Re: key signatures and partcombine

2010-03-27 Thread Eby Mani
Hi Kieren,

Many thanks, ah... i copied music from another file, where time, key, cleff, 
etc...  music are put into the staff and put together in score.

Best,

Eby.

--- On Fri, 3/26/10, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:

 From: Kieren MacMillan kieren_macmil...@sympatico.ca
 Subject: Re: key signatures and partcombine
 To: Eby Mani eby...@yahoo.com
 Cc: lilypond-user@gnu.org
 Date: Friday, March 26, 2010, 2:00 PM
 Hi Eby,
 
  What should i do to show key signatures when using
 \partcombine ? you can see it doesn't render any key
 signature when \partcombine is used.
 
 Yes it does -- you haven't put the \global (with the key
 signature) into your partcombine-d staff:
 
  \new Staff \with { printPartCombineTexts = ##f
 }{  \partcombine \OrganRHOne \OrganRHTwo }
 
 ;)
 
 Hope this helps!
 Kieren.


  


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repeatTie question

2010-03-27 Thread Eby Mani
Is it possible to specify minimum length for it so the repeatTie appears to 
connect the previous note on another voice.

e.g.
vOne = { ees4. ees8 c'4 aes }
vTwo = { d4 c ees2 \repeatTie }

I've tried vTwo = { d4 c4 \hideNote ees~  \unHideNotes ees2 }, but this 
will hide both c4 and ees, leaving the tie visible. And ees2-\tweak 
#'minimum-length #10 \repeatTie doesn't have any effect. Any suggestions ?.

Thanks.

Eby


  



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Re: Force clef visibility

2010-03-27 Thread -Eluze


Siska Ádám-3 wrote:
 
 Hello List,
 
 
 how can I force a clef appearing even in case the clef doesn't change
 actually? I'm thinking about something like this:
 
 \clef treble
 c' \bar | s
 \clef treble
 d'
 
 How can I force the drawing of the second clef?
 
 
1.1.3 in the NR -- Clef -- Selected Snippets
-- 
View this message in context: 
http://old.nabble.com/Force-clef-visibility-tp28049912p28050878.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.



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Re: all must do a new clone - new git repository with fixed history

2010-03-27 Thread Frédéric Bron
 The git repository at savannah has been updated, everyone
 should do a fresh clone.

I can only use the http server because I cannot get outside my
firewall using the git protocol.
I was using http://git.sv.gnu.org/r/lilypond.git before. I have tried
http://git.savannah.gnu.org/r/lilypond.git and it seems to work.
Is it the right address to use?

Frédérci


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Re: all must do a new clone - new git repository with fixed history

2010-03-27 Thread Jan Nieuwenhuizen
Op zaterdag 27-03-2010 om 09:34 uur [tijdzone +0100], schreef Frédéric
Bron:
  The git repository at savannah has been updated, everyone
  should do a fresh clone.
 
 I can only use the http server because I cannot get outside my
 firewall using the git protocol.
 I was using http://git.sv.gnu.org/r/lilypond.git before. I have tried
 http://git.savannah.gnu.org/r/lilypond.git and it seems to work.
 Is it the right address to use?

According to 

 http://git.savannah.gnu.org/gitweb/?p=lilypond.git

it is.

Jan.
-- 
Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond - The music typesetter
Avatar®: http://AvatarAcademy.nl| http://lilypond.org




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Re: Force clef visibility

2010-03-27 Thread Siska Ádám
 Hello List,
 
 
 how can I force a clef appearing even in case the clef doesn't change
 actually? I'm thinking about something like this:
 
 \clef treble
 c' \bar | s
 \clef treble
 d'
 
 How can I force the drawing of the second clef?
 
 
 1.1.3 in the NR -- Clef -- Selected Snippets

Hi,


maybe I'm missing something obvious. I read the manual at least three times, 
but I still don't find a way to force a clef to appear in case it doesn't 
change. Can you post a short example?


