To emacs users: stopping emacs narrowing
To emacs users: is there a way to stop emacs getting "narrow" which is somewhat annoying in large scores... Esenlikler! Best regards! Mehmet Okonsar pianist, composer, conductor == www.okonsar.com == ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: A new melody with existing chords
You read LM 3 in the 2.11 docs. This precise example is
discussed in 3.4.
Cheers,
- Graham
On Thu, 31 Jul 2008 21:47:51 -0700 (PDT)
Thermo <[EMAIL PROTECTED]> wrote:
>
> I have a one page lyrics, melody and chords lilypond format file.
>
> Now I would like to add a flute melody over the same chords on a new
> page, then add a guitar melody over the same chord structure. So it
> is basically one page for the words one for the flute one for the
> guitar.
>
> How do I do that?
>
> Thanks
> Graham
>
> Below is the scrore part of the file
> \score {
> <<
> \new ChordNames {
> \set chordChanges = ##t
> \guitarChords
> }
> \new Voice = "one" {
> \autoBeamOff
> \verseMelody
> }
> \new Lyrics \lyricsto "one" \verseWords
> >>
> \layout { }
> \midi { }
> }
> --
> View this message in context:
> http://www.nabble.com/A-new-melody-with-existing-chords-tp18768187p18768187.html
> Sent from the Gnu - Lilypond - User mailing list archive at
> Nabble.com.
>
>
>
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Re: A new melody with existing chords
> "Thermo" == Thermo <[EMAIL PROTECTED]> writes:
Thermo> I have a one page lyrics, melody and chords lilypond format
Thermo> file.
Thermo> Now I would like to add a flute melody over the same chords on
Thermo> a new page, then add a guitar melody over the same chord
Thermo> structure. So it is basically one page for the words one for
Thermo> the flute one for the guitar.
Create a new \score block for each arrangement you want to have, with
a \pageBreak at the end.
So:
\score {
<<
\context Staff \flutepart
\context ChordNames {
\set chordChanges = ##t
\guitarChords \pageBreak
}
>>
}
\score {
<<
\context Staff \guitarPart
\context ChordNames {
\set chordChanges = ##t
\guitarChord \pageBreak
}
>>
}
\score {
<<
\context ChordNames {
\set chordChanges = ##t
\guitarChords
}
\context Staff \context Voice = "one" {
\autoBeamOff
\verseMelody
}
\context Lyrics \lyricsto "one" \verseWords
>>
}
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A new melody with existing chords
I have a one page lyrics, melody and chords lilypond format file.
Now I would like to add a flute melody over the same chords on a new page,
then add a guitar melody over the same chord structure. So it is basically
one page for the words one for the flute one for the guitar.
How do I do that?
Thanks
Graham
Below is the scrore part of the file
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\guitarChords
}
\new Voice = "one" {
\autoBeamOff
\verseMelody
}
\new Lyrics \lyricsto "one" \verseWords
>>
\layout { }
\midi { }
}
--
View this message in context:
http://www.nabble.com/A-new-melody-with-existing-chords-tp18768187p18768187.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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Re: Accidentals tied over a line break
Han-Wen Nienhuys lilypond.org> writes: > > Mats Bengtsson wrote: > > In the source code, I found a comment saying: > > TODO: insert support for smaller cautionaries, tie-break-reminders. > > ... > > which indicates that this is a feature that is not yet > > implemented. I made some quick attempts to solve the problem > > by redefining Accidental #'after-line-breaking but didn't manage. > > the right approach is to add an option to accidental-engraver.cc to > ignore tied notes completely. > I would be very interested in an option to suppress accidentals when notes are tied over line breaks. Since lilypond's current behavior in this regard is not a bug, is there some place to post a feature request for suppressing accidentals in this case? On a related note, how complex is the process of fixing the tie & time signature collision bug? How does one go about sponsoring a fix like this? Thanks, Jonathan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: headers and spacing
In my first answer I assumed 3 columns as header: Page#, Title, Author
with no distinction between odd and even pages. (Since I have 3 columns
I don't need the extra " "...)
Now, let me assume that you need the Page# altering, and the myTitle
(1st row) with the myInstrument in a second row, but both myTitle and
myInstrument centered. And yes, in this case you need the extra " ".
Please try the following. If that doesn't do what you want, please let
me know what spacing is fouled.
...when I use this the spacing gets fouled a bit...
