {
>  between-system-space = 1.5\cm
>  between-system-padding = #1
>  ragged-bottom=##f
>  ragged-last-bottom=##f
>   }
>
> My analysis of this type of vertical spacing control is that what
> we're really doing here is mostly setting *padding* in different
> guises. We're not really saying "this staff should be so far away from
> this other staff; and then this system should be so far away from this
> other system further down the page". Instead we're saying "I want at
> least this much padding between these staves or between these systems;
> beyond those padding specifications, just let Lily figure out what to
> do." So we might term this padding-based way of thinking about
> vertical spacing something like "permissive". And an interesting
> characteristic of this way of tweaking vertical spacing is that -- I
> think -- you can *not* cause staves or systems to *overlap*. And this
> relates to the primary disadvantage of using VerticalAxisGroup
> overrides (and paper and margin adjustments) to control vertical
> spacing: it can sometimes seem frustratingly difficult to draw staves
> or systems close enough together.[1]
>
> [1] Feel free to contradict me here; Is it possible to cause staff- or
> system-overlaps using the commands given in 11.1 and 11.3? And maybe I
> was alone in my experience of feeling frustrated trying to game
> VerticalAxisGroup to move staves closer together.
>
> The second model for controlling vertical spacing centers around
> NonMusicalPaperColumn line-break-system-details, is very lightly
> touched on in 11.4, and concerns commands like:
>
>   \overrideProperty
> #"Score.NonMusicalPaperColumn"
> #'line-break-system-details
> #'((alignment-offsets . (0 -5 -20)))
>
> \overrideProperty #"Score.NonMusicalPaperColumn"
> #'line-break-system-details #'((Y-offset . 20)
> (alignment-offsets . (0 -15)))
>
>   \overrideProperty
>   #"Score.NonMusicalPaperColumn"
>   #'line-break-system-details
>   #'((fixed-alignment-extra-space . 15))
>
> These overrides to line-break-system-details might be termed the
> "strict" (or "control freak") approach to vertical spacing (as opposed
> to the traditional, more "permissive" approach) because what we're
> doing with these settings is saying "I want control here; start this
> staff at exactly this vertical offset and then start this staff at
> this vertical offset and finally put this staff at this vertical
> offset; the vertical spacing that results is whatever results and I
> don't even care if there are overlaps; just do what I say; oh and same
> with the systems, too". If we want to be precise, we might even point
> out that these overrides to line-break-system-details don't so much
> control the spacing *between* staves and systems so much as the exact
> vertical *positions at which* staves and systems begin on the page
> (with the vertical spacing just a side-effect of these explicit
> positioning commands).
>
> The advantages and disadvantages to the line-break-system-details
> approach to vertical spacing are pretty much what we would expect
> versus the VerticalAxisGroup approach: line-break-system-details makes
> it extremely easy to draw staves and system quite close to each other
> but does indeed allow for staff or system overprinting.
>
> So, to sum up this first point: it seems to me that there are two
> different approaches to controlling vertical spacing: by
> VerticalAxisGroup + paper settings or else by
> line-break-system-details. These two methods aren't so much at odds
> with each other as in a kind of cascade relationship: you can make
> whatever VerticalAxisGroup + paper settings you want, but any
> overrides to line-break-system-dettails will have the last say. Seems
> relatively important to keep the relationship between these
> "permissive" and "strict" approaches in mind to see what your vertical
> spacing tweaks are really doing in any one particular score.
>
> (One last parenthetical distinction is this: overrides to
> VerticalAxisGroup will almost always be context-global and appear in
> the with-block whereas overrides to line-break-system-details will
> almost always appear inter alia in the middle of music input just
> after an explicit \break command. So this suggests that maybe
> "permissive" and "strict" might also be termed "global" and "local"
> ... 

Re: Tie control-points delete another tie

[Trevor Daniels]

Marco

Here's a further solution to your problem which demonstrates how to use 
\tweak to change the shape of one tie within a chord.  Thanks to Han-Wen for 
showing how this should be done.  I've made a note to add this to the docs.


\new Staff <<
 \key f \major \time 6/8
 \new Voice {
   \voiceOne
   \relative c' {
 4. 4 8
 4.
 4 8
   }
 }
 \new Voice {
   \voiceTwo
   \relative c'' {
 a8 a16 a a8 a a a
 a8 a16 a a8 a a a
   }
 }




Trevor



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Re: broken link

[Neil Puttock]

2008/7/29 James E. Bailey <[EMAIL PROTECTED]>:
> In 2.8.2.1, Ancient note heads, the link to the Gregorian_ligature_engraver
> in the IR is broken. It works fine in the big-page version, though.

By `works fine', I assume you mean it doesn't 404. :)

The link should go to the Vaticana_ligature_engraver; the
Gregorian_ligature_engraver is its parent class, and as such has no
automagically generated documentation.

Regards,
Neil


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broken link

[James E. Bailey]

In 2.8.2.1, Ancient note heads, the link to the  
Gregorian_ligature_engraver in the IR is broken. It works fine in the  
big-page version, though.



