Manipulating grobs before line-breaks
Hi out there, I have the following problem: Lilypond has the rather unusual standard behaviour of printing hairpins, ties etc at line breaks right into the bar line. This is not the normal way to do it, if you look at traditionally engraved music, these signs end just before the bar line. I have found a way to correct this using the following overrides \once \override Score.BarLine #'X-extent = #'( -.4 . -.4 ) (to move all grobs further away from the barline) \once \override Score.BarLine #'space-alist = #'((right-edge extra- space . .5)) (to close the now existing gap between bar line and staff) This works quite good. But there is still one problem. If a hairpin is broken and continues on the next page, it is affected by the right- edge command. Therefore, by closing the gap between systems and bar line, I also move the broken hairpin back and it is now touching the bar line again. Is there any way to solve this problem? Thanks a lot for your help. Jonas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
overrideBeamSettings not working in 2.13.30
I just switched from LilyPond 2.13.30 (from 2.13.27), and then: error: unknown escaped string: `\overrideBeamSettings' So what's the replacement? I used measures like: \overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3))) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Help, hyphen in addlyrics doesn't seem to work
hi it seems that with removing ragged-right=##t and \include gregorian.ly you can get what you want - sorry i know nothing about the gregorian style. peterwinson1 wrote: I've have the following code with hyphens in the lyrics. However, lilypond seems to ignore the hyphens because the notes are too close together. First of all why are the notes so close together? It seems that there are a lot of space available. I've tried to space to notes further apart, as in the code, but that does work. Please help. -- View this message in context: http://old.nabble.com/Help%2C-hyphen-in-addlyrics-doesn%27t-seem-to-work-tp29455257p29469413.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: overrideBeamSettings not working in 2.13.30
Hans Aberg wrote Wednesday, August 18, 2010 10:08 AM I just switched from LilyPond 2.13.30 (from 2.13.27), and then: error: unknown escaped string: `\overrideBeamSettings' So what's the replacement? I used measures like: \overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3))) The changes are quite extensive. Best to read the Notation Reference for 2.13.30. See sections 1.2.4 and Time signature in 2.1.3. Trevor ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
messy chord
Lilypond 2.13, trying to set a SATB vocal score using the
template from appendix 4.1. In one bar the tenors sing
(using absolute pitches)g4
first bass sing g8 (f8) (with an automatic beam)
2nd bass sing g,4
I have tried several ways to enter the bass parts, none
of them work. The least bad I have found is
\\ { g8 (f8) } \\ \\ g,4
and the g,4 collides with the beam on the g8. Please how can I
drag the g,4 about 2 mm to the left?
thank you, Mark
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Re: overrideBeamSettings not working in 2.13.30
On 18 Aug 2010, at 11:45, Trevor Daniels wrote: I just switched from LilyPond 2.13.30 (from 2.13.27), and then: error: unknown escaped string: `\overrideBeamSettings' So what's the replacement? I used measures like: \overrideBeamSettings #'Score #'(9 . 16) #'end #'((* . (4 2 3))) The changes are quite extensive. Best to read the Notation Reference for 2.13.30. See sections 1.2.4 and Time signature in 2.1.3. Thanks. [Typo: 1.2.3.] It was not so difficult, it seems (I'll have to check it more). For the 9/16 meter, because there is already a beat structure defined for it (3+3+3), I had to write \overrideTimeSignatureSettings #'Score #'(9 . 16) % time signature fraction #'(1 . 16) % base moment fraction #'(4 2 3) % beatStructure #'() % beamExceptions \time 9/16 For 11/16, as there is no beat structure defined, one can write \time 11/16 \set beatStructure = #'(4 3 4) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: overrideBeamSettings not working in 2.13.30
Hans Aberg wrote Wednesday, August 18, 2010 12:17 PM On 18 Aug 2010, at 11:45, Trevor Daniels wrote: I just switched from LilyPond 2.13.30 (from 2.13.27), and then: error: unknown escaped string: `\overrideBeamSettings' The changes are quite extensive. Best to read the Notation Reference for 2.13.30. See sections 1.2.4 and Time signature in 2.1.3. Thanks. [Typo: 1.2.3.] Sorry! It was not so difficult, it seems (I'll have to check it more). For the 9/16 meter, because there is already a beat structure defined for it (3+3+3), I had to write \overrideTimeSignatureSettings #'Score #'(9 . 16) % time signature fraction #'(1 . 16) % base moment fraction #'(4 2 3) % beatStructure #'() % beamExceptions \time 9/16 I think (not tested) you can just write \set beamExceptions = #'() \set beatStructure=#'(4 2 3) \time 9/16 For 11/16, as there is no beat structure defined, one can write there are no beamExceptions \time 11/16 \set beatStructure = #'(4 3 4) Trevor ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: overrideBeamSettings not working in 2.13.30
On 18 Aug 2010, at 14:20, Trevor Daniels wrote: It was not so difficult, it seems (I'll have to check it more). For the 9/16 meter, because there is already a beat structure defined for it (3+3+3), I had to write \overrideTimeSignatureSettings #'Score #'(9 . 16) % time signature fraction #'(1 . 16) % base moment fraction #'(4 2 3) % beatStructure #'() % beamExceptions \time 9/16 I think (not tested) you can just write \set beamExceptions = #'() \set beatStructure=#'(4 2 3) \time 9/16 No, it does not work (I retested it): on gets a 3+3+3 beaming. The command \time looks up a table, which is used. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: messy chord
mark damerell wrote Wednesday, August 18, 2010 12:03 PM
Lilypond 2.13, trying to set a SATB vocal score using the
template from appendix 4.1. In one bar the tenors sing
(using absolute pitches)g4
first bass sing g8 (f8) (with an automatic beam)
2nd bass sing g,4
I have tried several ways to enter the bass parts, none
of them work. The least bad I have found is
\\ { g8 (f8) } \\ \\ g,4
Putting the 2nd bass in voice 4 is correct.
