Re: glissando up from no note to a note
Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
It appears the problem I am having has to do with the durations of the
notes - your example uses quarter notes, I am using eighth notes. The
7/8 fraction doesn't work, and I don't know how you came up with that
fraction.
Robin's code as a minimal example works fine.
There are 8 32nd notes to the quarter note; he's used one hidden 32nd to
attach the gliss to, which leaves 7 eighths of a quarter note.
If you're using hidden eighth notes to attach the gliss to, try scaling
the next note by 1/2 -- e.g.
\hideNotes g,8 \glissando \unHideNotes c'4*1/2
Making such changes to Robin's example acheives similar results with
tighter spacing.
Here is my error -
---
G:/Lilypond Files/Te Regalo el Corazon.ly:48:0: warning: barcheck
failed at: 31/32
--
--
Chip
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.278 / Virus Database: 270.11.9/1991 - Release Date: 03/09/09 07:14:00
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Re: glissando up from no note to a note
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
It appears the problem I am having has to do with the durations of the
notes - your example uses quarter notes, I am using eighth notes. The
7/8 fraction doesn't work, and I don't know how you came up with that
fraction. Here is my error -
---
G:/Lilypond Files/Te Regalo el Corazon.ly:48:0: warning: barcheck failed
at: 31/32
--
--
Chip
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.278 / Virus Database: 270.11.9/1991 - Release Date: 03/09/09 07:14:00
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Re: glissando up from no note to a note
And this is relevant to the subject? How? Any suggestions on fixing the
real problem I'm having with the glissando?
--
Chip
Here is the fixed version, without the irrelevant <<>> -
-
% LilyPond
\include "english.ly"
\version "2.12.1"
\header{
title = "Te Regalo el Corazon"
composer = "As Recorded By: Rudy Palacios"
arranger = "Transcribed by: Chip Wiegand"
}
global = { \time 4/4
#(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
#(override-auto-beam-setting '(end 1 8 * *) 2 4 'Staff)
#(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff)
%\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
%\override Score.BarNumber #'break-visibility = #end-of-line-invisible
%\override Score.BarNumber #'self-alignment-X = #-1
\override Glissando #'thickness = #3
\override Glissando #'style = #'zigzag
\override Glissando #'minimum-length = #6
\override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
\override MultiMeasureRest #'expand-limit = 1
\set Score.skipBars = ##t
\numericTimeSignature
}
\paper {
top-margin = 0.1\cm
page-top-space = 0.1\cm
ragged-bottom = ##t
left-margin = 20\mm
line-width = 175\mm
}
% -- Trumpet 1--
trpta = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
r2 a'8 fs d b
c2 r8 e~ e4
R1*4
R1*2
R1*2
R1*3
r2 r8 gs~ gs4
R1*4
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d d
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
r2 a'8 fs d b
c2 r8 e~ e4
R1*4
R1*2
R1*2
R1*3
r2 r8 gs~ gs4
R1*4
R1
R1*3
r2 r8 gs~ gs4
R1*4
R1
R1*2
r8 b, d-. fs~ fs d b g
c16 c r c r c d8~ d4 d16 e f fs
g8 \bar "|."
