[2.13.11] Overriding font-name in markups increases font-size [was:] strange problem with markup in \tempo

2010-01-27 Thread Dmytro O. Redchuk
Hi!

So, overriding font-name in markup increases font-size.

To be sure that this is not a problem of different fonts, i've made
pango-font-tree with a single font, AntiquaPSCyr, which is definitely
unique in my system (i mean i have the only copy of this font, in one
place, with the only definition set).

Then i try to override font in the title, text script and \tempo.

The result -- different font sizes :O(

When i use default fonts and New Century Schoolbook Bold for override,
i have the same result. I've attached two images.

Well, i use \setOurFont here, but using
  \override #`(font-name . AntiquaPSCyr Bold)
gives the same result.

% ---8-

\version 2.13.11

ourFont = #AntiquaPSCyr Bold

#(define-markup-command (setOurFont layout props markUp) (markup?)
  (interpret-markup layout props
(markup #:override `(font-name . ,ourFont) markUp)))

\header {
  title = \markup \concat {
Testing
 
\setOurFont Testing
  }
}

\relative c'' {
  \tempo \markup Moderato
  c_\markup { \bold script } c c c

  \tempo \markup \setOurFont Moderato
  c_\markup { \setOurFont script } c c c
}


\paper{
  paper-height = 4.5\cm
  paper-width = 12\cm
  #(define fonts
(make-pango-font-tree AntiquaPSCyr
  AntiquaPSCyr
  AntiquaPSCyr
  (/ 20 20)))
}

% ---8-

Well... As usually, i can miss and/or mess something easily. Please,
masters, correct me, if i am wrong; this is a problem for me because
i've just started to use my own font overrides in scores :-)

Thanks!

-- 
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Re: Multi-Measure Rests: Adding to what gets printed?

2010-01-27 Thread rasAK

Alexander,

I don't have time to look into this, but wanted you to be aware: I went
ahead and used the BarNumberStaff rather than the BarNumberVoice.  In trying
to adjust the Y-Offset of the BarNumberVoice, it moves the lyrics down as
well.  The BarNumberStaff does not.

\new BarNumberVoice \with {
\override MultiMeasureRestNumber #'Y-offset = #-7
\override MultiMeasureRestNumber #'font-size = #-2 }
{ \compressFullBarRests \global \TemplateMelody } 

Randy


Alexander Kobel wrote:
 
 me - stanford wrote:
 2) Also, do you think #'outside-staff-priority = #150 is a reasonable 
 priority setting for the MMR Text?  I'm not sure what most objects' 
 settings are for this property.  I was just trying to get it to win over 
 the Lyrics setting.
 
 Oh, and just a few words about this before I leave for today.
 
 AFAICS, the Lyrics as well as the BarNumberStaff form a vertically
 aligned group (Is this a VerticalAxisGroup? I'm not sure here...) of
 their own - I think of them as normal staves, basically.
 I _think_ that it should not be possible for grobs of those neighboring
 groups to cross; you're merely pushing the MultiMeasureRestNumbers far
 above the center baseline of the BarNumberStaff, and since there are no
 lyrics under a MMR, the skylines of the two squeeze together.  So I
 wonder why 'outside-staff-priority should change anything at all (and
 also didn't test it, to be honest).
 
 That's why I prefer the approach with an additional voice a single
 staff:  Both MMRNumbers belong to voices in the same staff (read:
 vertical group), just with different directions in which they are
 attached. Thus, your settings are unaffected by, say, a second stanza,
 larger lyrics, dynamics between staff and lyrics, and so on.  An in this
 case, you could also use 'outside-staff-priority and '...-padding, but
 I'm almost certain you won't need them.
 
 
 Cheers,
 Alexander
 
 
 
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Re: Problems with diminuendo placing with 2 voices

2010-01-27 Thread Phil Holmes

James,

Thanks for this.  I'd eventually (quite soon after posting :-( ) worked out 
that I need to use the voice with the shorter notes and keep both marks 
(start and finish) on the same voice. I'd not picked up that I was actually 
trying to start the dim. after I'd finished it!


