Re: Trillspanner line thickness
The zigzag line is typeset by LilyPond using a number of copies of the scripts.trill_element glyph from the so-called Feta font (see http://lilypond.org/doc/v2.12/Documentation/user/lilypond/The-Feta-font#The-Feta-font). Therefore, your only chance to change the thickness is to change the font size. As you have noted, just changing the font-size property of the TextSpanner object will also affect the tr indication, but the following trick can be used to compensate the font size of the tr: \override TrillSpanner #'font-size = #-3 \override TrillSpanner #'bound-details #'left #'text = #(make-translate-scaled-markup '(0.0 . -1.0) (make-fontsize-markup 3 (make-musicglyph-markup scripts.trill))) Note that the argument 3 to make-fontsize-markup has to match the -3 in the font-size setting. /Mats Jonathan Wilkes wrote: Hello, I'm getting to the end of formatting a score, and I just need some hints on changing the thickness of the zigzag line after trills. I've tried zigzag-width, thickness, and everything else that looked promising but with no results. I didn't use font-size because I want the trill sign to stay the same size. Is what I want to do possible? Thanks, Jonathan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: mats.bengts...@ee.kth.se WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Trillspanner line thickness
Jonathan Wilkes wrote: I've tried zigzag-width, thickness [...] but with no results. These work if you use the zigzag style (which is not built from glyphs). \override TrillSpanner #'style = #'zigzag Cheers, Robin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: text in horizontal space between staves
Hi Robin,
thanks for your help. The other day I found a different approach here:
http://www.mail-archive.com/lilypond-user@gnu.org/msg51078.html. This comes
even closer to my original intention:
\version 2.13.3
\markup {
\line {
\score { \new StaffGroup \new Staff { c'1 } \new Staff { c'1 }
\layout {} }
\hspace #9.0 \center-column \lower #7 {\line {D.S. al}
\line { \musicglyph #scripts.coda
\raise #-0.5 - \hspace #0.5 \musicglyph #scripts.coda }}
\score { \new GrandStaff \new Staff { c'1 } \new Staff { c'1 }
\layout {} }
}
}
1) Is it possible to manipulate the width of the gap between the systems? I
would like to reduce the width.
2) How do I have to proceed to integrate this construct in a template such as:
upper = \relative c'' {
\clef treble
\key c \major
\time 4/4
a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
a2 c
}
\score {
\new PianoStaff
\set PianoStaff.instrumentName = #Piano
\new Staff = upper \upper
\new Staff = lower \lower
\layout { }
\midi { }
}
I actually would like to typeset some music before and after the gap between
the systems.
Many thanks for pointers!
patrick
Original-Nachricht
Datum: Sun, 13 Sep 2009 22:19:32 +0200
Von: Robin Bannister r...@dataway.ch
An: Patrick Schmidt p.l.schm...@gmx.de, lilypond-user@gnu.org
Betreff: Re: text in horizontal space between staves
Patrick Schmidt wrote:
is it possible to align the coda signs underneath D.S. al?
Well, this makes the markup narrower
and then you start to see that we had no horizontal centering.
Using a breathing sign instead of a note head makes it easy to
anchor the markup in the middle of the measure.
By default you get a half-measure gap on either side.
\stopStaff
s2
\once \override BreathingSign #'text = #dsalcodacoda
\once \override BreathingSign #'Y-offset = 0 % vertical anchor
\once \override BreathingSign #'X-extent = #'(-1 . 1) % change side gaps
\breathe
s2
\startStaff
And the markup must be centered both horizontally and vertically:
dsalcodacoda =
\markup \vcenter \override #'(baseline-skip . 2) \center-column {
\line { D.S. al }
\line { \musicglyph #scripts.coda - \hspace #0.5
\musicglyph #scripts.coda } }
Cheers,
Robin
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Horizontal note spacing
The only way I found of adding extra space before the arpeggiated chord
in this example was to have a hidden voice with some notes to affect the
spacing - I had a look at the manual section on horizontal spacing and
tried a few things, but this was the only thing I tried that made a
difference. Is this the only solution?
%%%
\version 2.13.3
treble = \relative c' {
a4 cis\arpeggio |
g' cis, |
}
bass = \relative c {
e a,4 a e a,\arpeggio |
bes d, a a e a, |
}
hidden = \relative c {
\hideNotes c4 c
}
\score {
\context Staff = guitar {
\set Staff.connectArpeggios = ##t
\clef treble_8
\key d \minor
\time 2/4
\context Voice = 1 { \voiceOne \treble }
\context Voice = 2 { \voiceTwo \bass }
\context Voice = 3 { \voiceThree \hidden }
}
\layout {
\context {
\Staff
\consists Span_arpeggio_engraver
}
}
}
%%%
Nick Payne
inline: withouthidden.pnginline: withhidden.png___
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Re: Horizontal note spacing
Hi Nick,
Is this the only solution?
My preference would be to adjust the padding or X-extent of the
arpeggio directly, e.g.