}
trumpeta = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Trumpet 1"
\set Staff.shortInstrumentName = #"Trpt 1"
\clef treble
<< \trpta >>
}
% -- Trumpet 2--
trptb = {
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
g16 g r g r g a8~ a2 \bar "||"
R1*7
}
trumpetb = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Trumpet 2"
\set Staff.shortInstrumentName = #"Trpt 2"
\clef treble
<< \trptb >>
}
% -- Alto Sax 1 --
altoa = {
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
e'16 e r e r e fs8~ fs2 \bar "||"
R1*7
}
altosaxa = \relative c'' {
\global
\key d \major
\set Staff.instrumentName = #"Alto Sax"
\set Staff.shortInstrumentName = #"Alto"
\clef treble
<< \altoa >>
}
% -- Alto Sax 2 -
%{
altob = {
% Notes here -
a b c d
}
altosaxb = \transpose c a \relative c'' {
\global
\set Staff.instrumentName = #"Alto Sax 2"
\set Staff.shortInstrumentName = #"Alto 2"
\clef treble
<< \altob >>
}
%}
% -- Tenor--
tenor = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
}
tenorsax = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Tenor Sax"
\set Staff.shortInstrumentName = #"Tnr Sax"
\clef treble
<< \tenor >>
}
% -- Bari--
bari = {
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
g16 g r g r g a8~ a2 \bar "||"
R1*7
}
barisax = \relative c''{
\global
\key d \major
\set Staff.instrumentName = #"Bari Sax"
\set Staff.shortInstrumentName = #"Btn Sax"
\clef treble
<< \bari >>
}
% -- Trombone 1--
tbonea = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
}
trombonea = \relative c {
\global
\key f \major
\set Staff.instrumentName = #"Trombone 1"
\set Staff.shortInstrumentName = #"Tbn 1"
\clef bass
<< \tbonea >>
}
% -- Trombone 2--
tboneb= {
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
e16 e r e r e fs8~ fs2 \bar "||"
R1*7
}
tromboneb = \relative c {
\global
\key f \major
\set Staff.instrumentName = #"Trombone 2"
\set Staff.shortInstrumentName = #"Tbn 2"
\clef bass
<< \tboneb >>
}
\book { \score {
<<
\new StaffGroup = "trumpets" <<
\new Staff = "trpta" \trumpeta
\new Staff = "trptb" \trumpetb >>
\new StaffGroup = "saxes" <<
\new Staff = "altoa" \altosaxa
% \new Staff = "altob" \altosaxb
\new Staff = "tenor" \tenorsax
\new Staff = "bari" \barisax >>
\new StaffGroup = "trombones" <<
\new Staff = "tbonea" \trombonea
\new Staff = "tboneb" \tromboneb>>
>> } }
\
Re: Partcombine - appear as one set of notes when the same?
Scratch that -- I had mismatched slurs at the beginning, and that
threw the whole thing off. Thanks anyway. :-)
On Tue, Mar 10, 2009 at 00:29, Garrett Fitzgerald
wrote:
> I'm working on transcribing Sousa's "Fairest of the Fair" for Mutopia.
> -oboe.ly starts-
> \version "2.11.63"
>
> oboeOne = \relative c'' {
> \clef treble
> \key ees \major
>
> \repeat percent 2 { g'4 aes } | g4. f8 | ees8 r ees,4->(\mf |
> \repeat volta 2 { d8 f d4~ | d8 d16( ees f8) ees16( f |
> }
> \alternative { { ees8 r ees,4 } { ees'8 r ees,4 } }
> }
>
> oboeTwo = \relative c'' {
> \clef treble
> \key ees \major
>
> \repeat percent 2 {bes4 c} | bes4. aes8 | g8 r ees4->\mf
> \repeat volta 2 { d8 f d4~ | d8 d16( ees f8) ees16( f |
> }
> \alternative { { g8 r ees4 } { g8 r ees4\p } }
> }
>
> \score {
> \new Staff {
> <<
> \clef treble
> \time 2/4
>
> \partcombine
> \oboeOne
> \oboeTwo
> >>
> }
> }
> -oboe.ly ends-
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Partcombine - appear as one set of notes when the same?
I'm working on transcribing Sousa's "Fairest of the Fair" for Mutopia.
I just got to the Oboe part, and hit a roadblock. The Oboe part is
actually Oboe 1 and Oboe2 printed on the same staff, with only one set
of notes printing when they're playing together. Here's the first of
the sections where this takes place.