Thanks,
Adam



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Re: staff-space doesn't seem to work as documented

2010-03-27 Thread Phil Holmes
The user error was actually in the quoting in my email: I'd tried both #'1.5 
and #1.5 and neither had worked.  Thanks to those who pointed out the 
requirement for white space between the font size specification and the 
curly brace: #'1.5 } and #1.5 } both work.   #1.5} doesn't work, and I'd not 
picked this up from the documentation since I tend to put commands of this 
sort on a single line, which the documentation doesn't.


--
Phil Holmes


- Original Message - 
From: Graham Percival gra...@percival-music.ca

To: Phil Holmes em...@philholmes.net
Cc: LilyPond User Group lilypond-user@gnu.org
Sent: Friday, March 26, 2010 6:42 PM
Subject: Re: staff-space doesn't seem to work as documented


There's a difference between
 #'1.5
and
 #1.5}

This is a user error, not a documentation problem.

- Graham


On Fri, Mar 26, 2010 at 4:22 PM, Phil Holmes em...@philholmes.net wrote:
In the PDF documentation for 2.12.3 and the online documentation for 
2.13.16

it gives the syntax for reducing staff spacing as:

\override StaffSymbol #'staff-space = #1.5

If I use this syntax, I get an error:

error: syntax error, unexpected '{'
\new Staff \with {\override StaffSymbol #'staff-space = #'1.5}
{ c'' c'' c''
c'' }


If I use a syntax with parentheses (guessed by trial and error):

\override StaffSymbol #'staff-space = #'( . 1.5)

I compiles and runs successfully.

Code snippets are available if required.

Is this a bug in the documentation?

--
Phil Holmes




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glissando between two notes not joint

2010-03-27 Thread Martial

Need a glissando between two notes not joint ?

add in lsr :  http://lsr.dsi.unimi.it/LSR/Item?u=1id=662

voili
--
Martial



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Re: Force clef visibility

2010-03-27 Thread Phil Holmes

Try this:

\clef treble
c' \bar | s
\set Staff.forceClef = ##t
\clef treble
d'


--
Phil Holmes


- Original Message - 
From: Siska Ádám szad...@gmail.com

To: lilypond-user@gnu.org
Sent: Saturday, March 27, 2010 10:26 AM
Subject: Re: Force clef visibility



Hello List,


how can I force a clef appearing even in case the clef doesn't change
actually? I'm thinking about something like this:

\clef treble
c' \bar | s
\clef treble
d'

How can I force the drawing of the second clef?



1.1.3 in the NR -- Clef -- Selected Snippets


Hi,


maybe I'm missing something obvious. I read the manual at least three times, 
but I still don't find a way to force a clef to appear in case it doesn't 
change. Can you post a short example?



Thanks,
Adam



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Re: staff-space doesn't seem to work as documented

2010-03-27 Thread Trevor Daniels


Phil Holmes wrote Saturday, March 27, 2010 10:37 AM


The user error was actually in the quoting in my email: I'd tried 
both #'1.5 and #1.5 and neither had worked.  Thanks to those who 
pointed out the requirement for white space between the font size 
specification and the curly brace: #'1.5 } and #1.5 } both work. 
#1.5} doesn't work, and I'd not picked this up from the 
documentation since I tend to put commands of this sort on a 
single line, which the documentation doesn't.


There's a big warning about this right at the beginning of the 
Learning Manual.  Section 1.1.1 Entering input says ... braces 
should also be surrounded by a space unless they are at the 
beginning or end of a line to avoid ambiguities.


Trevor




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Re: staff-space doesn't seem to work as documented

2010-03-27 Thread Phil Holmes
Thanks.  Must sit down and read it soon, rather than dipping in to try to 
find what I need.  Won't make that mistake again, anyway!