--
Phil Holmes


- Original Message - 
From: James Bailey derhindem...@googlemail.com

To: Phil Holmes em...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Monday, January 25, 2010 4:56 PM
Subject: Re: Problems with diminuendo placing with 2 voices




On 24.01.2010, at 14:05, Phil Holmes wrote:


Hello - my first post.
However, I can't find a way of making a diminuendo mark appear  within 
the LilyPond notation.  An example of the sort of thing I'm  trying to do 
is at http://www.holmessoft.co.uk/homepage/images/ RestChords.gif


I've translated this to LilyPond as shown at the bottom of the  page. 
However, the dim. marking (^\) is flagged as warning:  unterminated 
decrescendo.  I can't find anywhere where I can place  the \ and the \! 
to make the dim. show on the page and to avoid  the error.  Advice 
gratefully received.




Hello

I see two problems with your diminuendo.
1 The dim. starts and ends on the same beat: essentially it's {s2\} 
\\{s4\! s}. That gets translated as, start a diminuendo on the  first 
half note and end it on the first quarter note. If you want it  to be one 
beat long, you only need s4\ s\!.
2 The dim. crosses voices. Remeber that the {}\\{} is just a  short 
form for \new Voice = 1{\voiceOne}\\\new Voice =  2{\voiceTwo}. 
So, what you have is \new Voice =1{\voiceOne s2 \}\\\new Voice = 2 
{\voiceTwo s4\! s}. I'd imagine you also get  an error along the lines 
of Warning: cannot terminate (de)crescendo.


If you don't want to create a separate voice to have dynamics (which  is 
often very useful), and you want the dim. to be two beats long,  then s2\ 
s\! is what you want.


I've replaced all note names with spacer rests since they work just  as 
well, and you can put in the notes that you want.


Hope this helps you.

James


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\hideNotes in TabStaff (was: Re: Temporary polyphonic passages in TabStaff)

2010-01-27 Thread Oscar van Eijk
 
 
original message-
From: Mats Bengtsson mats.bengts...@ee.kth.se
To: Oscar van Eijk oscar.van.e...@oveas.com
CC: lilypond-user Mailinglist 
Date: Wed, 27 Jan 2010 01:13:35 +0100
-

 Oscar van Eijk wrote:

 Not quite I tested this, and with the sampled I sent in my original
mail
 that worked fined.
 Problem is, I need this construct in more locations, but it works ok only
 the first time it occures :-S
 
 You have to adjust the s1*2 to keep the TabVoice contexts alive during 
 the full piece (or alternatively update to the latest development 
 version 2.13.x, where this trick is no longer needed).


Ahum :blush: I shouldn't have make that mistake :-S
Thanks for your support, this issues is fixed now!

Another one though; also in the original sample you might have seen I use
\hideNotes. Thet doesn't seem to have any affect in the TabStaff. As a
workaround I made set the transparent property of TabNoteHead to ##t.
Is this a known issue or were my expectations incorrect?

Thnx,
Oscar
-- 

Oscar van Eijk

Oveas Functionality Provider
Zwaardenburg 63 -- 3437 RJ Nieuwegein
T: +31(0)30 - 889 7812 -- F: +31(0)30 - 889 9117
[http://oveas.com -- a href=mailto:i...@oveas.com;i...@oveas.com -
http://oveas.com]




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Re: Multi-Measure Rests: Adding to what gets printed?

2010-01-27 Thread Alexander Kobel

rasAK wrote:

I don't have time to look into this, but wanted you to be aware: I went
ahead and used the BarNumberStaff rather than the BarNumberVoice.  In trying
to adjust the Y-Offset of the BarNumberVoice, it moves the lyrics down as
well.  The BarNumberStaff does not.


Ah, I think I see the problem.  A MMRNumber is added under every MMR; 
it's just a  string for the single measure rests, but even this 
affects the spacing.  No clue why this does not seem to hurt with the 
BarNumberStaff approach.


Maybe I should take the time and test whether an empty stencil instead 
of the null text helps, but it's not quite on top of my priority queue 
if you're fine with your current solution.