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Re: Is this possible

[Reinhold Kainhofer]

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

Am Dienstag, 29. Juli 2008 schrieb Reinhold Kainhofer:
> Am Dienstag, 29. Juli 2008 schrieb Dominic Neumann:
> > is it possible to typeset the attached gregorian piece in LilyPond? I
> > could find something similar in the documentation. I need to know what
> > the command is to produce the vertical lines |..| around a notehead.
>
[..]
> It gives the hint that one can override the note head easily. It does not
> correctly use them (for 2.11), though:
>   \override NoteHead  #'style = #'vaticana.linea-punctum
>
> A little playing around (and knowing the glyph name) indicates that it
> should be #'vaticana.linea.punctum. The attached file shows you how to do
> this.

Update: Instead of forcibly overriding the notehead, there a much better way:
The docs say that there are prefixes \linea and \cavum, but my first attempts 
didn't show any effect...

The source code shows that these glyphs are only used in the ligature 
engraver, so the command to use linea and cavum needs to be inside a 
ligature! 
The following works just fine:

\new VaticanaVoice {
  \[ \linea \cavum g \]
  \[ \linea g\]
}

Cheers,
Reinhold


- -- 
- --
Reinhold Kainhofer, Vienna University of Technology, Austria
email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/
 * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
 * K Desktop Environment, http://www.kde.org, KOrganizer maintainer
 * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
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Version: GnuPG v1.4.6 (GNU/Linux)

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Kk4HusJ2kZV2wdEoyc2FZVI=
=VtUT
-END PGP SIGNATURE-


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Re: Is this possible

[Reinhold Kainhofer]

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

Am Dienstag, 29. Juli 2008 schrieb Dominic Neumann:
> is it possible to typeset the attached gregorian piece in LilyPond? I
> could find something similar in the documentation. I need to know what
> the command is to produce the vertical lines |..| around a notehead.

While I don't actually know how to set those noteheads, at least the font has 
these glyphs:
- -) noteheads.svaticana.linea.punctum 
- -) noteheads.svaticana.linea.punctum.cavum

So, whoever implemented gregorian chant in lilypond definitely thought of such 
vertically barred noteheads...

A little grepping the source code shows that lilypond really is able to use 
these glyphs.

And then the LSR gem comes in: http://lsr.dsi.unimi.it/LSR/Item?id=86
It gives the hint that one can override the note head easily. It does not 
correctly use them (for 2.11), though:
\override NoteHead  #'style = #'vaticana.linea-punctum

A little playing around (and knowing the glyph name) indicates that it should 
be #'vaticana.linea.punctum. The attached file shows you how to do this.

Cheers,
Reinhold
- -- 
- --
Reinhold Kainhofer, Vienna University of Technology, Austria
email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/
 * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
 * K Desktop Environment, http://www.kde.org, KOrganizer maintainer
 * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
-BEGIN PGP SIGNATURE-
Version: GnuPG v1.4.6 (GNU/Linux)

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qcH5fOJfdF0Ro+CGIKnK/sA=
=AkAJ
-END PGP SIGNATURE-
\include "gregorian-init.ly"
\new VaticanaVoice {
  \override NoteHead  #'style = #'vaticana.linea.punctum
  g
  \override NoteHead  #'style = #'vaticana.linea.punctum.cavum
  g
}


vaticana_linea.pdf
Description: Adobe PDF document
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Re: header and page numbers

[David Bobroff]

Herbert,

Thank you, it did exactly what I needed!

David

Lilypond Mailing List wrote:

This snippet works for me:
have songTitel and myName (like "by MySelf") defined and use:

oddHeaderMarkup = \markup
\fill-line {
 %% force the header to take some space, otherwise the
 %% page layout becomes a complete mess.
 \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

 \on-the-fly #not-first-page { \normalsize \songTitel
 \tiny \myName
 }
  % it is filled... " "
}

evenHeaderMarkup = \markup
\fill-line {
 \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

 \on-the-fly #not-first-page { \normalsize \songTitel
 \tiny \myName
 }
}

Hope that helps
Herbert

As for getting the title instead of the instrument as a running header 
after page one I tried editing titling-init.ly to change:


oddHeaderMarkup = \markup
\fill-line {
  %% force the header to take some space, otherwise the
  %% page layout becomes a complete mess.
  " "
  \on-the-fly #not-first-page \fromproperty #'header:instrument
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

}

evenHeaderMarkup = \markup
\fill-line {
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

  \on-the-fly #not-first-page \fromproperty #'header:instrument
  " "
}

...by changing #'header:instrument to #'header:title

It didn't work.  The odd/even HeaderMarkup simply disappeared.






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Re: header and page numbers

[Lilypond Mailing List]

This snippet works for me:
have songTitel and myName (like "by MySelf") defined and use:

oddHeaderMarkup = \markup
\fill-line {
 %% force the header to take some space, otherwise the
 %% page layout becomes a complete mess.
 \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

 \on-the-fly #not-first-page { \normalsize \songTitel
 \tiny \myName
 }
  % it is filled... " "
}

evenHeaderMarkup = \markup
\fill-line {
 \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

 \on-the-fly #not-first-page { \normalsize \songTitel
 \tiny \myName
 }
}

Hope that helps
Herbert

As for getting the title instead of the instrument as a running header 
after page one I tried editing titling-init.ly to change:


oddHeaderMarkup = \markup
\fill-line {
  %% force the header to take some space, otherwise the
  %% page layout becomes a complete mess.
  " "
  \on-the-fly #not-first-page \fromproperty #'header:instrument
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

}

evenHeaderMarkup = \markup
\fill-line {
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

  \on-the-fly #not-first-page \fromproperty #'header:instrument
  " "
}

...by changing #'header:instrument to #'header:title

It didn't work.  The odd/even HeaderMarkup simply disappeared.