Snippet:
myTitle = "Title"
myInstrument = "a instrument"
oddHeaderMarkup = \markup
\fill-line {
" "
\on-the-fly #not-first-page {\center-align {\myTitle \tiny
\myInstrument}}
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
}
evenHeaderMarkup = \markup
\fill-line {
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
\on-the-fly #not-first-page {\center-align {\myTitle \tiny
\myInstrument}}
" "
}
Herbert
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Re: ove to ly
I don't know of an Overture to LilyPond conversion filter. There are a number of converters from other formats to LilyPond. See here: http://lilypond.org/doc/v2.11/Documentation/user/lilypond-program/Converting-from-other-formats#Converting-from-other-formats If you can get from Overture to one of those formats you might be able to save yourself some typing. -David neuro wrote: hi there, As I am to re-type a piece, written by a friend of mine with Overture (.ove), into a lilypond file (.ly), to make the printed music more pleasing to eyes, I am wondering, if there are some simple or cleverer ways to convert an .ove file into .ly format? thank you very much Neuro [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add double barlines to a gregorian chant?
2008/7/30 Joseph Haig <[EMAIL PROTECTED]>: > 2008/7/29 Dominic Neumann <[EMAIL PROTECTED]>: >> Okay, then it breaks already after the fourth note ... this doesn´t help >> much. >> Now I added some more \noBreak commands after other notes and now it >> fits into one line. >> That´s not what I would call a "clean solution" ... :-/ >> > > I haven't played with chant in lilypond for a while, but I think I > remember that it still uses the default time signature (4/4) and note > length (crochet or quarter-note) even though these don't mean anything > in this notation. What you are seeing is the line being broken at the > (unprinted) bar lines, which occur every 4 crochet notes. (Note that > the podatus on 'un-' of 'unheil' is two notes.) > An even more > unfortunate side effect of this is that if you have long melimata the > spacing gets messed up, because lilypond allocates a certain amount of > space for each neume even though they are clustered together. You can > see this in your example, where the notes above 'unheil' have too much > space between them. That´s really ugly and I hope to find a way to solve it. Without that problem the chant results are considerable - maybe because I don´t have difficult constructs to typeset. Unaesthetic source code is annoying, but unaesthetic output is unacceptable ... > > I found that there was no real 'clean solution'. I tended to have a > lot of \bar "" commands after various notes more or less around the > place where I expected line breaks to occur. Unfortunately, I don't > think chant is very high on the list of priorities with the developers > and, to be fair, there probably isn't really a compelling reason why > it should be. I did have a look at it once but I don't know enough > about scheme, python or chant notation to be able to get very far. You´re right with the default time signature working inside. I tried to fight it with the same weapons: I´ve set \time 1/4 at the beginning and so I don´t have to type many times \bar "" and this really works well! Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
ove to ly
hi there, As I am to re-type a piece, written by a friend of mine with Overture (.ove), into a lilypond file (.ly), to make the printed music more pleasing to eyes, I am wondering, if there are some simple or cleverer ways to convert an .ove file into .ly format? thank you very much Neuro [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tie control-points delete another tie
Marco
It seems that the \tweak approach modifies the
properties of all notes in a chord correctly
except for the 'control-points property. As
you might have seen on the -bug list, I'm
suggesting this is a bug. We await a response.
Sorry this is not more helpful :(
Trevor
- Original Message -
From: "Marco Caliari" <[EMAIL PROTECTED]>
To: "Trevor Daniels" <[EMAIL PROTECTED]>
Sent: Wednesday, July 30, 2008 5:18 PM
Subject: Re: Tie control-points delete another tie
Thank you, Trevor.
On the other hand, why cannot I modify the tie in the second voice (I
can, but I have to swap the voices)?
\new Staff <<
\key f \major \time 6/8
\new Voice {
\voiceOne
\relative c' {
4.
4 8
4.
4 8
}
}
\new Voice {
\voiceTwo
\relative c'' {
a8 a16 a a8 a a a
a8 a16 a a8 a a a
}
}
Best regards,
Marco
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Re: Webern-style accidentals & transposition
Dear Lilypond users,
how can I revert these "webernAccidentals"to normal style?
%%% begin %%%
\version "2.10.0"
webernAccidentals = {
% the 5s are just "a value different from any accidental"
\set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)
(4 . 5) (5 . 5) (6 . 5))
\set Staff.extraNatural = ##f
#(set-accidental-style 'forget)
}
\layout {
\context { \Staff \remove Key_engraver }
}
\score {
{
\webernAccidentals
c' dis' cis' cis'
c' dis' cis' cis'
c' c' dis' des'
}
}
%%% end %%%
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