Cheers,
Alexander


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Re: \hideNotes in TabStaff (was: Re: Temporary polyphonic passages in TabStaff)

2010-01-27 Thread Federico Bruni
Il giorno Wed, 27 Jan 2010 14:39:40 +0100
Oscar van Eijk oscar.van.e...@oveas.com ha scritto:

 Another one though; also in the original sample you might have seen I
 use \hideNotes. Thet doesn't seem to have any affect in the TabStaff.
 As a workaround I made set the transparent property of TabNoteHead to
 ##t. Is this a known issue or were my expectations incorrect?

If you want to hide notes both in Staff and in TabStaff you can use
this command (maybe the name is not so appropriate, choose what you
prefer):

hideFretNumber = {
  \once \override TabNoteHead #'transparent = ##t 
  \once \override TabNoteHead #'whiteout = ##f 
  \once \override NoteHead #'transparent = ##t 
  \once \override Stem #'transparent = ##t
  \once \override NoteHead #'no-ledgers = ##t 
  \once \override Accidental #'transparent = ##t 
}

In the tablature mailing list they are discussing the idea of adding
such a command:
hideTabNoteHead = {
  \once \override TabNoteHead #'transparent = ##t
  \once \override TabNoteHead #'whiteout = ##f
} 

http://n2.nabble.com/Re-tie-bug-in-2-13-10-td4291079.html#a4291079

Marc (or Carl), can you make a summary of what's happening?
Thanks,
Federico
-- 
http://gnurag.net/blog/
http://fsfe.org/
http://groups.fsf.org/wiki/LibrePlanetItalia



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LilyPondTool

2010-01-27 Thread Gerard McConnell
Hello,
when I use the following line in the console:
%lilypond -dbackend=svg %buffer
I'm guessing that 1. I'm calling LilyPond 2. sending it 
an argument (or parameter?) and 3. telling LilyPond to
process the file in the buffer.   What exactly is the %?
I presume that I can replace %buffer with a path to some
 file, but for instance if I enter:
%lilypond -dbackend=svg c:\documents and 
setting\dad\desktop\musicpages\bella.ly 
I get a:
warning: cannot find file: 'etc'.
Finally, is it possible for me to direct the output to a 
specific folder?
By the way, the svg output from 2.12.2 is already great,
it's hard to imagine how it has been improved for 2.14.
Thanks,
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Re: \hideNotes in TabStaff (was: Re: Temporary polyphonic passages inTabStaff)

2010-01-27 Thread Trevor Daniels


Oscar van Eijk wrote Wednesday, January 27, 2010 1:39 PM

Another one though; also in the original sample you might have 
seen I use
\hideNotes. Thet doesn't seem to have any affect in the TabStaff. 
As a
workaround I made set the transparent property of TabNoteHead to 
##t.

Is this a known issue or were my expectations incorrect?


\hideNotes and \unHideNotes are designed to work only with
ordinary staves and voices.  In TabStaff they will hide
stems, beams, dots, etc (if these are being displayed)
but not the fret labels from TabNoteHead.  Maybe they should,
or are there situations where you would want to hide notes
in the normal staff but not in TabStaff or vice versa?

Setting the transparent property will work fine, but
you may find the underlying staff lines are whited out
in releases after 2.13.6 or thereabouts unless you also
set the whiteout property of TabNoteHead to #f.

Trevor




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Re: LilyPondTool

2010-01-27 Thread Bertalan Fodor (LilyPondTool)
The arguments starting with % are LilyPondTool features. It 
automatically substitutes configured values.
The other arguments are LilyPond command line arguments. So you should 
be able to use --output for example, see the doc.


Gerard McConnell wrote:

Hello,
when I use the following line in the console:
%lilypond -dbackend=svg %buffer
I'm guessing that 1. I'm calling LilyPond 2. sending it
an argument (or parameter?) and 3. telling LilyPond to
process the file in the buffer.   What exactly is the %?
I presume that I can replace %buffer with a path to some
 file, but for instance if I enter:
%lilypond -dbackend=svg c:\documents and 
setting\dad\desktop\musicpages\bella.ly

I get a:
warning: cannot find file: 'etc'.
Finally, is it possible for me to direct the output to a
specific folder?
By the way, the svg output from 2.12.2 is already great,
it's hard to imagine how it has been improved for 2.14.
Thanks,
Gerard


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Ambitus

2010-01-27 Thread northofscotland

I often use the ambitus when setting recorder parts, since it makes it
quicker and easier to see which instrument it might be most suitable for.