-oboe.ly starts-
\version "2.11.63"
oboeOne = \relative c'' {
\clef treble
\key ees \major
\repeat percent 2 { g'4 aes } | g4. f8 | ees8 r ees,4->(\mf |
\repeat volta 2 { d8 f d4~ | d8 d16( ees f8) ees16( f |
g8) bes g4~ | g8 g16( aes bes8) a16( bes |
c8) bes c4~ | c8 bes16( c d8) c16( d |
ees8) ees16( f g8) g16( f | ees8) bes g ees |
d8 f d4~ | d8 d16( ees f8) ees16( f |
g8) bes g4~ | g8 g16( aes bes8) a16( bes) |
\repeat percent 2 {\acciaccatura d8 c8 b c4 | }
\acciaccatura d8 c8 b c c | d8 r aes'4( |
g4)_\markup {\italic "giocoso"} aes( | g4 aes |
g4. f8 | ees2 | \repeat percent 2 {g4 aes | }
g4.) f8 |
}
\alternative { { ees8 r ees,4 } { ees'8 r ees,4 } }
}
oboeTwo = \relative c'' {
\clef treble
\key ees \major
\repeat percent 2 {bes4 c} | bes4. aes8 | g8 r ees4->\mf
\repeat volta 2 { d8 f d4~ | d8 d16( ees f8) ees16( f |
g8) bes g4~ | g8 g16( aes bes8) a16( bes |
c8) bes c4~ | c8 bes16( c d8) c16( d |
ees8) ees16( f g8) g16( f | ees8) bes g ees |
d8 f d4~ | d8 d16( ees f8) ees16( f |
g8) bes g4~ | g8 g16( aes bes8) a16( bes) |
\repeat percent 2 {\acciaccatura d8 c8 b c4 | }
\acciaccatura d8 c8 b c c | d8 r bes4~ |
bes4 c( | bes4 c
bes4. aes8 | g2 | \repeat percent 2 {bes4 c | }
bes4.) aes8 |
}
\alternative { { g8 r ees4 } { g8 r ees4\p } }
}
\score {
\new Staff {
<<
\clef treble
\time 2/4
\partcombine
\oboeOne
\oboeTwo
>>
}
}
-oboe.ly ends-
Partcombine here gives me two sets of stems for each note. I'd like it
to look like the original, which you can see at
http://lcweb2.loc.gov/diglib/ihas/loc.natlib.sousa.200028144/enlarge.html?page=3§ion=ALLPARTS&size=640.
Is there a relatively painless way to do this? Or should I just grit
my teeth and take the extra stems? Thanks.
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Re: glissando up from no note to a note
Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
Been experimenting with the code found in the snippets library and seems
that where ever I put the \cadenzaOff I get different, incorrect
results. Sometimes the first eight note turns into a quarter note,
sometimes it's an eight note, but always the measure and the one that
follows are all one measure. I've pasted the code to the work in
progress below.
Is there a particular reason for having the cadenza, as opposed to using
code like that provided by Robin?
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Re: glissando up from no note to a note
On 3/9/09 9:50 PM, "Chip" wrote:
> \book { \score { << \new Staff = "trumpeta" \with { \remove
> Instrument_name_engraver } \trumpeta >> \header {piece="Trumpet 1"} \layout {
> indent = 0\mm} } }
Why do you use << >> around a single staff? I don't know that it's giving
you any problems, but it's certainly not necessary. And I find that
arbitrary simultaneous constructs sometimes cause spurious results.
I recommend that you only use << >> when you need to have two (or more)
things happen simultaneously; that is not the case in any of these \score
blocks.
Carl
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Re: glissando up from no note to a note
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
Been experimenting with the code found in the snippets library and seems
that where ever I put the \cadenzaOff I get different, incorrect
results. Sometimes the first eight note turns into a quarter note,
sometimes it's an eight note, but always the measure and the one that
follows are all one measure. I've pasted the code to the work in
progress below.
