intervallic inversion
Dear community,
has someone created a function, that could make autumaticalli an exact
intervallig inversion, like in the following example?
\version "2.12.2"
original = { g4 gis a bes g1 }
inversion = { g4 ges f e g1 }
\new Staff { \clef bass \original \inversion }
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Re: Beaming to rests over system breaks
Mike,
My plan A was to specify the beam positions. However, the beam insists on
staying horizontal regardless of the position override (probably for the same
reason that it didn't work to simply giving the rest a pitch).
Plan B would be to use hidden notes. If we put them a bit earlier in time
than the rest, there are no warnings, and the pitch of the hidden note can
slope the beam appropriately. Plan B opens up some horizontal space, but that
might be a good thing around unusual notation.
I also made the first rest a r16*2/3 to squarely fill the first measure.
--
Keith
{ \override Staff.Stem #'stemlet-length = #0.60
\override Beam #'breakable = ##t
\relative c' {
r16*2/3 \repeat unfold 40
\times 2/3 {
%% plan A
% \once\override Beam #'positions = #'(2 . 2)
% f8[ g16\rest]
%% plan B
f8[ \hideNotes a16*1/2 \unHideNotes a\rest]
%%
}
}
}
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feedback on 2.13.35
Hello, Thanks for releasing 2.13.35, the spacing problem in 2.13.34 has been solved, and I'm 99% satisfied with it, except that the overture still compiles out 4 pages more than 2.13.24. However, I'll jump to this version before 2.14's out. Regards Haipeng ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
notes sharing stems
\version 2.13.34 I've got three percussion voices sharing a staff. When I made the bottom two voices be \voiceTwo and \voiceFour, I got downward stems, but each note had its own stem. Then I tried making them both be \voiceTwo. That gave me the printed output that I wanted: when notes coincide, they share a stem. However, I got lots of "ignoring too many colliding note columns" warnings. Warnings make me nervous. I'm considering putting both those parts in a single voice and writing chords when notes coincide. Anybody have a better suggestion? thanks -- - Jimmy Wilkinson| Professor Emeritus of Computer Science ji...@cs.cofc.edu| The College of Charleston (843) 953-8160 | Charleston SC29424 http://www.cs.cofc.edu/~jimmy If there is one word to describe me, that word would have to be "profectionist". Any form of incompitence is an athema to me. Metathesis??? Don't ax me. Just between you and I, the grammar used by Americans are getting worse. I can only help but wonder what the cause of this might be. It just ceases to amaze me how it could be the case, but mostly I could care less. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bar lines followed by barlines on a new line
Sam Domonkos wrote Wednesday, September 29, 2010 6:17 PM I am definitely closer thanks to your visibility reference. The remaining problem seems to come when a \bar "|." is followed by a \bar "|." even if they are separated by a \break. To confirm this I tried \bar ".|" \bar "|." \bar ".|" \bar "|." ...and only the last is printed. Yes, these are all at the same musical moment, so the later ones all supersede the earlier ones. Would using separate \score blocks around each section work for you? Trevor ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bar lines followed by barlines on a new line
Well I am not sure I am any closer with this solution because the
wrong type of bar is being printed?
\version "2.13.34"
#(define (always-single-printEnd grob) (set! (ly:grob-property grob
'glyph-name) "|.")
(ly:bar-line::print grob))
endBar = { \once \override Staff.BarLine #'stencil =
#always-single-printEnd \bar "|." \break }
#(define (always-single-printStart grob) (set! (ly:grob-property grob
'glyph-name) ".|")
(ly:bar-line::print grob))
startBar = { \once \override Staff.BarLine #'stencil =
#always-single-printStart \bar ".|" }
#(define (always-single-printBar grob) (set! (ly:grob-property grob
'glyph-name) "|")
(ly:bar-line::print grob))
singleBar = { \once \override Staff.BarLine #'stencil =
#always-single-printBar \bar "|" }
\relative c''' {
\override Score.BarLine #'break-visibility = #all-visible
\cadenzaOn
\startBar c1 \singleBar c1 \endBar %wrong bar type here
\startBar c1 \endBar
}
where as this solution is only missing the ending bar on the first line
not the starting
\version "2.13.34"
\relative c''' {
\override Score.BarLine #'break-visibility = #all-visible
\cadenzaOn
\bar ".|" c1 \bar "|." \break
\bar ".|" c1 \bar "|."