--
Phil Holmes


- Original Message - 
From: Trevor Daniels t.dani...@treda.co.uk
To: Phil Holmes em...@philholmes.net; Graham Percival 
gra...@percival-music.ca

Cc: LilyPond User Group lilypond-user@gnu.org
Sent: Saturday, March 27, 2010 11:27 AM
Subject: Re: staff-space doesn't seem to work as documented




Phil Holmes wrote Saturday, March 27, 2010 10:37 AM


The user error was actually in the quoting in my email: I'd tried both 
#'1.5 and #1.5 and neither had worked.  Thanks to those who pointed out 
the requirement for white space between the font size specification and 
the curly brace: #'1.5 } and #1.5 } both work. #1.5} doesn't work, and 
I'd not picked this up from the documentation since I tend to put 
commands of this sort on a single line, which the documentation doesn't.


There's a big warning about this right at the beginning of the Learning 
Manual.  Section 1.1.1 Entering input says ... braces should also be 
surrounded by a space unless they are at the beginning or end of a line to 
avoid ambiguities.


Trevor







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Re: Chords

2010-03-27 Thread Carl Sorensen



On 3/26/10 4:41 PM, David Stocker dstoc...@notesettersinc.com wrote:

 I have some questions/concerns about display of chords in LilyPond:
 * Is there a way to make LilyPond center the entire chord symbol (root and
 suffix) on its rhythmic axis? Right now, LilyPond is only centering the root
 on the rhythmic axis, with the suffix extending on the right.

As far as I know, there is not.  I have noticed this problem, and hope to
work on it sometime in the near future.

 * Does someone on the list have a set of modern custom chord definitions?

A very large list of chord exceptions that can be effectively used has been
posted on the list.  I'd try searching the archives for exceptions.

Thanks,

Carl




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Re: all must do a new clone - new git repository with fixed history

2010-03-27 Thread Frédéric Bron
 According to
     http://git.savannah.gnu.org/gitweb/?p=lilypond.git
 it is.

I am a bit lost: should it be git.sv or git.savannah? Maybe this does
not matter.

Frédéric


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Re: Chords

2010-03-27 Thread Robin Bannister

David Stocker wrote:
center the entire chord symbol (root and suffix) on its rhythmic axis? 


#(define (centerCN grob) 
 (ly:stencil-aligned-to (ly:text-interface::print grob) X CENTER ))


and then apply as 


\override ChordNames.ChordName #'stencil = #centerCN


Cheers, 
Robin



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Re: all must do a new clone - new git repository with fixed history

2010-03-27 Thread Francisco Vila
2010/3/27 Frédéric Bron frederic.b...@m4x.org:
 According to
     http://git.savannah.gnu.org/gitweb/?p=lilypond.git
 it is.

 I am a bit lost: should it be git.sv or git.savannah? Maybe this does
 not matter.

Type in your browser sv.gnu.org and you'll be redirected to savannah.gnu.org

-- 
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com


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Converting from a really old version - how far can I jump?

2010-03-27 Thread Ed Ardzinski

I've been chided before about still using 2.6.5, and I still find that I learn 
more and more, and feel satisfied with what I do with it...but it nags me I'm 
so far behind the discussion on this list.

 

My biggest con against upgrading is I don't have the time to upgrade 30 or more 
pieces (not to mention test/templates).  The biggest pro is that I'm having to 
do this already as I learn how to do better with 2.6.5 I am starting to revisit 
old files...and reduce the size of my final output PDF from 14 pages to 6...it 
takes time to rework the old files.  Possibly the same time it would take to 
get used to a new version and revise the old files?

 

So - is it possible to run the old (2.6.5) and the newest stable branch (a 2.12 
version I think?) simultaneously on a WinXP box?  Or do I have to try and use 
my laptop (Win7 machine) for the new (or old versions), and just struggle using 
both machines (I really don't like to use my laptop...)?  I imagine that a lot 
of my music notation (the actual notes and durations and rests and beamings) 
can be copied over to a newer version, but my techniques in using score and 
contexts might need updating?

 

Well, I'm actually facing that now with 2.6.5 - as I had been warned (year or 
so ago?) by Mats - as it's hard to get/find advice, and seeing that 2.10 had 
the issue simplified...and I wonder, do I want to chase down the code fix for 
how I'm writing now in 2.6.5 or do I try to make the big leap?