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Re: WikiLily - a lilipond wiki

[Graham Percival]

On Tue, 29 Jul 2008 13:07:09 -0400
Mike Blackstock <[EMAIL PROTECTED]> wrote:

> A couple of us have started a 'lilypond wiki' so that people can
> collaborate on the creation and or editing of lilypond scores.

I hope that you're using safe mode and/or jails, otherwise any
user can execute any command on your system as the wiki user.
Including rm ~ -rf, which would probably hose all previous
contributions to the wiki.

Cheers,
- Graham


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Re: Analysis brackets for lyrics

[Matthieu Jacquot]

Ok, I reply to myself.
I was hesitant to use the "extra-offset" command because I though that it
would generate a lot of collisions but as it seems that the lyrics and the
brackets are attached to the same objects (notes) they move together, great!
a sample code for those who would be interested :

<< \new Voice\with {\consists "Horizontal_bracket_engraver"} {
\override HorizontalBracket #'extra-offset = #'(0 . -4)
 c'4 \startGroup c c, c'\stopGroup }
\new Lyrics \lyricmode
{"a" "a" "a" "a"}
 >> 
http://www.nabble.com/file/p18720025/test.png test.png 
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header and page numbers

[David Bobroff]

I posted a question about putting the title rather than the instrument 
as a running header as well as asking about placing page numbers bottom 
center.  I found a piece of LilyPond code in the docs that would place 
the page numbers at the bottom center:


From 4.1.2 Page formatting

\paper {
  print-page-number = ##t
  print-first-page-number = ##t
  oddHeaderMarkup = \markup \fill-line { " " }
  evenHeaderMarkup = \markup \fill-line { " " }
  oddFooterMarkup = \markup { \fill-line {
 \bold \fontsize #3 \on-the-fly #print-page-number-check-first
 \fromproperty #'page:page-number-string } }
  evenFooterMarkup = \markup { \fill-line {
 \bold \fontsize #3 \on-the-fly #print-page-number-check-first
 \fromproperty #'page:page-number-string } }
}

This certainly puts page numbers bottom center but then the copyright 
notice disappears.  What do I need to do to the above code to get rid of 
 the page number on page 1 (print-first-page-number = ##f will do that 
but the copyright notice is also not displayed) and print the copyright 
notice?


As for getting the title instead of the instrument as a running header 
after page one I tried editing titling-init.ly to change:


oddHeaderMarkup = \markup
\fill-line {
  %% force the header to take some space, otherwise the
  %% page layout becomes a complete mess.
  " "
  \on-the-fly #not-first-page \fromproperty #'header:instrument
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

}

evenHeaderMarkup = \markup
\fill-line {
  \on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

  \on-the-fly #not-first-page \fromproperty #'header:instrument
  " "
}

...by changing #'header:instrument to #'header:title

It didn't work.  The odd/even HeaderMarkup simply disappeared.

Help?

David


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Analysis brackets for lyrics

[Matthieu Jacquot]

Hi all,
I try to use analysis brackets in a lyrics context, the problem seems more
global : how to call a function in a lyrics context? In the code below the
second staff is when bracket is linked to notes, it would be fine if it was
below the lyrics text. Can anybody help me? Thanks in advance.
Matth
So here's the code :

\version "2.11.*"
<< \new Voice { c'4 c' c' c'}
\new Lyrics \with {\consists "Horizontal_bracket_engraver"} 
\lyricmode
{"a" \startGroup "a" "a" "a" \stopGroup }
 >> 

<< \new Voice\with {\consists "Horizontal_bracket_engraver"} { c'4
\startGroup c' c' c'\stopGroup }
\new Lyrics \lyricmode
{"a" "a" "a" "a"}
 >> 
http://www.nabble.com/file/p18719232/test.png 

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Re: WikiLily - a lilipond wiki

[Mike Blackstock]

Oh yeah, for sure, let's role the 2 sites into one somehow.

I have complete control over the wikilily.org server (it's in my office) 
so I can
add wiki extensions and stuff without delay; my job gives me most of the 
day to work

on my own music stuff.

Let me know how you'd like to proceed. Right now, I'm setting up a 
section for guitar
chamber music [the .ly sources for the stuff at 
http://www.blackstock.ca/egroupware/sitemgr/sitemgr-site/?page_name=flute]
and the file structure suggestions at 
http://www.classicalcode.com/wiki/index.php/Path_and_File_Name
is a good model. Other suggested models are the Choral Public Domain 
Library (www.cpdl.org) and the

International Music Scores Library Project at www.imslp.org

Cheers,
Mike

Jordan Eldredge wrote:


This is wonderful. I set up a similar wiki with the idea that it could be a
place to collaborate on transcribing public domain scores. My attempt can be
found at 
http://www.classicalcode.com/wiki/index.php/Wiki_Sheet_Music.
If your wiki would be a good place to do that, I would love to
consolidate
efforts. I also own the domain name www.wikisheetmusic.com which I could
donate to the cause if it would be useful.

 





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Re: adding graphics with external program

[matth]

Isn´t scribus capable of including pdf files directly?