and the g,4 collides with the beam on the g8. Please how can I
drag the g,4 about 2 mm to the left?
Put
\once \override NoteColumn #'force-hshift = #-1.2
immediately before the g,4.
But it would be more usual to have a 4-stave score when
the parts split in this way, otherwise it would be
very confusing to sing. Then the 1st bass would have
stems up, 2nd stems down, so avoiding collisions like
this. You can see an example of a 4-stave score in
Learning Manual 3.4.2
Trevor
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Re: Help, hyphen in addlyrics doesn't seem to work
- Original Message - From: -Eluze elu...@gmail.com To: lilypond-user@gnu.org Sent: Wednesday, August 18, 2010 10:38 AM Subject: Re: Help, hyphen in addlyrics doesn't seem to work hi it seems that with removing ragged-right=##t and \include gregorian.ly you can get what you want - sorry i know nothing about the gregorian style. peterwinson1 wrote: I've have the following code with hyphens in the lyrics. However, lilypond seems to ignore the hyphens because the notes are too close together. First of all why are the notes so close together? It seems that there are a lot of space available. I've tried to space to notes further apart, as in the code, but that does work. Please help. I've not seen the original question, but it might also be worth looking at: http://lsr.dsi.unimi.it/LSR/Item?id=680 -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: overrideBeamSettings not working in 2.13.30
On 8/18/10 6:20 AM, Trevor Daniels t.dani...@treda.co.uk wrote: Hans Aberg wrote Wednesday, August 18, 2010 12:17 PM On 18 Aug 2010, at 11:45, Trevor Daniels wrote: I just switched from LilyPond 2.13.30 (from 2.13.27), and then: error: unknown escaped string: `\overrideBeamSettings' The changes are quite extensive. Best to read the Notation Reference for 2.13.30. See sections 1.2.4 and Time signature in 2.1.3. Thanks. [Typo: 1.2.3.] Sorry! It was not so difficult, it seems (I'll have to check it more). For the 9/16 meter, because there is already a beat structure defined for it (3+3+3), I had to write \overrideTimeSignatureSettings #'Score #'(9 . 16) % time signature fraction #'(1 . 16) % base moment fraction #'(4 2 3) % beatStructure #'() % beamExceptions \time 9/16 I think (not tested) you can just write \set beamExceptions = #'() \set beatStructure=#'(4 2 3) \time 9/16 If you don't want to do \overrideTimeSignatureSettings, it would be sufficient to do \time 9/16 \set beatStructure = #'(4 2 3) because the \time call resets beatStructure. HTH, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Help, hyphen in addlyrics doesn't seem to work
hey, that's awesome - just by putting \override LyricHyphen #'minimum-distance = #2.0 in the Lyrics context (and not in the Staff context, although using Lyrics. … ) ! thanks! Phil Holmes-2 wrote: - Original Message - From: -Eluze elu...@gmail.com To: lilypond-user@gnu.org Sent: Wednesday, August 18, 2010 10:38 AM Subject: Re: Help, hyphen in addlyrics doesn't seem to work hi it seems that with removing ragged-right=##t and \include gregorian.ly you can get what you want - sorry i know nothing about the gregorian style. peterwinson1 wrote: I've have the following code with hyphens in the lyrics. However, lilypond seems to ignore the hyphens because the notes are too close together. First of all why are the notes so close together? It seems that there are a lot of space available. I've tried to space to notes further apart, as in the code, but that does work. Please help. I've not seen the original question, but it might also be worth looking at: http://lsr.dsi.unimi.it/LSR/Item?id=680 -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://old.nabble.com/Help%2C-hyphen-in-addlyrics-doesn%27t-seem-to-work-tp29455257p29473016.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: overrideBeamSettings not working in 2.13.30