}
I believe when there are two bars in a row the first is ignore, does
anyone know of any legitimate ways of avoiding/disabling this
functionality. I can think of a work around where I put an invisible
note with a partial to separate the two bars, but it would seem there
should be a better way to do this.
--Sam
On 2010-09-29 13:11, Vicente Solsona wrote:
On Wed, 29 Sep 2010 19:17:56 +0200, Sam Domonkos wrote:
I am definitely closer thanks to your visibility reference. The
remaining problem seems to come when a \bar "|." is followed by a
\bar "|." even if they are separated by a \break. To confirm this I
tried
\bar ".|" \bar "|." \bar ".|" \bar "|."
...and only the last is printed.
the Notation Reference states that "Bar lines cannot be printed at
start of line."
perhaps this thread might be helpful:
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00908.html
but I'm running out of ideas beyond that, maybe others can help you
better...
greetings,
Vicente
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Beaming to rests over system breaks
Hey Lilyponders,
Below I have two solutions to the same problem: one seems like it should
work but doesn't, whereas the other is kludgy and makes lily irate with
warnings but works. Any suggestions for a happy medium?
\version "2.13.35"
% seems like it should work but doesn't
\score {
\new Staff {
\override Staff . Stem #'stemlet-length = #0.60
\relative c' { r16 \repeat unfold 40 \times 2/3 { f8 [ r16 ] } } }
\layout {
\context {
\Voice
\remove Forbid_line_break_engraver
}
\context {
\Staff
\override Beam #'breakable = ##t }}}
% does work but lily doesn't like it...
\score {
\new Staff {
\override Staff . Stem #'stemlet-length = #0.60
\relative c' { r16 \repeat unfold 40
<< { \times 2/3 { f8
[ \override Staff . Stem #'stemlet-length = #0.60
\once \override Voice . NoteHead #'transparent = ##t f16 ] } }
{ \times 2/3 { s8 g16\rest } } >> } }
\layout {
\context {
\Voice
\remove Forbid_line_break_engraver
}
\context {
\Staff
\override Beam #'breakable = ##t }}}
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Re: center tempo mark on barline?
thanks Phil: I am trying to build a set of re-useable metric modulations - and I'm favoring the Carter-style in which the '=' is centered on the barline. I have a music function which creates the appropriate \tempo \markup (and midi tempo changes thanks to Neil Puttock) from 2 durations, and I'd like to modify it to have it centered properly on the barline. The piece I am writing is long and has many dozens of such marks so I'm hoping to avoid scooting them all around manually... thanks again michael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: center tempo mark on barline?
On 30 September 2010 14:06, Phil Holmes wrote: > > Do you want to have single command to ensure that it's centred on a bar > line, or just a way of shifting a specific one so it appears to be aligned > like that? The single command to ensure that it's centred on a bar line does not work for the moment. \override Score.MetronomeMark #'break-align-symbols = #'(staff-bar) is one of the "failing cases" listed within #1276... Issue 1276: MetronomeMark 'break-align-symbols should work with all objects http://code.google.com/p/lilypond/issues/detail?id=1276 @michael: You can use a RehearsalMark instead. ;-) http://lsr.dsi.unimi.it/LSR/Item?id=204 Cheers, Xavier -- Xavier Scheuer ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
16-channel limit with larger scores
I apologize if this question has been asked before. I want to write a full score for big band and somehow overcome the 15 staff limit for midi playback. If I could merge the alto and tenor staves from 4 to 1, and do the same for trumpets and bones, I would have few enough staves for midi output to work. Is there some utility to combine staves for midi playback? Regards, Jeff ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to set different bar number format every nth bar?