> In my opinion this would be the better way - if it´s possible.
>
> It is but my experience is that scribus seems to have more difficulties to
use .pdf than .ps (I don't know why or even if it's not just with my
version). pdf are imported as a standard image format , with a resolution
etc...
I'm not a scribus expert so I'm maybe wrong,  take it just as a personal
feedback.
Matth
(PS : hope my english is comprehensible)
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Re: WikiLily - a lilipond wiki

[James E. Bailey]

Is this a part of of, or in addition to http://www.lilypondwiki.tuxfamily.org 
 ?

On 29.07.2008, at 19:07, Mike Blackstock wrote:


A couple of us have started a 'lilypond wiki' so that people can
collaborate on the creation and or editing of lilypond scores.

It's at http://draft.wikilily.org and if you have any ideas on how
to implement something, well, just go ahead and do it. It has a
number of extensions already installed - a 'chat', a forums
extension, and the wikitex extension for inline rendering.

Cheers,
Mike



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How to add double barlines to a gregorian chant?

[Dominic Neumann]

Okay, then it breaks already after the fourth note ... this doesn´t help much.
Now I added some more \noBreak commands after other notes and now it
fits into one line.
That´s not what I would call a "clean solution" ... :-/

Dominic


2008/7/29 Thomas Scharkowski <[EMAIL PROTECTED]>:
> I don't have an annswer, but just ad a \noBreak after the c.
> Thomas
>
>> Thanks for your quick answer - it works good!
>>
>> Now I´ve got the problem, that I cannot press this short piece into
>> one line. I use a special paper size because these songs will be
>> printed in a small songbook. Can you give me a hint why I can scale
>> everything down but LilyPond inserts a break everytime even if there´s
>> obviously enough space to print it in only one line?
>>
>> Is there a simple way to place the star symbol exactly under the
>> breathe symbol?
>>
>> Thanks, Dominic
>>
>>
>> \version "2.11.44"
>> \include "gregorian-init.ly"
>>
>> #(set-global-staff-size 10)
>>
>> \score {
>> <<
>> \new VaticanaVoice = "cantus" {
>> \clef "vaticana-do3"
>> f f d c \[ f \pes g \] f \breathe
>> g g a f f \finalis
>> \break
>> }
>> \new Lyrics \lyricsto "cantus" {
>> Ich fürch -- te kein Un -- _ "heil: *"
>> du bist ja bei mir.
>> }
>> >>
>> }
>>
>> \paper {
>> line-width = 9\cm
>> paper-width = 94\mm
>> paper-height = 135\mm
>> top-margin = 2\mm
>> bottom-margin = 2\mm
>> head-separation = 0\mm
>> foot-separation = 0\mm
>> page-top-space = 0\mm
>> between-system-space = 0\mm
>> between-system-padding = 2\mm
>>
>> ragged-bottom = ##t
>> ragged-last-bottom = ##f
>> print-page-number = ##f
>> }
>>
>> 2008/7/29 Joseph Haig <[EMAIL PROTECTED]>:
>> > Support for Gregorian Chant is not great in Lilypond, unfortunately,
>> > but you can use it for simple things.
>> >
>> > For bar lines, you want to use the special commands that are set up
>> > by gregorian-init.ly.  Specifically, the double bar line is
>> > \finalis. See section 7.7.9 (Divisiones) for the whole list.  I
>> > think you will still need to use \bar "" to indicate places where
>> > the line can be split.
>> >
>> > Regards,
>> >
>> > Joe
>> >
>> > 2008/7/29 Dominic Neumann <[EMAIL PROTECTED]>:
>> >> Hi,
>> >>
>> >> I´m new to gregorian typesetting but I´ve seen that there´s already
>> >> support for it in LilyPond. Can you tell me how I can add a double
>> >> bar at the end?
>> >>
>> >> And there is a wrong note at the end? How can I delete it?
>> >>
>> >> Is it at all a good idea to start typesetting gregorian chants with
>> >> LilyPond or are there too many diffulcuties by now?
>> >>
>> >> Thanks,
>> >>
>> >> Dominic
>> >>
>> >>
>> >>
>> >> \version "2.11.44"
>> >> \include "gregorian-init.ly"
>> >>
>> >> \score {
>> >><<
>> >>\new VaticanaVoice = "cantus" {
>> >>\clef "vaticana-do3"
>> >>f f d c \[ f \pes g \] f \breathe
>> >>g g a f f \bar "||"
>> >>}
>> >>\new Lyrics \lyricsto "cantus" {
>> >>Ich fürch -- te kein Un -- _ "heil: *"
>> >>du bist ja bei mir.
>> >>}
>> >>>>
>> >> }
>> >>
>> >> ___
>> >> lilypond-user mailing list
>> >> lilypond-user@gnu.org
>> >> http://lists.gnu.org/mailman/listinfo/lilypond-user
>> >>
>> >>
>> >
>> >
>> > ___
>> > lilypond-user mailing list
>> > lilypond-user@gnu.org
>> > http://lists.gnu.org/mailman/listinfo/lilypond-user
>> >
>> >
>>
>
>
>
>


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Re: adding graphics with external program

[Dominic Neumann]

Hi Matth,

Isn´t scribus capable of including pdf files directly?
In my opinion this would be the better way - if it´s possible.