\version 2.13.3
arpspace = \once \override Staff.Arpeggio #'X-extent = #'(-13 . 1)
treble = \relative c' {
a4 \arpspace cis\arpeggio |
g' cis, |}
bass = \relative c {
e a,4 a e a,\arpeggio |
bes d, a a e a, |
}
hidden = \relative c {
\hideNotes c4 c
}
\score {
\context Staff = guitar {
\set Staff.connectArpeggios = ##t
\clef treble_8
\key d \minor
\time 2/4
\context Voice = 1 { \voiceOne \treble }
\context Voice = 2 { \voiceTwo \bass }
}
\layout {
\context {
\Staff
\consists Span_arpeggio_engraver
}
}
}
Hope this helps!
Kieren.
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Re: Horizontal note spacing
Thanks. A much simpler fix.
Nick
Kieren MacMillan wrote:
Hi Nick,
Is this the only solution?
My preference would be to adjust the padding or X-extent of the
arpeggio directly, e.g.
\version 2.13.3
arpspace = \once \override Staff.Arpeggio #'X-extent = #'(-13 . 1)
treble = \relative c' {
a4 \arpspace cis\arpeggio |
g' cis, |}
bass = \relative c {
e a,4 a e a,\arpeggio |
bes d, a a e a, |
}
hidden = \relative c {
\hideNotes c4 c
}
\score {
\context Staff = guitar {
\set Staff.connectArpeggios = ##t
\clef treble_8
\key d \minor
\time 2/4
\context Voice = 1 { \voiceOne \treble }
\context Voice = 2 { \voiceTwo \bass }
}
\layout {
\context {
\Staff
\consists Span_arpeggio_engraver
}
}
}
Hope this helps!
Kieren.
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Re: Marching sheetmusic
On Sun, Sep 13, 2009 at 14:36, Robin Bannister r...@dataway.ch wrote: Jeroen Heijmans wrote: But I'm not content with the results. It fills the page better if you don't zero between-system-space. It does fill better. I've been working on a sheet, but it takes 2 pages A6, while it can be fitted on 1. Is it allowed to show the .ly here or is it better to make it downloadable from my site? -- Met vriendelijke groet (Best Regards / Mit freundlichen Grüßen / Med venlig hilsen / Salutations distinguées), Jeroen Heijmans (\_/) (o.o) This is Bunny. Copy Bunny to your signature ( ) to help him in his world domination quest! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: problems building documentation without compiling LilyPond
On Tue, Sep 15, 2009 at 10:05:23AM +0200, Patrick Schmidt wrote: Hmm. What happens if you try to compile input/typography-demo.ly manually? Try adding a -V to the lilypond call. I get a bus error (see file attached) Hmm. Maybe it's a problem with 2.13.3. I don't know about this file in particular, but I now see that there definitely *are* some files which require 2.13.4. I guess you'll have to wait until GUB is working again. If I don't at least get it bootstrapping within the first hour tomorrow, I'll try another approach to hacking it together. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Trillspanner line thickness
--- On Tue, 9/15/09, Robin Bannister r...@dataway.ch wrote: From: Robin Bannister r...@dataway.ch Subject: Re: Trillspanner line thickness To: Jonathan Wilkes jancs...@yahoo.com, lilypond-user@gnu.org Date: Tuesday, September 15, 2009, 10:44 AM Jonathan Wilkes wrote: I've tried zigzag-width, thickness [...] but with no results. These work if you use the zigzag style (which is not built from glyphs). \override TrillSpanner #'style = #'zigzag Ah, I knew there had to be a good reason why zigzag-width wasn't changing the zigzag's width! Thanks, Jonathan Cheers, Robin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating a font usable in Finale and Sibelius
Message: 1 Date: Mon, 14 Sep 2009 23:59:03 +0200 From: Valentin Villenave v.villen...@gmail.com Subject: Re: Creating a font usable in Finale and Sibelius Programs To: Josh Nichols josh.d.nich...@gmail.com Cc: lilypond-user@gnu.org Message-ID: eefe316d0909141459heb4d693o9b64e94e1e159...@mail.gmail.com Content-Type: text/plain; charset=UTF-8 On Mon, Sep 14, 2009 at 8:37 PM, Josh Nichols josh.d.nich...@gmail.com wrote: I really enjoy the look and feel of the LilyPond Feta font, but I would like to use it in programs that can use other fonts like Sibelius. This question has been asked a number of times (including by yourself ;-) see for instance http://lists.gnu.org/archive/html/lilypond-user/2008-10/msg00762.html I would really like to make this available and continue the excellence that LilyPond and Feta font have created, minus the complex language and programming necessary to make it happen. IMNSHO, this is Not A Good Idea (tm). The Feta font is only a tiny tiny part of what makes LilyPond excellent. And the Lily language really is not so complex. Even so, that's no reason to abstain from making the Feta font available/usable in Sibelius/Finale. When I started using LilyPond, I was writing an opera and I already had engraved about 200 pages in Sibelius. Then I met LilyPond. - For a while I tried to continue using Sibelius and importing the Feta font (just like you). That didn't work. Why not? If it's just a matter of matching the staff line weights to the font, as was mentioned in another email, that seems trivial. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