I'd like to avoid to do:
\score {
% set the size of the first bar number larger
\override Score.BarNumber #'font-size = #-2
c d e f | % 1st measure
% 5th other measures on the same staff
\override Score.BarNumber #'font-size = #-4
g a b c | c d e f | g a b c | c d e f | g a b c |
% and so on...
}
I've seen Neil's music function to set the visibility of the bar number
every odd measure but don't think this can be reused to set the font size.
links to documentation i may have missed or scheme functions are welcome.
Antheo wrote:
>
>
> I'd like to have bar numbers printed on every bar with the first bar
> number of each line bigger.
> I'd like to find if there is any way to set different bar number format
> with a function rather than inline with the music.
>
> -Marc
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Re: center tempo mark on barline?
- Original Message - From: "michael webster" To: Sent: Wednesday, September 29, 2010 5:47 PM Subject: center tempo mark on barline? hi all - wondering how I might align the center of a tempo mark on a barline? any way? tia Do you want to have single command to ensure that it's centred on a bar line, or just a way of shifting a specific one so it appears to be aligned like that? -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: synchronization of feathered beams
Top posting because of HTML original.
Stefan,
featherDurations changes the tempo of the notes. Thus the notes at the start
of the bar have a longer duration than those at the end, and I presume LilyPond
is having a problem applying this to the longer rests. This may not give the
appearance you want, but shows that this will work with short duration rests.
(I've replaced all your eighth notes with sixteenth, to show the beam
feathering).
\version "2.12.3"
global = { \time 7/16 }
upper = { \global
\override Beam #'grow-direction = #RIGHT
\featherDurations #(ly:make-moment 1 2)
{ des''16 -. [\p\< es''16 -. e''16 -. f''16 -. ges''16 -. as''16 -. c'''16 ->
-. \f] }
}
lower = { \global
\override Beam #'grow-direction = #RIGHT
\featherDurations #(ly:make-moment 1 2)
{ r16 r r r r r16 -> -. \sfz }
}
\score {
<< \new Staff \upper
\new Staff \lower >>
}
--
Phil Holmes
- Original Message -
From: Stefan Thomas
To: lilypond-user
Sent: Thursday, September 30, 2010 9:42 AM
Subject: synchronization of feathered beams
Dear community,
I have a problem with the synchronisation in the below quoted snippet.
I expect to have the notes on the end of the bar on the same vertical height.
How can I achieve it?
Thanks for help,
Stefan
\version "2.12.3"
global = { \time 7/8 }
upper = { \global
\featherDurations #(ly:make-moment 1 2)
{ des''8 -. [\p\< es''8 -. e''8 -. f''8 -. ges''8 -. as''8 -. c'''8 -> -.
\f] }
}
lower = { \global
\featherDurations #(ly:make-moment 1 2)
{ r2 r4 8 -> -. \sfz }
}
\score {
<< \new Staff \upper
\new Staff \lower >>
}
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synchronization of feathered beams
Dear community,
I have a problem with the synchronisation in the below quoted snippet.
I expect to have the notes on the end of the bar on the same vertical
height.
How can I achieve it?
Thanks for help,
Stefan
\version "2.12.3"
global = { \time 7/8 }
upper = { \global
\featherDurations #(ly:make-moment 1 2)
{ des''8 -. [\p\< es''8 -. e''8 -. f''8 -. ges''8 -. as''8 -. c'''8 -> -.
\f] }
}
lower = { \global
\featherDurations #(ly:make-moment 1 2)
{ r2 r4 8 -> -. \sfz }
}
\score {
<< \new Staff \upper
\new Staff \lower >>
}
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