Dominic

2008/7/29 Matthieu Jacquot <[EMAIL PROTECTED]>:
>
> Hi, I use scribus to write an essay containing a lot of little music examples
> (made with lily of course), the solution I found is, when you've got your
> .pdf output from lilypond, to "print in a file" to generate a .ps usable in
> scribus.
> Hope this help
> Matth
>
> --
> View this message in context: 
> http://www.nabble.com/adding-graphics-with-external-program-tp18683698p18718579.html
> Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
>
>
>
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Re: adding graphics with external program

[Matthieu Jacquot]

Hi, I use scribus to write an essay containing a lot of little music examples
(made with lily of course), the solution I found is, when you've got your
.pdf output from lilypond, to "print in a file" to generate a .ps usable in
scribus.  
Hope this help
Matth

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Re: How to add double barlines to a gregorian chant?

[Thomas Scharkowski]

I don't have an annswer, but just ad a \noBreak after the c.
Thomas

> Thanks for your quick answer - it works good!
>
> Now I´ve got the problem, that I cannot press this short piece into
> one line. I use a special paper size because these songs will be
> printed in a small songbook. Can you give me a hint why I can scale
> everything down but LilyPond inserts a break everytime even if there´s
> obviously enough space to print it in only one line?
>
> Is there a simple way to place the star symbol exactly under the
> breathe symbol?
>
> Thanks, Dominic
>
>
> \version "2.11.44"
> \include "gregorian-init.ly"
>
> #(set-global-staff-size 10)
>
> \score {
> <<
> \new VaticanaVoice = "cantus" {
> \clef "vaticana-do3"
> f f d c \[ f \pes g \] f \breathe
> g g a f f \finalis
> \break
> }
> \new Lyrics \lyricsto "cantus" {
> Ich fürch -- te kein Un -- _ "heil: *"
> du bist ja bei mir.
> }
> >>
> }
>
> \paper {
> line-width = 9\cm
> paper-width = 94\mm
> paper-height = 135\mm
> top-margin = 2\mm
> bottom-margin = 2\mm
> head-separation = 0\mm
> foot-separation = 0\mm
> page-top-space = 0\mm
> between-system-space = 0\mm
> between-system-padding = 2\mm
>
> ragged-bottom = ##t
> ragged-last-bottom = ##f
> print-page-number = ##f
> }
>
> 2008/7/29 Joseph Haig <[EMAIL PROTECTED]>:
> > Support for Gregorian Chant is not great in Lilypond, unfortunately,
> > but you can use it for simple things.
> >
> > For bar lines, you want to use the special commands that are set up
> > by gregorian-init.ly.  Specifically, the double bar line is
> > \finalis. See section 7.7.9 (Divisiones) for the whole list.  I
> > think you will still need to use \bar "" to indicate places where
> > the line can be split.
> >
> > Regards,
> >
> > Joe
> >
> > 2008/7/29 Dominic Neumann <[EMAIL PROTECTED]>:
> >> Hi,
> >>
> >> I´m new to gregorian typesetting but I´ve seen that there´s already
> >> support for it in LilyPond. Can you tell me how I can add a double
> >> bar at the end?
> >>
> >> And there is a wrong note at the end? How can I delete it?
> >>
> >> Is it at all a good idea to start typesetting gregorian chants with
> >> LilyPond or are there too many diffulcuties by now?
> >>
> >> Thanks,
> >>
> >> Dominic
> >>
> >>
> >>
> >> \version "2.11.44"
> >> \include "gregorian-init.ly"
> >>
> >> \score {
> >><<
> >>\new VaticanaVoice = "cantus" {
> >>\clef "vaticana-do3"
> >>f f d c \[ f \pes g \] f \breathe
> >>g g a f f \bar "||"
> >>}
> >>\new Lyrics \lyricsto "cantus" {
> >>Ich fürch -- te kein Un -- _ "heil: *"
> >>du bist ja bei mir.
> >>}
> >>>>
> >> }
> >>
> >> ___
> >> lilypond-user mailing list
> >> lilypond-user@gnu.org
> >> http://lists.gnu.org/mailman/listinfo/lilypond-user
> >>
> >>
> >
> >
> > ___
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> > lilypond-user@gnu.org
> > http://lists.gnu.org/mailman/listinfo/lilypond-user
> >
> >
>




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Re: WikiLily - a lilipond wiki

[Jordan Eldredge]

This is wonderful. I set up a similar wiki with the idea that it could be a
place to collaborate on transcribing public domain scores. My attempt can be
found at 
http://www.classicalcode.com/wiki/index.php/Wiki_Sheet_Music.
If your wiki would be a good place to do that, I would love to
consolidate
efforts. I also own the domain name www.wikisheetmusic.com which I could
donate to the cause if it would be useful.

Let me know,
-Jordan Eldredge

On Tue, Jul 29, 2008 at 10:07 AM, Mike Blackstock <[EMAIL PROTECTED]> wrote:

> A couple of us have started a 'lilypond wiki' so that people can
> collaborate on the creation and or editing of lilypond scores.
>
> It's at http://draft.wikilily.org and if you have any ideas on how
> to implement something, well, just go ahead and do it. It has a
> number of extensions already installed - a 'chat', a forums
> extension, and the wikitex extension for inline rendering.
>
> Cheers,
> Mike
>
>
>
> ___
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> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
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Re: WikiLily - a lilipond wiki

[Alberto Simões]

Wow. The idea is promising.
In fact, I would like to see it as a plugin, like the ABC plugin for 
dokwiki. But it might not be difficult to go there from here ;)


Continue the good work ;)
Cheers
Alberto

Mike Blackstock wrote:

A couple of us have started a 'lilypond wiki' so that people can
collaborate on the creation and or editing of lilypond scores.