 

And if the answer is to go stepwise through 2.8 - 2.10 - then 2.12 then I have 
to say sorry boys, I'm staying in the paleozoic!  I just don't have the time 
to do that...

 

I would appreciate any advice - suggestions.  Thanks!
  
_
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Re: Converting from a really old version - how far can I jump?

2010-03-27 Thread Graham Percival
You might want to try reading the documentation about upgrading from
older versions.  In 2.13, this is in the Usage manual.

Cheers,
- Graham


On Sat, Mar 27, 2010 at 10:25 PM, Ed Ardzinski ed_ardzin...@hotmail.com wrote:
 I've been chided before about still using 2.6.5, and I still find that I
 learn more and more, and feel satisfied with what I do with it...but it nags
 me I'm so far behind the discussion on this list.

 My biggest con against upgrading is I don't have the time to upgrade 30 or
 more pieces (not to mention test/templates).  The biggest pro is that I'm
 having to do this already as I learn how to do better with 2.6.5 I am
 starting to revisit old files...and reduce the size of my final output PDF
 from 14 pages to 6...it takes time to rework the old files.  Possibly the
 same time it would take to get used to a new version and revise the old
 files?

 So - is it possible to run the old (2.6.5) and the newest stable branch (a
 2.12 version I think?) simultaneously on a WinXP box?  Or do I have to try
 and use my laptop (Win7 machine) for the new (or old versions), and just
 struggle using both machines (I really don't like to use my laptop...)?  I
 imagine that a lot of my music notation (the actual notes and durations and
 rests and beamings) can be copied over to a newer version, but my techniques
 in using score and contexts might need updating?

 Well, I'm actually facing that now with 2.6.5 - as I had been warned (year
 or so ago?) by Mats - as it's hard to get/find advice, and seeing that 2.10
 had the issue simplified...and I wonder, do I want to chase down the code
 fix for how I'm writing now in 2.6.5 or do I try to make the big leap?

 And if the answer is to go stepwise through 2.8 - 2.10 - then 2.12 then I
 have to say sorry boys, I'm staying in the paleozoic!  I just don't have
 the time to do that...

 I would appreciate any advice - suggestions.  Thanks!

 
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hairpins in above ossia staff collide with main staff

2010-03-27 Thread Frédéric Bron
Hi folks,

I created a 21 page score with only one staff but at some place, an
ossia staff appears above the main staff. Everything was fine up to
the point where I needed to move the bar number engraver from the
score context to the staff context because I wanted the bar numbers to
be below text spanners. After doing this, hairpins of the ossia staff
started to collide with the below staff.
I noticed that if I do not use \override VerticalAlignment
#'max-stretch = #ly:align-interface::calc-max-stretch no collision
arises.
Also it works fine if I use \override VerticalAxisGroup
#'minimum-Y-extent = #'(-5 . 5) in the main staff context but with
(-4 . 4) it is awfull. Why such a yield effect?
Does anyone understand anything? I tried to make the example minimum
so I put some \break and \noBreak to mimic the original 21 page score.

Frédéric


hairpin-staff-collision.ly
Description: Binary data
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Re: ANN: Frescobaldi 1.0.0 released

2010-03-27 Thread Nick Payne
Two Frescobaldi editing problems I haven't been able to solve, and which 
I see on all three versions I've tried (1.0.0, 1.0.2, and 1.1.0):


1. Regardless of whether I check or uncheck the editing option Insert 
spaces instead of tabulators, I always get spaces and not tabs in my 
source file, whether from auto-indentation or from explicitly hitting 
the tab key.


2. Regardless of the value I set for indentation width, I always get a 
width of two characters.


I'm running on Ubuntu 9.10 x86. I'm using Gnome desktop, so have minimal 
KDE to support Frescobaldi installed. I haven't tried it on a Kububtu 
installation to see if the problem is the same there.


Nick


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