On 18 Aug 2010, at 17:50, Carl Sorensen wrote: It was not so difficult, it seems (I'll have to check it more). For the 9/16 meter, because there is already a beat structure defined for it (3+3+3), I had to write \overrideTimeSignatureSettings #'Score #'(9 . 16) % time signature fraction #'(1 . 16) % base moment fraction #'(4 2 3) % beatStructure #'() % beamExceptions \time 9/16 I think (not tested) you can just write \set beamExceptions = #'() \set beatStructure=#'(4 2 3) \time 9/16 If you don't want to do \overrideTimeSignatureSettings, it would be sufficient to do \time 9/16 \set beatStructure = #'(4 2 3) because the \time call resets beatStructure. That does not work: I get 3+3+3 on that one, too. So perhaps there is a bug here. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Manuscript Writer to Lilypond converter
Hi, a (semi-automatic) converter from my old Manuscript Writer language to Lilypond is now available. I have linked this from the Manuscript Writer page at http://people.pwf.cam.ac.uk/ssb22/mwrhome/ hope it's useful to someone. (MWR is based on SMX so it's very terse, if you like that sort of thing.) Silas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
LSR images
Hi, How are the LSR images generated? Are they just cropped PNGs, or are there some special lilypond settings in use? I'm curious because I'm trying to create small excerpts like that for an online music theory test. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Soundfonts
I have a similar question. I have a bass and a mute bass, which is just slightly different sound. I would like to use the same bass notation, with a additional accent which can be played as a different sound in the Midi file. Is that possible in Lilypond? If so how to do this? Thanks, Bernard Citeren Brett McCoy idragos...@gmail.com: 2010/7/31 胡海鹏 - Hu Haipeng hhpmu...@163.com: Does anyone have experience with various soundfonts? I think Lilypond'smidi is only suitable for GM soundfonts. I just purchased Orchestral Collection Bundle from Digital SOund Factory, and found it is divided into separated sections. Is anyone familiar with this kind of soundfonts? Yeah, Lilypond really only does GM sounds, and only 16 MIDI channels. You'll need to put your composition into a real sequencer/DAW (like Rosegarden, Digital Performer, Logic, etc) to use other sounds. Which is probably best anyway -- use Lilypond to make your score look good, and use a sequencer/DAW to make it sound good. -- Brett W. McCoy -- http://www.electricminstrel.com In the rhythm of music a secret is hidden; If I were to divulge it, it would overturn the world. -- Jelaleddin Rumi ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Soundfonts
On Wed, Aug 18, 2010 at 3:10 PM, lilyp...@bernardhulsman.nl wrote: I have a similar question. I have a bass and a mute bass, which is just slightly different sound. I would like to use the same bass notation, with a additional accent which can be played as a different sound in the Midi file. Is that possible in Lilypond? If so how to do this? Normally that kind of thing is handled by either program changes (in the MIDI) or putting the different articulations on separate tracks (which is really something you'd do in a DAW rather than trying to do it with scoring software). A lot of samplers handle this kind of thing with 'key switching' also... but don't think you can do it in Lilypond. -- Brett W. McCoy -- http://www.electricminstrel.com In the rhythm of music a secret is hidden; If I were to divulge it, it would overturn the world. -- Jelaleddin Rumi ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: countPercentRepeats: print number 1?
On 17 August 2010 21:57, Alexander Kobel n...@a-kobel.de wrote:
Oops, sorry, I see now the difference between those options for a
MultiMeasureRest and the PercentRepeat. For the former, there already is
the grob, and it just lacks the number. In the second case, the number is
not suppressed; rather, no PercentRepeat is there at all, and we have to dig
deeper to create/simulate one. Anyway, the request sounds reasonable to me.
I should know by now that declaring something impossible in LilyPond
is unwise. :)
It is possible to generate a percent repeat for the first bar; all you
have to do is create an explicit PercentEvent (which usually comes
from the iterator):
forcePercent =
#(define-music-function (parser location mus) (ly:music?)
Create a percent repeat the same length as MUS, labelled `1' if
countPercentRepeats is set.