It's at http://draft.wikilily.org and if you have any ideas on how
to implement something, well, just go ahead and do it. It has a
number of extensions already installed - a 'chat', a forums
extension, and the wikitex extension for inline rendering.

Cheers,
Mike



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--
Alberto Simões - Departamento de Informática - Universidade do Minho
 Campus de Gualtar - 4710-057 Braga - Portugal


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Re: How to add double barlines to a gregorian chant?

[Dominic Neumann]

Thanks for your quick answer - it works good!

Now I´ve got the problem, that I cannot press this short piece into
one line. I use a special paper size because these songs will be
printed in a small songbook. Can you give me a hint why I can scale
everything down but LilyPond inserts a break everytime even if there´s
obviously enough space to print it in only one line?

Is there a simple way to place the star symbol exactly under the breathe symbol?

Thanks, Dominic


\version "2.11.44"
\include "gregorian-init.ly"

#(set-global-staff-size 10)

\score {
<<
\new VaticanaVoice = "cantus" {
\clef "vaticana-do3"
f f d c \[ f \pes g \] f \breathe
g g a f f \finalis
\break
}
\new Lyrics \lyricsto "cantus" {
Ich fürch -- te kein Un -- _ "heil: *"
du bist ja bei mir.
}
>>
}

\paper {
line-width = 9\cm
paper-width = 94\mm
paper-height = 135\mm
top-margin = 2\mm
bottom-margin = 2\mm
head-separation = 0\mm
foot-separation = 0\mm
page-top-space = 0\mm
between-system-space = 0\mm
between-system-padding = 2\mm

ragged-bottom = ##t
ragged-last-bottom = ##f
print-page-number = ##f
}

2008/7/29 Joseph Haig <[EMAIL PROTECTED]>:
> Support for Gregorian Chant is not great in Lilypond, unfortunately,
> but you can use it for simple things.
>
> For bar lines, you want to use the special commands that are set up by
> gregorian-init.ly.  Specifically, the double bar line is \finalis.
> See section 7.7.9 (Divisiones) for the whole list.  I think you will
> still need to use \bar "" to indicate places where the line can be
> split.
>
> Regards,
>
> Joe
>
> 2008/7/29 Dominic Neumann <[EMAIL PROTECTED]>:
>> Hi,
>>
>> I´m new to gregorian typesetting but I´ve seen that there´s already
>> support for it in LilyPond.
>> Can you tell me how I can add a double bar at the end?
>>
>> And there is a wrong note at the end? How can I delete it?
>>
>> Is it at all a good idea to start typesetting gregorian chants with
>> LilyPond or are there too many diffulcuties by now?
>>
>> Thanks,
>>
>> Dominic
>>
>>
>>
>> \version "2.11.44"
>> \include "gregorian-init.ly"
>>
>> \score {
>><<
>>\new VaticanaVoice = "cantus" {
>>\clef "vaticana-do3"
>>f f d c \[ f \pes g \] f \breathe
>>g g a f f \bar "||"
>>}
>>\new Lyrics \lyricsto "cantus" {
>>Ich fürch -- te kein Un -- _ "heil: *"
>>du bist ja bei mir.
>>}
>>>>
>> }
>>
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
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>
>
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WikiLily - a lilipond wiki

[Mike Blackstock]

A couple of us have started a 'lilypond wiki' so that people can
collaborate on the creation and or editing of lilypond scores.

It's at http://draft.wikilily.org and if you have any ideas on how
to implement something, well, just go ahead and do it. It has a
number of extensions already installed - a 'chat', a forums
extension, and the wikitex extension for inline rendering.

Cheers,
Mike



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Re:I know you've heard this before

[alistair zaldua]

I gave up on the jEdit +LilypondTool as I have an OSX 10.3.9, and
ploughing through all the posts on here, it doesn't  really seem to
work at all, & I just don't have time to spend on finding the bug
there... It also seems more important for those with a newer Mac
version who basically need to have jEdit/LilypondTool  as an interface
to Lilypond.

I downloaded Smultron instead ; it looks a lot simpler and much less
complicated. It basically has the added bonus of numbered lines and
some coloration, but not much else (it seems), which does help save
time a little.

I've also read that there's something called Lilypond Mode in emacs,
but again, I was at a total loss in knowing how to install that
properly.

> Date: Sun, 27 Jul 2008 23:48:38 +0200
> From: "James E. Bailey" <[EMAIL PROTECTED]>
> Subject: Re: I know you've heard this before
> To: Bertalan Fodor <[EMAIL PROTECTED]>
> Cc: "lilypond-user@gnu.org" 
> Message-ID: <[EMAIL PROTECTED]>
> Content-Type: text/plain; charset="us-ascii"
>
> Yeah, I don't get that far. I downloaded the lilypondtool plugin from
> the website, but I don't know how to get it into jedit. It isn't in
> the list from jedit, and there's no option to install a separate
> plugin. Maybe I'm not seeing something, but it isn't as apparent as I
> thought it would be.


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Re: How to add double barlines to a gregorian chant?

[Joseph Haig]

Support for Gregorian Chant is not great in Lilypond, unfortunately,
but you can use it for simple things.