The default in Lilypond is fine, but I quite like the arrangement where the
top ambitus note is offset from the bottom and the two note heads connected
with a diagonal line.

I have been playing around with various overides trying to achieve this and
I can rotate the ambitus line OK -

\override Staff.AmbitusLine #'rotation =#'(-25 0 0)

However, when I try to move one notehead relative to the other they seem to
form just a single unit and they both move together.  Is there a way of
moving these separately to achieve the desired effect?

Thanks
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show chord symbol in each bar

2010-01-27 Thread Peter Berlau

Hello,

I really like Lilypond an the snipplet and documentary is very usable,
thanks a lot for this.

I have not found a solution for the following problem

If I use, e.g.  a 4 bar melody sequence which only has one Chord the
assigned chord symbol is only shown over the first bar (1) he and not
the over the other bars (2-4). 
I would like to have the Chordsymbolover all bars (1-4) is this
possible?

Other, is it possible to change the Color of a single barline?


Thanks for advice, 

all the best,
peter




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Re: show chord symbol in each bar

2010-01-27 Thread James Bailey
Hello, you have to state when you want the chord symbol to show.  
Maybe I'm not saying that correctly.


In the same way you have to type out each note and its duration, you  
have to type out each chord and its corresponding duration.


so, if your melody consists of the same note repeated once per bar  
for four bars, you have to write out the same note repeated once per  
bar for four bars.


Similarly, if you melody consists of the same chord repeated once per  
bar for four bars, you have to write out the same chord repeated once  
per bar for four bars.


On 27.01.2010, at 17:17, Peter Berlau wrote:



Hello,

I really like Lilypond an the snipplet and documentary is very usable,
thanks a lot for this.

I have not found a solution for the following problem

If I use, e.g.  a 4 bar melody sequence which only has one Chord the
assigned chord symbol is only shown over the first bar (1) he and not
the over the other bars (2-4).
I would like to have the Chordsymbolover all bars (1-4) is this
possible?

Other, is it possible to change the Color of a single barline?


Thanks for advice,

all the best,
peter




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Re: show chord symbol in each bar

2010-01-27 Thread Kieren MacMillan
Hi Peter (and James):

 Hello, you have to state when you want the chord symbol to show. Maybe I'm 
 not saying that correctly.
 In the same way you have to type out each note and its duration, you have to 
 type out each chord and its corresponding duration.
 so, if your melody consists of the same note repeated once per bar for four 
 bars, you have to write out the same note repeated once per bar for four bars.
 Similarly, if you melody consists of the same chord repeated once per bar for 
 four bars, you have to write out the same chord repeated once per bar for 
 four bars.

You also have to make sure that chordChanges is correctly set.

Read the relevant doc section for more details:
http://lilypond.org/doc/v2.13/Documentation/notation/displaying-chords#printing-chord-names

Hope this helps!
Kieren.

 
 On 27.01.2010, at 17:17, Peter Berlau wrote:
 
 
 Hello,
 
 I really like Lilypond an the snipplet and documentary is very usable,
 thanks a lot for this.
 
 I have not found a solution for the following problem
 
 If I use, e.g.  a 4 bar melody sequence which only has one Chord the
 assigned chord symbol is only shown over the first bar (1) he and not
 the over the other bars (2-4).
 I would like to have the Chordsymbolover all bars (1-4) is this
 possible?
 
 Other, is it possible to change the Color of a single barline?
 
 
 Thanks for advice,
 
 all the best,
  peter
 
 
 
 
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Re: show chord symbol in each bar

2010-01-27 Thread Susan Dittmar
Quoting James Bailey (derhindem...@googlemail.com):
 Similarly, if you melody consists of the same chord repeated once per  
 bar for four bars, you have to write out the same chord repeated once  
 per bar for four bars.

It's not that simple. Lilypond per default is so smart as to not repeat
chords if they are the same as before.