(let ((percent (make-music 'PercentEvent
'repeat-count 1
'length (ly:music-length mus
(make-event-chord (list percent
\context Voice = foo {
\clef bass
c4 r g r
c4 r g r
c4 r g r
c4 r g r
}
\context Voice = foo {
\set countPercentRepeats = ##t
\override PercentRepeat #'transparent = ##t
\override PercentRepeatCounter #'staff-padding = #1
\repeat percent 4 { \forcePercent s1 }
}
Such an engraver might be interesting to have in general - I can't see a
simple way (other than hijacking the MultiMeasureRestText) to center a
markup above a measure, right?
It should be quite simple to implement: the basic code for centring is
already there for full-bar rests and percents.
Cheers,
Neil
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Re:Re: Soundfonts
I have figured out how to achieve, but... but you must do a complete different score for midi. If the two sounds within a line uses different soundfont, you must divide it into two lines. Also, please map the midi instrument to the correct presets of your soundfont, thus, 001 is not always piano! You can use Synthfont to assign different soundfonts within one midi file. Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
two problems regarding harp part
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30 the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is found:
programming error: no note heads for the line spanner on neighbor line?
Confused.
continuing, cross fingers
And also, couldn't fit music on page.
\version 2.13.30
str = \change Staff = rh
stl = \change Staff = lh
headsOn = \sequential {
\override Dots #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
}
headsOff = \sequential {
\revert Dots #'transparent
\revert Stem #'transparent
\revert Beam #'transparent
}
harprh = \relative c' {
\clef treble \key c \major \time 4/4
\showStaffSwitch
% introduction
% initial, bars 1-6
R1 | \time 5/4 R1*5/4 |
\time 4/4 R1 |
\time 5/4 R1*5/4*3 |
% part 1
% rehearsal 1, bars 7-20
\time 9/8 R1*9/8*3 | \time 5/4 R1*5/4*5 |
\time 9/8 R1*9/8*3 | \time 5/4 R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar
||
% rehearsal 2, bars 21-37
R1*5/4*8 |
R1*5/4_\markup { \harp-pedal #^^-|-^-- } |
s1*5/4 |
R1*5/4*7_\markup { \harp-pedal #vv-|-vv- } |
% rehearsal 3, bars 38-51
\time 3/4
R2.*7 |
r4 r8 \autoBeamOff b32[\mf\ cis dis e fis gis a32*6]\glissando |
\time 5/4
\autoBeamOn dis'4\!\f r r r2 |
R1*5/4*5_\markup { \harp-pedal #---|^--^ } |
% rehearsal 4, bars 52-65
\time 9/8
R1*9/8*11 |
\time 5/4
g,, b,2.\laissezVibrer r2 |
R1*5/4^\markup { B \smaller \flat } | R1*5/4^\fermataMarkup \bar ||
% part 2
% rehearsal 5, bars 66-82
\key ees \major \time 4/4
g ees c bes1\arpeggio | R1 |
f c aes\arpeggio |
aes ees c\arpeggio |
g f ees\arpeggio |
aes f ees c\arpeggio |
a f ees c\arpeggio |
bes f d\arpeggio |
r4 bes, ees bes f bes, |
r g bes, f bes, ees bes |
r c ees c f c |
r f aes, ees aes, des aes |
r f aes, ees aes, des aes |
r f bes f g ees |
r f aes, r f aes, |
r aes des, aes f des aes2 |
r4 f ees bes d,2 |
% rehearsal 6, bars 83-108
s1*6 |
s2 c a e4\arpeggio r4 |
s1*8 |
bes aes f d2\arpeggio r_\markup { \harp-pedal #--^|^--^ } |
r \stl \headsOn bes,,8\glissando \str f''\glissando \stl bes,4\glissando |
\str \headsOff bes'''4 r r2 |
R1*8_\markup { \harp-pedal #---| } |
% rehearsal 7, bars 109-120
R1*3 |
g,,4\p^\flageolet r r2 |
R1 | R1^\fermataMarkup |
R1*3 |
g'4^\flageolet r r2 |
r2 \times 2/3 { g8- g,4 } r4 |
\times 2/3 { g'8-\ g,4 } r4 \times 2/3 { g'8-\!\pp g,4 } r4\fermata \bar
||
% part 3
% rehearsal 8, bars 121-130
\key c \major \time 3/4
R2.*4 |
\time 4/4
R1 | R1 |
\time 3/4
R2. | R2. |
\time 5/4
R1*5/4 | R1*5/4 |
% rehearsal 9, bars 131-146
\time 9/8 R1*9/8*3 |
\time 5/4 R1*5/4*5 |
\time 9/8 R1*9/8*3 |
\time 5/4 R1*5/4*5 |
% rehearsal 10, bars 147-167
R1*5/4*21 \bar ||
% coda
% rehearsal 11, bars 168-188
\time 3/4 R2.*21 |
% rehearsal 12, bars 189-202
R2.*6 |
\time 4/4
R1*8 |
% rehearsal 13, bars 203-238
\time 2/2
R1 |
\stl \headsOn g,,4\glissando \str d''\glissando \stl g,2\glissando |
\str \headsOff g'''4 r r2 | R1*32 |
r2 \stl g\glissando |
% finale
% rehearsal 14, bars 239-248
\time 4/4
\str g4 r r2 |
R1*3 |
\time 3/4
R2.*4 |
\time 4/4
R1 | R1 \bar |.