For bar lines, you want to use the special commands that are set up by
gregorian-init.ly.  Specifically, the double bar line is \finalis.
See section 7.7.9 (Divisiones) for the whole list.  I think you will
still need to use \bar "" to indicate places where the line can be
split.

Regards,

Joe

2008/7/29 Dominic Neumann <[EMAIL PROTECTED]>:
> Hi,
>
> I´m new to gregorian typesetting but I´ve seen that there´s already
> support for it in LilyPond.
> Can you tell me how I can add a double bar at the end?
>
> And there is a wrong note at the end? How can I delete it?
>
> Is it at all a good idea to start typesetting gregorian chants with
> LilyPond or are there too many diffulcuties by now?
>
> Thanks,
>
> Dominic
>
>
>
> \version "2.11.44"
> \include "gregorian-init.ly"
>
> \score {
><<
>\new VaticanaVoice = "cantus" {
>\clef "vaticana-do3"
>f f d c \[ f \pes g \] f \breathe
>g g a f f \bar "||"
>}
>\new Lyrics \lyricsto "cantus" {
>Ich fürch -- te kein Un -- _ "heil: *"
>du bist ja bei mir.
>}
>>>
> }
>
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>
>


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Lilypond-book page appearance

[Hugo Ribeiro]

Dear all,

as I mentioned in a previous email, I am editing a translation to 
portuguese of Kent Kennan's "Counterpoint Based on the Eighteenth 
Century" textbook. The Chapter 12 is already done, but the final 
appearance of the page is not ok. The distance between systems are fine, 
but the problem is the gap between the end of the score and the text, 
because I think that LaTex tends to centralize all the objects. The 
final output is in this adress:


http://www.hugoribeiro.com.br/kennan/kennan_cap12.pdf

And the source of the chapter, the examples and the makefile (in 
portuguese 'fazer') are compacted in this address:


http://www.hugoribeiro.com.br/kennan/contraponto_livro-kennan.zip

I ask for some help to make this example looks better.

All the best,

Hugo Ribeiro
Aracaju, Sergipe, Brazil


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Re: GDP: first public draft, NR 1.4 Repeats

[Joe Neeman]

On Tue, Jul 29, 2008 at 10:10 AM, Graham Percival <[EMAIL PROTECTED]> wrote:

> On Mon, 28 Jul 2008 17:12:38 +1000
> Joe Neeman <[EMAIL PROTECTED]> wrote:
>
> > Normal repeats:
> >   I see you have an example with a partial alternative. Maybe you
> > should call attention to the \partial in the text, since this is
> > something that seems to come up on the user list regularly.
>
> The text already says
> "
> Repeats with upbeats can be entered in two ways:
> "
>
> What else would you propose?  (or are you looking at something
> else?)


I was referring to the fact that the "\partial 4*3" in the alternative bar
is necessary to keep LilyPond's timekeeping happy. Now that I read this
section again, I see that this is mentioned as a known issue. It might still
be worth making clear that you have an example demonstrating the known issue
and its solution.

Joe
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Re: Double \time change

[Werner LEMBERG]

> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in
> one place there are four (!!!) time signatures at the same time (the
> following measures alternate freely between those four time
> signatures): 2/4 3/4 3/8 5/8

Bartók uses similar things.


Werner


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Re: Double \time change

[Reinhold Kainhofer]

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

Am Dienstag, 29. Juli 2008 schrieb Neil Puttock:
> > On a paper score likely made with Finale (not by me), i see 3/4 then
> > immediately 2/4 without anything between, whatever the staff.
> >
> > 1) Error or feature? Never seen that before.
>
> Probably not an error; I can think of at least two situations where
> this might happen:
>
> - showing the beat subdivision in a compound time signature such as 5/4;
> - where there's a regular or semi-regular variation in time signature
> throughout a piece, i.e., perhaps alternating between 2/4 and 3/4 in
> successive bars.

I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in one place 
there are four (!!!) time signatures at the same time (the following measures 
alternate freely between those four time signatures):
2/4 3/4 3/8 5/8

Cheers,
Reinhold

- -- 
- --
Reinhold Kainhofer, Vienna University of Technology, Austria
email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/
 * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
 * K Desktop Environment, http://www.kde.org, KOrganizer maintainer
 * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
-BEGIN PGP SIGNATURE-
Version: GnuPG v1.4.6 (GNU/Linux)

iD8DBQFIjukVTqjEwhXvPN0RAkuwAJ0Y76Q3tp7hSG0SeF6q+zRtO+JyAwCeNrH+
mojh4AoY3Jv/QM1otBm6uws=
=ptAU
-END PGP SIGNATURE-


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Re: lyrics following split voices

[Francisco Vila]

2008/7/29 Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>:
> No,

No to what? :)

> Francisco Vila wrote:
> 2008/7/27 Paul Scott <[EMAIL PROTECTED]>:
>> Is there a relationship between '\new Voice = "1"'  and  '\voiceOne' ?

> No, except for your convenience. The name you give to a voice is
> freely choosen, and the "One" in voiceOne is just an internal name to
> the first voice, not usable by you as such (voiceOne is taken as a
> macro name)
-- 
Francisco Vila. Badajoz (Spain)
http://www.paconet.org


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Re: lyrics following split voices

[Bertalan Fodor (LilyPondTool)]

No, \voiceOne just changes the stem direction an dthings like that.
\new Voice ="1" creates a new voice context that can be simultaneous 
with other voice contexts:

<< \new Voice = "1" { ... } \new Voice = "2" { ... } >>
The implicit polyphony operator:
<< { ... } \\ { ... } >> will essentially do the above.