Sorry, Peter, I don't have a solution for you. But I am quite sure someone
else has :-)

Susan


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Re: show chord symbol in each bar

2010-01-27 Thread Reinhold Kainhofer
Am Mittwoch, 27. Januar 2010 18:06:50 schrieb Susan Dittmar:
 Quoting James Bailey (derhindem...@googlemail.com):
  Similarly, if you melody consists of the same chord repeated once per
  bar for four bars, you have to write out the same chord repeated once
  per bar for four bars.
 
 It's not that simple. Lilypond per default is so smart as to not repeat
 chords if they are the same as before.

No, that's not true. LilyPond by default (at least it does in 2.12.2 and 
2.13.11) prints out every chord that you explicitly name... E.g.:

\score {
  
\new ChordNames \chordmode {
  c1 c1 c1 c1
}
\new Staff  \relative c' {
  c1 e1 g1 c1
}
  
}

Of course, if you only use c1*4, then you explicitly tell LilyPond: Here is 
one C chord lasting for 4 measures, but print it only once. If you want it 
printed, you have to explicitly give it, like c1 c1 c1 c1.

Cheers,
Reinhold

-- 
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
 * Financial  Actuarial Math., Vienna Univ. of Technology, Austria
 * http://www.fam.tuwien.ac.at/, DVR: 0005886
 * LilyPond, Music typesetting, http://www.lilypond.org


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Re: show chord symbol in each bar

2010-01-27 Thread Peter Berlau
Hi Reinhold,


Am Mittwoch, den 27.01.2010, 18:36 +0100 schrieb Reinhold Kainhofer:
 \score {
   
 \new ChordNames \chordmode {
   c1 c1 c1 c1
 }
 \new Staff  \relative c' {
   c1 e1 g1 c1
 }
   
 }

Thanks, that is exact what I am looking for. I adjusted my Sheet,

all the best!
 Peter




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Colliding articulation with beam

2010-01-27 Thread Jean-Alexis Montignies
Hi,

Should I submit the following as a bug?
As a work around I would like to add more space between the chords and the 
system. How can I achieve that?

You will note that articulation are placed on top. This is a request from my 
notation class teacher, is there's a way to do that automatically: something 
like /dynamicsUp ?

Greetings!

Jean-Alexis



% problem with articulations colliding beam
% It's quite hard to find a shorter example, for instance if you remove the 
chord exceptions or some bars, the collision doesn't take place

\version 2.13.9
\include english.ly

customChordExceptions = 
{   
c e g bf- 7 
c ef g bf- m7
c e g bf af'- \markup { 7 \hspace #1 \super \bracket ♭13}
}

newChordExceptionList = #(append 
 (sequential-music-to-chord-exceptions customChordExceptions #t) 
 ignatzekExceptions) 

\book {
   \score {

\new ChordNames 
\chordmode {
\set chordNameExceptions = #newChordExceptionList 
f1 g2:m7 c:7 f g:m7 c:m7 f:7.13-
\repeat unfold 10 { g2:m7 } 
}
\new Voice
\relative c' {
 f8 e f c^^ r4 a'8 gs | a c,^^ r e ~ e g f e | g f a bf a f 
g ef | r d'4.^^ r8 df4 f,8 | \break
 \repeat unfold 5 { a8 c,^^ r4 b'8 c,^^ r4 } 
}

}
}



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Re: Colliding articulation with beam

2010-01-27 Thread Graham Percival
It's probably already in the tracker.  I wouldn't bother
submitting it.

Cheers,
- Graham

On Wed, Jan 27, 2010 at 08:20:07PM +0100, Jean-Alexis Montignies wrote:
 Hi,
 
 Should I submit the following as a bug?
 As a work around I would like to add more space between the chords and the 
 system. How can I achieve that?
 
 You will note that articulation are placed on top. This is a request from my 
 notation class teacher, is there's a way to do that automatically: something 
 like /dynamicsUp ?
 
 Greetings!
 