Thanks,
chip
-
% LilyPond
\include "english.ly"
\version "2.12.1"
\header{
title = "Te Regalo el Corazon"
composer = "As Recorded By: Rudy Palacios"
arranger = "Transcribed by: Chip Wiegand"
}
global = { \time 4/4
#(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
#(override-auto-beam-setting '(end 1 8 * *) 2 4 'Staff)
#(override-auto-beam-setting '(end 1 8 * *) 3 4 'Staff)
%\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
%\override Score.BarNumber #'break-visibility = #end-of-line-invisible
%\override Score.BarNumber #'self-alignment-X = #-1
\override Glissando #'thickness = #3
\override Glissando #'style = #'zigzag
\override Glissando #'minimum-length = #6
\override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
\override MultiMeasureRest #'expand-limit = 1
\set Score.skipBars = ##t
\numericTimeSignature
}
\paper {
top-margin = 0.1\cm
page-top-space = 0.1\cm
ragged-bottom = ##t
left-margin = 20\mm
line-width = 175\mm
}
% -- Trumpet 1--
trpta = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
r2 \cadenzaOn \hideNotes a8\glissando \unHideNotes a'8 fs d b\cadenzaOff
c2 r8 e~ e4
R1*4
R1*2
R1*2
R1*3
r2 r8 gs~ gs4
R1*4
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d d
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
r2 a'8 fs d b
c2 r8 e~ e4
R1*4
R1*2
R1*2
R1*3
r2 r8 gs~ gs4
R1*4
R1
R1*3
r2 r8 gs~ gs4
R1*4
R1
R1*2
r8 b, d-. fs~ fs d b g
c16 c r c r c d8~ d4 d16 e f fs
g8 \bar "|."
}
trumpeta = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Trumpet 1"
\set Staff.shortInstrumentName = #"Trpt 1"
\clef treble
<< \trpta >>
}
% -- Trumpet 2--
trptb = {
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
g16 g r g r g a8~ a2 \bar "||"
R1*7
}
trumpetb = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Trumpet 2"
\set Staff.shortInstrumentName = #"Trpt 2"
\clef treble
<< \trptb >>
}
% -- Alto Sax 1 --
altoa = {
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
e'16 e r e r e fs8~ fs2 \bar "||"
R1*7
}
altosaxa = \relative c'' {
\global
\key d \major
\set Staff.instrumentName = #"Alto Sax"
\set Staff.shortInstrumentName = #"Alto"
\clef treble
<< \altoa >>
}
% -- Alto Sax 2 -
%{
altob = {
% Notes here -
a b c d
}
altosaxb = \transpose c a \relative c'' {
\global
\set Staff.instrumentName = #"Alto Sax 2"
\set Staff.shortInstrumentName = #"Alto 2"
\clef treble
<< \altob >>
}
%}
% -- Tenor--
tenor = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
}
tenorsax = \relative c'' {
\global
\key g \major
\set Staff.instrumentName = #"Tenor Sax"
\set Staff.shortInstrumentName = #"Tnr Sax"
\clef treble
<< \tenor >>
}
% -- Bari--
bari = {
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1
r2 r8 b b g
e' d c-. b16 a-. r8 a a a
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
g16 g r g r g a8~ a2 \bar "||"
R1*7
}
barisax = \relative c''{
\global
\key d \major
\set Staff.instrumentName = #"Bari Sax"
\set Staff.shortInstrumentName = #"Btn Sax"
\clef treble
<< \bari >>
}
% -- Trombone 1--
tbonea = {
r2 r8 d d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1
r2 r8 d' d b
e d c-. b16 a-. r8 c c c
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
c16 c r c r c d8~ d2 \bar "||"
R1*7
}
trombonea = \relative c {
\global
\key f \major
\set Staff.instrumentName = #"Trombone 1"
\set Staff.shortInstrumentName = #"Tbn 1"
\clef bass
<< \tbonea >>
}
% -- Trombone 2--
tboneb= {
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1
r2 r8 gs' gs e
e d c-. b16 a-. r8 e' e e
d c b8.-. a16 gs2
R1*2
r8 b d-. fs~ fs d b g
e16 e r e r e
Canorus 0.7beta release
After more than a year of an active development Canorus team is proud to announce immediate release of Canorus version 0.7beta. You can download it here: https://developer.berlios.de/project/showfiles.php?group_id=6144 Release 0.6 was skipped for various stability, timing and reorganizational issues. Users should test the beta release thoroughly and report any bugs to our devel mailing list for the final version to be released in two to three weeks. Translation strings are now frozen until the final version, so translators are welcome to translate Canorus to their language and post translations of the GUI and the User's manual until Sunday, 22nd March 2009 24:00 CET! Best wishes. Matevž Jekovec Canorus development team http://www.canorus.org Changelog: - Added support for printing and preview of score. - Added integrated Midi recorder. - Added resources storage inside the document. - Added User's guide. - Added transposition support. - GUI improvements: - Anti-aliasing in score view. - Music fonts not installed anymore. - Show note name when inserting notes. - Integrated User's guide browser. - Import/Export improvements: - Basic MusicXml import - Basic Midi import - LilyPond now exports partial measure, uptext, downtext and rehersal marks - New export filters to PDF and SVG based on LilyPond - Plugin improvements: - setSelection() and selection added to scripting engine. - rebuildUi() and repaintUi() added to scripting engine. - Added separator action for menus. - Model improvements: - Added color property to music element. - Added facilities for calculating intervals from/to music pitches and key signatures. - Redesigned key signature, diatonic key and diatonic pitch. - Redesigned playable length and absolute length. - Shipped Python 2.5 on Microsoft Windows. - Support for Qt4.4. - Official support for Mac OS X. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: glissando up from no note to a note
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
a1*3/4\fermata \hideNotes d'4\glissando \unHideNotes |
ees8->[ c8]-> r4 r2 |
}
And then patiently adjust padding and minimum-length ...
Cheers,
Robin
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Re: New ConTeXt module
Valentin Villenave wrote: > > Perhaps Eluze was mixing up ConTeXt and ConTEXT :-) > thanks - how could I ?! I had no idea the other one also exists! -- View this message in context: http://www.nabble.com/New-ConTeXt-module-tp22352883p22424778.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
glissando up from no note to a note
I want to make a glissando go up from no note to a note. I tried using a spacer note, it didn't work. I tried using hideNote and unHideNote (basically reversed the sample in the snippets list) but it just resulted in messed up measures. There is no example in the documentation on how to do this. Any suggestions? Thanks, Chip ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Vibrato in MIDI
Is there a way to put vibrato on a note in the MIDI from a lilypond score? Thanks, Kees ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New ConTeXt module
2009/3/9 fiëé visuëlle : > Where did you find only 2.10? Perhaps Eluze was mixing up ConTeXt and ConTEXT :-) http://www.contexteditor.org/highlighters.php?filter=I-L Regards, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New ConTeXt module
Am 2009-03-07 um 00:34 schrieb -Eluze: It works now with LilyPond 2.12 i only found 2.10 keywords - where is 2.12? Where did you find only 2.10? I changed the one and only wiki page and the module download page myself before I posted: http://wiki.contextgarden.net/LilyPond http://modules.contextgarden.net/t-lilypond Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
auto-completion in vim
Dear Lilypond users, I wanted to switch on auto-completion for lilypond-files i vim. I tried it with adding autocmd FileType lilypond set omnifunc=lilypondcomplete#Complete but without success. How can I get it? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
emacs LilyPond-mode and lilypond-templates package
Last year I put together a package of templates to make it easy to use the templates in the documentation. I tried to make it easy to install. As you know LilyPond is a moving target but they still work for me as they stand. They may prove useful to others. I know I had a great deal of fun putting them together. They can be found at http://code.google.com/p/lilypond-templates/downloads/list I put them up at google-code so that they didn't just disappear but to my surprise, someone has actually downloaded them. I decided that I would let people on the list know they existed. Let me know if they are of value and how they can be improved. If it is within my skill, I will have a go at them. Shelagh ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Single-digit time signature with different number
I figured something out myself :) Now that Sigfrid Karg-Elert's works are public domain, him having been dead for over 70 years, I'm fiddling with his 25 Caprices & Sonata for solo saxophone (op. 153). The Sonata's 2nd movement is in fast 3/4 time, with one beat to the bar, and its time signature is a simple number "1". I found that using \override Staff.TimeSignature #'style = #'single-digit (which I've used before), and \set Staff.timeSignatureFraction = #'(1 . 4) produces exactly the desired result. So thanx again for this wonderful software. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