If I understand it correctly, though it was quite long since I did music 
with LilyPond.


bert

Francisco Vila wrote:

2008/7/27 Paul Scott <[EMAIL PROTECTED]>:
  

Is there a relationship between '\new Voice = "1"'  and  '\voiceOne' ?



No, except for your convenience. The name you give to a voice is
freely choosen, and the "One" in voiceOne is just an internal name to
the first voice, not usable by you as such (voiceOne is taken as a
macro name)

  


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Re: lyrics following split voices

[Francisco Vila]

2008/7/27 Paul Scott <[EMAIL PROTECTED]>:
> Is there a relationship between '\new Voice = "1"'  and  '\voiceOne' ?

No, except for your convenience. The name you give to a voice is
freely choosen, and the "One" in voiceOne is just an internal name to
the first voice, not usable by you as such (voiceOne is taken as a
macro name)

-- 
Francisco Vila. Badajoz (Spain)
http://www.paconet.org


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Re: second public draft, NR 2.2 Keyboard instruments

[Trevor Daniels]

Looks pretty good.  I have only really trivial comments:

* References for keyboards

Missing comma:
"PianoStaff group and third, normal staff for the pedals."
  ,

The sentence:
"This section discusses notation techniques particular to keyboard music."
would be better right at the top.

* Changing staff automatically

In the second example the voice would be better
named "melody" to help non-English speakers.

* Piano pedals

Last sentence:
"Pedalling to the final bar line is indicated by omitting the final pedal up 
command." -> " ... omitting the final @code{\sustainOff} command."


Also "pedalling" is the English spelling :)

(Incidentally, these pedalling commands, \unaCorde, \treCorde, etc mean the 
proposed \ottava command is not the only one which does not use English.)


Trevor



- Original Message - 
From: "Graham Percival" <[EMAIL PROTECTED]>

To: "lilypond-user Mailinglist" 
Sent: Tuesday, July 29, 2008 12:53 AM
Subject: GDP: second public draft, NR 2.2 Keyboard instruments



I'm happy to announce the second public draft of NR 2.2 Keyboard
instruments.  This is the last time to (easily) get fixes
included, so please read it and ask about anything that's unclear,
incorrect, or missing.

As always, you can find it from following the GDP output links
here:
http://web.uvic.ca/~gperciva/

Cheers,
- Graham


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Re: GDP: second public draft, NR 2.2 Keyboard instruments

[George_]

Hi,

I was wondering whether it was feasible to split the code of the discant
symbols section for Accordion into two or maybe four little chunks, as this
would make it easier to read and reference; alternatively, numbering the
bars both on the output and the code would do that as well, or naming each
bar of the output ; for example, bar one would have a markup saying
'Basson', bar 2 'Bandon', etc.

Just my two cents

Thanks

George


Graham Percival-2 wrote:
> 
> I'm happy to announce the second public draft of NR 2.2 Keyboard
> instruments.  This is the last time to (easily) get fixes
> included, so please read it and ask about anything that's unclear,
> incorrect, or missing.
> 
> As always, you can find it from following the GDP output links
> here:
> http://web.uvic.ca/~gperciva/
> 
> Cheers,
> - Graham
> 
> 
> ___
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> 
> 

-- 
View this message in context: 
http://www.nabble.com/GDP%3A-second-public-draft%2C-NR-2.2-Keyboard-instruments-tp18702494p18707789.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.



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Re: broken octaves

[Stefan Thomas]

Dear Jay,
I tried something with:
 quintrauf = #(define-music-function (parser location x) (ly:music?)
 #{
 $x \transpose c g { $x }
 #})

 \new Staff { \quintrauf c' \quintrauf d' \quintrauf e' \quintrauf f' }
With copy and paste You can be very fast with the "\quintrauf"-command, but,
it is not much faster then just typing the notes.
I desire a function, where You can type just  once "\quintrauf", and all the
following notes will be changed. I think it must be possible.

2008/7/29 Jay Anderson <[EMAIL PROTECTED]>

> On Mon, Jul 28, 2008 at 12:11 AM, Stefan Thomas
> <[EMAIL PROTECTED]> wrote:
> > Dear Jay,
> > You wrote : "What should the output be? {c4 g' b, f' c g'} or {c4 g' b,
> fis'
> > c g'}".
> > In my case, I'm much more interested in the second case "{c4 g' b, fis' c
> > g'}". Because I'm writing mostly atonal music, I don't have to fear
> > voice-leading teachers (and I think broken fifths have never been
> > forbidden)!
>
> That would be doable since every interval will always be a perfect
> fifth. Some care would need to be taken to make sure the octaves are
> right. My first thought for the broken octave function was to make it
> generate something like this:
>
> music = \relative c' {c8 s b s e s d}
> transposed = \transpose c g \music
>
> \score
> {
>  \new Staff \relative c'
>  {
>\new Voice
><<
>  {\music s8}
>  {s8 \transposed}
>>>
>  }
>  \layout {}
>  \midi {}
> }
>
> This might be a better general approach.
>
> -Jay
>
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