 Jean-Alexis
 
 
 
 % problem with articulations colliding beam
 % It's quite hard to find a shorter example, for instance if you remove the 
 chord exceptions or some bars, the collision doesn't take place
 
 \version 2.13.9
 \include english.ly
 
 customChordExceptions = 
 {   
 c e g bf- 7 
 c ef g bf- m7
 c e g bf af'- \markup { 7 \hspace #1 \super \bracket ♭13}
 }
 
 newChordExceptionList = #(append 
  (sequential-music-to-chord-exceptions customChordExceptions #t) 
  ignatzekExceptions) 
 
 \book {
\score {
 
 \new ChordNames 
 \chordmode {
 \set chordNameExceptions = #newChordExceptionList 
 f1 g2:m7 c:7 f g:m7 c:m7 f:7.13-
 \repeat unfold 10 { g2:m7 } 
 }
 \new Voice
 \relative c' {
  f8 e f c^^ r4 a'8 gs | a c,^^ r e ~ e g f e | g f a bf a 
 f g ef | r d'4.^^ r8 df4 f,8 | \break
  \repeat unfold 5 { a8 c,^^ r4 b'8 c,^^ r4 } 
 }
 
 }
 }
 
 
 
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Re: show chord symbol in each bar

2010-01-27 Thread Gilles THIBAULT



Sorry, Peter, I don't have a solution for you. But I am quite sure someone
else has :-)
Well, i don't know if it is excatly what Peter needs, but with the last 
version of changePitch.ly, available here :

http://lsr.dsi.unimi.it/LSR/Item?u=1id=654
you can avoid to repeat several times a chord :

\include changePitch.ly

melody = \relative {
   c4 d e f g f e d c d e f g f e2
   b4 c d e f e d c b c d e f e d e
   c1
}
patI = \samePitch { c1 c1 c1 c1}
%% \cPI will automatically repeat 4 times each chords
\score {
 
  \new  ChordNames {
   \cPI { c e g g b d'}
   c e g1
  }
  \new Staff \melody
 
}

(a small doc in pdf format is also available here :
http://gillesth.free.fr/Lilypond/changePitch/ )

Note too, that I have heard (in the lilypond-devel list) of a new symbol : 
q  that will allow to remplace the previous chord. I don't know if it is 
already available in the last 2.13 version


Gilles 
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Lilypond as MediaWiki extension does not print in Extension:Collection

2010-01-27 Thread Oscar van Dillen
dear all,

on my website I found that Lilypond as MediaWiki extension does not print
music notation, just code, to the pdf in Extension:Collection
http://www.mediawiki.org/wiki/Extension:Collection
Lilypond does work fine when using printable version such as can be seen
here http://www.oscarvandillen.com/Triad?printable=yes

*is it my configuration? see
http://www.oscarvandillen.com/Special:Version(Lilypond is invisible
there but installed)
*is this a know issue? (i didn't find it anywhere yet)

should I rather tell the collection programmers at
http://www.mediawiki.org/wiki/Extension:Collection/Wishlist or is it
something that must be solved by the Lilypond programmers?

very best,
oscar

-- 
oscarvandil...@gmail.com

www.oscarvandillen.com

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Re: show chord symbol in each bar

2010-01-27 Thread Wilbert Berendsen
Op woensdag 27 januari 2010 schreef Peter:

 Other, is it possible to change the Color of a single barline?


\relative c' {
  c4 d e f
  \once \override Staff.BarLine #'color = #(x11-color 'firebrick3)
  g f e d
  c1
}

best regards,
Wilbert Berendsen

-- 
Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/
Nederlands LilyPond forum: http://www.lilypondforum.nl/


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Re: Multi-Measure Rests: Adding to what gets printed?

2010-01-27 Thread rasAK

Alexander,

Yes, I've got what I need for now, so no rush on the fix.  Whenever you do
get to it, let me know and I'll be happy to test.

Randy



Alexander Kobel wrote:
 
 rasAK wrote:
 I don't have time to look into this, but wanted you to be aware: I went
 ahead and used the BarNumberStaff rather than the BarNumberVoice.  In
 trying
 to adjust the Y-Offset of the BarNumberVoice, it moves the lyrics down as
 well.  The BarNumberStaff does not.
 
 Ah, I think I see the problem.  A MMRNumber is added under every MMR; 
 it's just a  string for the single measure rests, but even this 
 affects the spacing.  No clue why this does not seem to hurt with the 
 BarNumberStaff approach.
 
 Maybe I should take the time and test whether an empty stencil instead 
 of the null text helps, but it's not quite on top of my priority queue 
 if you're fine with your current solution.
 
 
 Cheers,
 Alexander
 
 
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