}
harplh = \relative c {
\clef bass \key c \major
\showStaffSwitch
% introduction
% initial, bars 1-6
R1 | R1*5/4 | R1 | R1*5/4*3 |
% part 1
% rehearsal 1, bars 7-20
R1*9/8*3 | R1*5/4*5 |
R1*9/8*3 | R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar ||
% rehearsal 2, bars 21-37
R1*5/4*9 |
a32\mf\^gliss. b ces des e fes g a32*13\glissando \str \headsOn
b'''8*4\!\\glissando \stl a8\! \headsOff |
R1*5/4*7 |
% rehearsal 3, bars 38-51
R2.*8 | R1*5/4*6 |
% rehearsal 4, bars 52-65
R1*9/8*11 |
g d'2.\laissezVibrer r2 |
R1*5/4 | R1*5/4^\fermataMarkup \bar ||
% part 2
% rehearsal 5, bars 66-82
\key ees \major
ees bes' ees g1\arpeggio | R1 |
f c' f\arpeggio |
aes ees' aes\arpeggio |
c g'\arpeggio |
aes ees' aes\arpeggio |
f c' f\arpeggio |
bes f' bes2.\arpeggio bes, bes'4 |
ees8 bes' g' bes, g' bes, g' bes, |
ees, bes' g' bes, g' bes, g' bes, |
f c' aes' c, aes' c, aes' c, |
des, aes' f' aes, f' aes, f' aes, |
f des' f des f des f des |
c, g'' c g c g c g |
f, c' f c ees, c' f c |
des, aes' f' aes, f'2 |
bes,8 f' bes f bes f aes, f' |
% rehearsal 6, bars 83-108
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { ges,([ des' ges] \str bes[ des ees] bes'[ ges ees] \stl des[
bes ges)] } |
\times 2/3 { f,([ des' f] \str bes[ des f] des'[ bes f] \stl bes,[ f
Re: \tag en cascade
Merci de nous avoir avertir!
La fonction \keepWithTag dans ly/music-functions-init.ly ne cherche qu'une
seule fois pour les \tag dans une partition. Si tu réécrivais la fonction
de manière récursive, je crois que tu obtiendrais ce que tu cherches.
~Mike
On 8/18/10 5:04 PM, Seventies j-f.lucare...@espace-midi.com wrote:
Bonsoir à tous,
Ce n'est pas un bug de LilyPond (enfin, je ne crois pas), c'est simplement
une remarque pour éviter à d'autres de longues recherches inutiles :
LilyPond n'accepte pas les \tag à l'intérieur d'autres \tag.
Du genre :
\tag #'partScore {
\tag #'flute {
...
}
\tag #'hautbois {
...
}
}
...
Pas de message d'erreur, mais une sortie totalement incohérente.
Généralement, il y a moyen de réarranger cette structure, mais ça ne
simplifie pas la lisibilité.
Amicalement,
Jean-François
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Re: overrideBeamSettings not working in 2.13.30
On 8/18/10 10:45 AM, Hans Aberg haber...@telia.com wrote:
On 18 Aug 2010, at 17:50, Carl Sorensen wrote:
If you don't want to do \overrideTimeSignatureSettings, it would be
sufficient to do
\time 9/16
\set beatStructure = #'(4 2 3)
because the \time call resets beatStructure.
That does not work: I get 3+3+3 on that one, too. So perhaps there is
a bug here.
\version 2.13.30
{
\time 9/16
\set beatStructure = #'(4 3 2)
\repeat unfold 9 {c''16}
}
this gives the attached .png.
If it's not working for you, please submit a file that shows the problem.
Thanks,
Carl
9-16-test.png
Description: 9-16-test.png
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Re: LSR images
Benjamin Peterson benjamin at python.org writes: Hi, How are the LSR images generated? Try lilypond -dpreview --png myfile.ly HTH, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
